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audrey salkeld leni riefenstahl: A Portrait of Leni Riefenstahl Audrey Salkeld, 1997 Leni Riefenstahl, who died in 2003, will always be remembered for her film of the 1936 Olympic Games in Berlin. After the war, Riefenstahl was shunned by the film industry both in Europe and America, despite a 1952 court ruling proclaiming her not guilty of supporting the Nazis in a punishable way. Winner of the Boardman Tasker Award, this is a fine and balanced study of a still-controversial figure. |
audrey salkeld leni riefenstahl: A Portrait Of Leni Riefenstahl Audrey Salkeld, 2011-10-31 Leni Riefenstahl will always be remembered for her brilliant film of the 1936 Olympic Games in Berlin - still rated as one of the best documentaries ever made. Before that she was acclaimed for her roles in silent feature films, when German cinema was in its artistic heyday in the 1920s. She pioneered the box office success of such classic mountaineering dramas as The White Hell of Piz Palu and then began to direct her own films. The Blue Light was admired by Hitler and led to her filming the Wagnerian Nuremberg Rally of 1934. After the war she was shunned by the film industry, despite a court in 1952 proclaiming her not guilty of supporting the Nazis in a punishable way. Her undoubted charisma led to many affairs and grandiose schemes - deep sea diving in her seventies and still filming wildlife in her nineties. Audrey Salkeld has sifted the fact from the legend and gives us a moving portrait of the great movie `star' who suffered more in the `wilderness' than her enduring fame suggests. |
audrey salkeld leni riefenstahl: The Influence of Hellenic Philosophy on the Contemporary World John G. Dellis, Stephanos A. Paipetis, 2019-04-17 This book consists of 21 papers on the influence of Ancient Greek philosophy on the contemporary world. It covers such areas as history, economy, art and architecture, mythology and the Riddle of Tartessus, along with an introductory essay by Professor P. Pavlopoulos, the President of the Hellenic Republic. The volume discusses a great variety of topics, including the contribution of the ancient Greek spirit to the development of contemporary western civilization, a conflict between Newton and Democritus, the side effects of natural disasters from classical Antiquity until the present day, and the contribution of ancient Greece to neuroscience. Contributions also explore the genetic origin of the Greeks, the influence of Ancient Greek architecture on neoclassical facades, the myth of Theseus, Hephaestus, and the Smith God of the Two Lame Legs. This book will be an essential resource for philosophers, philologists, educators, archaeologists, historians, and the lay reader with an interest in Ancient Greece. |
audrey salkeld leni riefenstahl: 1997 American Alpine Journal , |
audrey salkeld leni riefenstahl: The Material Image Brigitte Peucker, 2007 Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is real even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the bodyimages and the realare juxtaposed and entwined in a set of relations. |
audrey salkeld leni riefenstahl: The Boardman Tasker Omnibus Peter Boardman, Joe Tasker, 1995 Collects four out-of-print classic climbing books: Tasker's Savage Arena and Everest the Cruel Way, and Boardman's The Shining Mountain and Sacred Summits. |
audrey salkeld leni riefenstahl: Joseph Goebbels T. Thacker, 2016-04-30 An insightful new biography of Joseph Goebbels, Propaganda Minister of the 'Third Reich' and one of the most important and troubling figures of the twentieth century. The first account to use all of Goebbels' surviving diaries, it sheds new light on his personality, private life and political convictions, as well as his relationship with Hitler. |
audrey salkeld leni riefenstahl: Grasping for Heaven Frederic V. Hartemann, Robert Hauptman, 2014-01-10 Operating in some of the most challenging and dangerous conditions on earth, mountain climbers are uniquely driven men and women. In these interviews, 15 well-known climbers and three leading historians of the sport, all native to or living in North America, recount experiences shared by only a tiny portion of humanity. They discuss all aspects of international climbing, including physical conditioning, high-summit ascension, the ethics and environmental concerns of the sport, the risks and rewards of mountaineering, and a number of their famed expeditions and first ascents. |
audrey salkeld leni riefenstahl: The Visual Arts in Germany, 1890-1937 Shearer West, 2000 This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture. |
audrey salkeld leni riefenstahl: The Alps Andrew Beattie, 2006-11-09 The Alps are Europe's highest mountain range: their broad arc stretches right across the center of the continent, encompassing a wide range of traditions and cultures. Andrew Beattie explores the turbulent past and vibrant present of this landscape, where early pioneers of tourism, mountaineering, and scientific research, along with the enduring legacies of historical regimes from the Romans to the Nazis, have all left their mark. |
audrey salkeld leni riefenstahl: Biography Nigel Hamilton, 2010-03-30 For what purpose and for whom has biographical pursuit endured, and how does it play such a contested, popular role in contemporary Western culture? Award-winning biographer Hamilton addresses these questions in an incisive and vivid narrative that will appeal to students of human nature and self-representation across the arts and sciences. |
audrey salkeld leni riefenstahl: Diana Mosley Jan Dalley, 2014-06-05 Diana Mosley (née Mitford) had brains, beauty and charm, wealth and social position: she risked everything to follow the dark new creed of fascism when, at twenty-two, she fell in love with Oswald Mosley, the British fascist leader, and committed her life to his ideas. In Germany she became a friend of Hitler and Goebbels; by 1940, she was in a damp cell in Holloway prison. Jan Dalley's fascinating and undeceived biography cuts through the mythology that has been built up around the Mitford sisters and around the Mosleys and reveals the truth about both an extraordinary life and the web of anti-semitism that stretched through the English aristocracy between the wars. |
audrey salkeld leni riefenstahl: A Chance Encounter John Clark, 2014-01-23 France, July 1918. Nineteen-year-old Roland Massey, fresh out of grammar school, has been conscripted into the British Army and sent to the Western Front. His over-riding aim is to see out the remainder of the war and return unscathed to the comfortable middle-class life he left behind in Cheshire. Following a battle near Rheims, he is given temporary charge of Paul Sondheim, a captured German soldier. Their brief conversation results in a reunion after the war ... and Roland's introduction to Paul's sister, the beautiful Stefanie Sondheim. A Chance Encounter is a tale of friendship, romance, and betrayal set in the turbulent period between the closing months of the First World War and the early years of the Nazi dictatorship. It is a time of momentous social and political change in Germany, a time when those who dare to speak out, run the risk of imprisonment or worse. As Paul and Steffi are drawn into situations that have the potential to endanger their lives, can Roland intervene to prevent disaster? About the Author John Clark was born in Cheshire in 1951. He is a retired history teacher with a particular interest in the First World War. His many visits to the former battlefields of France and Flanders became the inspiration for this, his first novel. |
audrey salkeld leni riefenstahl: Susan Sontag Carl Rollyson, Lisa Paddock, 2016-08-25 This first biography of Susan Sontag (1933–2004) is now fully revised and updated, providing an even more intimate portrayal of the influential writer's life and career. The authors base this revision on Sontag's newly released private correspondence—including emails—and the letters and memoirs of those who knew her best. The authors reveal as never before her early years in Tucson and Los Angeles, her conflicted relationship with her mother, her longing for her absent father, and her precocious achievements at the University of California, Berkeley, and the University of Chicago. Papers, diaries, and lecture notes, many accessible for the first time, spark a passionate fire in this biography. The authors follow Sontag as she abruptly ends an early first marriage, establishes herself in Paris, and embraces the open lifestyle she began as a teenager in Berkeley. As a single mother she struggled with teaching at Columbia University and other colleges while aiming for a career as a novelist and essayist. Eventually she made her own way in New York City after acquiring her one and only publisher, Farrar, Straus & Giroux. In her later years Sontag became a world figure, a tastemaker, dramatist, and political activist who risked her life in besieged Sarajevo. Love affairs with men and women troubled her. Diagnosed with cancer, she responded with determination, and her experience with illness inspired some of her best writing. This biography shows Sontag always craving “more life” at whatever cost and depicts her harrowing final decline even as she resisted terminal cancer. Susan Sontag: The Making of an Icon, Revised and Updated presents in candid and stark relief a new assessment of a heroic and controversial figure. |
audrey salkeld leni riefenstahl: Encyclopedia of the Documentary Film 3-Volume Set Ian Aitken, 2013-10-18 The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation. |
audrey salkeld leni riefenstahl: Encyclopedia of Twentieth-Century Photography, 3-Volume Set Lynne Warren, 2005-11-15 The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included. |
audrey salkeld leni riefenstahl: Leni Steven Bach, 2008-02-12 Leni Riefenstahl, the woman known as “Hitler’s filmmaker,” made some of the greatest and most innovative documentaries ever made. They are also insidious glorifications of Adolf Hitler and the Third Reich. Now, Steven Bach reveals the truths and lies behind Riefenstahl’s lifelong self-vindication as an apolitical artist who claimed to know nothing of the Holocaust and denied her complicity with the criminal regime she both used and sanctified. A riveting and illuminating biography of one of the most fascinating and controversial personalities of the twentieth century. |
audrey salkeld leni riefenstahl: German Culture through Film Robert C. Reimer, Reinhard Zachau, 2017-09-01 German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed. |
audrey salkeld leni riefenstahl: Olympic Affair Terry Frei, 2012-12-16 Though not a member of the National Socialist Party, Leni Riefenstahl was the filmmaker darling of the Nazis and Adolf Hitler. First a successful dancer and actress in Germany, she became more notorious when she produced and directed Victory of Faith and Triumph of the Will, the chilling documentaries about Nazi Party Congresses at Nuremberg. Glenn Morris was an All-American farm boy from tiny Simla, Colorado, as well as a former college football star and student body president at the school now known as Colorado State University. At the 1936 Olympics, he won the decathlon, earning him the label “the world’s greatest athlete.” Among the American heroes at the Berlin Games, he was considered second only to Jesse Owens, who won four gold medals. Riefenstahl and Morris: An unlikely couple? Perhaps, but in her 1987 memoirs, the German filmmaker belatedly confirmed she had an affair with the American athlete during the filming of Olympia, Riefenstahl’s documentary about the Berlin Games. In fact, she portrayed it as much more than a dalliance, saying that she had dreamed of marrying Morris and that he broke her heart. Morris, who went on to Hollywood, the National Football League, and military service, spoke sparingly of the relationship, but mused late in life that he “should have stayed in Germany with Leni.” In Olympic Affair, author Terry Frei turns to historical fiction in a novel researched in much the same fashion as his widely praised works of nonfiction, including Horns, Hogs, and Nixon Coming and Third Down and a War to Go. Using deduction, imagination and narrative skill to augment documented fact (as well as debunk myths parroted for many years), Frei tells the story of their ill-fated affair . . . and beyond. Read the first chapter of Olympic Affair here. |
audrey salkeld leni riefenstahl: The Films of Leni Riefenstahl David B. Hinton, 2000 With access to Leni Riefenstahl's personal archives and film collection, the author explores the contraversial filmmaker's career. |
audrey salkeld leni riefenstahl: Hitler and Film Bill Niven, William John Niven, 2018-01-01 An exposé of Hitler's relationship with film and his influence on the film industry A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler's vision for the medium went far beyond straight propaganda. He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses. |
audrey salkeld leni riefenstahl: Le génie dans l'ombre Lilian Auzas, 2016 Leni Riefenstahl. Sans forcément connaître ce nom, tout le monde a déjà pu voir ces vues ahurissantes de la foule rassemblée lors des congrès nazis à Nuremberg, ou bien les exploits sportifs des athlètes des J.O. de Berlin 1936. Ces images, c'est à elle, l'artiste la plus controversée du XXe siècle, que nous les devons. Plus communément surnommée la cinéaste d'Hitler, la jeune femme était pourtant déjà célèbre dans le milieu du cinéma allemand bien avant 1933. D'abord danseuse puis actrice-égérie des films de montagne d'Arnold Fanck, elle s'essaya même à la réalisation en 1932 (La Lumière bleue). Tout a une origine et l'esthétique riefenstahlienne ne s'est bien évidemment pas construite en un jour. Période plutôt méconnue en France, le présent ouvrage entend brosser le portrait d'une artiste en devenir avant l'accès au pouvoir d'Adolf Hitler. Une Riefenstahl avant la Riefenstahl en quelque sorte. On se rendra compte alors de certaines influences capitales pour son œuvre à venir mais minimisées, voire rayées de son C.V., par l'intéressée elle-même. Composé de quatre essais et traité sous un angle différent, Le Génie dans l'ombre met à jour le talent et la force de caractère d'une femme assoiffée de reconnaissance. Leni Riefenstahl voulait sortir de l'ombre pour rejoindre la lumière ; peu lui a importé que ce fût la lanterne du Diable. |
audrey salkeld leni riefenstahl: New Statesman , 1996 |
audrey salkeld leni riefenstahl: Mystery on Everest Audrey Salkeld, 2000 Discusses the life of British mountain climber, George Mallory, the discovery of his body seventy-five years after his death, and the debate over whether Mallory was the first person to reach the top of Mount Everest. |
audrey salkeld leni riefenstahl: Pedro and Ricky Come Again Jonathan Meades, 2021-03-18 This landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life. Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: ‘When journalism is like this, journalism and literature become one.’ Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier, and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang. From the indefensibility of nationalism and the ubiquitous abuse of the word ‘iconic’, to John Lennon’s shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, concrete, politics and much, much more. |
audrey salkeld leni riefenstahl: Propaganda and Mass Persuasion Nicholas J. Cull, David H. Culbert, David Welch, 2003-07-15 A truly international, authoritative A–Z guide to five centuries of propaganda, in both wartime and peacetime, which covers key moments, techniques, concepts, and some of the most influential propagandists in history. This fascinating survey provides a comprehensive introduction to propaganda, its changing nature, its practitioners, and its impact on the past five centuries of world history. Written by leading experts, it covers the masters of the art from Joseph Goebbels to Mohandas Gandhi and examines enormously influential works of persuasion such as Uncle Tom's Cabin, techniques such as films and posters, and key concepts like black propaganda and brainwashing. Case studies reveal the role of mass persuasion during the Reformation, and wars throughout history. Regional studies cover propaganda superpowers, such as Russia, China, and the United States, as well as little-known propaganda campaigns in Southeast Asia, Ireland, and Scandinavia. The book traces the evolution of propaganda from the era of printed handbills to computer fakery, and profiles such brilliant practitioners of the art as Third Reich film director Leni Riefenstahl and 19th-century cartoonist Thomas Nast, whose works helped to bring the notorious Boss Tweed to justice. |
audrey salkeld leni riefenstahl: Climbing , 1997 |
audrey salkeld leni riefenstahl: The Literary Review , 1996 |
audrey salkeld leni riefenstahl: The Concise Routledge Encyclopedia of the Documentary Film Ian Aitken, 2013 This reference work explores the history of the documentary film. It discusses individual films and filmmakers; examines national and regional filmmaking traditions; elaborates on production companies, organizations, festivals, and institutions; explores themes, issues, and representations; and describes various styles, techniques, and technical issues. |
audrey salkeld leni riefenstahl: Spiritualities of Life Paul Heelas, 2009-01-21 This insightful and provocative journey through spiritual landscapes explores the ways in which spiritualities of life have been experienced and understood in Western society, and argues that today’s myriad forms of holistic spirituality are helping us to find balance in face of the stifling demands of twenty-first century living. An enlightening book which explores the ways in which spirituality has been experienced and valued in Western society Traces the development of modern spirituality, from the origins of Romanticism in the eighteenth century, through to the counter-cultural sixties and on to the wellbeing culture of today Explores the belief that modern spirituality is merely an extension of capitalism in which people consume spirituality without giving anything back Contends that much of the wide range of popular mind-body-spirit practices are really an ethically charged force for the ‘good life’, helping us to find balance in the demands of twenty-first century living Written by an acknowledged world-leader working in the field Completes a trilogy of books including The Spiritual Revolution (2005, with Linda Woodhead) and The New Age Movement (1996), charting the rise and influence of spirituality today. |
audrey salkeld leni riefenstahl: The Act of Documenting Brian Winston, Gail Vanstone, Wang Chi, 2017-01-26 Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer and the spectator are being dissolved. The Act of Documenting addresses what this means for documentary's 21st century position as a genus in the “class” cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; for its future in a world where assumptions of photographic image integrity cannot be sustained. Unpacked are distinctions between performance and performativy and between different levels of interaction, linearity and hypertextuality, engagement and impact, ethics and conditions of reception. Winston, Vanstone and Wang Chi explore and celebrate documentary's potentials in the digital age. |
audrey salkeld leni riefenstahl: The Holy Grail on Film Kevin J. Harty, 2015-03-13 This collection of new essays is the first to study film depictions of the quest for the Holy Grail--the holy Christian relic of legend supposedly used by Jesus at the Last Supper. Scholars from a range of disciplines discuss American, Australian and European films that offer fresh perspectives on this enduring myth of the Arthurian world and Western culture, including The Silver Chalice (1954), Monty Python and the Holy Grail (1975), Excalibur (1981), The Road Warrior (1981), Indiana Jones and the Last Crusade (1989), The Fisher King (1991), The Da Vinci Code (2006), The Waterboy (1998), and Rosencrantz and Guildenstern Are Undead (2009). |
audrey salkeld leni riefenstahl: Face your brand! The visual language of branding explained , |
audrey salkeld leni riefenstahl: The Himalayan Club Newsletter , 1985 |
audrey salkeld leni riefenstahl: Chiriaeff - Danser pour ne pas mourir Nicolle Forget, 2006 |
audrey salkeld leni riefenstahl: Sight and Sound , 1998 |
audrey salkeld leni riefenstahl: An Athletics Compendium , 2001 The genesis for this book was a 1969 compilation in which Peter Lovesey and Tom McNab described all books on track and field to date. Both authors have had a lifetime interest and involvement in athletics and the present work builds on that knowledge and expertise to give the reader a definitive guide to the UK literature of track and field. This super bibliography includes an extensive introductory overview of the literature by Tom McNab, as well as annotations contributed by all three compilers. The compendium covers the history, theory and practice, and personalities of athletics as well as special chapters on athletics in literature and the visual arts. |
audrey salkeld leni riefenstahl: The Himalayan Journal , 1929 |
audrey salkeld leni riefenstahl: Biography , 1997 An interdisciplinary quarterly. |
audrey salkeld leni riefenstahl: The Contemporary Review , 1997 |
Audrey Hepburn - Wikipedia
Audrey Kathleen Hepburn (née Ruston; 4 May 1929 – 20 January 1993) was a British [a] actress, and UNICEF Goodwill Ambassador.
Audrey Hepburn - Movies, Quotes & Death - Biography
Apr 3, 2014 · Audrey Hepburn was an actress, fashion icon, and philanthropist who was born in Belgium. At age 22, she starred in the Broadway production of Gigi. Two years later, she …
Audrey Hepburn | Biography, Movies, Sabrina, Breakfast at …
Apr 30, 2025 · Audrey Hepburn, Belgian-born British actress known for her radiant beauty and style, her ability to project an air of sophistication tempered by a charming innocence, and her …
Audrey Hepburn - IMDb
Audrey Hepburn. Actress: Breakfast at Tiffany's. Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van …
Audrey Hepburn Biography - life, family, children, name, story, …
Jan 20, 1993 · Audrey Hepburn was a popular movie actress who won an Academy Award in 1954 for her work in Roman Holiday. She also worked with the United Nations to improve the …
Audrey - Wikipedia
Audrey (/ ˈɔːdri /) is a feminine given name. It is rarely a masculine given name. Audrey is the Anglo-Norman form of the Anglo-Saxon name Æðelþryð, composed of the elements æðel …
Audrey (2020) - IMDb
Audrey: Directed by Helena Coan. With Audrey Hepburn, Alessandra Ferri, Francesca Hayward, Keira Moore. Filmmaker Helena Coan examines the remarkable life and career of actress, …
6 Facts You May Not Know About Audrey Hepburn - Biography
Oct 14, 2020 · Here are tidbits that may surprise you about the charismatic actress, muse and humanitarian. Audrey Hepburn was only 63 years old when she died of cancer in 1993, but the …
Audrey Hepburn on screen and stage - Wikipedia
Audrey Hepburn (1929–1993) was a Belgian actress who had an extensive career in film, television, and on the stage. Considered by some to be one of the most beautiful women of all …
Audrey McGraw Shares Tearful Update With Fans: 'Can't Believe …
7 hours ago · Audrey McGraw is gearing up for a major new step in her career, and it looks like emotions are running high.. The budding musician, who is getting ready to open for Brandi …
Audrey Hepburn - Wikipedia
Audrey Kathleen Hepburn (née Ruston; 4 May 1929 – 20 January 1993) was a British [a] actress, and UNICEF Goodwill Ambassador.
Audrey Hepburn - Movies, Quotes & Death - Biography
Apr 3, 2014 · Audrey Hepburn was an actress, fashion icon, and philanthropist who was born in Belgium. At age 22, she starred in the Broadway production of Gigi. Two years later, she …
Audrey Hepburn | Biography, Movies, Sabrina, Breakfast at …
Apr 30, 2025 · Audrey Hepburn, Belgian-born British actress known for her radiant beauty and style, her ability to project an air of sophistication tempered by a charming innocence, and her …
Audrey Hepburn - IMDb
Audrey Hepburn. Actress: Breakfast at Tiffany's. Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van …
Audrey Hepburn Biography - life, family, children, name, story, …
Jan 20, 1993 · Audrey Hepburn was a popular movie actress who won an Academy Award in 1954 for her work in Roman Holiday. She also worked with the United Nations to improve the …
Audrey - Wikipedia
Audrey (/ ˈɔːdri /) is a feminine given name. It is rarely a masculine given name. Audrey is the Anglo-Norman form of the Anglo-Saxon name Æðelþryð, composed of the elements æðel …
Audrey (2020) - IMDb
Audrey: Directed by Helena Coan. With Audrey Hepburn, Alessandra Ferri, Francesca Hayward, Keira Moore. Filmmaker Helena Coan examines the remarkable life and career of actress, …
6 Facts You May Not Know About Audrey Hepburn - Biography
Oct 14, 2020 · Here are tidbits that may surprise you about the charismatic actress, muse and humanitarian. Audrey Hepburn was only 63 years old when she died of cancer in 1993, but the …
Audrey Hepburn on screen and stage - Wikipedia
Audrey Hepburn (1929–1993) was a Belgian actress who had an extensive career in film, television, and on the stage. Considered by some to be one of the most beautiful women of all …
Audrey McGraw Shares Tearful Update With Fans: 'Can't Believe …
7 hours ago · Audrey McGraw is gearing up for a major new step in her career, and it looks like emotions are running high.. The budding musician, who is getting ready to open for Brandi …