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| aphix landscape: Destiny Signature Series Strategy Guide BradyGames, 2014-09-09 In Destiny, you play as a Guardian--one of the only heroes left from the last city on Earth. You must explore the ancient ruins of the solar system to reclaim what was lost and fight back against the alien races that have destroyed the realms of humanity. Destiny is a shared-world first person shooter game with many RPG (Role Playing Game) like elements. Players must explore areas and participate in public events to gain new items and weapons that they can use against foes of increasing difficulty. |
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| aphix landscape: The Badass Body Diet Christmas Abbott, 2015-05-12 CrossFit celebrity Christmas Abbott shows how to attain the body of your dreams with a targeted eating strategy and total-body workout plan that will whip glutes and hips—and every problem area—into top shape. As a formerly “skinny fat” woman, Christmas Abbott knows what real women need to get the butt and body of their dreams. In The Badass Body Diet, she dispels the myth of the health benefits of a “pear shape” body, teaches readers how to spot-reduce excess fat with targeted meal plans and recipes that zap cellulite, and galvanizes them with a quick and simple workout plan for a toned butt—the key to total body fitness. Your “glutes” (the technical term for booty) are the body’s largest and most powerful muscle group—and one of the most beautiful—but they can go dormant, flat, and flabby. Packed with essential information, and inspirational before-and-after photos of her clients, The Badass Body Diet shows how to whip that butt into shape and provides essential information on how to: Select essential “booty foods”—the right proteins, fats, and carbs Experience a total body workout with an easy-to-follow, powerful exercise program Improve posture and functional mobility and enhance overall health Target cellulite through diet, workout strategies, and other proven tips And much more. Unlike most “one approach fits all” diet and exercise books, The Badass Body Diet identifies the three types of dieters that Christmas has discovered working with hundreds of clients at her CrossFit gyms—Modifiers, Gainers, and Maintainers—and tailors her approach to each, providing specific goals for maximum results. Stop obsessing about a flat belly, Christmas advises. A Badass Body is a birthright, and it starts at the bottom—with a trim and tight tush. |
| aphix landscape: New Statesman and Nation , 1954 |
| aphix landscape: The Oxford Handbook of Social Media and Music Learning Janice L. Waldron, Stephanie Horsley, Kari K. Veblen, 2020-10-02 The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to this everyday aspect of modern life. The Oxford Handbook of Social Media and Music Learning investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musical learning are increasingly entwined. In five sections of newly commissioned chapters, a refreshing mix of junior and senior scholars tackle questions concerning the potential for formal and informal musical learning in a networked society. Beginning with an overview of community identity and the new musical self through social media, scholars explore intersections between digital, musical, and social constructs including the vernacular of born-digital performance, musical identity and projection, and the expanding definition of musical empowerment. The fifth section brings this handbook to full practical fruition, featuring firsthand accounts of digital musicians, students, and teachers in the field. The Oxford Handbook of Social Media and Music Learning opens up an international discussion of what it means to be a musical community member in an age of technologically mediated relationships that break down the limits of geographical, cultural, political, and economic place. |
| aphix landscape: Music and Technoculture René T. A. Lysloff, Leslie C. Gay, Jr., 2013-08-15 Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of local culture, musical creativity and technological possibilities. Inspired by the concept of technoculture, the authors locate technology squarely in the middle of expressive culture: they are concerned with how technology culturally informs and infuses aspects of everyday life and musical experience, and they argue that this merger does not necessarily result in a cultural grayout, but instead often produces exciting new possibilities. In this collection, we find evidence of musical practices and ways of knowing music that are informed or even significantly transformed by new technologies, yet remain profoundly local in style and meaning. CONTRIBUTORS: Leslie C. Gay, Jr., Kai Fikentscher, Tong Soon Lee, René T. A. Lysloff, Matthew Malsky, Charity Marsh, Marc Perlman, Thomas Porcello, Andrew Ross, David Sanjek, jonathan Sterne, Janet L. Sturman, Timothy D. Taylor, Paul Théberge, Melissa West, Deborah Wong. Ebook Edition Note: Four of the 26 illustrations, and the cover illustration, have been redacted. |
| aphix landscape: Pennsylvania Business Directory , 2005 |
| aphix landscape: The Place of Music Andrew Leyshon, David Matless, George Revill, 1998-03-21 Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural, and political frameworks in different places and at different historical moments. Taking an explicitly spatial approach, this unique interdisciplinary text explores the role played by music in the formation and articulation of geographical imaginations--local, regional, national, and global. Contributors show how music's facility to be recorded, stored, and broadcast; to be performed and received in private and public; and to rouse intense emotional responses for individuals and groups make it a key force in the definition of a place. Covering rich and varied terrain--from Victorian England, to 1960s Los Angeles, to the offices of Sony and Time-Warner and the landscapes of the American Depression--the volume addresses such topics as the evolution of musical genres, the globalization of music production and marketing, alternative and hybridized music scenes as sites of localized resistance, the nature of soundscapes, and issues of migration and national identity. |
| aphix landscape: Composition in Retrospect John Cage, 1993 A superb introduction to the work of John Cage, celebrated minimalist composer, who died in 1992, aged 79 years. Printed in the style requested by the author, this book summarises his major works in one volume. |
| aphix landscape: Community Music Therapy Mercedes Pavlicevic, Gary Ansdell, 2004 'Community Music Therapy' presents a new way of considering music therapy in more culturally, socially and politically sensitive ways. It suggests new practices and new thinking for music therapy in the 21st century, and offers a critique of some older methods. |
| aphix landscape: Studying Popular Music Richard Middleton, 1990-04-16 A critical analysis of issues and approaches in a variety of areas, ranging from the political economy of popular music through its history and ethnography to its semiology, aesthetics and ideology. The book focuses on Anglo-American popular music of the last 200 years. |
| aphix landscape: Dancefloor Thunderstorm Michael Tullberg, 2014-08-01 DANCEFLOOR THUNDERSTORM: Land Of The Free, Home Of The Rave is the spectacular visual storytelling of when the rave scene brought electronic music up from obscurity, and changed the way America looked at dance music forever. Written by rave super-insider Michael Tullberg, the book takes the reader back to the halcyon days of the U.S. rave underground in the 1990s, when the seeds of modern-day EDM were sown. Photographing and writing for the major dance music magazines of the day, Tullberg amassed an enormous collection of photos, live reviews, interviews, rave memorabilia and ephemera over the years. It is this collection that forms the basis for this book. DANCEFLOOR THUNDERSTORM takes the reader into the very heart of the rave scene, when these controversial parties hosted the hottest and most cutting-edge dance music in the country. It gives you VIP, backstage and on-stage access with the biggest electronic music talent in the world, including dance music legends like Paul Oakenfold, Carl Cox, Moby, Fat Boy Slim and more. The first book of its kind in the U.S., DANCEFLOOR THUNDERSTORM pulls back the curtain and captures this cultural explosion as it shot across the country, converting millions into fans of electronic music. A must-have for any fan of music or pop culture, the book is a time warp back to a time of magical nights and miraculous rhythms. |
| aphix landscape: Musicking Christopher Small, 1998-07-31 Acclaimed scholar rethinks the nature and meaning of music. |
| aphix landscape: On Record Simon Frith, Andrew Goodwin, 2006-05-23 Classic sociological analyses of 'deviance' and rebellion; studies of technology; subcultural and feminist readings, semiotic and musicological essays and close readings of stars, bands and the fans themselves by Adorno, Barthes and other well-known contributors |
| aphix landscape: Musical Meaning and Expression Stephen Davies, 1994 We talk not only of enjoying music, but of understanding it. Music is often taken to have expressive import--and in that sense to have meaning. But what does music mean, and how does it mean? Stephen Davies addresses these questions in this sophisticated and knowledgeable overview of current theories in the philosophy of music. Reviewing and criticizing the aesthetic positions of recent years, he offers a spirited explanation of his own position. Davies considers and rejects in turn the positions that music describes (like language), or depicts (like pictures), or symbolizes (in a distinctive fashion) emotions. Similarly, he resists the idea that music's expressiveness is to be explained solely as the composer's self-expression, or in terms of its power to evoke a response from the audience. Music's ability to describe emotions, he believes, is located within the music itself; it presents the aural appearance of what he calls emotion characteristics. The expressive power of music awakens emotions in the listener, and music is valued for this power although the responses are sometimes ones of sadness. Davies shows that appreciation and understanding may require more than recognition of and reaction to music's expressive character, but need not depend on formal musicological training. |
| aphix landscape: Ewen Spencer: While You Were Sleeping 1998-2000 , 2022-03-31 An up-close portrayal of late-'90s London's many music scenes, from the pages of Sleazenation and beyond In the late 1990s, as a graduate from art school, the British photographer Ewen Spencer began making pictures for Sleazenation, in particular for the infamous listing pages at the rear of the magazine that were called Savoir Vivre. The images were made in both black and white and color, and were immensely candid and full of characters that seemed to be everywhere at that time. London was at the epicenter of a cultural boom in this period. Small clubs, parties and discos were plentiful in venues from North to South, and Spencer was in a minicab and night bus taking in all the scenes--from Northern Soul, Acid House, Jungle and Garage to Nu Metal, South London blackout clubs and more. Spencer captures an era filled with love, lust and messy authenticity. Ewen Spencer (born 1971) graduated from the University of Brighton in 1997 and began shooting for style magazines such as Sleazenation and The Face, with an emphasis on youth culture. In 2004 his series Teenagers was shortlisted for the Project Assistance award at Rencontres D'Arles, curated that year by Martin Parr, who tipped Spencer as one to watch. In 2013 he began self-publishing a biannual photo-zine, Guapamente focusing on global youth subcultures. Spencer has also made documentaries on Britain's Garage and Grime scenes. His monograph Young Love was published by Stanley Barker in 2017. |
| aphix landscape: Music, Imagination, and Culture Nicholas Cook, 1990 It is a common experience that words are inadequate for music; there seems always to be a disparity between how music is experienced, and how it is described or rationalized. This book is a study of musical imagination. Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This means that there is inevitably a gap between the image and the experience that it models, and this gap can be a source of compositional creativity. Different musical cultures embody different ways of imagining sound as music, and thus every culture creates its own distinctive pattern of discrepancies between image and experience - discrepancies which are reflected in theoretical thinking about music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Nicholas Cook makes a clear distinction between the province of music theory and that of aesthetic criticism. In doing so he affirms the importance of the `ordinary listener' in musical culture, and the validity of his or her experience of music. |
| aphix landscape: The Corded Shell Peter Kivy, 1980 The Description for this book, The Corded Shell: Reflections on Musical Expression, will be forthcoming. |
| aphix landscape: Tuna and Hiriwa Ripeka Takotowai Goddard, 2016 This picture book tells the story of how the tuna got its silver belly but forever had to live in the dark depths of the river. Tuna is in awe of a nymph that glows and dances along the riverbank of the Rangitīkei in the moonlight. Night after night he meets the nymph and basks in the moonlight, hoping that he will also glow, but he remains the same. Disappointed, he hatches a plan to take the nymph's light. But the moon sees what Tuna does, and in her anger, she prevents Tuna from swimming in her moonlight again. This legend-like story weaves a tale about why eels are seldom caught when the moon is full--Publisher information. |
| aphix landscape: The Didjeridu Karl Neuenfeldt, 1997 The Didjeridu: From Arabem Land to Internet is the first comprehensive study of the Australian Aboriginal instrument, the didjeridu, from a range of musical, cultural and sociological viewpoints. Written in an informed but accessible style, individual chapters analyse traditional uses of the instrument; its use in contemporary Aboriginal rock; the perspective of various accomplished players (both Aboriginal and non-Aboriginal); and aspects of the instrument's global diffusion in the 1990s. |
| aphix landscape: Using Social Theory Michael Pryke, Gillian Rose, Sarah Whatmore, 2003-09-03 The chapters in this innovative guide share a common belief that thinking alongside ideas is an integral part of the research process. This book encourages the researcher to think through three key moments of the research process: the production of a research question; fieldwork; and analysis and writing. |
| aphix landscape: Rethinking Music Mark Everist, 1999 |
| aphix landscape: The Sonic Self Naomi Cumming, 2000 Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming . . . based this consideration of the sources of musical expression on her experiences as a performer—with interesting, if rarely surprising, results. —Choice Using classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as well—and how the listener goes about interpreting not only the composer's work and the performer's rendering of the work, but also of the performer's and listener's identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives. |
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| aphix landscape: Unmarked Peggy Phelan, 1993 Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film, theatre and anti-abortion demonstrations. |
| aphix landscape: Doing Cultural Geography Pamela Shurmer-Smith, 2002-03-28 Doing Cultural Geography is an introduction to cultural geography that integrates theoretical discussion with applied examples. The emphasis throughout is on doing. Recognizing that many undergraduates have difficulty with both theory and methods courses, the text demystifies the 'theory' informing cultural geography and encourages students to engage directly with theory in practice. It emphasizes what can be done with humanist, Marxist, poststructuralist, feminist, and postcolonial theory, demonstrating that this is the best way to prompt students to engage with the otherwise daunting theoretical literature. |
| aphix landscape: Kana Pict-o-graphix Michael Rowley, 1995 Pocket-size visual guide for remembering the Japanese syllabaries--perfect for beginners! |
| aphix landscape: Thinking Space Mike Crang, Nigel Thrift, 2002-09-11 As theorists have begun using geographical concepts and metaphors to think about the complex and differentiated world, it is important to reflect on their work, and its impact on our thoughts on space. This revealing book explores the work of a wide range of prolific social theorists. Included contributions from an impressive range of renowned geographical writers, each examine the work of one writer - ranging from early this century to contemporary writers. Among the writers discussed are Georg Simmel, Mikhail Bakhtin, Gilles Deleuze, Helene Cixous, Henri Lefebvre, Jacques Lacan, Pierre Bourdieu, Michel Foucault and Franz Fanon. Ideal for those interested in the 'spatial turn' in social and cultural theory, this fascinating book asks what role space plays in the work of such theorists, what difference (if any) it makes to their concepts, and what difference such an appreciation makes to the way we might think about space. |
| aphix landscape: Noise, Water, Meat Douglas Kahn, 2001-08-24 An examination of the role of sound in twentieth-century arts. This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov. |
| aphix landscape: Musica Practica Michael Chanan, 1994 Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien r.gime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen's trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and world music. Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century. |
| aphix landscape: Music Grooves Charles Keil, Steven Feld, 1994-01 A collaboration between two of the most interesting voices in ethnomusicology, this volume explores two powerful themes: the groove of firsthand experience and participation in music and the groove of musical mediation and commodification through recordings. A number of the authors' most important essays, all revised and updated, are introduced and framed by dialogues that supply additional context, introduce retrospective concerns, and reveal connections. This format signals the authors' desire for a more reflexive, experimental discourse on music and society and invites readers to join their conversations. Music Grooves ranges from jazz, blues, polka, soul, rock, world beat, rap, karaoke, and other familiar genres to major scholarly debates in music theory, ethnomusicology, and popular culture studies. The authors develop and create links between the fields of ethnomusicology and popular culture studies and relate the contents of musics from America, Greece, Cuba, Africa, and Papua New Guinea to artists as diverse as James Brown, Aretha Franklin, L'il Wally Jagiello, Bo Diddley, Walt Solek, Madonna, Paul Simon, Miles Davis, Thelonious Monk, and Billie Holiday. Keil and Feld offer a fascinating view of the shaping of central ideas and terms in ethnomusicology such as engendered feeling, interpretive moves, participatory discrepancies, iconicity of style, people's music, schizophonia, and lift-up-over sounding. From Keil's critique of Leonard Meyer's musicological approach to Feld's recent work on world beat, this volume covers an array of vital issues in media studies, musicology and ethnomusicology, popular culture, anthropology, and sociology. It will interest anyone concerned with the nature and meaning of music in the modern world. |
| aphix landscape: Art and Emotion Derek Matravers, 1998 Derek Matravers examines how emotions form the bridge between our experience of art and of life. We often find that a particular poem, painting, or piece of music carries an emotional charge; and we may experience emotions towards, or on behalf of, a particular fictional character. These experiences are philosophically puzzling, for their causes seem quite different from the causes of emotion in the rest of our lives. Matravers shows that what these experiences have in common with each other, and what links them to the expression of emotion in non-artistic cases, is the role played by feeling. He carries out a critical survey of various accounts of the nature of fiction, attacks contemporary cognitivist accounts of expression, and offers an uncompromising defence of a controversial view about musical expression: that music works by expressing the emotions it causes its listeners to feel. |
| aphix landscape: Wireless Imagination Douglas Kahn, Gregory Whitehead, 1994-07-25 Wireless Imagination addresses perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio art. Composed of both original essays and several newly translated documents, this book provides a close audition to some of the most telling and soundful moments in the deaf century, conceived and performed by such artists as Raymond Roussel, Antonin Artaud, Marcel Duchamp, André Breton, John Cage, Hugo Ball, Kurt Weill, and William Burroughs. From the late nineteenth century to the 1960s, the essays uncover the fantastic acoustic scenarios projected through the writings of Raymond Roussel; the aural objects of Marcel Duchamp; Dziga Vertov's proposal for a phonographic laboratory of hearing; the ZAUM language and Radio Sorcery conjured by Velimir Khlebnikov; the iconoclastic castaways of F. T. Marinetti's La Radia; the destroyed musics of the Surrealists; the noise bands of Russolo, Foregger, Varèse, and Cage; the contorted radio talk show delivered by Antonin Artaud; the labyrinthine inner journeys invoked by German Hörspiel; and the razor contamination and cut-up ventriloquism of William S. Burroughs. |
| aphix landscape: Subjectivities, Knowledges, and Feminist Geographies Liz Bondi, 2002 Research about people always makes assumptions about the nature of humans as subjects. This collaboration by a group of feminist researchers looks at subjectivity in relation to researchers, the researched, and audiences, as well as at the connections between subjectivity and knowledge. The authors argue that subjectivity is spatialized in embodied, multiple, and fractured ways, challenging the dominant notions of the rational, 'bounded' subject. A highly original contribution to feminist geography, this book is equally relevant to social science debates about using qualitative methodologies and to ongoing discussions on the ethics of social research. |
| aphix landscape: Ethnography and Rural Research Annie Hughes, Susanne Seymour, Carol Morris, 2000 |
| aphix landscape: Values of Art Malcolm Budd, 1995 Auth: University College London, Distributed by Viking. |
| aphix landscape: The Art of the Landscape Raffaele Milani, 2009 Raffaele Milani interprets natural landscapes as an aestetic category. Drawing from philosophical traditions, literature, and art, he calls the reader's attention to a special consciousness, originally established during the pre-Romantic age. |
| aphix landscape: Landscape for the Imagination Angela F. Unsworth, David J. Unsworth, 2010 |
| aphix landscape: Intimate Landscapes Eliot Porter, 1979 |
| aphix landscape: Landscape and Memory Simon Schama, 1996-11-12 An extraordinary book that explores how the earth itself has shaped the Western imagination and how, as a result, our interaction with the environment is far richer and more complex than today's doomsayers would have us believe. |
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