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| bade ghulam ali: Ustad Bade Ghulam Ali Khan "Sabrang" Malti Gilani, 2003 Malti Gilani and Quratulain Hyder have written a personal biography of the great singer Ustad Bade Ghulam Ali Khan. The book is both a tribute to the maestro, and a contribution to the history of Indian classical music. The authors trace Khan Sahib's life from his birth in Kasur, now in Pakistan, to his final days in Hyderabad. Particularly rich in personal anecdotes and events is the period in the 1960s when Malti Gilani was Khan Sahib's shagird in Calcutta. Through her close relationship, with her guru emerges an evocative account of the world of music in Calcutta, and Khan Sahib's undisputed place in it. Khan Sahib accepted Palidit Nehru's invitation to be an Indian citizen, because the people here loved his music. The partition of India separated him from his family virtually for life. Khan Sahib, however, continued to sing in both the Sufi and the Bhakti traditions. Music for him transcended the barriers of religion and nation, indeed, even man and nature: on his last day he heard Raga Todi in the crowing of the cock at dawn. Texts of 'Sabrang's' khayal compositions are appended to the end of the book, so that they may be preserved for posterity in their authentic state. The narrative itself is enriched by frequent quotations from Khan Sahib's lyrics. There are articles by eminent musicologists about the unique quality of Khan Sahib's music. |
| bade ghulam ali: Ustad Bade Ghulam Ali Khan and His Contribution to Indian Music Vinita Sapra, 2004-01-01 This Book Traces The Life Of Ustad Bade Ghulam Ali Khan, His Music, Self-Composed Bandishes, Their Notations And His Unaccountable Contribution To Indian Music. |
| bade ghulam ali: Ustad Bade Ghulam Ali Khan Manjari Sinha, 1996-01-01 Biography of Bade Ghulam Ali Khan, Hindustani musician. |
| bade ghulam ali: Tradition of Hindustani Music Manorma Sharma, 2006 |
| bade ghulam ali: The Lost World of Hindustani Music Kumāraprasāda Mukhopādhyāẏa, 2006 Author's anecdotes and impression on the life and musical genius of musicians of Hindustani music style. |
| bade ghulam ali: Ṭhumrī in Historical and Stylistic Perspectives Peter Manuel, 1989 As thumri moved from the courtesan salon to the Public concert hall, its style and image changed drametically in accordance with the evolving aesthetic of its new bourgeois patrons. Thumri in Historical and stylistic perspectives constitutes a welcome and significant contribution to the study of Hindustani music and south Asian culture in general. |
| bade ghulam ali: Ten Classics (English) Anitaa Padhye, 2020 Ten Classics is an in-depth look into the intricacies that went into making of ten legendary Hindi movies−milestones in the history of Indian cinema. Surprising and intriguing facts, the filmmakers’ inspiration behind making them, the conceptualization and actual filming, dotted with anecdotes, incidents, events and trivia surrounding the process of making each of the films, are narrated as recalled by the actual people involved, or someone closely associated with these films. Painstakingly researched and fascinating to read, the book sheds light on factors that make these ten films the classics that they are today. A film journalist for over 23 years, Authors familiarity with the craft of filmmaking adds depth and colour to the perspective. Interesting facts like: Why Mughal-e-Azam took 16 long years to be completed and who the mystery financier was, who invested his trust and money in it, even though the delay had sent its budget skyrocketing; how Amitabh Bachchan bagged the role of Dr Bhaskar Banerjee in Anand, even though Zanjeer, which established him as an actor to reckon with, was yet to release...and many more curious questions like these are answered here. The author has selected one groundbreaking film made by each of the ten legendary directors that she had chosen to showcase. • Do Bigha Zamin • Mother India • Pyaasa • Do Aankhen Barah Haath • Mughal-e-Azam • Guide • Teesri Kasam • Pakeezah • Anand • Umrao Jaan |
| bade ghulam ali: AKASHVANI All India Radio (AIR), New Delhi , 1966-07-24 Akashvani (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became Akashvani (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 24 JULY, 1966 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 80 VOLUME NUMBER: Vol. XXXI, No.30 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-79 ARTICLE: 1. Swati Tirunal (1) As a Musician 2. (2)—The Man 3. Heavy Electricals (India) Ltd 4. The Laccadives 5. Delving Into the Thesaurus 6. Somerset Maugham—The Traveller in His Stories 7. Nepa Mills AUTHOR: 1. Prof. R. Srinivasan 2. Kannikara M . Kumara Pilla 3. K. C. Lull 4. K. V. Krishna Ayyar 5. E. H. Semmens 6. Dr. Ram K .VEpa 7. P S . Kothari KEYWORDS : 1.His style,his compositions,very popular, 2.A great soul,changes in Carnatic music, 3.The progress,the heavy electrical equipment factory situated 4.Influence of Brahmins,their history,cause of separation 5.Illusions,language,first introduction 6.Inveterate traveller,lyrical about nature’s moods,most unlikely backgrounds 7.Causes of failure,expansion programme,no substitute possible,selling price Document ID : APE-1966 (J-S) Vol-II-04 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential. |
| bade ghulam ali: Hindustani Music Today Deepak S. Raja, 2021-02-01 About the Author Deepak Raja (b. 1948-) is amongst the most respected writers on Hindustani music today. He works as repertoire analyst for India Archive Music Ltd. (IAM), New York, the most influential producer of Hindustani music outside India. He has been associated with the academic and publishing activities of the Śruti magazine (Chennai), ITC-Sangeet Research Academy (Calcutta), Sangeet Natak Akademi (Delhi), and the Indian Musicological Society (Baroda/Mumbai). About tha Book Stating that Hindustani music should be rightly termed “Art music” and not “classical music”, the book begins by discussing the features of Art music and presents an approach to appreciating Hindustani music. It provides a detailed understanding of the components of the raga experience in Hindustani music, including their time theory and the role of Gharanas of the musical tradition. It deals with genres of raga-based vocal music which have been performed over the last five centuries: dhrupad, which has its moorings in devotional music; khyal vocalism shaped by Sufi influences; the thumri, which originated as an accompaniment to the Kathak dance; and the tappa, adapted from the songs of camel drivers in the north-west frontier. It takes up the use of instruments in Hindustani music, especially the rudra-vina, sitar, surbahar, sarod, santur, the shehnai, pakhawaj, the Hawaiian Guitar and many others, giving an account of their origin, performing styles and lineages relating to them. Throughout, the emphasis is on contemporary trends in Hindustani music and its prospects in the future. It mentions the significant practitioners of Hindustani music, both vocal and instrumental. The volume will interest lovers of Indian music and also scholars who want to have a greater understanding of its traditions, its contemporary appeal and trends in practice. |
| bade ghulam ali: AKASHVANI Publications Division (India), New Delhi , 1963-12-29 Akashvani (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became Akashvani (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 29 DECEMBER, 1963 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XXVIII. No. 52 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-67 ARTICLE: 1. Why Does India Need Gold 2. Freedom and Its Obligations 3. Facing the Interview 4. The Rogue Tusker of Baghamunda AUTHOR: 1. Dr. Babudosh Dutta 2. K. S. V. Raman 3. K. P. S. Menon 4. G. S. Puri KEYWORDS : 1. Gold Currency,1931 breakdown, Rupee one of the strongest currencies.Our clear Duty 2. An Emotional.Upsurge,Big Task Faces US.Resist Enemy Propaganda. 3. I.C.S.Interview.Putting Candidates at Ease.Academic Question Too, Assessment Possible 4. What is a Rogue.Shooting Camp Set Up.Tracking the Rogue, Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential. |
| bade ghulam ali: Who’s Who Sheikh, M. A., 2012-04-26 I first met M.A Sheikh in the late nineteen seventies as my interest in music grew beyond that of mere appreciation. I was looking for people who could help in developing my taste further and on being recommended I went to visit M. A Sheikh who had an office in the basement of Radio Pakistan Lahore. With regular visits I came to know of the setting up of the Classical Music Cell and its dramatic downturn in fortune with the change of government. The Classical Music Research Cell had been shut down after martial law had been imposed in nineteen seventy seven as an unnecessary drain on the national expenditure. Since the hired premises had to be vacated the question remained as to what was to become of the music, manuscripts, books and some equipment which had been collected so assiduously in the past year. It was lugged from one premise to another till finally a more permanent place in the basement of the Lahore Radio Station was settled for. During this series of very grave crises a small team maneuvered to ward off all the palpable threats. These few individuals had as if almost vowed not to let the Cell be closed down or fall in UN deserving hands. Principally through M.A.Sheikh’s efforts it managed to survive. I gradually came to appreciate the work being done by M.A Sheikh who really toiled for years in conditions which were far from ideal to save the collection of recorded material and the many rare and invaluable manuscripts which had been collected over time. . |
| bade ghulam ali: Sky Monk R.R. Sharath Singh, 2025-01-07 If you’re ready to awaken the latent spark within and pursue your dreams, this journey is for you. Sky Monk is based on a true story and presents the success tools and techniques of NeuroLinguistic Programming (NLP) in a straightforward, practical way. Join the young and untamed Arjun, the central character, and discover the warrior within you. As the story unfolds, you’ll learn to master your mind, understand others more effectively, and clearly define your vision. This narrative aims to inspire you to reach for higher goals that you may have postponed. Prepare to be guided with simple and actionable insights. |
| bade ghulam ali: Encyclopaedia of India, Pakistan and Bangladesh Om Gupta, 2006-04 India, Pakistan and Bangladesh share a long history, an emerging cordial and a common vision for the future. This book is not India-centric but deals with various aspects of all the three sovereign nations. Reading them together will be an unprecedented experience rarely attempted before. It has rarely happened in the modern world, how these three nations who geographically one but culturally so different are chalking out an independent place in the comity of nations at times with the help of each other and at another on its own merit and inherent strength. It is not written from any biased perspective. In fact, it explains people, places and events from a neutral world view. It is ideally an international venture that would benefit historians, teachers and students in the entire sub-continent It will be interesting to compare the three countries from different parameters, thus planning a wholesome picture. The encyclopedia aims at clearing confusions and contradiction that have crept in because of certain vested interests and it should be read from a neutral benchmark. These volumes very clearly and earlier suggest, how fatal the disintegrate have proven to these nations with the fact that divided these countries have in actuality fallen. In the face of achieving the target of universal supremacy. |
| bade ghulam ali: Kankana Banerjee: The Journey of a Khayal Queen Debottam Sarma, 2022-12-28 ‘Kankana Banerjee-The Journey of a Khayal Queen’ attempts to bring to the fore the life and contributions of one of India’s most acclaimed and foremost Classical vocalists Vidushi Kankana Banerjee. As a young girl of eleven, Kankana came under the tutelage of Ustad Amir Khan and learned from him for more than fifteen years. She was later trained by Pandit Pratap Narayan of the Mewati gharana. As a performing artist, she was particularly marked by experts for her cuckoo-like voice and soulful renditions that were built on the rudiments of the Indore style of singing and carried the ethos and marrow of her Ustad. Fame and recognition were sure to come, but not easily. Life had been unsparing at times. Her land of promises froze on several occasions, leaving her torn and devastated. But her unflagging determination kept her going. Despite all odds, she could establish herself as a singer of repute; a name to reckon with. Her sundry contributions as a performing artist, a Guru, and a composer would indubitably be of interest to arbiters of music, aesthetes, students and her devotees around the globe. This book not only gives one the opportunity to know Kankana only as a songstress of rare brilliance but also allows us to peep into the artist’s unostentatious life yet worthy of attention, from close proximity. |
| bade ghulam ali: Voyage into Hindustani Music Pasquale De Marco, 2025-04-25 Voyage into Hindustani Music is an immersive exploration of the captivating world of Indian music, inviting readers to embark on a journey through its rich history, diverse instruments, legendary maestros, and profound cultural significance. Within these pages, readers will discover the enchanting realm of ragas, the melodic frameworks that form the core of Indian music. They will delve into the intricate rhythmic patterns of talas, the rhythmic cycles that provide the pulse of Indian music. The book also traces the evolution of Indian music from its ancient origins to its contemporary global embrace, highlighting the contributions of legendary maestros who have shaped its course. Readers will be introduced to the diverse instruments that bring Indian music to life, from the haunting melodies of the sitar to the soulful strains of the bansuri flute. They will learn about the healing power of Indian music, its ability to soothe the soul, reduce stress, and promote mental well-being. The book also explores the role of Indian music in preserving cultural heritage, promoting unity, and fostering cross-cultural understanding. With its engaging narrative style and accessible explanations, Voyage into Hindustani Music is an ideal companion for both music enthusiasts and those new to the genre. It is a comprehensive guide that provides a deeper understanding and appreciation of this rich and vibrant musical tradition. Whether you are a seasoned music lover seeking to expand your knowledge or a curious explorer eager to discover new musical horizons, Voyage into Hindustani Music promises an enriching and transformative journey. Immerse yourself in the captivating sounds of Indian music and embark on a voyage of discovery that will leave you spellbound. If you like this book, write a review on google books! |
| bade ghulam ali: Khyal Bonnie C. Wade, 1984 Bonnie C. Wade studies khyal and the cultural history behind the art. |
| bade ghulam ali: Colonial Lahore Ian Talbot, Tahir Kamran, 2022-02-15 A number of studies of colonial Lahore in recent years have explored such themes as the city's modernity, its cosmopolitanism and the rise of communalism which culminated in the bloodletting of 1947. This first synoptic history moves away from the prism of the Great Divide of 1947 to examine the cultural and social connections which linked colonial Lahore with North India and beyond. In contrast to portrayals of Lahore as inward looking and a world unto itself, the authors argue that imperial globalisation intensified long established exchanges of goods, people and ideas. Ian Talbot and Tahir Kamran's book is reflective of concerns arising from the global history of Empire and the new urban history of South Asia. These are addressed thematically rather than through a conventional chronological narrative, as the book uncovers previously neglected areas of Lahore's history, including the links between Lahore's and Bombay's early film industries and the impact on the 'tourist gaze' of the consumption of both text and visual representation of India in newsreels and photographs. |
| bade ghulam ali: Great Muslims of undivided India Nikhat Ekbal, 2009 Profiles of 102 eminent Muslims of India from various fields. |
| bade ghulam ali: NAD Sandeep Bagchee, 1998 This book is perhaps the first comprehensive guide to understanding all the aspects and finer nuances of Hindustani classical music. It is aimed at the serious listener, that is, someone who may not have had any formal lessons himself in this performing art, but who, nevertheless, has picked up an initial interest in listening to classical music, and is, therefore, seeking to know more about its underlying structure, system and traditions. By explaining in a straightforward and extremely readable style, the basic features of Indian music, how time and melody are structured, the main principles of r?ga delineation and development, and the various genres and styles of vocal as well as instrumental performances, the book aims to enhance the serious listeners understanding of Hindustani music, and heighten his appreciation of this art form. This book includes a glossary of musical terms, a select discography and a select bibliography. |
| bade ghulam ali: Musics of Many Cultures Elizabeth May, 2023-07-28 The foremost authorities in the field of music from around the world have contributed twenty original essays for this volume, edited by Elizabeth May. Only European musics have been omitted, except insofar as they affect other musics discussed here. North American music is represented by the musics of the Native Americans and the Alaskan Eskimos. The essays are profusely illustrated with maps, drawings, diagrams, photographs, and music examples. There are extensive glossaries, bibliographies, and annotated film lists. The book is directed to readers seriously interested in acquainting themselves with musics beyond the confines of Western musicology. Contributors include Bruno Nettl, Kuo-huang Han and Lindy Li Mark, Kang-sook Lee, William P. Malm, David Morton, Bonnie C. Wade, Margaret J. Kartomi, Adrienne L. Kaeppler, Trevor A. Jones, Atta Annan Mensah, John Blacking, Alfred Kwashie Ladzekpo and Kobla Ladzekpo, Cynthia Tse Kimberlin, Jozef M. Pacholczyk, Ella Zonis, Abraham A. Schwadron, David P. McAllester, Lorraine D. Koranda, and Dale A. Olsen. Please note: this book was originally published with records. The edition available now does not include the records. We are hoping to make the original recordings available in some other way. The foremost authorities in the field of music from around the world have contributed twenty original essays for this volume, edited by Elizabeth May. Only European musics have been omitted, except insofar as they affect other musics discussed here. North |
| bade ghulam ali: Sruti , 2006 |
| bade ghulam ali: General Studies Manual Paper-1 2022 Dr. Priya Goel, Jenmenjay Sahni, Vivek Singh, Deepika Singla, Tushar Shukla, Amibh Ranjan, Rakesh Kumar Roshan, Ekta Soni, Sahana Ansari, Dr Poonam Singh, 2021-12-20 1. General Studies Paper – 1 is the best- selling book particularly designed for the civil services Preliminary examinations. 2. This book is divided into 6 major sections covering the complete syllabus as per UPSC pattern 3. Special Section is provided for Current Affairs covering events, Summits and Conferences 4. simple and lucid language used for better understanding of concepts 5. 5 Crack Sets are given for practice 6. Practice Questions provides Topicwise Questions and Previous Years’ Solved Papers With our all time best selling edition of “General Studies Manual Paper 1” is a guaranteed success package which has been designed to provide the complete coverage to all subjects as per prescribed pattern along with the updated and authentic content. The book provides the conventional Subjects like History, Geography, Polity and General Science that are thoroughly updated along with Chapterwise and Sectionwise questions. Contemporary Topics likes; Indian Economy, Environment & Ecology, Science & Technology and General Awareness have also been explained with latest facts and figures to ease the understanding about the concepts in this book. Current events of national and international interest have been listed in a separate section. Practice Sets are given at the end, keeping in view the trend of the questions coming in exams. Lastly, More than 5000 Most Important Points for Revision are provided in the attached booklet of the guide. It is a must have tool that proves to be one point solution for the preparf Civil Services Preliminary Examination. TOC Solved Paper 2021-2018, Indian History and Indian National Movement, India and World Geography, Indian Polity and Governance, Indian Economy, General Science & Science and Technology, General Knowledge & Computer Technology, Practice: Topicewise Questions, Current Affairs, Crack Sets (1-5). |
| bade ghulam ali: Objective General Knowledge Prabhat Prakashan Team, 2021-01-19 This book; ‘Objective General Knowledge’; offers wide range of questions covering all the sections that come under the subject; G.K. This book is of high value to the students need a kind of single source to keep their knowledge update. This book will surely fulfil that requirement. The book provides an in-depth knowledge of Indian culture; history; polity; science; geography and many more in the form of MCQs with answer and explanations. OBJECTIVE GENERAL KNOWLEDGE FOR ALL COMPETITIVE EXAMS is a book authored by the Prabhat Prakashan Team. It is a valuable resource for individuals preparing for various competitive examinations, offering comprehensive general knowledge coverage. Key Aspects of the Book OBJECTIVE GENERAL KNOWLEDGE FOR ALL COMPETITIVE EXAMS: Wide Exam Coverage: Suitable for a wide range of competitive exams, making it versatile. General Knowledge Mastery: Helps aspirants build a strong foundation in general knowledge topics. Team Effort: Authored by a team of experts, ensuring a well-rounded approach to GK. The book is authored by the Prabhat Prakashan Team, a group of experts dedicated to creating quality study materials for competitive exams. |
| bade ghulam ali: 2024-25 SSC General Studies Chapter-wise, Topic and Subject-wise Solved Papers YCT Expert Team , 2024-25 SSC General Studies Chapter-wise, Topic and Subject-wise Solved Papers 1104 1595 E. This book contains 957 set papers with detail analytical explanation and based on revised answer key. |
| bade ghulam ali: Lajja Tasalimā Nāsarina, 1994 Lajja, The Controversial Novel By Bangladeshi Writer Taslima Nasrin, Is A Savage Indictment Of Religious Extremism And Man S Inhumanity To Man. The Duttas-Sudhamoy, Kironmoyee, And Their Two Children, Suranjan And Maya-Have Lived In Bangladesh All Their Lives. Despite Being Part Of The Country S Small Hindu Community, That Is Terrorized At Every Opportunity By Muslim Fundamentalists, They Refuse To Leave Their Country, As Most Of Their Friends And Relatives Have Done. Sudhamoy, An Atheist, Believes With A Naive Mix Of Optimism And Idealism That His Motherland Will Not Let Him Down.... And Then, On 6 December 1992, The Babri Masjid At Ayodhya In India Is Demolished By A Mob Of Hindu Fundamentalists. The World Condemns The Incident, But Its Fallout Is Felt Most Acutely In Bangladesh, Where Muslim Mobs Begin To Seek Out And Attack The Hindus.... The Nightmare Inevitably Arrives At The Duttas Doorstep-And Their World Begins To Fall Apart.... Unremittingly Dark And Menacing, The Novel Exposes The Mindless Bloodthirstiness Of Fundamentalism And Brilliantly Captures The Insanity Of Violence In Our Time. |
| bade ghulam ali: Partition and the Practice of Memory Churnjeet Mahn, Anne Murphy, 2017-12-05 This edited collection attends to the locations of memory along and about the Indo-Pakistan and Indo-Bangladesh borders and the complex ways in which such memories are both allowed for and erased in the present. The collection is situated at the intersection of narratives connected to memory and commemoration in order to ask how memories have been formed and perpetuated across the imposition of these borders. It explores how national boundaries both silence memories and can be subverted in important ways, through consideration of physical sites and cultural practices on both sides of the India-Pakistan-Bangladesh borders that gesture towards that which has been lost – that is, the cultural whole that was the cultural regions of Punjab and Bengal before Partition, as well as broader cultural wholes across South Asia, across religious and linguistic lines – alongside forces that deny such connections. The chapters address issues of heritage and memory through specific case-studies on present-day memorial, museological and commemoration practices, through which sometimes competing memorial landscapes have been constructed, and show how memories of past traumas and histories become inscribed into diverse forms of cultural heritage (the built landscape, literature, film). |
| bade ghulam ali: Disha Prabha Sharanya Dinesh, 2018-12-18 Dear all, Disha Prabha is the connecting link of this series and has a special significance too. Thus, I commence this series with the etymology of the name. When we (the lazy, intellectual better half that I am married to and the earnest me) were searching for an ideal name for my counseling practice, we tried various permutations and combinations, for a word or phrase that meant ‘to throw light on’ or ‘to guide’ or ‘to give direction’ because as a counselor, that was my ideal job description. The other thought which we were consciously coming back to was a name that would have the family members in it (the four of us), so that one name would suffice as our house sign board and my practice title. Thus, Disha Prabha came into being. Disha means direction or way, and Praha means illumination or radiance. This was just perfect; counselling is all about ‘lighting the way’ or lending ‘radiance to direction.’ More importantly, Disha is a combination of Di, Dinesh (the boss of the family), and Sha, Sharanya (the author). Prabha is put together with Pra, Pranav (our son), and Bha, Bhargavi (our daughter). So in unanimous consensus, we chose this name. Most of my writings are experiences or moments shared with these three people. It is but obvious that they make an appearance everywhere in this book and all the other books that will follow. This book is the first of the Disha Prabha series. And I give my thanks to Sahaj Marg (the meditation path I follow and teach). My Disha received Prabha from this path, and I owe everything to this path. |
| bade ghulam ali: Great Masters Of Hindustani Music Dr. S.V.Brahaspati, 2023-11-04 |
| bade ghulam ali: Raga'n Josh Sheila Dhar, 2005 Sheila Dhar`S Autobiographical Stories, Essays And Memoirs Are Classics Of Modern Indian Prose Many Out Of Print For Some Time. The Present Book Provides, For The First Time Within The Covers Of A Single Volume, Her Collected Shorter Writings, Including All Her Memorable Stories And Essays. |
| bade ghulam ali: An Introduction to Hindustani Classical Music: A Beginners Guide Vijay Prakash Singha, 2018-05-31 An Introduction to Hindustani Classical Music: A Guidebook for Beginners is Vijay Singha's comprehensive guide to savour and appreciate classical music. Written in a simple and easy-to-comprehend style, this book delves into the understanding of raga sangeet, semi-classical and fusion music, raga sangeet in Hindi films, as well as the future of classical music in India. |
| bade ghulam ali: THE INDIAN LISTENER All India Radio (AIR),New Delhi , 1949-07-24 The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became Akashvani in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 24-07-1949 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XIV, No. 16 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 15-66 ARTICLE: 1. Radio Reporting 2. Preservation of Records 3. Dream And Reality 4. Botany: Some Recent Developments 5. The March of the Moderns AUTHOR: 1. R. M. Marathey (All India Radio, Delhi) 2. S. Chakravorti (Archival Chemist, National Archives of India) 3. R. K. Narayan 4. Dr. B. Samanta Rai 5. Roy Hawkins KEYWORDS: 1. Radio reporter, People of Outside Broadcast Unit, Broadcast-sense 2. Maintaining archives, Temperature and humidity control, Climatic condition on paper 3. Building, Progress 4. Hormones in plants, Photoperiodisation, Vernalization 5. Le Corbusier and his concept for modern ma, Walter Gropius and modern architecture Document ID: INL-1949 (J-N) Vol-II (04) |
| bade ghulam ali: Thought , 1955 |
| bade ghulam ali: Musicking Bodies Matthew Rahaim, 2013-05-20 Indian vocalists trace intricate shapes with their hands while improvising melody. Although every vocalist has an idiosyncratic gestural style, students inherit ways of shaping melodic space from their teachers, and the motion of the hand and voice are always intimately connected. Though observers of Indian classical music have long commented on these gestures, Musicking Bodies is the first extended study of what singers actually do with their hands and voices. Matthew Rahaim draws on years of vocal training, ethnography, and close analysis to demonstrate the ways in which hand gesture is used alongside vocalization to manifest melody as dynamic, three-dimensional shapes. The gestures that are improvised alongside vocal improvisation embody a special kind of melodic knowledge passed down tacitly through lineages of teachers and students who not only sound similar, but who also engage with music kinesthetically according to similar aesthetic and ethical ideals. Musicking Bodies builds on the insights of phenomenology, Indian and Western music theory, and cultural studies to illuminate not only the performance of gesture, but its implications for the transmission of culture, the conception of melody, and the very nature of the musicking body. |
| bade ghulam ali: Lahore M. Saeed Malik, 2006 |
| bade ghulam ali: Master on Masters Amjad Ali Khan, 2017-03-29 Veteran musician and sarod maestro, Ustad Amjad Ali Khan, writes a deeply personal book about the lives and times of some of the greatest icons of Indian classical music. Having known these stalwarts personally, he recalls anecdotes and details about their individual musical styles, bringing them alive. Twelve eminent musicians of the twentieth century appear in the book - Bade Ghulam Ali Khan, Amir Khan, Begum Akhtar, Alla Rakha, Kesarbai Kerkar, Kumar Gandharva, M.S. Subbulakshmi, Bhimsen Joshi, Bismillah Khan, Ravi Shankar, Vilayat Khan and Kishan Maharaj. In writing about them, Amjad Ali Khan transcends the Gharana and north-south divide, and presents portraits of these great artists that are drawn with affection, humour and warmth. |
| bade ghulam ali: Business India , 1997 |
| bade ghulam ali: Some Immortals of Hindustani Music Susheela Misra, 1990 |
| bade ghulam ali: The Music of India Reginald Massey, Jamila Massey, 1996 The Classical Music Of The India-Pakistan-Bangladesh Subcontinent Is One Of The New Ancient Art Forms Still Widely Practised Today. In Recent Years It Has Been Much Appreciated All Over The World. This Book, Written By Indian Writers, Serves To Deepen That Appreciation To Understanding. It Covers The Philosophy And History Of Indian Music Clearly And Concisely And Relates Its Growth And Development To Social, Cultural, Religious And Political Factors. India S Musical Contacts With The East And West Are Also Discussed And Their Value Assessed. The Technical Chapters Explain The Raga And Tala Systems, The Numerous Instruments From North And South Are Described In Detail With The Help Of Excellent Line Drawings By Eilean Pearcey, And The Glossary Of Terms Illumines The Subject In An Interesting Way. Short Biographies Of Established Musicians, Composers And Musicologists Place On Record Their Various Achievements. Apart From A Selective Bibliography And Discography For The Reader S Guidance There Is Also A List Of Useful Addresses. The Music Of India Will Prove Invaluable To The Student And Specialist Who Requires A Ready Handbook On The Subject. For The General Reader It Contains A Mine Of Information On The Musical Life Of An Entire Subcontinent. Ravi Shankar, In His Foreword, Recommends This Book To All Who Wish To Be Introduced To India S Music, Her Culture And Her Peoples. This Is A Work Of Scholarship; Lively, At Times Even Witty And Never Dull |
| bade ghulam ali: Patiala , 1994 |
| bade ghulam ali: A Discography of Hindustani and Karnatic Music , 1985-09-25 This exhaustive and complete discography of Indian music issued on microgroove discs and cassettes provides information on over 2,700 recordings of classical and semiclassical music of the Indian subcontinent. It covers the period from the early 1950s to the end of 1983 and also contains information on recordings from the early 1930s onward that were originally issued at 78 RPM and have been reissued on microgroove discs. The main text of the discography is divided into five sections: Hindustani Instrumental, Hindustani Vocal, Karnatic Instrumental, Karnatic Vocal, and Anthologies. Artists are listed alphabetically and brief biographical information is provided when possible. The recordings are indexed by Raga and Tala (the melody and the rhythm), thus allowing comparison between different recordings of the same piece. An instrumental index is included as are indexes to several styles of vocal performance. |
etymology - Why is "bade" pronounced "bad"? - English Language …
bæd; had the word developed exactly like sit ~ sat, we’d have bid ~ bad instead of bid ~ bade. (Indeed, bad is common in Middle English; the spelling bade for the 1st and 3rd sing. past …
etymology - Bada bing, Bada boom; Is it that easy? - English …
May 12, 2020 · The expression "bada bing" and often accompanied by "bada boom" is used when something was very easily accomplished or as an euphemism of the nastier bits of something …
phrases - Old timers referring to a "bad penny" - English Language ...
Mar 10, 2020 · An old proverb in which a 'bad penny' is a methapor for someone or something unwelcome. Pennies today are viewed as nearly worthless by many people (although not so …
What is the correct way to use infinitive after the verb "help": with ...
Jul 4, 2011 · So, "I made/bade/let/had him do it." (However, make takes a to-infinitive in the passive voice: "I was made to do it.") After the had better expression. So, "You had better …
verbs - What is the past tense of "sync"? - English Language
I was always intrigued by set (cement) -> set but set (pupils) -> setted, and by bid (farewell) -> bade but bid (at auction) -> bid (UK) or, I believe, bidded (US). I also find fascinating that we …
How did "biscuit" come to have a distinct meaning in North …
Nov 2, 2017 · With regard to the Oxford Living Dictionary definition of biscuit in the North American sense as "A small, soft round cake like a scone," it bears noting that a true Southern …
grammaticality - Can "casted" be the past tense of "cast"? - English ...
Dec 17, 2012 · Just pointing out that your first bulleted example involves a totally different word (casted). I have to move on quickly when I hear bidded - it's bad enough having to deal with …
What is the origin of the idiom "To Stand Someone Up"?
Mar 3, 2016 · He bade me be here in the even, When the moon tipped the top of the trees, And the whip-poor-will's song in the woodland Floats lightly along in the breeze. However, it is …
etymology - Why is "bade" pronounced "bad"? - English Language …
bæd; had the word developed exactly like sit ~ sat, we’d have bid ~ bad instead of bid ~ bade. (Indeed, bad is common in Middle English; the spelling bade for the 1st and 3rd sing. past …
etymology - Bada bing, Bada boom; Is it that easy? - English …
May 12, 2020 · The expression "bada bing" and often accompanied by "bada boom" is used when something was very easily accomplished or as an euphemism of the nastier bits of something …
phrases - Old timers referring to a "bad penny" - English Language ...
Mar 10, 2020 · An old proverb in which a 'bad penny' is a methapor for someone or something unwelcome. Pennies today are viewed as nearly worthless by many people (although not so …
What is the correct way to use infinitive after the verb "help": with ...
Jul 4, 2011 · So, "I made/bade/let/had him do it." (However, make takes a to-infinitive in the passive voice: "I was made to do it.") After the had better expression. So, "You had better …
verbs - What is the past tense of "sync"? - English Language
I was always intrigued by set (cement) -> set but set (pupils) -> setted, and by bid (farewell) -> bade but bid (at auction) -> bid (UK) or, I believe, bidded (US). I also find fascinating that we …
How did "biscuit" come to have a distinct meaning in North …
Nov 2, 2017 · With regard to the Oxford Living Dictionary definition of biscuit in the North American sense as "A small, soft round cake like a scone," it bears noting that a true Southern …
grammaticality - Can "casted" be the past tense of "cast"? - English ...
Dec 17, 2012 · Just pointing out that your first bulleted example involves a totally different word (casted). I have to move on quickly when I hear bidded - it's bad enough having to deal with …
What is the origin of the idiom "To Stand Someone Up"?
Mar 3, 2016 · He bade me be here in the even, When the moon tipped the top of the trees, And the whip-poor-will's song in the woodland Floats lightly along in the breeze. However, it is …
