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arno peters projection: Drawing the Line Mark Monmonier, 1998-08 |
arno peters projection: The Peters World Atlas Arno Peters, 2002 Finally correcting many long-standing misconceptions about the geography of our own planet, the Peters World Atlas presents one sixtieth of the Earth's surface as an astronaut's eye view on each double-page spread. Its unique use of colour and relief is intuitive, so jungles are green, deserts are brown, and mountains appear to bulge out of the page. In addition to this, 246 thematic maps explore such topics as nature, society, global rainfall, birth control, marriage, weather, status of women, employment and military strength, among others. In full-colour. |
arno peters projection: The Power of Maps Denis Wood, John Fels, 1992-01-01 This volume ventures into terrain where even the most sophisticated map fails to lead--through the mapmaker's bias. Denis Wood shows how maps are not impartial reference objects, but rather instruments of communication, persuasion, and power. Like paintings, they express a point of view. By connecting us to a reality that could not exist in the absence of maps--a world of property lines and voting rights, taxation districts and enterprise zones--they embody and project the interests of their creators. Sampling the scope of maps available today, illustrations include Peter Gould's AIDS map, Tom Van Sant's map of the earth, U.S. Geological Survey maps, and a child's drawing of the world. THE POWER OF MAPS was published in conjunction with an exhibition at the Cooper Hewitt Museum, the Smithsonian Institution's National Museum of Design. |
arno peters projection: Mapping the Cold War Timothy Barney, 2015-04-13 In this fascinating history of Cold War cartography, Timothy Barney considers maps as central to the articulation of ideological tensions between American national interests and international aspirations. Barney argues that the borders, scales, projections, and other conventions of maps prescribed and constrained the means by which foreign policy elites, popular audiences, and social activists navigated conflicts between North and South, East and West. Maps also influenced how identities were formed in a world both shrunk by advancing technologies and marked by expanding and shifting geopolitical alliances and fissures. Pointing to the necessity of how politics and values were spatialized in recent U.S. history, Barney argues that Cold War–era maps themselves had rhetorical lives that began with their conception and production and played out in their circulation within foreign policy circles and popular media. Reflecting on the ramifications of spatial power during the period, Mapping the Cold War ultimately demonstrates that even in the twenty-first century, American visions of the world--and the maps that account for them--are inescapably rooted in the anxieties of that earlier era. |
arno peters projection: The New Nature of Maps J. B. Harley, 2002-10-03 In these essays the author draws on ideas in art history, literature, philosophy and the study of visual culture to subvert the traditional 'positivist' model of cartography and replace it with one grounded in an iconological and semiotic theory of the nature of maps. |
arno peters projection: Peters Projection World Map (ni) Arno Peters, 1989-12-01 |
arno peters projection: An Album of Map Projections John Parr Snyder, Philip M. Voxland, 1989 |
arno peters projection: World View Peters Projection Map Arno Peters, WorldView Publications, Oxford Cartographers Ltd, 1995-01-05 |
arno peters projection: When Maps Become the World Rasmus Grønfeldt Winther, 2020-06-29 Map making and, ultimately, map thinking is ubiquitous across literature, cosmology, mathematics, psychology, and genetics. We partition, summarize, organize, and clarify our world via spatialized representations. Our maps and, more generally, our representations seduce and persuade; they build and destroy. They are the ultimate record of empires and of our evolving comprehension of our world. This book is about the promises and perils of map thinking. Maps are purpose-driven abstractions, discarding detail to highlight only particular features of a territory. By preserving certain features at the expense of others, they can be used to reinforce a privileged position. When Maps Become the World shows us how the scientific theories, models, and concepts we use to intervene in the world function as maps, and explores the consequences of this, both good and bad. We increasingly understand the world around us in terms of models, to the extent that we often take the models for reality. Winther explains how in time, our historical representations in science, in cartography, and in our stories about ourselves replace individual memories and become dominant social narratives—they become reality, and they can remake the world. |
arno peters projection: Flattening the Earth John P. Snyder, 1997-12-05 Cartographers have long grappled with the impossibility of portraying the earth in two dimensions. To solve this problem, mapmakers have created map projections. This work discusses and illustrates the known map projections from before 500BC to the present, with facts on their origins and use. |
arno peters projection: The Image of the City Kevin Lynch, 1964-06-15 The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book. |
arno peters projection: A History of the World in 12 Maps Jerry Brotton, 2013-11-14 A New York Times Bestseller “Maps allow the armchair traveler to roam the world, the diplomat to argue his points, the ruler to administer his country, the warrior to plan his campaigns and the propagandist to boost his cause… rich and beautiful.” – Wall Street Journal Throughout history, maps have been fundamental in shaping our view of the world, and our place in it. But far from being purely scientific objects, maps of the world are unavoidably ideological and subjective, intimately bound up with the systems of power and authority of particular times and places. Mapmakers do not simply represent the world, they construct it out of the ideas of their age. In this scintillating book, Jerry Brotton examines the significance of 12 maps - from the almost mystical representations of ancient history to the satellite-derived imagery of today. He vividly recreates the environments and circumstances in which each of the maps was made, showing how each conveys a highly individual view of the world. Brotton shows how each of his maps both influenced and reflected contemporary events and how, by considering it in all its nuances and omissions, we can better understand the world that produced it. Although the way we map our surroundings is more precise than ever before, Brotton argues that maps today are no more definitive or objective than they have ever been. Readers of this beautifully illustrated and masterfully argued book will never look at a map in quite the same way again. “A fascinating and panoramic new history of the cartographer’s art.” – The Guardian “The intellectual background to these images is conveyed with beguiling erudition…. There is nothing more subversive than a map.” – The Spectator “A mesmerizing and beautifully illustrated book.” —The Telegraph |
arno peters projection: How to Lie with Maps Mark Monmonier, 1996-05-01 Originally published to wide acclaim, this lively, cleverly illustrated essay on the use and abuse of maps teaches us how to evaluate maps critically and promotes a healthy skepticism about these easy-to-manipulate models of reality. Monmonier shows that, despite their immense value, maps lie. In fact, they must. The second edition is updated with the addition of two new chapters, 10 color plates, and a new foreword by renowned geographer H. J. de Blij. One new chapter examines the role of national interest and cultural values in national mapping organizations, including the United States Geological Survey, while the other explores the new breed of multimedia, computer-based maps. To show how maps distort, Monmonier introduces basic principles of mapmaking, gives entertaining examples of the misuse of maps in situations from zoning disputes to census reports, and covers all the typical kinds of distortions from deliberate oversimplifications to the misleading use of color. Professor Monmonier himself knows how to gain our attention; it is not in fact the lies in maps but their truth, if always approximate and incomplete, that he wants us to admire and use, even to draw for ourselves on the facile screen. His is an artful and funny book, which like any good map, packs plenty in little space.—Scientific American A useful guide to a subject most people probably take too much for granted. It shows how map makers translate abstract data into eye-catching cartograms, as they are called. It combats cartographic illiteracy. It fights cartophobia. It may even teach you to find your way. For that alone, it seems worthwhile.—Christopher Lehmann-Haupt, The New York Times . . . witty examination of how and why maps lie. [The book] conveys an important message about how statistics of any kind can be manipulated. But it also communicates much of the challenge, aesthetic appeal, and sheer fun of maps. Even those who hated geography in grammar school might well find a new enthusiasm for the subject after reading Monmonier's lively and surprising book.—Wilson Library Bulletin A reading of this book will leave you much better defended against cheap atlases, shoddy journalism, unscrupulous advertisers, predatory special-interest groups, and others who may use or abuse maps at your expense.—John Van Pelt, Christian Science Monitor Monmonier meets his goal admirably. . . . [His] book should be put on every map user's 'must read' list. It is informative and readable . . . a big step forward in helping us to understand how maps can mislead their readers.—Jeffrey S. Murray, Canadian Geographic |
arno peters projection: On the Map Simon Garfield, 2013-11-05 Examines the pivotal relationship between mapping and civilization, demonstrating the unique ways that maps relate and realign history, and shares engaging cartography stories and map lore. |
arno peters projection: Maps and Politics Jeremy Black, 2000-12 Do maps accurately and objectively present the information we expect them to portray, or are they instead colored by the political purposes of their makers? In this lively and well-illustrated book, Jeremy Black investigates this dangerous territory, arguing persuasively that the supposed objectivity of the map-making and map-using process cannot be divorced from aspects of the politics of representation. |
arno peters projection: From Globe to Grid : The World of GIS Projections YAMINI MALHOTRA, Dr SR Singara Subramanian , 2024-09-13 The world of maps is a fascinating intersection of art and science, where the globe's vast complexities are distilled into flat representations we can hold, analyze, and understand. At the heart of this process lies a critical but often overlooked element: GIS projections. These mathematical methods enable us to transform the curved surface of the Earth into a flat map, preserving various attributes like area, shape, distance, and direction. While the concept may seem technical or abstract, the choice of projection can profoundly impact the way we interpret geographic information. In this book, From Globe to Grid: The World of GIS Projections, we embark on a journey to demystify the intricate world of GIS projections. Our goal is to provide both newcomers and seasoned professionals with a clear, concise understanding of how different projections work, why they matter, and how they can be applied effectively in various contexts. We begin by exploring the fundamental principles behind map projections, laying a foundation for the more complex topics that follow. Each chapter delves into a specific type of projection—cylindrical, conic, azimuthal, and beyond—explaining their unique characteristics and appropriate applications. Through vivid illustrations, real-world examples, and practical tips, we aim to transform this seemingly technical subject into something accessible and engaging. Whether you're a geographer, a cartographer, a GIS professional, or simply someone with a curiosity about maps, this book is designed to be your guide through the maze of GIS projections. By the end of our journey together, you'll not only have a deeper appreciation for the art and science of mapmaking but also a toolkit of knowledge to apply in your own work and explorations. Mapping the world is an endeavour that has shaped human history, and GIS projections are the threads that weave this grand tapestry. We invite you to explore these threads with us, discovering how they shape our understanding of the world and empower us to visualize our planet in new and insightful ways. Welcome to the world of GIS projections—where the globe comes to life on the map!! |
arno peters projection: Maps of the Imagination Peter Turchi, 2004 Drawing on texts as varied as poetry, novels, and cartoons, Turchi explores how writers and cartographers use many of the same devices for plotting and executing their work. Tracing the history of maps, he then relates what writers do in projecting a literary work from the imagination onto the page. |
arno peters projection: A History of the World in Twelve Maps Jerry Brotton, 2012-09-06 Jerry Brotton is the presenter of the acclaimed BBC4 series 'Maps: Power, Plunder and Possession'. Here he tells the story of our world through maps. Throughout history, maps have been fundamental in shaping our view of the world, and our place in it. But far from being purely scientific objects, world maps are unavoidably ideological and subjective, intimately bound up with the systems of power and authority of particular times and places. Mapmakers do not simply represent the world, they construct it out of the ideas of their age. In this scintillating book, Jerry Brotton examines the significance of 12 maps - from the mystical representations of ancient history to the satellite-derived imagery of today. He vividly recreates the environments and circumstances in which each of the maps was made, showing how each conveys a highly individual view of the world - whether the Jerusalem-centred Christian perspective of the 14th century Hereford Mappa Mundi or the Peters projection of the 1970s which aimed to give due weight to 'the third world'. Although the way we map our surroundings is once more changing dramatically, Brotton argues that maps today are no more definitive or objective than they have ever been - but that they continue to make arguments and propositions about the world, and to recreate, shape and mediate our view of it. Readers of this book will never look at a map in quite the same way again. |
arno peters projection: Peters Projection Map Schofield & Sims Limited, 2002-02 |
arno peters projection: The Carrubbers close mission James Gall, 1860 |
arno peters projection: Classics in Cartography Martin Dodge, 2011-01-25 Classics in Cartography provides an intellectually-driven reinterpretation of a selection of ten touchstone articles in the development of mapping scholarship over the last four decades. The ‘classics’ are drawn exclusively from the international peer-review journal Cartographica and are reprinted in full here. They are accompanied by newly commissioned reflective essays by the original article authors, and other eminent scholars, to provide fresh interpretation of the meaning of the ideas presented and their wider, lasting impact on cartographic research. The book provides an equal balance of influential articles from the past and current commentaries which highlight their impact and current context. Read in combination the original ‘classic’ articles and these new reflective essays demonstrate how cartography works as a powerful representational form and explores how various different aspects of mapping practice have been conceptualized by an influential set of academic researchers. Collates ‘classic’ articles from four decades of the journal Cartographica Brings key articles up-to-date with contemporary interpretative essays by the leading scholars in mapping research Themes covered are the epistemological of mapping practice, the ontological underpinnings of cartographic representation, and the contested societal implications of maps Evaluates the progression of the field of cartographic research and demonstrates how new theoretical ideas originate, develop and circulate Provides a signpost for students and new researchers on the key articles in cartography to read and reflect upon |
arno peters projection: Drawing the Line Mark S. Monmonier, 1995 Argues that maps can be manipulated to distort the truth, and shows how they have been used for propaganda in international affairs, political districting, and finding toxic dump sites |
arno peters projection: The Book Shopper Murray Browne, 2009 In search of a good book? Browne provides rich leads and much wit. Go, shop, read! |
arno peters projection: The Power of Projections Arthur Jay Klinghoffer, 2006-04-30 Why is Europe at the top half of maps and Africa at the bottom? Although we are accustomed to that convention, it is, in fact, a politically motivated, almost entirely subjective way of depicting a ball spinning in space. As The Power of Projections teaches us, maps do not portray reality, only interpretations of it. To begin with, they are two-dimensional projections of a three-dimensional, spherical Earth. Add to that the fact that every map is made for a purpose and its design tends to reflect that purpose. Finally, a map is often a psychological projection of the historical, political, and cultural values of the cartographer—or of the nation, person or organization for which the map was created. In this fascinating book, Klinghoffer examines the world perceptions of various civilizations and the ways in which maps have been formulated to serve the agendas of cartographers and their patrons. He analyzes the recent decline of sovereignty, the spread of globalization, the reassertion of ethnic identity, and how these trends affect contemporary mapmaking. |
arno peters projection: Map Projections for Babies Dan Ford, 2021-03-15 Map Projections for Babies is a board book that explains how we unwrap the round Earth to make flat maps. Vibrant illustrations show unique map projection examples, ranging from common shapes - like circles and squares - to intricate shapes - like hearts and butterflies. This book illustrates the way size, shape, and distance change on maps made using different projections. Encourage early communication and learning with this guide for babies (and their loved ones) that describes a complex concept in a baby-friendly format. |
arno peters projection: Modern Data Science with R Benjamin S. Baumer, Daniel T. Kaplan, Nicholas J. Horton, 2021-03-31 From a review of the first edition: Modern Data Science with R... is rich with examples and is guided by a strong narrative voice. What’s more, it presents an organizing framework that makes a convincing argument that data science is a course distinct from applied statistics (The American Statistician). Modern Data Science with R is a comprehensive data science textbook for undergraduates that incorporates statistical and computational thinking to solve real-world data problems. Rather than focus exclusively on case studies or programming syntax, this book illustrates how statistical programming in the state-of-the-art R/RStudio computing environment can be leveraged to extract meaningful information from a variety of data in the service of addressing compelling questions. The second edition is updated to reflect the growing influence of the tidyverse set of packages. All code in the book has been revised and styled to be more readable and easier to understand. New functionality from packages like sf, purrr, tidymodels, and tidytext is now integrated into the text. All chapters have been revised, and several have been split, re-organized, or re-imagined to meet the shifting landscape of best practice. |
arno peters projection: Bibliography of Map Projections Geological Survey (U.S.), 1989 |
arno peters projection: Working with Map Projections Fritz Kessler, Sarah Battersby, 2019-05-03 A map projection fundamentally impacts the mapmaking process. Working with Map Projections: A Guide to Their Selection explains why, for any given map, there isn’t a single best map projection. Selecting a projection is a matter of understanding the compromises and consequences of showing a 3-D space in two dimensions. The book presents a clear understanding of the processes necessary to make logical decisions on selecting an appropriate map projection for a given data set. The authors discuss the logic needed in the selection process, describe why certain decisions should be made, and explain the consequences of any inappropriate decision made during the selection process. This book also explains how the map projection will impact the map’s ability to fulfill its purpose, uses real-world data sets as the basis for the selection of an appropriate map projection, and provides illustrations of an appropriately and inappropriately selected map projection for a given data set. The authors take a novel approach to discussing map projections by avoiding an extensive inventory of mathematical formulae and using only the mathematics of map projections that matter for many mapping tasks. They also present information that is directly applicable to the process of selecting map projections and not tied to a specific software package. Written by two leading experts, this book is an invaluable resource for anyone studying or working with geospatial data, from students to experienced professionals, and will help readers successfully weigh the pros and cons of choosing one projection over another to suit a map’s intended purpose. |
arno peters projection: Maps and Politics Jeremy Black, 2000-09-01 ?We all rely on the apparent accuracy and objectivity of maps, but often do not see the very process of mapping as political. Are the power and purpose of maps inherently political? Maps and Politics addresses this important question and seeks to emphasize that the apparent ‘objectivity’ of the map-making and map-using process cannot be divorced from aspects of the politics of representation. Maps have played, and continue to play, a major role in both international and domestic politics. They show how visual geographical representations can be made to reflect and advance political agendas in powerful ways. The major developments in this field over the last century are responses both to cartographic progression and to a greater emphasis on graphic imagery in societies affected by politicization, democratization, and consumer and cultural shifts. Jeremy Black asks whether bias-free cartography is possible and demonstrates that maps are not straightforward visual texts, but contain political and politicizing subtexts that need to be read with care. |
arno peters projection: The World Through Maps John R. Short, 2003 An illustrated history of maps and mapmaking, including reproductions of 200 antique maps. |
arno peters projection: The Fragmented World Chris Edwards, 2015-06-03 This comprehensive textbook, first published in 1985, on the world economic, written specifically for non-specialists, compares neo-classical, neo-Ricardian and Marxist theories and policies in international economics. Theories of trade and money, and issues such as international debt crisis, the rise of the newly industrializing countries and the demands for a New International Economic Order, and explained clearly and concisely. A wide range of political economics across the political spectrum are discussed. This accessible book will be of interest to anyone who wants to make sense of the complexities of international economy and the competing theories on trade, money and crisis. |
arno peters projection: How Maps Change Things Ward L. Kaiser, 2012-02-29 March 5th 2012 marks the 500th birthday of map-maker Gerhard Kremer, aka Mercator. There are many wishing the Flemish map maker well! From blogs to books the man who has shaped for many our world view is celebrated as often as vilified. Four centuries later, Arno Peters created what many see as a fair view of our world, but others see as a distorted or misleading map! Across the centuries it is maps that link these men and their impact on current human activity. This landmark book - How Maps Change Things: A Conversation About the Maps We Choose and the World We Want - looks at maps by these two men and others. This examination goes beyond maps as nouns, as tactile objects that show locations and distances. Maps are verbs ... don't be fooled we are told at the outset of How Maps Change Things. The book examines maps as change agents, reflecting intentions and setting agendas, stating who has what, and who has not. What are the messages sent by maps? What were Mercator, Peters and other map makers setting out to do with each of their creations? Ward Kaiser, author, publisher, pastor, and historian was instrumental in bringing the Peters Equal Area Map to North America. He has been leading the discussion of what maps mean and the power of maps in framing human activities. In How Maps Change Things Kaiser takes a passionate view of how maps illustrate and influence the significant paths humans pursue. Rather than looking for definitive answers, Kaiser focuses on asking thought-provoking questions. What does our world, through the view of maps, really look like and what does the perspective (or frame of reference or bias) of the viewer mean to the map and its view? Are all maps simply propaganda for the hidden agenda of the map-maker? What is the world we get and what is the world we want ... and who cares and why? Kaiser has stimulated an impressive and important conversation. |
arno peters projection: Planet TV Lisa Parks, Shanti Kumar, 2003 Provides an overview of the rapidly changing landscape of global television, combining previously published essays by pioneers of the study of television with new work by cutting-edge television scholars who refine and extend intellectual debates in the field. |
arno peters projection: Performance Studies Richard Schechner, 2012-12-06 In this second edition, the author opens with a discussion of important developments in the discipline. His closing chapter, 'Global and Intercultural Performance', is completely rewritten in light of the post-9/11 world. Fully revised chapters with new examples, biographies and source material provide a lively, easily accessible overview of the full range of performance for undergraduates at all levels in performance studies, theatre, performing arts and cultural studies. Among the topics discussed are the performing arts and popular entertainments, rituals, play and games as well as the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, post-structuralism, ritual theory, ethology, philosophy and aesthetics. User-friendly, with a special text design, Performance Studies: An Introduction also includes the following features: numerous extracts from primary sources giving alternative voices and viewpoints biographies of key thinkers student activities to stimulate fieldwork, classroom exercises and discussion key reading lists for each chapter twenty line drawings and 202 photographs drawn from private and public collections around the world. |
arno peters projection: Mother Jones Magazine , 1986-12 Mother Jones is an award-winning national magazine widely respected for its groundbreaking investigative reporting and coverage of sustainability and environmental issues. |
arno peters projection: The Routledge Handbook of Mapping and Cartography Alexander Kent, Peter Vujakovic, 2017-10-04 This new Handbook unites cartographic theory and praxis with the principles of cartographic design and their application. It offers a critical appraisal of the current state of the art, science, and technology of map-making in a convenient and well-illustrated guide that will appeal to an international and multi-disciplinary audience. No single-volume work in the field is comparable in terms of its accessibility, currency, and scope. The Routledge Handbook of Mapping and Cartography draws on the wealth of new scholarship and practice in this emerging field, from the latest conceptual developments in mapping and advances in map-making technology to reflections on the role of maps in society. It brings together 43 engaging chapters on a diverse range of topics, including the history of cartography, map use and user issues, cartographic design, remote sensing, volunteered geographic information (VGI), and map art. The title’s expert contributions are drawn from an international base of influential academics and leading practitioners, with a view to informing theoretical development and best practice. This new volume will provide the reader with an exceptionally wide-ranging introduction to mapping and cartography and aim to inspire further engagement within this dynamic and exciting field. The Routledge Handbook of Mapping and Cartography offers a unique reference point that will be of great interest and practical use to all map-makers and students of geographic information science, geography, cultural studies, and a range of related disciplines. |
arno peters projection: The Plausible World B. Westphal, 2016-04-30 In The Plausible World , the intersections of literature and cartography enable readers to understand that place is anything but purely geographic: a plausible world is created as a strategy to fill the void. Innovative in his approach, Westphal challenges the view that perceptions and representations of space are stable or straightforward. |
arno peters projection: U.S. Geological Survey Bulletin , 1983 |
arno peters projection: U.S. Geological Survey Bulletin Geological Survey (U.S.), 1989 |
arno peters projection: The Global Film Book Roy Stafford, 2014-01-10 The Global Film Book is an accessible and entertaining exploration of the development of film as global industry and art form, written especially for students and introducing readers to the rich and varied cinematic landscape beyond Hollywood. Highlighting areas of difference and similarity in film economies and audiences, as well as form, genre and narrative, this textbook considers a broad range of examples and up to date industry data from Europe, Africa, Asia, Australasia and Latin America. Author Roy Stafford combines detailed studies of indigenous film and television cultures with cross border, global and online entertainment operations, including examples from Nollywood to Korean Cinema, via telenovelas and Nordic crime drama. The Global Film Book demonstrates a number of contrasting models of contemporary production, distribution and consumption of film worldwide, charting and analysing the past, present and potential futures for film throughout the world. The book also provides students with: a series of exploratory pathways into film culture worldwide illuminating analyses and suggestions for further readings and viewing, alongside explanatory margin notes and case studies a user friendly text design, featuring over 120 colour images a dynamic and comprehensive blog, online at www.globalfilmstudies.com, providing updates and extensions of case studies in the book and analysis of the latest developments in global film issues. |
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