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| ayi kwei armah african writers: The Novels of Ayi Kwei Armah Robert Fraser, 1980 |
| ayi kwei armah african writers: Two Thousand Seasons Ayi Kwei Armah, 1979 |
| ayi kwei armah african writers: Early West African Writers Bernth Lindfors, 2010 Amos Tutuola, Cyprian Ekwensi and Ayi Kwei Armah were pioneers in a literary movement that gathered force and swept across Africa with remarkable speed in the latter half of the 20th century, producing distinctive national literatures in new nation states that were in the process of freeing themselves from the legacy of colonial rule. Seasoned literary critic Bernth Lindfors here analyses their early work. |
| ayi kwei armah african writers: Osiris Rising Ayi Kwei Armah, 1995 This novel is structured after Africa's oldest narrative, the Isis-Osiris myth cycle. Traveling to Africa on a search for lifework and love, Ast, an African American scholar, gets immersed in history as living continuity. In a pillaged society where slaveraiders' heirs masquerade as aid donors, and colonies are disguised as nations, Ast still finds her home in a quiet community working to bring the continent's people together. The love of friends focused on the making of an African future absorbs her pained consciousness of a world dstroyed. |
| ayi kwei armah african writers: The Healers Ayi Kwei Armah, 1979 This historical novel is set in Ghana. By the author of Fragments and Two Thousand Seasons. |
| ayi kwei armah african writers: Fragments Ayi Kwei Armah, 2006 A member of the African elite groping his way out of the background of slavery and colonialism, Baako sees his education as preparation for the lifework of a socially innovative artist. His family, more pragmatic, expects an elite resume to convert into power and wealth in the real world here and now. Unable to harmonize contervailing needs with wider social aspirations, both family and individual drift toward confrontation and inexorable loss. -- From back cover. |
| ayi kwei armah african writers: Ayi Kwei Armah's Africa Derek Wright, 1989 ...Offers indispensable elucidation of Armah's corpus to date ...invaluably thoughtful & informed.--CHOICE. ...The close reading of texts is penetrating & scrupulous...offers the most detailed investgation of Armah's novels & stories to date.--WEST AFRICA. ...Likely to remain the definitive study for some time yo come.--THE YEAR'S WORK IN ENGLISH STUDIES. Focusing on Armah's very specific African roots, this study challenges views that have traditionally criticized his dependence on Western literary models. (NEW PERSPECTIVES ON AFRICAN LITERATURE, 1). |
| ayi kwei armah african writers: FonTomFrom Kofi Anyidoho, James Gibbs, 2000 Includes articles, annotated filmography, interviews, creative writing, and book reviews. |
| ayi kwei armah african writers: Ayi Kwei Armah, Radical Iconoclast Ode Ogede, 2000 Contending that Armah makes a significant and valuable contribution to the problems of writing outside the prison-house of conventional English, Ogede situates Armah's writing within its cultural, historical and political contexts and examines Armah's ability to create new literary forms based on his masterful manipulation of African oral traditons. |
| ayi kwei armah african writers: Africa39 Ellah Wakatama Allfrey, 2014-10-28 In 2014, UNESCO's World Book Capital is Port Harcourt, Nigeria-the first city in Africa to receive the designation by public bid. This makes it a special year for the Port Harcourt Book Festival, which will be in its seventh year, and bigger than ever. They are joining forces with the internationally renowned Hay Festival, which will bring to Port Harcourt its 39 Project-a competition to identify the thirty-nine most promising young talents under the age of forty in sub-Saharan Africa and the diaspora. It follows the success of Bogotá 39 in 2007 and Beirut 39 in 2010. Both recognized a number of authors who now have international profiles: in Bogotá, Adriana Lisboa, Alejandro Zambra, Juan Gabriel Vásquez, Daniel Alarcón, and Junot Díaz; in Beirut, Randa Jarrar, Joumana Haddad, Abdellah Taia, Samar Yazbek, and Faiza Guene. In Nigeria this year, the esteemed judges include leading-edge publisher Margaret Busby; novelist and playwright Elechi Amadi,writer and scholar Osonye Tess Onwueme, and Caine Prize winner Binyavanga Wainaina. For the second time, Bloomsbury is honored to be a part of the festivities, publishing worldwide Africa39-a collection of brand new work from these talented thirty-nine. With an introduction by Wole Soyinka, Africa39 is a must-read for anyone curious about Africa today and Africa tomorrow, as envisioned through the eyes of its brightest literary stars. |
| ayi kwei armah african writers: The Beautyful Ones are Not Yet Born Ayi Kwei Armah, 1988 This novel is a treatment of the theme of corruption wrought by poverty. It is the story of an upright man resisting the temptations of easy bribes and easy satisfactions and winning for his honesty nothing but scorn even from those he loves. |
| ayi kwei armah african writers: Postcolonial African Writers Siga Fatima Jagne, Pushpa Naidu Parekh, 2012-11-12 This reference book surveys the richness of postcolonial African literature. The volume begins with an introductory essay on postcolonial criticism and African writing, then presents alphabetically arranged profiles of some 60 writers, including Chinua Achebe, Nadine Gordimer, Bessie Head, Doris Lessing, Tsitsi Dangarembga, Tahbar Ben Jelloun, among others. Each entry includes a brief biography, a discussion of major works and themes that appear in the author's writings, an overview of the critical response to the author's work, and a bibliography of primary and secondary sources. These profiles are written by expert contributors and reflect many different perspectives. The volume concludes with a selected general bibliography of the most important critical works on postcolonial African literature. |
| ayi kwei armah african writers: KMT Ayi Kwei Armah, 2002 |
| ayi kwei armah african writers: Complicity and Responsibility in Contemporary African Writing Minna Johanna Niemi, 2023-05 This book investigates the many ways in which contemporary African fiction has reflected on themes of responsibility and complicity during the postcolonial period. This book will be of interest to researchers of African literature, postcolonial studies, and peace and conflict studies. |
| ayi kwei armah african writers: The African Novel in English M. Keith Booker, 1998 In this volume Keith Booker provides an introduction to eight African novels written in English. |
| ayi kwei armah african writers: The Life and Struggles of Our Mother Walatta Petros Galawdewos, 2015-10-13 A geadl or hagiography, originally written by Gealawdewos thirty years after the subject's death, in 1672-1673. Translated from multiple manuscripts and versions. |
| ayi kwei armah african writers: Two Thousand Seasons Ayi Kwei Armah, 1973 |
| ayi kwei armah african writers: The Undergraduate's Companion to African Writers and Their Web Sites Miriam E. Conteh-Morgan, 2005-10-30 Now a firmly established part of world literature course offerings in many general education curricula, African literature is no longer housed exclusively with African Studies programs, and is often studied in English, French, Portuguese, Women's Studies, and Comparative Studies departments. This book helps fill the great need for research materials on this topic, presenting the best resources available for 300 African writers. These writers have been carefully selected to include both well-known writers and those less commonly studied yet highly influential. They are drawn from both the Sub-Sahara and the Maghreb, the major geographical regions of Africa. The study of Africa was introduced into the curriculum of institutions of higher learning in the United States in the 1960s, when the Black Consciousness movement in the United States and the Cold War and decolonization movements in Africa created a need for the systematic study of other regions of the world. Between 1986 and 1991, three Africans won Nobel literature prizes: Soyinka, Mahfouz, and Gordimer, and the visibility of African writers increased. They are now a firmly established part of world literature courses in many general education curricula throughout North America. African Writers is meant to serve as a resource for introductory material on 300 writers from 39 countries. These writers were selected on the basis on two criteria: that there is material on them in an easily available reference work; and that there is some information of research value on free Web sites. Each writer is from the late-19th or 20th century, with the notable exception of Olaudah Equiano, an 18th-century African whose slave narrative is generally considered the first work of African literature. All entries are annotated. |
| ayi kwei armah african writers: Foundational African Writers Bhekizizwe Peterson, Jill Bradbury, Hugo Canham, Innocentia J Mhlambi, Victoria J Collis-Buthelezi, Sikhumbuzo Mngadi, Simon Gikandi, Thando Njovane, Anne-Maria Makhulu, Obi Nwakanma, Athambile Masola, James Ogude, Christopher EW Ouma, Stéphane Robolin, Crain Soudien, Tina Steiner, Thuto Thipe, Andrea Thorpe, 2022-06 The essays in this collection were crafted in celebration of the centenaries, in 2019, of Peter Abrahams, Noni Jabavu, Sibusiso Cyril Lincoln Nyembezi and Es'kia Mphahlele, all of whom were born in 1919. All four centenarians lived rich and diverse lives across several continents. In the years following the Second World War they produced more than half a century of foundational creative writing and literary criticism, and made stellar contributions to institutions and repertoires of African and black arts and letters in South Africa and internationally. The range of the centenarians' imaginations, critical analyses and social interventions spanned disciplinary divides. This volume, in the same spirit, draws on approaches that are equally transdisciplinary. Two aims thread through the contributors' reflections on the complexities of black existence and of intellectual and cultural life in the twentieth century. The first is the exploration of some of the centenarians' key texts and cultural projects that shaped their legacies. In doing so, the volume contributors trace a number of divergent intellectual and aesthetic lineages in their works and organisational activities. The second aim is a consideration of the ways in which these foundational writers' legacies continue to resonate today, confirming their status as crucial contributors to modern African and diasporic black arts and letters. |
| ayi kwei armah african writers: The Resolutionaries Ayi Kwei Armah, 2013 As a professional interpreter, Nefert works at conferences where Africa's rulers meet not to solve the continent's problems, but to resolve to beg for solutions from past and present masters. ... [She] gets drawn into a circle of highly skilled friends looking, like her, for a key to an African future. Her spirit lifts as the group's research uncovers an ancient way of knowledge and creative work, long suppressed during the centuries of foreign oppression ...--Back cover. |
| ayi kwei armah african writers: Criticism and Ideology Kirsten Holst Petersen, 1988 |
| ayi kwei armah african writers: African Writers Brian Cox, 1997 Contains essays on African writers from seventeen countries writing in English, French, Portuguese, Arabic, and indigenous languages. Subjects span the late nineteenth century to the present. |
| ayi kwei armah african writers: Nairobi Heat Mukoma Wa Ngugi, 2011-09-13 A cop from Wisconsin pursues a killer through the terrifying slums of Nairobi and the memories of genocide IN MADISON, WISCONSIN, it’s a big deal when African peace activist Joshua Hakizimana—who saved hundreds of people from the Rwandan genocide—accepts a position at the university to teach about “genocide and testimony.” Then a young woman is found murdered on his doorstep. Local police Detective Ishmael—an African-American in an “extremely white” town—suspects the crime is racially motivated; the Ku Klux Klan still holds rallies there, after all. But then he gets a mysterious phone call: “If you want the truth, you must go to its source. The truth is in the past. Come to Nairobi.” It’s the beginning of a journey that will take him to a place still vibrating from the genocide that happened around its borders, where violence is a part of everyday life, where big-oil money rules and where the local cops shoot first and ask questions later—a place, in short, where knowing the truth about history can get you killed. |
| ayi kwei armah african writers: Writers, Writing on Conflict and Wars in Africa Okey Ndibe, 2009-07-30 Many African countries are caught up in perennial or recurrent political conflicts that often culminate in devastating wars. These flaring conflicts and wars create harrowing economic hardships, dire refugee problems, and sustain a sense of despair in such countries. By their nature, these conflicts and wars affect writers in profound and sometimes paradoxical ways. On the one hand, literature-whether fiction, poetry, drama, or even memoirs-is animated by conflict. On the other hand, the sense of dislocation as well as the humanitarian crises unleashed by wars and other kinds of conflicts also constitute grave impediments to artistic exploration and literary expression. Writers and artists are frequently in the frontline of resistance to the kinds of injustices and abuses that precipitate wars and conflicts. Consequently, they are often detained, exiled, and even killed either by agents of state terror or by one faction or another in the tussle for state control. Writers, Writing Conflicts and Wars in Africa is a collection of testimonies by various writers and scholars who have experienced, or explored, the continent's conflicts and woes, including how the disruptions shape artistic and literary production. The book is divided into two broad categories: in one, several writers speak directly, and with rich anecdotal details about the impact wars and conflicts have had in the formation of their experience and work; in the second, a number of scholars articulate how particular writers have assimilated the horrors of wars and conflicts in their literary creations. The result is an invaluable harvest of reflections and perspectives that open the window into an essential, but until now sadly unexplored, facet of the cultural and political experience of African writers. The broad scope of this collection-covering Darfur, the Congolese crisis, Biafra, Zimbabwe, South Africa, among others-is complemented by a certain buoyancy of spirit that runs through most of the essays and anecdotes. |
| ayi kwei armah african writers: A New Generation of African Writers Brenda Cooper, 2013 Brenda Cooper examines the work of the new generation of African writers who have placed migration as central to their writing |
| ayi kwei armah african writers: Africa Writes Back James Currey, 2008 This title looks at the story of African literature and its dissemination in the latter half of the 20th century. |
| ayi kwei armah african writers: The Deep Blue Between Ayesha Harruna Attah, 2022-03-01 Twin sisters Hassana and Husseina have always shared their lives. But after a raid on their village in 1892, the twins are torn apart. Taken in different directions, far from their home in rural West Africa, each sister finds freedom and a new start. Hassana settles in in the city of Accra, where she throws herself into working for political and social change. Husseina travels to Salvador, Brazil, where she becomes immersed in faith, worshipping spirits that bridge the motherland and the new world. Separated by an ocean, they forge new families, ward off dangers, and begin to truly know themselves. As the twins pursue their separate paths, they remain connected through their shared dreams. But will they ever manage to find each other again? “Uplifting . . . sizzles with sister-love and magic. What an incredible storyteller!”—Yaba Badoe, author of A Jigsaw of Fire and Stars |
| ayi kwei armah african writers: The African Writer and Commitment John Povey, 1974 |
| ayi kwei armah african writers: Brotherhood Mohamed Mbougar Sarr, 2021-07-06 The Senegalese author’s prize-winning novel explores brutality and resistance in a fictional North African city gripped by a fundamentalist regime. Under the regime of the so-called Brotherhood, two young people are publicly executed for having loved each other. In response, their mothers begin a secret correspondence, their only outlet for the grief they share. Spurred by The Brotherhood’s escalating brutality, a band of intellectuals seeks to foment rebellion by publishing an underground newspaper. Menawhile, the regime’s leader undertakes a personal crusade to find the responsible parties, and bring them to his own sense of justice. In Brotherhood, Mbougar Sarr explores how resistance and heroism can often give way to cowardice, all while giving voice to the personal struggles of each of his characters as they try to salvage the values they hold most dear. Winner of the French Voices Grand Prize, Prix Ahmadou Kourouma, and Grand Prix du Roman Métis |
| ayi kwei armah african writers: Twelve African Writers Gerald Moore, 2024-04-01 Originally published in 1980, this book introduces the student to twelve of the most exciting and significant African authors of the 20th Century, whose work represents Anglophone and Francophone writing (with translation) drawn from West, East and Southern Africa. Twelve African Writers was a revised, updated and extended edition of the pioneering Seven African Writers which did so much to make students aware of African literature. The book also contains an extensive bibliography of the works not just of the selected writers, but other important African authors and recommendations of further critical works. |
| ayi kwei armah african writers: In the House of the Interpreter Ngugi wa Thiong'o, 2012-11-06 With black-and-white illustrations throughout World-renowned Kenyan novelist, poet, playwright, and literary critic Ng˜ug˜ý wa Thiong’o gives us the second volume of his memoirs in the wake of his critically acclaimed Dreams in a Time of War. In the House of the Interpreter richly and poignantly evokes the author’s life and times at boarding school—the first secondary educational institution in British-ruled Kenya—in the 1950s, against the backdrop of the tumultuous Mau Mau Uprising for independence and Kenyan sovereignty. While Ng˜ug˜ý has been enjoying scouting trips, chess tournaments, and reading about the fictional RAF pilot adventurer Biggles at the prestigious Alliance High School near Nairobi, things have been changing rapidly at home. Poised as he is between two worlds, Ng˜ug˜ý returns home for his first visit since starting school to find his house razed and the entire village moved up the road, closer to a guard checkpoint. Later, his brother Good Wallace, a member of the insurgency, is captured by the British and taken to a concentration camp. As for Ng˜ug˜ý himself, he falls victim to the forces of colonialism in the person of a police officer encountered on a bus journey, and he is thrown into jail for six days. In his second year at Alliance High School, the boarding school that was his haven in a heartless world is shattered by investigations, charges of disloyalty, and the politics of civil unrest. In the House of the Interpreter hauntingly describes the formative experiences of a young man who would become a world-class writer and, as a political dissident, a moral compass to us all. It is a winning celebration of the implacable determination of youth and the power of hope. |
| ayi kwei armah african writers: KMT Ayi Kwei Armah, 2002 |
| ayi kwei armah african writers: Alex la Guma Roger Field, 2010 The life and works of South African writer, political activist and artist, from his early life in District Six, his arrest and trial for treason, to his eventual reluctant exile in Cuba. |
| ayi kwei armah african writers: Complicity and Responsibility in Contemporary African Writing Minna Johanna Niemi, 2021-05-03 This book investigates the many ways in which contemporary African fiction has reflected on themes of responsibility and complicity during the postcolonial period. Covering the authors Ayi Kwei Armah, Tsitsi Dangarembga, Nuruddin Farah, Michiel Heyns, and J. M. Coetzee, the book places each writer’s novels in their cultural and literary context in order to investigate similarities and differences between fictional approaches to individual complicity in politically unstable situations. In doing so, the study focuses on these texts’ representations of discomforting experiences of being implicated in harm done to others in order to show that it is precisely during times of political crisis that questions of moral responsibility and implicatedness in compromised conduct become more pronounced. The study also challenges longstanding western amnesia concerning responsibility for historical and present-day violence in African countries and juxtaposes this denial of responsibility with the western literary readership’s consumption of narratives of African “suffering.” The study instead proposes new reading habits based on an awareness of readerly complicity and responsibility. Drawing insights from across political philosophy and literary theory, this book will be of interest to researchers of African literature, postcolonial studies, and peace and conflict studies. |
| ayi kwei armah african writers: An African Focus Leif Lorentzon, 1998 |
| ayi kwei armah african writers: Fiction of Imperialism Philip Darby, 1998-05-01 The Fiction of Imperialism attempts to promote dialogue between international relations and postcolonialism. It addresses the value of fiction to an inderstanding of the imperial relationship between the West and Asia and Africa. A wide range of fiction and crisicism is examined as it pertains to colonialism, the North/South engagement and contemporary Third World politics. The book begins by contrasting the treatment of cross-cultural relations in political studies and literary texts. It then examines the personal as a metaphor for the political in fiction depicting the imperial connection between Britain and India. This is paired with an analysis of African literary texts, which takes as its theme the relationship between culture and politics. The concluding chapters approach literature from the outside, considering its apparent silence on economics and realpolitik and assessing the utility of postcolonial reconceptualisations |
| ayi kwei armah african writers: The Cultural and Historical Heritage of Colonialism Kenneth Usongo, 2022-02-17 In the time since most African countries achieved independence from European colonial powers, it is unfortunate that these nations are still politically, economically, and culturally reordered by their former colonisers. This book argues that these nations often slavishly emulate Western values to the detriment of indigenous ones. It challenges the postcolony to ground itself in local experience and then nativise external values, which entails delicately sifting through both the domestic and foreign worlds to build a decent and humane society. |
| ayi kwei armah african writers: West African Literatures Stephanie Newell, 2006-06-08 The Oxford Studies in Postcolonial Literatures series (general editor: Elleke Boehmer) offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. This study of West African literatures interweaves the analysis of fiction, drama, and poetry with an exploration of the broader political, cultural, and intellectual contexts within which West African writers work. Anglophone literatures form the central focus of the book, with comparative comments on vernacular literature, francophone writing and oral literatures, and detailed discussion of selected francophone texts in translation (e.g., Senghor, Tadjo, Beyala, Bâ, Sembene). Moving from a discussion of nationalist and anti-colonial writing in the period before independence, towards the more experimental writings of contemporary authors such as Véronique Tadjo (Ivory Coast), Syl Cheney-Coker (Sierra Leone), and Kojo Laing (Ghana), the book constantly relates texts to the social and political history of West Africa. Canonical, internationally well-known writers such as Chinua Achebe and Wole Soyinka are positioned in relation to the literary cultures and debates which surrounded them when they first produced their seminal texts; the discussions and disagreements which have grown up around their work in subsequent decades are also considered. The work of new and lesser-known writers is also considered, including Niyi Osundare (Nigeria) and Kofi Anyidoho (Ghana). In order to convey a sense of the rich and complex societies that are clustered beneath the umbrella-term 'postcolonial', emphasis is placed on West Africa's diverse oral and popular cultures, and the ways in which local intellectuals and readers have responded to the most prominent authors through the aesthetic frameworks generated by these forms. |
| ayi kwei armah african writers: European-language Writing in Sub-Saharan Africa Albert S. Gérard, 1986-01-01 The first major comparative study of African writing in western languages, European-language Writing in Sub-Saharan Africa, edited by Albert S. Gérard, falls into four wide-ranging sections: an overview of early contacts and colonial developments “Under Western Eyes”; chapters on “Black Consciousness” manifest in the debates over Panafricanism and Negritude; a group of essays on mental decolonization expressed in “Black Power” texts at the time of independence struggles; and finally “Comparative Vistas,” sketching directions that future comparative study might explore. An introductory essay stresses the millennia of writing in Africa, side by side with a richly eloquent and artistic set of vernacular oral traditions; written and oral traditions have become interwoven in adaptations of imported forms and linguistic innovations that challenge traditional “high” literary norms. Gérard uses the mathematical concept of “fuzzy sets” to explain why the focus on “Black Africa” has led him to set aside for future analysis the literatures produced in North Africa, which fall under the influence of Muslim civilization, as well as the diasporic literatures of the New World. Over sixty scholars from twenty-two countries contribute specialized studies of creative writing by leading authors in the nineteenth and twentieth centuries such as Achebe, Mphahlele, Ngugi, Senghor, Soyinka, and Tutuola. Critical analyses are organized primarily around regions, reflecting different colonial languages imposed through schools and other social institutions. Some authors trace the adaptation of western genres, others identify syncretism with folktales or myths. The volumes are attentive to the heterogeneity of national literatures addressed to polyethnic and multilingual populations, and they note the instrumental politics of language in newly independent states. A closing chapter, “Tasks Ahead,” identifies areas for future scholars to explore. |
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