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| alex woloch orwell: Or Orwell Alex Woloch, 2016-01-04 Introduction: Orwell's formalism, or A theory of socialist writing -- Quite bare (A Hanging) -- Getting to work (The Road to Wigan Pier) -- Semi-sociological (Inside the Whale) -- The column as form -- Writing's outside -- First-person socialism -- Conclusion: Happy Orwell |
| alex woloch orwell: Or Orwell Alex Woloch, 2016-01-04 There have been many studies of George Orwell, but nothing quite like this book by Alex Woloch—an exuberant, revisionary account of Orwell’s radical writing. Bearing down on the propulsive irony and formal restlessness intertwined with his plain-style, Woloch offers a new understanding of Orwell and a new way of thinking about writing and politics. |
| alex woloch orwell: George Orwell's Perverse Humanity Glenn Burgess, 2023-04-06 This is the first book to focus primarily on George Orwell's ideas about free speech and related matters – freedom of the press, the writer's freedom of expression, honesty and truthfulness – and, in particular, the ways in which they are linked to his political vision of socialism. Orwell is today claimed by the Left and Right, by neo-conservatives and neo-socialists. How is that possible? Part of the answer, as Glenn Burgess reveals, is that Orwell was an odd sort of socialist. The development of Orwell's socialism was, from the start, conditioned by his individualist and liberal commitments. The hopes he attached to socialism were for a fairer, more equal world that would permit human freedom and individuality to flourish, completing, not destroying, the work of liberalism. Freedom of thought was a central part of this, and its defence and use were essential parts of the struggle to ensure that socialism developed in a liberal, humane form that did not follow the totalitarian path of Soviet communism. Written in celebration of Orwell's dictum, 'We hold that the most perverse human being is more interesting than the most orthodox gramophone record,' George Orwell's Perverse Humanity is a portrait of Orwell that captures these themes and provides a new understanding of him as a political thinker and activist. Based on archival research and new materials that affirm his work as an activist for freedom, it also uncovers a socialist ideology that has been obscured in just the way that the author feared it would be – associated in many people's minds with totalitarian unfreedom. |
| alex woloch orwell: Becoming George Orwell John Rodden, 2021-09-14 The remarkable transformation of Orwell from journeyman writer to towering icon Is George Orwell the most influential writer who ever lived? Yes, according to John Rodden’s provocative book about the transformation of a man into a myth. Rodden does not argue that Orwell was the most distinguished man of letters of the last century, nor even the leading novelist of his generation, let alone the greatest imaginative writer of English prose fiction. Yet his influence since his death at midcentury is incomparable. No other writer has aroused so much controversy or contributed so many incessantly quoted words and phrases to our cultural lexicon, from “Big Brother” and “doublethink” to “thoughtcrime” and “Newspeak.” Becoming George Orwell is a pathbreaking tour de force that charts the astonishing passage of a litterateur into a legend. Rodden presents the author of Animal Farm and Nineteen Eighty-Four in a new light, exploring how the man and writer Orwell, born Eric Arthur Blair, came to be overshadowed by the spectral figure associated with nightmare visions of our possible futures. Rodden opens with a discussion of the life and letters, chronicling Orwell’s eccentricities and emotional struggles, followed by an assessment of his chief literary achievements. The second half of the book examines the legend and legacy of Orwell, whom Rodden calls “England’s Prose Laureate,” looking at everything from cyberwarfare to “fake news.” The closing chapters address both Orwell’s enduring relevance to burning contemporary issues and the multiple ironies of his popular reputation, showing how he and his work have become confused with the very dreads and diseases that he fought against throughout his life. |
| alex woloch orwell: The Cambridge Companion to Nineteen Eighty-Four Nathan Waddell, 2020-10 The Cambridge Companion to Nineteen Eighty-Four is aimed at undergraduates, postgraduates, and academics. Situating the novel in multiple frameworks, including contextual considerations and literary histories, the book asks new questions about the novel's significance in an age in which authoritarianism finds itself freshly empowered. |
| alex woloch orwell: Orwell and Empire Douglas Kerr, 2022-06-16 Considers George Orwell's writing about the East, and the presence of the East in his writing. George Orwell was born in India and served in the Imperial Police in Burma as a young man. Orwell and Empire is a study of his writing about the East and the East in his writing. It argues that empire was central to his cultural identity and that his experience of colonial life was a crucial factor, in ways that have not been recognized, in shaping the writer he became. Orwell and Empire is about all his writings, fictional and non-fictional. It pays particular attention to work that derives directly from his Burmese years including the well-known narratives 'A Hanging' and 'Shooting an Elephant' and his first novel Burmese Days. It goes on to explore the theme of empire throughout his work, through to Nineteen Eighty-Four and beyond, and charts the way his evolving views on class, race, gender, and authority were shaped by his experience in the East and the Anglo-Indian attitudes he had inherited. Orwell's socialism and his hatred of authoritarianism grew out of his anti-imperialism as The Road to Wigan Pier makes explicit. But this was not a straightforward repudiation or a painless process. He understood that, 'it is very difficult to escape, culturally, from the class into which you have been born.' His whole career was a creative quarrel with himself and with his Anglo-Indian patrimony. In a way that anticipates current debates about the imperial legacy, he struggled to come to terms with his own history. |
| alex woloch orwell: The One vs. the Many Alex Woloch, 2009-02-09 Does a novel focus on one life or many? Alex Woloch uses this simple question to develop a powerful new theory of the realist novel, based on how narratives distribute limited attention among a crowded field of characters. His argument has important implications for both literary studies and narrative theory. Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels as Pride and Prejudice, Great Expectations, and Le Père Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The character-space, as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel's very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation. Woloch's discussion of character-space allows for a different history of the novel and a new definition of characterization itself. By making the implied person indispensable to our understanding of literary form, this book offers a forward-looking avenue for contemporary narrative theory. |
| alex woloch orwell: George Orwell Peter Brian Barry, 2023 George Orwell: The Ethics of Equality is the first book written by a philosopher about George Orwell's philosophy, especially his ethics. Orwell is sometimes understood to be profoundly disinterested in philosophy, but he had much to say about philosophical matters, including humanism, the good life, free will and moral responsibility, equality, liberty, justice, and more. Peter Brian Barry examines all of Orwell's collected works, including his fiction, journalism, essays, book reviews, diaries, and correspondence to make the case for Orwell's relevance as a philosophical thinker. |
| alex woloch orwell: Literary Journalism Goes Inside Prison David Swick, Richard Lance Keeble, 2023-09-05 Literary Journalism Goes Inside Prison: Just Sentences opens up a new exploration of literary journalism – immersive, long-form journalism so beautifully written that it can stand as literature – in the first anthology to examine literary journalism and prison. In this book, a wide range of compelling subjects are considered. These include Nelson Mandela and other prisoners of apartheid; the made-in-prison podcast Ear Hustle; women’s experiences of life behind bars; Behrouz Boochani’s 2018 bestseller No Friend but the Mountains; George Orwell’s artful writing on incarceration; Pete Earley’s immersion into the largest prison in the United States, The Hot House; Arthur Koestler and the Spanish Civil War; Ted Conover’s year as a prison guard in Newjack: Guarding Sing Sing and (most originally) Bruce Springsteen’s execution narrative Nebraska. This volume will benefit anyone who writes, studies or teaches any form of narrative nonfiction. Eleven international scholars articulate what makes the work they are analysing so exceptional. At the same time, they offer insights on a diverse range of vital topics. These include journalism ethics, journalism and trauma, media history, cultural studies, criminology and social justice. |
| alex woloch orwell: Disaffected Parties John Owen Havard, 2019-02-14 Disaffected Parties reveals how alienation from politics effected crucial changes to the shape and status of literary form. Recovering the earliest expressions of grumbling, irritability, and cynicism towards politics, this study asks how unsettled partisan legacies converged with more recent discontents to forge a seminal period in the making of English literature, and thereby poses wide-ranging questions about the lines between politics and aesthetics. Reading works including Laurence Sterne's Tristram Shandy, James Boswell's Life of Johnson, the novels of Maria Edgeworth and Jane Austen, and the satirical poetry of Lord Byron in tandem with print culture and partisan activity, this book shows how these writings remained animated by disaffected impulses and recalcitrant energies at odds with available party positions and emerging governmental norms—even as they sought to imagine perspectives that looked beyond the divided political world altogether. 'No one can be more sick of-or indifferent to politics than I am' Lord Byron wrote in 1820. Between the later eighteenth century and the Romantic age, disaffected political attitudes acquired increasingly familiar shapes. Yet this was also a period of ferment in which unrest associated with the global age of revolutions (including a dynamic transatlantic opposition movement) collided with often inchoate assemblages of parties and constituencies. As writers adopted increasingly emphatic removes from the political arena and cultivated familiar stances of cynicism, detachment, and retreat, their estrangement also promised to loop back into political engagement-and to make their works 'parties' all their own. |
| alex woloch orwell: Liberty, Equality, and Humbug David Dwan, 2018-11-10 George Orwell is watching you and you're watching him. Britain pays its respects in the form of the Orwell Prize, the Orwell Lecture, and, more recently, Orwell Day. A statue of Orwell now stands outside Broadcasting House in London and he continues to tower over broadsheet journalism. His ghost is repeatedly summoned in the houses of Parliament and in schools across Britain. In Europe and the US, citizens confront the perennial question: What would Orwell say? Orwell is part of the political vocabulary of our times, yet partly due to this popularity, what he stands for remains opaque. His writing confirms deep and widely shared intuitions about political justice, but much of its enduring fascination derives from the fact that these intuitions don't quite add up. David Dwan accounts for these inconsistencies by exploring the broader moral conflict at the centre of Orwell's work and the troubled idealism it yields. Examining the whole sweep of Orwell's writings, this book shows how literature can be a rich source of political wisdom. |
| alex woloch orwell: The Oxford Handbook of George Orwell , 2025-02-13 The Oxford Handbook of George Orwell offers a wide-ranging reconsideration of Orwell's life and work, focusing on the extensive connections between his novels, essays, diaries, columns, letters, and reviews. Accessible to general readers and to established scholars alike, forty-eight chapters written by an international team of Orwell specialists address familiar topics-such as Orwell's journalism, broadcasting, literary criticism, and politics-as well as less well-trodden areas of his output, such as his accounts of stupidity, kindness, and justice, and his connections with contemporaries like Jack Common, Katharine Burdekin, Wyndham Lewis, and Victor Serge. Sections on Orwell's professional activities, his main literary influences, his politics, his intellectual fixations, his literary contemporaries, and his legacies structure the book, which moves thematically and topically through the full scope of his output. The first section looks at how Orwell spent his time as a writer, reader, and broadcaster. Chapters on writers from Shakespeare to the modernists investigate the determinants of Orwell's literary practice. The book then turns to a set of political contexts in which Orwell's writing can be understood. The 'Fixations' section covers the familiar, such as Orwell's account of Englishness, and the unfamiliar, such as his account of the absurd. The fifth section relates Orwell to several politically minded contemporaries, tracing connections and differences between their writing. The final section of the Handbook reflects on how Orwell sounds through several literary and socio-political legacies, and includes innovative considerations of feminism, Afrofuturism, and queer speculative fiction. |
| alex woloch orwell: Contagion, Hygiene, and the European Avant-Garde David Hopkins, Disa Persson, 2023-07-31 This interdisciplinary collection of essays brings together scholars in the fields of art history, theatre, visual culture, and literature to explore intersections between the European avant-garde (c. 1880–1945) and themes of health and hygiene, such as illness, contagion, cleanliness, and contamination. Examining the artistic oeuvres of some of the canonical names of modern art – including Edgar Degas, Edvard Munch, Pablo Picasso, George Orwell, Marcel Duchamp, and Antonin Artaud – this book investigates instances where the heightened political, social, and cultural currencies embedded within issues of hygiene and contagion have been mobilised, and subversively exploited, to fuel the critical strategy at play. This edited volume promotes an interdisciplinary and socio-historically contextualised understanding of the criticality of the avant-garde gesture and cultivates scholarship that moves beyond the limits of traditional academic subjects to produce innovative and thought-provoking connections and interrelations across various fields. The book will be of interest to scholars working in art history, literature, theatre, cultural studies, modern history, medical humanities, and visual culture. |
| alex woloch orwell: Journalism Beyond Orwell Richard Keeble, 2020-01-31 Journalism Beyond Orwell adapts and updates pioneering work by Richard Lance Keeble to explore George Orwell’s legacy as a journalist in original, critical – and often controversial – ways. Though best known as the author of Animal Farm and Nineteen Eighty-Four, Orwell was, throughout his career, a journalist. The essays in this collection explore Orwell’s important legacy: as a practising activist journalist critical of the dominant media; as a polemicist, essayist and novelist constantly concerned with issues relating to war and peace; as a literary journalist determined to make ‘political writing an art’; and as a writer who warned of the growing powers of the secret state. Through this highly individualistic essay collection that connects Orwellian themes to modern journalism, Richard Lance Keeble explores key topics, including: Orwell the ‘proto-blogger’ How Orwell put his political economy critique of the corporate press into practice Information warfare in an age of hyper-militarism The manufacture of the myth of heroic warfare in the reporting of the Afghan conflict The debates over the theory and practice of peace journalism The ethical challenges for journalists reporting on conflict The crucial role of the alternative media The pleasures and pitfalls of the celebrity profile This collection will be of particular interest to students and researchers in journalism studies, English literature, media, intelligence studies and international relations. |
| alex woloch orwell: Enemies of Promise Cyril Connolly, 1996 The autobiography of literary figure Cyril Connolly, providing insight into his upper-class upbringing and life at Eton and Oxford, together with advice on how to avoid the pitfalls that await the would-be writer. First published in 1938. |
| alex woloch orwell: George Orwell’s Philosophy IntroBooks Team, Eric Arthur Blair alias George Orwell was born on 25th June 1903 and died on 2t1 January 1950 was an English writer and essayist, critic, and journalist. His work is characterized by a concise writing, sharp social critique, and resistance to totalitarianism and vocal support for democratic socialism. Orwell had created literary analysis and poetry, polemical journalism, and fiction as a writer; and is best remembered for the dystopian novel Nineteen Eighty-Four (1949) and the allegorical novel Animal Farm (1945). His non-fiction novels, such as The Road to Wigan Pier (1937), describing his conception of working-class living in northern England, and Homage to Catalonia (1938), an account of his work experiences as a soldier for the Spanish Civil War Republican contingent (1936–1939), is as critically regarded as his essays on language and culture and politics and literature. He was ranked second by The Times in 2008 among The 50 finest British authors since 1945. |
| alex woloch orwell: Tradition Seth Lerer, 2016 Seth Lerer explores our relationship to the literary past in an age marked by historical self-consciousness, critical distance, and shifts in cultural literacy. He examines a range of fiction, poetry, and criticism in order to understand the ways in which the literary past makes us, and how we create canons for reading, teaching, and scholarship. |
| alex woloch orwell: The 1940s: A Decade of Modern British Fiction Philip Tew, Glyn White, 2022-02-24 How did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold war threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others. |
| alex woloch orwell: The Order of Forms Anna Kornbluh, 2019-11-20 In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to—and substantially shifts—that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Brontë, Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling—more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies. |
| alex woloch orwell: Immediacy Anna Kornbluh, 2024-01-30 Why speed, flow, and direct expression now dominate cultural style Contemporary cultural style boosts transparency and instantaneity. These are values absorbed from our current economic conditions of disintermediation: cutting out the middleman. Like Uber, but for art. Immediacy names this style to make sense of what we lose when the contradictions of twenty-first-century capitalism demand that aesthetics negate mediation. Surging realness as an aesthetic program synchs with the economic imperative to intensify circulation when production stagnates. Flow is the ultimate twenty-first-century buzzword, but speedy circulation grinds art down to the nub. And the bad news is that political turmoil and social challenges require more mediation. Collective will, inspiring ideas, and deliberate construction are the only way out, but our dominant style forgoes them. Considering original streaming TV, popular literature, artworld trends, and academic theories, Immediacy explains the recent obsession with immersion and today’s intolerance of representation, and points to alternative forms in photography, TV, novels, and constructive theory that prioritize distance, impersonality, and big ideas instead. |
| alex woloch orwell: Keep the Aspidistra Flying George Orwell, 2021 Money is what God used to be. Good and evil have no meaning any longer except failure and success. Disgusted by society's materialism, Gordon Comstock leaves his job in advertising to pursue an ill-fated career as a poet. In his race to the bottom, only Rosemary, his long-suffering girlfriend, challenges Gordon's self-destructive course. The novel contains the most sustained reflections on the role of the author and the artistic imagination anywhere in Orwell's fiction, as the book's protagonist struggles (and ultimately fails) to reconcile his romantic-aestheticist sensibilities with the pressures of the literary marketplace and with social expectations. Completed while Orwell travelled north to work on The Road to Wigan Pier, this novel is a key transitional text in his career. Offering a powerful portrayal of the emotional toll of precarity and the desire to break with capitalism, Keep the Aspidistra Flying is a significant work of mid-century British fiction but it also speaks to our own time. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
| alex woloch orwell: Selected Essays George Orwell, 2021-01-07 It is not possible for any thinking person to live in such a society as our own without wanting to change it. George Orwell was one of the most celebrated essayists in the English language, and there are quite a few of his essays which are probably better known than any of his other writings apart from Animal Farm and Nineteen Eighty-Four. Stefan Collini presents a collection of Orwell's longer, major essays as well as a selection of shorter pieces, arranged into three categories: Personal/Descriptive, Literary, and Political. |
| alex woloch orwell: George Orwell Mark Connelly, 2018-10-24 George Orwell (1903-1950) is one of the most influential authors in the English language. His landmark novels Animal Farm (1945) and Nineteen Eighty-Four (1949) have been translated into many foreign languages and inspired numerous stage and film adaptations. His well-known essays A Hanging and Shooting an Elephant are widely anthologized and often taught in college composition classes. The writer is credited with inventing the terms Big Brother, thought crime, unperson and double think. His name itself has become an adjective--Orwellian. Seventy years after its publication, Nineteen Eighty-Four remains very popular, its sales surging in an era of enhanced surveillance and media manipulation. This literary companion provides an extensive chronology and more than 175 entries about both his literary works and personal life. Also included are discussion questions and research topics, notable quotations by Orwell and an extensive bibliography of related sources. |
| alex woloch orwell: War and Literary Studies Anders Engberg-Pedersen, Neil Ramsey, 2023-01-05 War and Literary Studies poses two main questions: First, how has war shaped the field of literary studies? And second, when scholars today study the literature of war what are the key concepts in play? Seeking to complement the extant scholarship, this volume adopts a wider and more systematic approach as it directs our attention to the relation between warfare and literary studies as a field of knowledge. What are the key characteristics of the language of war? Of gender in war? Which questions are central to the way we engage with war and trauma or war and sensation? In which ways were prominent 20th century theories such as critical theory, French postwar theory, postcolonial theory shaped by war? How might emergent concepts such as 'revolution,' 'the anthropocene' or 'capitalism' inflect the study of war and literature? |
| alex woloch orwell: War Pictures Kent Puckett, 2017-05-01 In this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation. Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence. Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect. |
| alex woloch orwell: The Electoral Imagination Kent Puckett, 2022-10-13 An intellectual history and aesthetic theory of democratic elections, this book offers a critical alternative to the 'myth of rigging.' |
| alex woloch orwell: Out of the Ordinary Marc Stears, 2021-01-12 From a major British political thinker and activist, a passionate case that both the left and right have lost their faith in ordinary people and must learn to find it again. This is an age of polarization. It’s us vs. them. The battle lines are clear, and compromise is surrender. As Out of the Ordinary reminds us, we have been here before. From the 1920s to the 1950s, in a world transformed by revolution and war, extreme ideologies of left and right fueled utopian hopes and dystopian fears. In response, Marc Stears writes, a group of British writers, artists, photographers, and filmmakers showed a way out. These men and women, including J. B. Priestley, George Orwell, Barbara Jones, Dylan Thomas, Laurie Lee, and Bill Brandt, had no formal connection to one another. But they each worked to forge a politics that resisted the empty idealisms and totalizing abstractions of their time. Instead they were convinced that people going about their daily lives possess all the insight, virtue, and determination required to build a good society. In poems, novels, essays, films, paintings, and photographs, they gave witness to everyday people’s ability to overcome the supposedly insoluble contradictions between tradition and progress, patriotism and diversity, rights and duties, nationalism and internationalism, conservatism and radicalism. It was this humble vision that animated the great Festival of Britain in 1951 and put everyday citizens at the heart of a new vision of national regeneration. A leading political theorist and a veteran of British politics, Stears writes with unusual passion and clarity about the achievements of these apostles of the ordinary. They helped Britain through an age of crisis. Their ideas might do so again, in the United Kingdom and beyond. |
| alex woloch orwell: The One Vs. the Many Alex Woloch, 2003 No detailed description available for The One vs. the Many. |
| alex woloch orwell: Whose Freud? Peter Brooks, Alex Woloch, Professor of English at Stanford University Alex Woloch, 2000-01-01 Features contributors, Judith Butler, Frederick Crews, Leo Bersani, Juliet Mitchell, Robert Jay Lifton, Richard Wollheim and other theorists from such fields as literature, philosophy, film, history, cultural studies, neuroscience, psychotherapy. Under discussion in all these articles is whether Freud is still relevant, specifically whether psychoanalysis is still a valid theory of mind, if its therapeutic applications have been rendered obsolete by drugs, how psychoanalysis still figures in debates about sexual identity despite its rejection by many feminists, and how Freud's work still contributes to cultural analysis. The editor's conclusion is that Freud is not only still relevant but the presiding genius of our culture and the author of its symptomatic illnesses. Papers were delivered in a 1998 symposium at Yale, the locale from which Freud launched his original invasion of the US psyche nearly a century before. Annotation copyrighted by Book News, Inc., Portland, OR |
| alex woloch orwell: The Ministry of Truth Dorian Lynskey, 2019-05-30 Longlisted for the Baillie Gifford Prize for Non-Fiction Longlisted for the Orwell Prize for Political Writing The Ministry of Truth charts the life of George Orwell's 1984, one of the most influential books of the twentieth century and a work that is ever more relevant in this tumultuous era of 'fake news' and 'alternative facts'. 'Fascinating . . . If you have even the slightest interest in Orwell or in the development of our culture, you should not miss this engrossing, enlightening book.' – John Carey, The Sunday Times George Orwell's 1984 has become a defining narrative of the modern world. Its cultural influence can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaid's Tale to the reality TV landmark Big Brother, while ideas such as 'thought police', 'doublethink', and 'Newspeak' are ingrained in our language. In the first book to fully examine the origin and legacy of Orwell's final masterpiece, Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell's experiences in the Spanish Civil War and in wartime London to his fascination with utopian and dystopian fiction. Lynskey explores the phenomenon the novel became when it was first published in 1949 and the changing ways in which it has been read over the decades since, revealing how history can inform fiction and how fiction can influence history. 'Everything you wanted to know about 1984 but were too busy misusing the word Orwellian to ask.' – Caitlin Moran |
| alex woloch orwell: The Novel and the New Ethics Dorothy Hale, 2020-11-10 For a generation of contemporary Anglo-American novelists, the question, Why write? has been answered with a renewed will to believe in the ethical value of literature. Dissatisfied with postmodernist parody and pastiche, a broad array of novelist-critics--including J.M. Coetzee, Toni Morrison, Zadie Smith, Gish Jen, Ian McEwan, and Jonathan Franzen--champion the novel as the literary genre most qualified to illuminate individual ethical action and decision-making within complex and diverse social worlds. Key to this contemporary vision of the novel's ethical power is the task of knowing and being responsible to people different from oneself, and so thoroughly have contemporary novelists devoted themselves to the ethics of otherness, that this ethics frequently sets the terms for plot, characterization, and theme. In The Novel and the New Ethics, literary critic Dorothy J. Hale investigates how the contemporary emphasis on literature's social relevance sparks a new ethical description of the novel's social value that is in fact rooted in the modernist notion of narrative form. This new ethics of the contemporary moment has its origin in the new idea of novelistic form that Henry James inaugurated and which was consolidated through the modernist narrative experiments and developed over the course of the twentieth century. In Hale's reading, the art of the novel becomes defined with increasing explicitness as an aesthetics of alterity made visible as a formalist ethics. In fact, it is this commitment to otherness as a narrative act which has conferred upon the genre an artistic intensity and richness that extends to the novel's every word. |
| alex woloch orwell: Desire and Time in Modern English Fiction: 1919-2017 Richard Dellamora, 2020-08-04 Beginning with Somerset Maugham’s innovative, sexually dissident South Seas novel and tales and Alfred Hitchcock’s gay-inflected revisiting of the Jack the Ripper sensation in silent film, this book considers the continuing presence of the past in future-oriented work of the 1930s and the Second World War by Sylvia Townsend Warner, Virginia Woolf, George Orwell, and the playwright and novelist, Patrick Hamilton. The final three chapters carry the discussion to the present in analyses of works by lesbian, postcolonial, and gay authors such as Sarah Waters, Amitav Ghosh, and Alan Hollinghurst. Focusing on questions about temporality and changes in gender and sexuality, especially gay and lesbian, straight and queer, following the rejection of the Victorian patriarchal marriage model, this study examines the continuing influence of late Victorian Aestheticist and Decadent culture in Modernist writing and its permutations in England. |
| alex woloch orwell: A Hanging George Orwell, 2025 In the damp morning air of a Burmese prison, a man is led to the gallows. As the routine execution unfolds, a moment of startling clarity reveals the fragility and value of a single human life. With precise observation and unflinching honesty, the narrative captures the quiet horror of state-sanctioned death and the casual cruelty of colonial rule. A Hanging is one of George Orwell’s most powerful essays—an unembellished yet profound reflection on mortality, justice, and the human cost of imperialism. Through vivid detail and stark prose, Orwell forces readers to confront uncomfortable truths that remain as relevant today as when they were first written. GEORGE ORWELL was born in India in 1903 and passed away in London in 1950. As a journalist, critic, and author, he was a sharp commentator on his era and its political conditions and consequences. |
| alex woloch orwell: Network Aesthetics Patrick Jagoda, 2016-03-22 The term “network” is now applied to everything from the Internet to terrorist-cell systems. But the word’s ubiquity has also made it a cliché, a concept at once recognizable yet hard to explain. Network Aesthetics, in exploring how popular culture mediates our experience with interconnected life, reveals the network’s role as a way for people to construct and manage their world—and their view of themselves. Each chapter considers how popular media and artistic forms make sense of decentralized network metaphors and infrastructures. Patrick Jagoda first examines narratives from the 1990s and 2000s, including the novel Underworld, the film Syriana, and the television series The Wire, all of which play with network forms to promote reflection on domestic crisis and imperial decline in contemporary America. Jagoda then looks at digital media that are interactive, nonlinear, and dependent on connected audiences to show how recent approaches, such as those in the videogame Journey, open up space for participatory and improvisational thought. Contributing to fields as diverse as literary criticism, digital studies, media theory, and American studies, Network Aesthetics brilliantly demonstrates that, in today’s world, networks are something that can not only be known, but also felt, inhabited, and, crucially, transformed. |
| alex woloch orwell: Deep Locational Criticism Jason Finch, 2016-03-18 A lively series of spatial turns in literary studies since the 1990s give rise to this engaged and practical book, devoted to the question of how to teach and study the relationship between all sorts of literature and all sorts of location. Among the many concrete examples explored are texts created between the early seventeenth and the early twenty-first centuries, in genres ranging from stage drama and lyric poetry to television, by way of several studies of fiction definable in a broad way as realist. Writers and thinkers discussed include Michel de Certeau, Edward Casey, Gwendolyn Brooks, Christina Rossetti, Dickens, J. Hillis Miller, Lynne Reid Banks, Heidegger, Shakespeare, Thomas Middleton, Thomas Dekker, Stephen C. Levinson, Bernard Malamud, E.M. Forster, Thomas Burke and Samuel Beckett. The book is underpinned by the philosophical topology of Jeff Malpas, who insists that human life is necessarily and primarily located. It is aimed at students and teachers of literary place at all university levels. |
| alex woloch orwell: Ghazals Mir Taqi Mir, 2022-02-15 Mir Taqi Mir (1723–1810), widely regarded as the most accomplished Urdu poet, composed his ghazals in a distinctive Indian style arising from the Persian tradition. Here, the lover and beloved live in a world of extremes: the outsider is the hero and death is preferred to the beloved’s indifference. Ghazals offers a collection of Mir’s finest work. |
| alex woloch orwell: The Routledge Companion to Politics and Literature in English Matthew Stratton, 2023-05-31 The Routledge Companion to Politics and Literature in English provides an interdisciplinary overview of the vibrant connections between literature, politics, and the political. Featuring contributions from 44 scholars across a variety of disciplines, the collection is divided into five parts: Connecting Literature and Politics; Constituting the Polis; Periods and Histories; Media, Genre, and Techne; and Spaces. Organized around familiar concepts—such as humans, animals, workers, empires, nations, and states—rather than theoretical schools, it will help readers to understand the ways in which literature affects our understanding of who is capable of political action, who has been included in and excluded from politics, and how different spaces are imagined to be political. It also offers a series of engagements with key moments in literary and political history from 1066 to the present in order to assess and reassess the utility of conventional modes of periodization. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of literary studies, which will appeal to academics and researchers seeking to orient their own interventions within broader contexts. |
| alex woloch orwell: Social Formalism Dorothy J. Hale, 1998 |
| alex woloch orwell: Absent Minds Stefan Collini, 2006-03-09 A richly textured work of history and a powerful contribution to contemporary cultural debate, Absent Minds provides the first full-length account of 'the question of intellectuals' in twentieth-century Britain - have such figures ever existed, have they always been more prominent or influential elsewhere, and are they on the point of becoming extinct today? Recovering neglected or misunderstood traditions of reflection and debate from the late nineteenth century through to the present, Stefan Collini challenges the familiar cliche that there are no 'real' intellectuals in Britain. The book offers a persuasive analysis of the concept of 'the intellectual' and an extensive comparative account of how this question has been seen in the USA, France, and elsewhere in Europe. There are detailed discussions of influential or revealing figures such as Julien Benda, T. S. Eliot, George Orwell, and Edward Said, as well as trenchant critiques of current assumptions about the impact of specialization and celebrity. Throughout, attention is paid to the multiple senses of the term 'intellectuals' and to the great diversity of relevant genres and media through which they have communicated their ideas, from pamphlets and periodical essays to public lectures and radio talks. Elegantly written and rigorously argued, Absent Minds is a major, long-awaited work by a leading intellectual historian and cultural commentator, ranging across the conventional divides between academic disciplines and combining insightful portraits of individuals with sharp-edged cultural analysis. |
| alex woloch orwell: Extraction Ecologies and the Literature of the Long Exhaustion Elizabeth Carolyn Miller, 2021-10-12 How literature of the British imperial world contended with the social and environmental consequences of industrial mining The 1830s to the 1930s saw the rise of large-scale industrial mining in the British imperial world. Elizabeth Carolyn Miller examines how literature of this era reckoned with a new vision of civilization where humans are dependent on finite, nonrenewable stores of earthly resources, and traces how the threatening horizon of resource exhaustion worked its way into narrative form. Britain was the first nation to transition to industry based on fossil fuels, which put its novelists and other writers in the remarkable position of mediating the emergence of extraction-based life. Miller looks at works like Hard Times, The Mill on the Floss, and Sons and Lovers, showing how the provincial realist novel’s longstanding reliance on marriage and inheritance plots transforms against the backdrop of exhaustion to withhold the promise of reproductive futurity. She explores how adventure stories like Treasure Island and Heart of Darkness reorient fictional space toward the resource frontier. And she shows how utopian and fantasy works like “Sultana’s Dream,” The Time Machine, and The Hobbit offer imaginative ways of envisioning energy beyond extractivism. This illuminating book reveals how an era marked by violent mineral resource rushes gave rise to literary forms and genres that extend extractivism as a mode of environmental understanding. |
为什么很多人的英文名叫Alex? 从更深一点的角度分析。参照我添加的 …
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Alex Karp，这位是奇葩的怪。 作为一家专门为美国政府提供技术和数据服务公司的创始人及执行CEO，他却没有任何技术背景、没 …
为什么很多人的英文名叫Alex? 从更深一点的角度分析。参照我添 …
Feb 28, 2015 · Alex，作为一个男名，其起源来自于Alexander，即亚历山大，Alex不过是亚历山大的昵称罢了。 然后Alexander的起源来自于两个希腊文词根alex-和-aner。 alex意为保护， …
When a word ends in 's' or 'x', do you add 's or just an
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Apr 14, 2025 · 公众号：价值发现者 回答数 512，获得 100,164 次赞同
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Palantir Technologies 究竟是做什么的？它的机制是什么？ - 知乎
Alex Karp，这位是奇葩的怪。 作为一家专门为美国政府提供技术和数据服务公司的创始人及执行CEO，他却没有任何技术背景、没有任何政府背景，甚至家庭背景深深得左，儿时的游戏之一 …
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如何评价选手 Alex_Wei? - 知乎
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Mar 26, 2024 · 微信公众号：Alex的荣耀小课堂 S35新赛季将于3月28号正式开启，这里就给大家带来详细的新赛季的改动测评。 一、S35赛季装备调整 （1）瑞鳞拳刃（龙鳞利剑重做） 瑞鳞利 …
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候任的川普首席副国家安全顾问Alex Wong（黄之瀚）发表在罗纳德·里根总统基金会和研究所的论文：《与中国的竞争：争论最终结果》 1、美国政客对华分为两派，一是颜革派，一是缓和 …
