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| anton azbe: Diplomatic Ties Anna Novakov, 2012-03-02 By the end of World War II, Beljanski had amassed the most extensive collection of Serbian modernist art.... This study examines a quarter of the collection: forty-six objects by seven female artists. -- p. [13]. |
| anton azbe: Play of Lines Anna Novakov, 2011 The first study of Anton Ažbe's art school in Munich's Schwabing district and its influence on four turn-of-the-century East European female painters. The Slovenian-born Ažbe (1862-1905) was an eccentric artist and teacher who directed an innovative co-educational art school from 1891 until 1905. Ažbe's pedagogical method during these fourteen years focused on three concepts: Linienspiel (Play of Lines), Kugelprinzip (Ball Principle) and Kristallisation der Farbe (Crystallization of Color). -- p. [15]. |
| anton azbe: Critics and Writers Speak Igor Maver, 2006-01-01 This book of new critical essays and interviews with writers interrogates the current usage of the term and the category of the post-colonial as a theoretical concept, discourse and state of mind. By looking at contemporary writing in English throughout the world, it critically revisions the current practice of post-colonial studies and calls attention to its significant weaknesses. |
| anton azbe: Stieglitz and His Artists Metropolitan Museum of Art (New York, N.Y.), Magdalena Dabrowski, 2011 A master photographer, Alfred Stieglitz was also a visionary promoter and avid collector of modern American and European art from the first half of the 20th century. This book is the first fully-illustrated catalogue of works in the unparalleled 'Alfred Stieglitz Collection', which was given to the Metropolitan Museum after Stieglitz's death. |
| anton azbe: Fragile Images Mirjam Rajner, 2019-09-16 In Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable identities: nationalist and universalist, Zionist and Sephardic, communist and cosmopolitan. These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath. interview with the author |
| anton azbe: History, Practice and Pedagogy Susan Barahal, Elizabeth Pugliano, 2024-11-21 This edited volume explores the historical, practical and pedagogical possibilities for expressing and cultivating empathy through works of art. While aspects of what we today recognize as empathy has nestled in the artistic experiences and philosophies of all ages, the subjective and elusive nature of empathic responses has often resulted in the relegation of empathy to the margins of art historical inquiry. Moving into the second quarter of the twenty-first century, amidst global health crises, civic unrest, political turmoil, and persistent social inequities and injustices, this capacity to feel with and as someone or something outside of ourselves is more critical than ever. Probing the very notion of empathy, contributions address themes ranging from environmental and social justice to identity and inclusion to transdisciplinary pedagogies and practices, each with a critical eye to how works of art not only appeal to empathic sensibilities, but might play an active role in developing capacities for empathy in viewers. |
| anton azbe: Boston Modern Judith Arlene Bookbinder, 2005 A fresh, incisive study of the expressionist approach to modern art in Boston. |
| anton azbe: A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 Hubert van den Berg, Marianne Ølholm, Benedikt Hjartarson, Irmeli Hautamäki, Torben Jelsbak, Rikard Schönström, Per Stounbjerg, Tania Ørum, Dorthe Aagesen, 2012 A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 is the first publication to deal with the avant-garde in the Nordic countries at the start of the twentieth century. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, painting as well as photography, architecture and design, film, radio, and performing arts like music, theatre and dance. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective which includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field, but in a broader cultural context. It examines the social and cultural context of the avant-garde: its media, its locations, its reception and audiences, the transmissions between Scandinavia and Europe, and its cultural consequences. The essays trace the connections between the avant-garde and the cultural discourses of contemporary currents such as revolutionary socialism, radical nationalism and occultism, and discuss questions of gender, ideology and politics, geographical location and technological innovation. The cultural history thus focuses on the role of the avant-garde in shaping the ideas of cultural modernity in the Nordic countries. |
| anton azbe: Slovene Impressionists and their Time 1890-1920, giudebook , 2012 |
| anton azbe: Concerning the Spiritual in Art Wassily Kandinsky, 2023-09-11 Pioneering and Exploring the Spiritual Revolution in Modern Art In the early 20th century, the pioneering and celebrated painter Wassily Kandinsky (1866-1944) wrote this groundbreaking work advocating a powerful role for spirituality in driving the creation of modern art. Voicing his own strong opinions as well as the philosophical passions of his peers, Kandinsky urged traditional artists to break free from the limiting restraints of the material world in their work. By faithfully using their own uninhibited thoughts and inner emotions for inspiration-essentially channeling the human spirit instead of representing material concerns-he believed that artists could transcend the norms of the time to reach new levels of abstract expression and aesthetic beauty. Likewise, he also challenged the viewing public to admire art with a fierce spiritual hunger. With insightful explorations of form and color theory, creative inspiration, psychology, religion, music, ethics, and even politics, Kandinsky makes a strong case for his artistic revolution. The movement he inspired with his theories played a pivotal role in the development of modern art, particularly in the growth and evolution of abstract painting. Featuring an enlightening introduction by the book's translator, Michael T. H. Sadler, providing generational and cultural context for Kandinsky and his work, Concerning the Spiritual in Art gives testimony to the mind and creative expression of Kandinsky and other artists of his generation. This seminal and thought-provoking book exploring the heart of the artistic endeavor belongs in the library of every serious artist and student of modern art. |
| anton azbe: Historical Dictionary of Slovenia Leopoldina Plut-Pregelj, Gregor Kranjc, Žarko Lazarević, Carole Rogel, 2018-02-22 The expanded third edition of the Historical Dictionary of Slovenia covers personalities and events that have made a mark on Slovenia in the more than a decade since the last edition. This includes new entries related to Slovenia’s first 13 years as a member of NATO and the EU, changing diplomatic relations with its neighbors and other global states and institutions, a new crop of politicians who have upended the political status quo, entries related to Slovenia’s worst 21st century recession (2008-2013), nationwide protests against corruption, and many other developments. This third edition of Historical Dictionary of Slovenia contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Slovenia. |
| anton azbe: Buried Treasures Jack Zipes, 2025-02-18 Fascinating profiles of modern writers and artists who tapped the political potential of fairy tales Jack Zipes has spent decades as a “scholarly scavenger,” discovering forgotten fairy tales in libraries, flea markets, used bookstores, and internet searches, and he has introduced countless readers to these remarkable works and their authors. In Buried Treasures, Zipes describes his special passion for uncovering political fairy tales of the nineteenth and twentieth centuries, offers fascinating profiles of more than a dozen of their writers and illustrators, and shows why they deserve greater attention and appreciation. These writers and artists used their remarkable talents to confront political oppression and economic exploitation by creating alternative, imaginative worlds that test the ethics and morals of the real world and expose hidden truths. Among the figures we meet here are Édouard Laboulaye, a jurist who wrote acute fairy tales about justice; Charles Godfrey Leland, a folklorist who found other worlds in tales of Native Americans, witches, and Roma; Kurt Schwitters, an artist who wrote satirical, antiauthoritarian stories; Mariette Lydis, a painter who depicted lost-and-found souls; Lisa Tetzner, who dramatized exploitation by elites; Felix Salten, who unveiled the real meaning of Bambi’s dangerous life in the forest; and Gianni Rodari, whose work showed just how political and insightful fantasy stories can be. Demonstrating the uncanny power of political fairy tales, Buried Treasures also shows how their fictional realities not only enrich our understanding of the world but even give us tools to help us survive. |
| anton azbe: Women and War Mary Raum, 2024-11-29 This volume explores how art and artifacts can tell women’s stories of war—a critical way into these stories, often hidden due to the second-tier status of reporting women’s accomplishments. This unique lens reveals personal, cultural, and historically noteworthy experiences often not found in records, manuscripts, and texts. Nine stories from history are examined, from the mythical Amazons of Ancient Greece to a female prisoner of war during World War II. Each of the social, political, and battlefield experiences of Penthesilea, Artemisia, Boudica, the feminine cavaliers, the Dahomey Amazons, suffragists, World War I medical corps, and a World War II prisoner of war are intertwined with a particular work of art or an artifact. These include pottery, iconographic images, public sculpture, stone engraving, clothing, decorative arts, paintings, and pulp art. While each story stands alone, brought together in this volume they represent a cross-sectional reflection on the record of women and war. The chapters cover not only a diverse range of women from around the globe - the African continent, the Hispanic territory of Europe, Carian and Ancient Greece and Rome, Iran, Great Britain-Scotland-ancient Caledonia, Western Europe, and North America—but also a diverse choice of artwork and artifacts, eras, and the nature of the wars being fought. This book will be of value to those interested in gender across history and its interplay in the field of war. |
| anton azbe: The A to Z of Slovenia Leopoldina Plut-Pregelj, Carole Rogel, 2010-05-20 The A to Z of Slovenia covers the history of Slovenia and its struggle to gain independence from communism. This is done through a detailed chronology, an introduction, appendixes, a bibliography, and hundreds of cross-referenced dictionary entries on some of the more significant persons, places, and events; institutions and organizations; and political, economic, social, cultural, and religious facets. |
| anton azbe: Koledar Mohorjeve Družbe v Celovcu za navadno leto ... , 1881 |
| anton azbe: Defining Russian Graphic Arts Alla Rosenfeld, 1999 Defining Russian Graphic Arts explores the energy and innovation of Russian graphic arts during the period which began with the explosion of artistic creativity initiated by Serge Diaghilev at the end of the nineteenth century and which ended in the mid-1930s with Stalin's devastating control over the arts. This beautifully illustrated book represents the development of Russian graphic arts as a continuum during these forty years, and places Suprematism and Constructivism in the context of the other major, but lesser-known, manifestations of early twentieth-century Russian art. The book includes such diverse categories of graphic arts as lubki (popular prints), posters and book designs, journals, music sheets, and ephemera. It features not only standard types of printed media and related studies and maquettes, but also a number of watercolor and gouache costume and stage designs. About 100 works borrowed from the National Library of Russia and the Research Museum of the Academy of Fine Arts in St. Petersburg, Russia-many seen here for the first time outside of Russia-are featured in this book. Additional works have been drawn from the Zimmerli Art Museum, The New York Public Library, and from other public and private collections. Together they provide a rare opportunity to view and learn about a wide variety of artists, from the acclaimed to the lesser known. This book is a companion volume to an exhibition appearing at the Jane Voorhees Zimmerli Art Museum at Rutgers University. |
| anton azbe: Anton Ažbe Marijan Tršar, 1991 |
| anton azbe: Hans Hofmann Dawn V. Rogala, 2016-08-01 The career of the German-American painter and educator Hans Hofmann (1880–1966) describes the arc of artistic modernism from pre–World War I Munich and Paris to mid twentieth-century Greenwich Village. His career also traces the transatlantic engagement of modern painting with the materials of its own making, a relationship that is perhaps still not completely understood. In these interrelated narratives, Hofmann is a central protagonist, providing a vital link between nineteenth- and twentieth-century art practice and between European and American modernism. The remarkable vitality of his later work affords insight not only into the style but also the literal substance of this formative period of artistic and material innovation. This richly illustrated book, the fourth in the Getty Conservation Institute’s Artist’s Materials series, presents a thorough examination of Hofmann’s late-career materials. Initial chapters present an informative overview of Hofmann’s life and work in Europe and America and discuss his crucial role in the development of Abstract Expressionism. Subsequent chapters present a detailed analysis of Hofmann’s materials and techniques and explore the relationship of the artist’s mature palette to shifts in the style and aging characteristics of his paintings. The book concludes with lessons for the conservation of modernist paintings generally, and particularly those that incorporate both traditional and modern paint media. This book will be of value to conservators, art historians, conservation scientists, and general readers with an interest in modern art. |
| anton azbe: Talking Points Anna Novakov, 2012-01-18 This anthology brings together interviews with artists conducted over the course of seventeen years in Boston, New York and San Francisco. The resulting texts, arranged chronologically, provide the reader with an overview of some of the major themes running through contemporary art from 1993 until 2010. As a collection, they form an archive of primary materials addressing public and private space, feminism and sexuality and surveillance and technology. |
| anton azbe: Pota k moderni in Ažbetova šola v Münchnu Katarina Ambrozić, Siegfried Wichmann, Anica Cevc, Museum Wiesbaden, 1988 |
| anton azbe: Künstlerinnen und Migration Marta Koscielniak, 2019-03-11 Olga von Boznańska (1865–1940) und Otolia Gräfin Kraszewska (1859–1945) gehören der ersten Generation von Künstlerinnen an, die professionell tätig waren und damit auch teilweise ihren Lebensunterhalt selbst bestritten. Die beiden Polinnen begegneten sich während der 1880/90er Jahre in München und bauten von dort aus je eine eigenständige internationale Karriere auf. Marta Koscielniak erforscht die Netzwerkstrukturen und Traditionslinien innerhalb ihres Umfelds. Sie erschließt die Handlungsoptionen in Ausrichtung auf den deutschen wie den polnischen Rezeptionsraum. Im Vordergrund stehen dabei die Bilder und Identitätspolitiken sowie die Migration von Künstlerinnen in ihren zeitspezifischen Ausprägungen. |
| anton azbe: Kunst als Beruf Maria Derenda, 2018-04-12 Was zeichnete eine professionelle bildende Künstlerin um 1900 aus? Käthe Kollwitz gehörte zu den wenigen Frauen, die schon von ihren Zeitgenossen als Künstlerin anerkannt wurden. Auch die aus Russland stammende Elena Luksch- Makowskaja verfolgte zielstrebig ihre künstlerische Karriere. Maria Derenda untersucht anhand zahlreicher Briefe, Tagebücher und autobiografischer Notizen die Vorstellungen von Arbeit und Beruf bei Kollwitz und Luksch- Makowskaja. Der Vergleich der beiden Künstlerinnen zeigt nicht nur deren unterschiedliches Berufsideal, sondern auch die Strategien, die beide nutzten, um sich innerhalb des männlich dominierten Kunstbetriebes zu etablieren. |
| anton azbe: Discovering Child Art Jonathan David Fineberg, Jonathan Fineberg, 2001-01-23 This book brings together thirteen distinguished critics and scholars to explore children's art and its profound but rarely documented influence on the evolution of modern art. It shows that children's art and childhood have inspired major works of art, served as central metaphors for artistic spontaneity and honesty, and provided a window into the fundamental human qualities explored by modern artists. The volume complements editor Jonathan Fineberg's groundbreaking new book, The Innocent Eye (Princeton, 1997), in which he showed how many of the greatest masters of modern art collected and were directly influenced by children's drawings. Contributors here both expand on Fineberg's themes and take the study of children's art in new directions. They examine, for example, the influence of child art on such artists as Kandinsky, Klee, Larionov, and Miró; the diverse styles of children's art; the influence of Romantic ideas on perceptions of children's art; the conception of giftedness versus education in children's drawings; and the relationship between children's art and primitivism. The book offers unique glimpses into the working processes of great modern artists, presenting, for example, Dora Vallier's personal recollections of Miró and his creative process, and new documentation about the works of the Russian avant-garde. The essays draw on art theory, psychology, and the close study of individual works of art and written texts. Discovering Child Art will appeal to a wide range of readers, including art historians, psychologists, and art educators. Contributors to the book are Troels Andersen, Rudolf Arnheim, John Carlin, Marcel Franciscono, Ernst Gombrich, Christopher Green, Josef Helfenstein, Werner Hofmann, Yuri Molok, G. G. Pospelov, Richard Shiff, Dora Vallier, and Barbara Würwag. |
| anton azbe: What Is Design? Anne J. Banks, 2005-06-13 This book is an overview of the process of design as it has evolved from the earliest visual images and artifacts from prehistory to our modern practice of design. Originally written as a textbook for design students and design professionals, it is also oriented to the general public interest in the design arts and the fine arts. Every object has a story to tell about its period in time, its culture, its maker and ways of making. This thought was the idea behind the making of this book - that we can read this story through the interpretation of the forms of objects. Important influences on modern design have come from the Bauhaus and the French decorative arts. However, what the designer does is best expressed in the work of American industrial designer, Norman Bel Geddes. Excerpt, page 55: Bell Geddes believed that design is primarily a matter of thinking and of envisioning how the customer would use the product. While every product has a specific solution, Bel Geddes instituted market research as an essential part of the design process. In his redesign of the counter scale for the Toledo Scale Company, he changed hand weights to a spring mechanism, cast iron to aluminum, enclosed the skeleton body in a white enamel shell and made the scale flush with the counter for ease of use, while retaining its basic function. Bel Geddess major innovation was the redesign of the Standard gas stove from a stylized furniture form to a single unit encased in clean white enamel. Rethinking the stove as a skyscraper grid hung with steel plates, he simplified the manufacturing process by creating twelve interchangeable components to form sixteen different models. Source, Norman Bel Geddes, Horizons. |
| anton azbe: Wassily Kandinsky and artworks Mikhaïl Guerman, 2023-11-16 Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential. |
| anton azbe: Kritika , 1972 |
| anton azbe: Max Liebermann and International Modernism Marion Deshmukh, Françoise Forster-Hahn, Barbara Gaehtgens, 2011-05 Although Max Liebermann (1847–1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis’ persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective. |
| anton azbe: The Land Between Oto Luthar, 2008 This is a history of a space - a space between the Panonian plain in the East and the most northernmost bay in the Adriatic in the West, from the eastern Alps in the North and the Dinaridic mountain area in the South. It is also a history of all the different people who lived in this area. The authors show that the Slavs did not settle an empty space and simply replace the Celto-Roman inhabitants of earlier times; they are, on the contrary, presented as the result of reciprocal acculturation. The authors show that the Slovenes made more than two important appearances throughout the entire feudal era; the same holds for later periods, especially for the twentieth century. This book offers a concise and complete history of an area that finally became an integral part of Central Europe and the Balkans.--Pub. desc. |
| anton azbe: Peoples of the Eastern Habsburg Lands, 1526-1918 Robert A. Kann, Zdenek David, 2016-06-01 The Peoples of the Eastern Habsburg Lands, 1526-1918 |
| anton azbe: Abstract Expressionism Joan M. Marter, 2007 A collection of essays that discuss abstract expressionist art. |
| anton azbe: Wassily Kandinsky Wassily Kandinsky, 2025-02-04 A revelatory collection of the artist’s sketches and preparatory drawings, featuring many that have never been published before The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art—or into the development of abstraction in the early twentieth century—than the pages of his sketchbooks. Featuring previously unpublished drawings, Wassily Kandinsky: The Sketchbooks is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and landscapes, the notebooks reveal a process of exploration that would lead Kandinsky from his first experiments in geometric abstraction to paintings that reshaped modernism. Demonstrating Kandinsky’s mastery of color, line, shape, composition, and movement, the book includes notes and preparatory studies for major paintings, such as the “analytical drawing” for Composition VII (1913), the first study for Several Circles (1926), and Study for Composition IX, a preliminary working of his 1936 masterpiece. Visually stunning, the book offers a remarkable, intimate look at how Kandinsky sought to discover nothing less than a spiritually transcendent form of art. |
| anton azbe: Russian Émigré Culture Christoph Flamm, Henry Keazor, Roland Marti, 2014-07-08 A quarter of a century ago, glasnost opened the door for a new look at Russian émigré culture unimpeded by the sterile concepts of Cold War cultural politics. Easier access to archives and a comprehensive approach to culture as a multi-faceted phenomenon, not restricted to single phenomena or individuals, have since contributed to a better understanding of the processes within the émigré community, of its links with the lost home country, and of the interaction with the cultural life of the countries of adoption. This volume offers a collection of critical articles that resulted from the international interdisciplinary symposium which was held at Saarland University in November 2011 as part of a one-week festival, “Russian Music in Exile”. Scholars from around the world contributed essays reflecting current perspectives on Russian émigré culture, shedding new light on cultural diplomacy, literature, art, and music, and covering essentially the whole 20th century, from pre-revolutionary movements to the present. The interdisciplinary approach of the volume shows that émigré networks were not confined to a particular segment of culture, but united composers, artists, critics, and even diplomats. On the whole, the contributions to this volume document the fascinating diversity, the internal contradictions, as well as the impact that the largest and most durable émigré movement of the 20th century had on European cultural life. |
| anton azbe: Kandinsky and the Blue Rider Annette Vezin, Luc Vezin, 1992 Study of the Russian painter and 'inventor' of Abstract Art, Vasily Kandinsky (1866-1944) and the European artists who formed the 'Blaue Reiter' group from 1911 onwards |
| anton azbe: Marianne Werefkin and the Women Artists in Her Circle , 2016-11-21 Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin’s circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists’ sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art. Contributors: Shulamith Behr, Marina Dmitrieva, Simone Ewald, Bernd Fäthke, Olga Furman, Petra Lanfermann, Tanja Malycheva, Galina Mardilovich, Antonia Napp, Carla Pellegrini Rocca, Dorothy Price, Hildegard Reinhardt, Kornelia Röder, Kimberly A. Smith, Laima Laučkaitė-Surgailienė, Baiba Vanaga, and Isabel Wünsche |
| anton azbe: Austria, Croatia, and Slovenia Britannica Educational Publishing, 2013-06-01 Although vastly different in many ways, Austria, Croatia, and Slovenia together form the heart of Central Europe. Austria has historically been much more visible in European politics than either Croatia or Slovenia, but as with the latter two, it has also been a part of various alliances over the centuries. Despite that, however, all three have retained their own sense of national identity through it all, weathering the fall of Austria-Hungary, both World Wars, the collapse of Yugoslavia, and entry to the European Union over the course of one hundred years. This comprehensive volume traces the evolution of these countries, from their earliest civilizations to the present day. |
| anton azbe: The Blue Rider in the Lenbachhaus, Munich Helmut Friedel, Annegret Hoberg, 2000 Works by Kandinsky, Marc, and Klee are avant-garde icons known the world over. The Lenbachhaus in Munich, Germany, possesses the world's finest collection of works by these artists. |
| anton azbe: Михаило Миловановић : [Албум] Миодраг Јовановић, Mihailo Milovanović, 2001 |
| anton azbe: Jewish painters in Romania Amelia Pavel, 1996 A collection of paintings made by Jewish artists in Rumania from 1848 to 1948. |
| anton azbe: The "Mir Iskusstva" Group and Russian Art, 1898-1912 Janet Kennedy, 1977 Almost since its inception the Russian art journal Mir iskusstva (The World of art) has been recognized as the symbolic opening fo a new period in Russian art. The journal was published in St. Petersburg from the end of 1898 through 1904. It was the work of a small group of friends, some of them artists and some dilettantes of the arts. Among the artists who took an active part in the publication of Mir iskusstva were Alexandre Benois, Konstantin Somov, Evgenii Lansere, Leon Bakst, Mstislav Dobuzhinskii, and Igor Grabar. Other personalities, equally important in the founding and production of Mir iskusstva, were Sergei Diaghilev, Dmitrii Filosofov, Alfred Nourok, and Walter Nouvel--each of whom had a special interest in some area of art, music, literature, or the theater.--Introduction. |
| anton azbe: Марианна Верёвкина. Эволюция стиля от символизма к экспрессионизму Мария Олейник, 2022-05-15 Книга посвящена Марианне Владимировне Веревкиной – ученице И. Е. Репина, сподвижнице В. В. Кандинского и А. Г. Явленского. Эта всесторонне образованная женщина посвятила свою жизнь искусству. Активная общественная жизнь М. В. Веревкиной в Мюнхене сделала ее салон на Гизелаштрассе центром свободомыслия. Ее живопись претерпела категорические изменения. Художник отказалась от реализма и начала создавать картины нового, экспрессионистического толка. Участие в формировании искусства «Нового мюнхенского объединения художников» дало М. В. Веревкиной возможность экспонировать произведения современного искусства. С началом Первой мировой войны художнику, как подданной Российской империи, пришлось уехать в Сент-Прекс, а позже – в Цюрих. Революционные события, произошедшие в России в 1917 г., лишили М. В. Веревкину возможности возвращения на родину и вынудили ее остаться в эмиграции. Поселившись в Асконе – небольшом швейцарском курортном городке на берегу живописного озера, она смогла занять одну из лидирующих позиций, и сыграла ведущую роль в творческой жизни Швейцарии. В оформлении обложки использована картина М. В. Веревкиной «Муравейник», 1916. |
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Julie Anton, Counselor, Spokane, WA, 99201 | Psychology Today
Julie Anton, Counselor, Spokane, WA, 99201, (509) 401-8561, After struggling through my formative years with no therapeutic support, I became the person I wish that I had at that age: …
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ANTON is the free learning platform for school. A complete all-in-one curriculum for all subjects: reading and writing, math, science, languages, music, and ELL for preschool through grade 8.
ANTON: Free Digital Activities and Games for K-8 Students
Apr 27, 2023 · Want access to free, multilingual, student-friendly activities in all subjects for K-8 students? Take a look at the free ANTON app!
ANTON - Learn for free with lessons in English, maths, science ...
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Lessons - English Year 1 - ANTON
Reading - Phonics | Reading - Phonics Review | Reading - Words | Reading - Texts | Vocabulary, Grammar and Punctuation - Word | Vocabulary, Grammar and Punctuation - Sentence | …
Anton's Creations | Spokane WA | Read Reviews - BuildZoom
Jun 5, 2025 · Anton's Creations in Spokane, WA | Photos | Reviews | Based in Spokane, ranks in the top 24% of licensed contractors in Washington. Construction Contractor License: …
Julie Anton, Counselor, Spokane, WA, 99201 | Psychology Today
Julie Anton, Counselor, Spokane, WA, 99201, (509) 401-8561, After struggling through my formative years with no therapeutic support, I became the person I wish that I had at that age: …
