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| anzacs tv series: German Anzacs and the First World War John Williams, 2003 By 1914, Australia's German immigrants were well-regarded in their communities and made up (after Irish and Scots) the fourth-largest white ethnic community in Australia. This history traces the experience of the immigrants who enlisted for service in World War I and the difficulties they faced. |
| anzacs tv series: Captive Anzacs Kate Ariotti, 2018-05 Captive Anzacs explores the experiences of the 198 Australians who became prisoners of the Ottomans during the First World War. Kate Ariotti intertwines rich detail from letters, diaries and other personal papers with official records to provide a comprehensive, nuanced account of this aspect of Australian war history. |
| anzacs tv series: A Companion to Australian Cinema Felicity Collins, Jane Landman, Susan Bye, 2019-04-22 The first comprehensive volume of original essays on Australian screen culture in the twenty-first century. A Companion to Australian Cinema is an anthology of original essays by new and established authors on the contemporary state and future directions of a well-established national cinema. A timely intervention that challenges and expands the idea of cinema, this book brings into sharp focus those facets of Australian cinema that have endured, evolved and emerged in the twenty-first century. The essays address six thematically-organized propositions – that Australian cinema is an Indigenous screen culture, an international cinema, a minor transnational imaginary, an enduring auteur-genre-landscape tradition, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max, and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and nature-cam documentaries. New research on trends – such as the convergence of television and film, digital transformations of screen production and the shifting roles of women on and off-screen – highlight how established precedents have been influenced by new realities beyond both cinema and the national. Written in an accessible style that does not require knowledge of cinema studies or Australian studies Presents original research on Australian actors, such as Cate Blanchett and Chris Hemsworth, their training, branding, and path from Australia to Hollywood Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity Expands the critical definition of cinema to include YouTube channels, transmedia documentaries, multiplatform changescapes and cinematic remix Introduces readers to founding texts in Australian screen studies A Companion to Australian Cinema is an ideal introductory text for teachers and students in areas including film and media studies, cultural and gender studies, and Australian history and politics, as well as a valuable resource for educators and other professionals in the humanities and creative arts. |
| anzacs tv series: Celluloid Anzacs Daniel Reynaud, 2007 The cinema has transmitted the Anzac legend with extraordinary emotive power. Here is the first extended study of how the Great War Anzac legend has been portrayed in Australian film and television productions over 80 years. Celluloid Anzacs traces the evolving image from its origins as a derivative of British military myths to the controversial early days of its Australian identity in the years between the world wars, when the legend adopted its comic, lean bushman as its archetypical hero, and then into the nationalistic fervour of the 1980s, where the legend finally acquired its exclusively Australian identity and sharp anti- British edge. By building the story into the broader Australian context, the book shows how films have shaped, and been shaped by, one of Australia's most cherished defining national mythologies. |
| anzacs tv series: The Other Anzacs Peter Rees, 2009 This book reveals the harrowing and dramatic stories of the Australian and New Zealand nurses who served in the Great War. Their strength and humanity was remarkable. The author uses diaries and letters to take us into the hospital camps at the most horrific battlefronts. We see the friendships, loves, courage and compassion of these women. They are a unique group in Anzac history. |
| anzacs tv series: Disability and Digital Television Cultures Katie Ellis, 2019-01-18 Disability and Digital Television Cultures offers an important addition to scholarly studies at the intersection of disability and media, examining disability in the context of digital television access, representation and reception. Television, as a central medium of communication, has marginalized people with disability through both representation on screen and the lack of accessibility to this medium. With accessibility options becoming available as television is switched to digital transmissions, audience research into television representations must include a corresponding consideration of access. This book provides a comprehensive and critical study of the way people with disability access and watch digital TV. International case studies and media reports are complimented by findings of a user-focused study into accessibility and representation captured during the Australian digital television switchover in 2013-2014. This book will provide a reliable, independent guide to fundamental shifts in media access while also offering insight from the disability community. It will be essential reading for researchers working on disability and media, as well as television, communications and culture; upper-level undergraduate and postgraduate students in cultural studies; along with general readers with an interest in disability and digital culture. |
| anzacs tv series: Reimagining the War Memorial, Reinterpreting the Great War Marzena Sokołowska-Paryż, 2012-03-15 Reimagining the War Memorial, Reinterpreting the Great War: The Formats of British Commemorative Fiction is an in-depth analysis of the role of British war memorials in literature and film, in the wider context of the commemorative trend in contemporary culture. The Sheffield City Battalion Memorial, the Menin Gate Memorial, the Thiepval Memorial to the Missing of the Somme, the Royal Artillery Memorial, and the Shot at Dawn Memorial are the focus of the discussion, which aims to show how the meanings assigned to specific war memorials create ideologically diverse interpretations of the British experience of the Great War, ranging from the futility myth to the imperial sublime. The epistemological ambivalence of the war memorial lies at the heart of the analysis of the selected novels, films and plays, for the condemnation of a military conflict as a historical evil does not necessarily exclude the possibility of honouring the men who fought in it. |
| anzacs tv series: Australian Film Brian Reis, 1997 Contains entries, many with descriptive annotations, on books, book chapters, periodical articles, government reports, academic theses, films, videos, and audio recordings published in Australia and elsewhere from 1988 to the early and mid 1990s. Works cited embrace all aspects of Australian film considered as art, industry, and sociological phenomenon, except extremely technical aspects of filmmaking. Categories include film archives and libraries, production, super-8mm film, government and film, history and criticism, ethnographic film, biographies, and film criticism and reviews. Includes author, book title, and film title indices. Distributed by Books International. Annotation copyrighted by Book News, Inc., Portland, OR |
| anzacs tv series: Television Drama John Tulloch, 2002-06-01 First published in 1990. This book is the first specifically about television drama from within a cultural studies perspective and as such examines the active agency of both viewers and media practitioners. The author examines dominant and counter-myths as they circulate in popular culture, discussing soap opera, science fiction, sitcom, cop series and 'authored' drama among its examples. It works within an ethnographic framework, he looks in detail at both the production and reception of TV drama. The overall aim of the book is to examine television representation as part of an historically positioned and differentiated social formation in which knowledgeable actors work in every institutional arena (whether media industry, academia or domestic household) to make their meanings. |
| anzacs tv series: Teaching History and the Changing Nation State Robert Guyver, 2016-02-11 Capitalizing on the current movement in history education to nurture a set of shared methodologies and perspectives, this text looks to break down some of the obstacles to transnational understanding in history, focusing on pedagogy to embed democratic principles of inclusion, inquiry, multiple interpretations and freedom of expression. Four themes which are influencing the broadening of history education to a globalized community of practice run throughout Teaching History and the Changing Nation State: · pedagogy, democracy and dialogue · the nation – politics and transnational dimensions · landmarks with questions · shared histories, shared commemorations and re-evaluating past denials The contributors use the same pedagogical language in a global debate about history teaching and learning to break down barriers to search for shared histories and mutual understanding. They explore contemporary topics, including The Gallipoli Campaign in World War I, transformative approaches to a school history curriculum and the nature of federation. |
| anzacs tv series: Anzac Ted Belinda Landsberry Landsberry, 2024-10-08 Re-issued as a gorgeous hardback for its 10th anniversary, Anzac Ted is the best-selling story of a teddy bear who went to war. These days, Anzac Ted doesn't score any votes at classroom Show and Tell, with his worn patches and missing parts. But when he belonged to Grandpa Jack, he travelled across the world to be a mascot for Anzac soldiers, giving them comfort, courage and hope that they would return home. Told with heart and sensitivity, Anzac Ted is a celebration of the Anzac spirit. |
| anzacs tv series: From Fear to Hope: Alternative Australian Narratives on War and Peacemaking Pamela Leach, 2018-07-10 This book scrutinises ‘peace’ and ‘war' through Australian lenses. It uncovers a deeper understanding of these terms and reflects a desire to bring to light alternative Australian ideas of war and peacemaking. Certain stories have eclipsed others that add importantly to Australia’s history. This Quaker initiative considers a plurality of voices and the ‘truths’ they purport. It unpacks the act of ‘memorialising' to discover the marked impact we make in our efforts to hold on to meaning and to our past. What have been the effects of our responses to the maxim ’Lest we forget’? |
| anzacs tv series: The Great War in Post-Memory Literature and Film Martin Löschnigg, Marzena Sokolowska-Paryz, 2014-10-14 The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960s until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) ‘national’ memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its ‘remembrance’ in historical, socio-political, gender-oriented, and post-colonial contexts. |
| anzacs tv series: Rhythms of Revolt: European Traditions and Memories of Social Conflict in Oral Culture Éva Guillorel, David Hopkin, William G. Pooley, 2017-10-23 The culture of insurgents in early modern Europe was primarily an oral one; memories of social conflicts in the communities affected were passed on through oral forms such as songs and legends. This popular history continued to influence political choices and actions through and after the early modern period. The chapters in this book examine numerous examples from across Europe of how memories of revolt were perpetuated in oral cultures, and they analyse how traditions were used. From the German Peasants’ War of 1525 to the counter-revolutionary guerrillas of the 1790s, oral traditions can offer radically different interpretations of familiar events. This is a ‘history from below’, and a history from song, which challenges existing historiographies of early modern revolts. |
| anzacs tv series: Meet... the ANZACs Claire Saxby, 2014-02-03 A picture book series about the extraordinary men and women who have shaped Australia's history, including our brave Anzac soldiers. Anzac stands for Australian and New Zealand Army Corps. It is the name given to the Australian and New Zealand troops who landed at Gallipoli in World War I. The name is now a symbol of bravery and mateship. From Ned Kelly to Saint Mary MacKillop; Captain Cook to Douglas Mawson, the Meet ... series of picture books tells the exciting stories of the men and women who have shaped Australia's history. |
| anzacs tv series: Australian Heroines of World War One Susanna de Vries, 2018-10-01 Australian Heroines of World War One tells the story of eight courageous women through diaries, letters, original photos, paintings and specially drawn maps. These women had the courage and strength for which the Anzacs are renowned and the compassion and tenderness that only a woman can bring. Sister Hilda Samsing from Melbourne became a whistleblower when nursing aboard the hospital ship Gascon, outraged by the bungled evacuation of wounded Anzacs. She defied censorship and kept a very frank diary, reproduced here for the first time.In 1914, Louise Creed, a Sydney journalist, was caught in the besieged city of Antwerp and made a hair-raising escape from a German firing squad.Brisbane's Grace Wilson, ordered to establish an emergency hospital on drought ridden Lemnos Island, arrived there to find suffering Anzacs but no drinking water, tents or medical supplies. Grace and her nurses saved the lives of thousands who had been wounded at Lone Pine and the Nek.In France, Florence James-Wallace, Anne Donnell and Elsie Tranter nursed near the front line in Casualty Clearing Stations, treating soldiers with hideous wounds or blinded by mustard gas. In 1918 they had to deal with an epidemic of Spanish flu, killing some nurses. These brave women returned to Australia but their heroism was quickly forgotten. Two of these women received such meagre pensions they died destitute. Publication of this book with its numerous illustrations has been facilitated by a generous donation from Dame Elisabeth Murdoch, keen that these stories become known to Australians of all ages. This is an updated editon with additional information on some of the nurses supplied by their relatives after they read the first edition. |
| anzacs tv series: Commemorating Gallipoli through Music John Morgan O'Connell, 2017-12-01 This book examines the role of music and musicians in commemorating the Gallipoli Campaign (1915-6). It shows how music-making can be used to uncover the multiple identities and complex positionalities of former combatants who wish to memorialize a military catastrophe that coincided with the foundation of nation states. |
| anzacs tv series: Vietnam ANZACs Kevin Lyles, 2004-05-25 The part played by Australian and New Zealand troops in the Vietnam War (1955-1975) is sometimes overlooked; but it is generally accepted that the 'Diggers' and 'Kiwis' were among the most effective and professional troops involved. Drawing upon the ANZACs' long experience in the jungles of South East Asia, the men of the Task Force used their expertise in patrol tactics to great effect to frustrate Viet Cong operations. Meanwhile the ANZACs' small and isolated adviser teams spent ten years passing on their skills all over South Vietnam, and in the process four were awarded the supreme decoration for valour - the Victoria Cross. This book pays tribute to their military prowess, and describes and illustrates their uniforms and equipment in unprecedented detail. |
| anzacs tv series: The Australian Screen Albert Moran, Tom O'Regan, 1989 |
| anzacs tv series: The Anzac Girls Peter Rees, 2014-06-25 The harrowing, dramatic and profoundly moving story of the Australian and New Zealand nurses who served in the Great War. Now a major six-part television series. By the end of the Great War, forty-five Australian and New Zealand nurses had died on overseas service and over two hundred had been decorated. These were the women who left for war looking for adventure and romance but were soon confronted with challenges for which their civilian lives could never have prepared them. Their strength and dignity were remarkable. Using diaries and letters, Peter Rees takes us into the hospital camps and the wards, and the tent surgeries on the edge of some of the most horrific battlefronts of human history. But he also allows the friendships and loves of these courageous and compassionate women to shine through and enrich our experience. Profoundly moving, Anzac Girls is a story of extraordinary courage and humanity shown by a group of women whose contribution to the Anzac legend has barely been recognised in our history. Peter Rees has changed that understanding forever. |
| anzacs tv series: Focus On: 100 Most Popular Australian Films Wikipedia contributors, |
| anzacs tv series: Faith of the Anzacs Daniel Reynaud, 2022-03 The Anzac legend is ruthlessly secular. If religious references appear at all, they are usually as profanity or the ritual presence of a chaplain burying the dead. But religion played an important part in the lives of many Anzacs. These Anzac heroes were legends-and not just for their courage and endurance at Gallipoli. These men were also respected, and even loved, for their sturdy faith in God. |
| anzacs tv series: Finding Gallipoli Brad West, 2022-04-28 This book is about how Australian and Turkish historical understanding of the First World War Gallipoli Campaign has been shaped by travel to the battlefield for the purposes of commemoration. Utilizing a cultural historical method, the study begins with examining how cultural conceptions of travel influenced the experience of those fighting in the 1915 Battle, and ends with the way that new global insecurities and the withdrawal of Western troops from Afghanistan in 2021 is reflecting and influencing Australia and Turkey’s social memory of their military past. This wide historical lens and the author’s original fieldwork and analysis of documents allows for an in-depth exploration of the ways in which cultural patterns of social memory develop over time and mapping of how specific cultural representations in the past are reclaimed. The book argues that travel is a key factor influencing social change by providing distinctive ritual experiences that afford unique, discursive opportunities and empowering particular carriers and custodians of social memory. |
| anzacs tv series: Hammer Complete Howard Maxford, 2019-11-08 Think you know everything there is to know about Hammer Films, the fabled Studio that Dripped Blood? The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution. |
| anzacs tv series: The International Who's Who of Women 2002 Elizabeth Sleeman, 2001 Over 5,500 detailed biographies of the most eminent, talented and distinguished women in the world today. |
| anzacs tv series: Peter Weir Marek Haltof, 1996 During the course of his twenty-odd-year filmmaking career, Peter Weir has accomplished what so many of his protagonists have failed to do: he has become an accepted, integral part of an unfamiliar culture. At the core of most of his films and at the least peripheral to all of them is the idea of the outsider trying - and ultimately failing - to come to terms with a culture vastly different from his own. Weir, a native of Australia whose name was synonymous with Australian cinema in the 1970s, turned to American filmmaking in the 1980s and never looked back. In Peter Weir: When Cultures Collide, Marek Haltof traces Weir's journey from intensely Australian filmmaker to successful Hollywood director, along the way finding surprisingly consistent evidence of Weir's thematic and visual interests despite dramatic changes in his choices of story and locale. |
| anzacs tv series: Remembering the First World War Bart Ziino, 2014-12-05 Remembering the First World War brings together a group of international scholars to understand how and why the past quarter of a century has witnessed such an extraordinary increase in global popular and academic interest in the First World War, both as an event and in the ways it is remembered. The book discusses this phenomenon across three key areas. The first section looks at family history, genealogy and the First World War, seeking to understand the power of family history in shaping and reshaping remembrance of the War at the smallest levels, as well as popular media and the continuing role of the state and its agencies. The second part discusses practices of remembering and the more public forms of representation and negotiation through film, literature, museums, monuments and heritage sites, focusing on agency in representing and remembering war. The third section covers the return of the War and the increasing determination among individuals to acknowledge and participate in public rituals of remembrance with their own contemporary politics. What, for instance, does it mean to wear a poppy on armistice/remembrance day? How do symbols like this operate today? These chapters will investigate these aspects through a series of case studies. Placing remembrance of the First World War in its longer historical and broader transnational context and including illustrations and an afterword by Professor David Reynolds, this is the ideal book for all those interested in the history of the Great War and its aftermath. |
| anzacs tv series: Transnational Tourism Experiences at Gallipoli Jim McKay, 2018-05-24 This book offers a fresh account of the Anzac myth and the bittersweet emotional experience of Gallipoli tourists. Challenging the straightforward view of the Anzac obsession as a kind of nationalistic military Halloween, it shows how transnational developments in tourism and commemoration have created the conditions for a complex, dissonant emotional experience of sadness, humility, anger, pride and empathy among Anzac tourists. Drawing on the in-depth testimonies of travellers from Australia and New Zealand, McKay shines a new and more complex light on the history and cultural politics of the Anzac myth. As well as making a ground breaking, empirically-based intervention into the culture wars, this book offers new insights into the global memory boom and transnational developments in backpacker tourism, sports tourism and “dark” or “dissonant” tourism. |
| anzacs tv series: International Television & Video Almanac , 2002 |
| anzacs tv series: Scarecrow Army Leon Davidson, 2015-02-01 They had gone looking for the adventure of a lifetime. An engaging and accessible account of the Gallipoli Story. On 25 April 1925, thousands of Australians and New Zealanders landed at an unnamed cove on the Gallipoli Peninsula. They had come to fight the Turks. They thought the battle would be over in three days, but months later they were still in the trenches they dug at the landing. Anzac Cove became a reverse graveyard where the bodies lay above the ground and the living slept under it. |
| anzacs tv series: Body Image Warrior Chelsea Bonner, 2019-02-04 'Chelsea Bonner is an absolute powerhouse' - Mia Freedman Part memoir and part positive body image manifesto, this is an insider's perspective on the industry and how the images the world gets to see are only part of the story. The modelling and advertising industries persistently tell women they're fat, ugly and abnormal if they conform to anything other than a western ideal of beauty. In 2002 Chelsea Bonner founded BELLA, a modelling agency focused on healthy body size and dedicated to changing our dangerously narrow perception of 'beautiful'. Chelsea was born into the Australian entertainment industry, daughter of one of the country's most famous media couples, and grew up with the painful reality of her family life hidden behind a facade of gloss. She was expected to follow effortlessly in her parents' beautiful shadows, but her natural body shape led to teenage rebellion. Instead, Chelsea decided on a career as a modelling agent and, shocked at what she witnessed, became determined to change the industry from within. She has fought on through illness, broken relationships, the collapse of businesses and exclusion by powerful industry forces. |
| anzacs tv series: The Bulletin , 2003 |
| anzacs tv series: Friday on Our Minds Michelle Arrow, 2009 From jitterbugging and Big Brother to the introduction of television and the rise of file-sharing, this study explores the ways in which popular culture has developed and changed in Australia from the end of World War II to today. In order to understand the massive social and cultural changes that have taken place Down Under, popular culture is examined through three main lenses: consumerism and the development of a mass consumer society, the impact of technological change, and the ways in which popular culture contributes to and articulates individual and collective identities. Providing the first integrated account of Australian post-war culture, this reference analyzes film, television, sports, music, and leisure in relation to each other rather than as stand-alone cultural forms. |
| anzacs tv series: Kunapipi , 1996 |
| anzacs tv series: Lest Mark Dapin, 2024-07-03 From Simpson’s donkey and the Emu War to Vietnam and Ben Roberts-Smith, Australian military history is full of events that didn’t happen the way most people think they did. In his inimitable style, award-winning author Mark Dapin sets the record straight. Australia has many stories and statues ‘lest we forget’ our military past. But from Simpson’s donkey to Ben Roberts-Smith, our history is full of events that didn’t happen the way most people think they did. The first Anzac Day, for example, was far from being a solemn march – it was a celebration where people dressed as cavemen and dinosaurs, among other things. And is it true that British officers callously dispatched Australian soldiers to their deaths in the Dardanelles, as we’ve been told? Did we really hate the soldiers returning from Vietnam? Were the white-feather women of the First World War fact or fiction? In his inimitable style, award-winning author and historian Mark Dapin sets the record straight, showing that the reality was often completely different from the myth – and that in celebrating the wrong people we often overlook the real heroes. ‘With Lest, Mark Dapin transforms his trademark humour into serious history … It forces us to look again at stories we think we all know – or should know – and reframe them with intellectual rectitude and rigour … Lest offers new perspectives on the past from one of Australia’s most interesting and provocative thinkers.’ Clare Wright |
| anzacs tv series: The Girl with the Butterfly Hands Lynne Williams, 2022-11-17 Chin Yu was born in a London slum to a Chinese man and a British woman. When Chin was seven the family moved to her father's village in China but he died soon after they arrived. Her mother took the children to live in Hong Kong where, a few years later, she remarried. A few months after Britain had joined World War II, all British women and children were ordered to be evacuated to Australia. However, Chin and her brother were excluded because of the White Australia Policy, so they returned to Hong Kong. Eighteen months later the Japanese invaded and Chin's family were interned in a camp. Although there was great deprivation, Chin fell in love – with a Roman Catholic priest; he was released from the camp to continue his missionary work. A few months later, she and her brother were also released as part of an exchange of American and Japanese civilian prisoners of war. After a long sea journey, they arrived at New York but found themselves suspected of being Japanese spies and were detained on Ellis Island until the employers of their uncle in Oregon agreed to sponsor them. After a few months there they moved to San Francisco where Chin worked in the propaganda section of the British consulate and she met her first husband, Dick Ellison, who converted her into a passionate socialist. They moved to New York where they were befriended by many radical activists in Greenwich Village. Chin studied ballet and got a part in the original production of South Pacific on Broadway. Later, she was a dancer in the London production of Kiss me Kate. After six months Dick came to London wanting a divorce. Many friends helped her get over him and had started having an affair with another actor when she was cast as an understudy in the UK production of South Pacific. Her opposite number was David Williams, an Australian who was married with a daughter. But they fell in love and had an intense relationship for the duration of South Pacific both in London and during its British tour – 3 years in toto – until David was divorced. Chin left the tour early to play in Teahouse of the August Moon in London. David and she married in 1954 and in 1956 a son and daughter (twins) were born. Chin had minor roles in various films, TV plays and even a (non-singing) role in an opera but she was best known for her performance of hand-mime – beautiful hand gestures choreographed to accompany lyrics that David sang in their cabaret act._x000D_The family moved to Beckenham, Kent, which is just outside London. Lynne (the author) lived with them and Chin found her to be a difficult child. In 1960 Chin was in the successful play A Majority of One in London, David was managing a theatre nearby in Croydon. All seemed perfect until they heard that David's father was very ill. They decided to move to Australia. Unfortunately, they were too late to see David's father alive, but all his family welcomed Chin very warmly. The last chapter summarises Chin's life (another fifty years) in Sydney. She was a very supportive wife, a loving and generous mother and stepmother and later, a devoted grandmother. Although she never regained the celebrity she had enjoyed in London, she still played a significant role in the Australian entertainment industry. |
| anzacs tv series: Inventing Anzac Graham Seal, 2004 No Marketing Blurb |
| anzacs tv series: The Little Book of Australia David Dale, 2010-10 We are what we eat, watch, buy, read, love, play...It's been a long step in a short time from meat pies, football, kangaroos and Holden cars to iPods, lattes, iPods, climate change and Master Chef. David Dale chronicles how it happened in this definitive reference book about the carefree country. Instead of boasting about what makes Australia gr... |
| anzacs tv series: Australian Film & TV Companion Tony Harrison, 2005 Everything you ever wanted to know about 4,000 Australian films and TV productions. Includes details on every feature film made in Australia since 1930, every Australian-made TV production since 1956, and biogs for 450 casts and crews. Introduction by Geoffrey Rush. The bible for film buffs, DVD buyers and hirers, TV fans and media/communications students. |
| anzacs tv series: War Memory and Commemoration Brad West, 2016-07-15 In a period characterised by an unprecedented cultural engagement with the past, individuals, groups and nations are debating and experimenting with commemoration in order to find culturally relevant ways of remembering warfare, genocide and terrorism. This book examines such remembrances and the political consequences of these rites. In particular, the volume focuses on the ways in which recent social and technological forces, including digital archiving, transnational flows of historical knowledge, shifts in academic practice, changes in commemorative forms and consumerist engagements with history affect the shaping of new collective memories and our understanding of the social world. Presenting studies of commemorative practices from Africa, Asia, Australia, Europe and the Middle East, War Memory and Commemoration illustrates the power of new commemorative forms to shape the world, and highlights the ways in which social actors use them in promoting a range of understandings of the past. The volume will appeal to scholars of sociology, history, cultural studies and journalism with an interest in commemoration, heritage and/or collective memory. |
Australian and New Zealand Army Corps - Wikipedia
The Australian and New Zealand Army Corps (ANZAC) was originally a First World War army corps of the British Empire under the command of the Mediterranean Expeditionary Force. It …
ANZAC | Gallipoli, WWI, Australia | Britannica
May 14, 2025 · ANZAC, combined corps that served with distinction in World War I during the ill-fated 1915 Gallipoli Campaign, an attempt to capture the Dardanelles from Turkey. Learn …
The Anzac legend - Anzac Portal
The Anzacs on Gallipoli helped shape the Australian story. Once used to refer to those who fought in World War I, 'Anzac' now represents all men and women who serve Australia. The …
What was ANZAC? - HISTORY
May 23, 2014 · ANZAC is best remembered for its heroic performance during 1915’s ill-fated Gallipoli Campaign against the Ottoman Empire. The operation originally called for the Allies to …
Anzac Day | Australian Army
On the 25th of April 1915, Australian and New Zealand soldiers formed part of the allied expedition that set out to capture the Gallipoli peninsula. These became known as Anzacs and …
The Anzac Day Tradition - Australian War Memorial
Anzac Day, 25 April, is one of Australia’s most important national occasions. It marks the anniversary of the first major military action fought by Australian and New Zealand forces …
The Anzacs - New Zealand History
ANZAC is an acronym for Australian and New Zealand Army Corps, a grouping of several divisions created early in the Great War of 1914–18. In December 1914 the Australian Imperial …
Gallipoli landing - National Museum of Australia
On 25 April 1915, 16,000 Australian and New Zealand troops landed at what became known as Anzac Cove as part of a campaign to capture the Gallipoli Peninsula.
Anzacs (TV Mini Series 1985) - IMDb
Anzacs: With Andrew Clarke, Paul Hogan, Jon Blake, Megan Williams. The lives of a dozen Australian soldiers who served in the ANZACs. Fighting first at Gallipoli in 1915, then on the …
Anzacs - Wikipedia
Anzacs (named for members of the all volunteer army formations) is a 1985 Australian five-part television miniseries set in World War I. The series follows the lives of a group of young …
Australian and New Zealand Army Cor…
The Australian and New Zealand Army Corps (ANZAC) was originally a …
ANZAC | Gallipoli, WWI, Australia | Brit…
May 14, 2025 · ANZAC, combined corps that served with distinction in World …
The Anzac legend - Anzac Portal
The Anzacs on Gallipoli helped shape the Australian story. Once used to refer …
What was ANZAC? - HISTORY
May 23, 2014 · ANZAC is best remembered for its heroic performance …
Anzac Day | Australian Army
On the 25th of April 1915, Australian and New Zealand soldiers formed part of …
