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| alfred hitchcock presents the deadly: Motion Pictures Library of Congress. Copyright Office, 1971 |
| alfred hitchcock presents the deadly: Motion Pictures, 1960-1969 Library of Congress. Copyright Office, 1971 |
| alfred hitchcock presents the deadly: Terror Television John Kenneth Muir, 2013-02-25 Although horror shows on television are popular in the 1990s thanks to the success of Chris Carter's The X-Files, such has not always been the case. Creators Rod Serling, Dan Curtis, William Castle, Quinn Martin, John Newland, George Romero, Stephen King, David Lynch, Wes Craven, Sam Raimi, Aaron Spelling and others have toiled to bring the horror genre to American living rooms for years. This large-scale reference book documents an entire genre, from the dawn of modern horror television with the watershed Serling anthology, Night Gallery (1970), a show lensed in color and featuring more graphic makeup and violence than ever before seen on the tube, through more than 30 programs, including those of the 1998-1999 season. Complete histories, critical reception, episode guides, cast, crew and guest star information, as well as series reviews are included, along with footnotes, a lengthy bibliography and an in-depth index. From Kolchak: The Night Stalker to Millennium, from The Evil Touch to Buffy the Vampire Slayer and Twin Peaks, Terror Television is a detailed reference guide to three decades of frightening television programs, both memorable and obscure. |
| alfred hitchcock presents the deadly: Encyclopedia of Television Series, Pilots and Specials Vincent Terrace, 1986 |
| alfred hitchcock presents the deadly: TV Guide , 1989 |
| alfred hitchcock presents the deadly: Catalog of Copyright Entries Library of Congress. Copyright Office, 1963 |
| alfred hitchcock presents the deadly: Catalog of Copyright Entries, Third Series , 1960 The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.). |
| alfred hitchcock presents the deadly: Science Fiction, Horror & Fantasy Film and Television Credits Supplement Harris M. Lentz, 1989 Updates Lentz's previous work (which Library journal said was unrivaled). Section I: actors and actresses. II: directors, producers, screenwriters, cinematographers, special effects technicians, make-up artists, art directors. III: film index. IV: TV series index. V: alternate title index. Annotation copyrighted by Book News, Inc., Portland, OR |
| alfred hitchcock presents the deadly: Television Drama Series Programming Larry James Gianakos, 1992 For more than a decade, Gianakos' comprehensive chronicles of American television dramatic programming have been considered classic references. Following a descriptive and critical review for each period, an exhaustive Days and Times section includes detailed listings for all dramatic specials. Program sections for all seasons provide writer and director credits. This is the long-anticipated sixth volume. |
| alfred hitchcock presents the deadly: New York Magazine , 1990-09-03 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| alfred hitchcock presents the deadly: Hogan's Heroes Brenda Scott Royce, 2013-12-10 An insider’s look at the surprisingly successful, perennially popular classic 1960s sitcom set in a prisoner-of-war camp in World War II Germany. If your fondest TV memories involve the POWs of Stalag 13 cleverly outwitting their captors, Schultz stammering “I know nothing!” and Hochstetter threatening to send everyone to the Russian front, then this is the book for you. This fun and informative book takes you behind the scenes of the classic 1960s sitcom to reveal: the story behind the creation, production, and eventual cancellation of the series the controversy surrounding the show’s unlikely premise interviews with many of the show’s stars and crew biographies of the stars and supporting actors a detailed guide to each of the 168 episodes a guide to collecting Hogan’s memorabilia and more . . . Hogan’s Heroes is more popular now than ever before, especially in Germany, where it has become a surprising cult hit. In this book, most of the show’s stars and behind-the-scenes personnel share their memories and reflect on the series’ enduring popularity. |
| alfred hitchcock presents the deadly: Science Fiction, Horror & Fantasy Film and Television Credits: Through 1993 Harris M. Lentz (III.), 1988 |
| alfred hitchcock presents the deadly: Motion Picture Copyrights & Renewals, 1950-1959 David Pierce, 1989 This annotated reference provides information on the copyright status of over 20,000 features, short films, television programs, and documentaries. The United States copyright system allows a film to fall into the public domain if a renewal is not filed in the twenty-eighth year after its release. Such public domain films may be used by anyone for free, but finding out which films are or are not still under copyright can be expensive and tedious. This guide alleviates that expense and drudgery by including all motion pictures registered for copyright in the 1950s, as well as 500 that were received after 1959. The book also includes an overview of the copyright system and sample certificates. All renewals of copyrights are noted, allowing readers to clearly see which items are or are not in the public domain. |
| alfred hitchcock presents the deadly: The Bionic Woman and Feminist Ethics David Greven, 2020-05-11 The ABC TV series The Bionic Woman, created by Kenneth Johnson, was a 1970s pop culture phenomenon. Starring Lindsay Wagner as Jaime Sommers, the groundbreaking series follows Jaime's evolution from a young woman vulnerable to an exploitative social order, to a fierce individualist defying a government that sees her as property. Beneath the action-packed surface of Jaime's battles with Fembots, themes such as the chosen family, technophobia, class passing, the cyborg, artificial beings, and a growing racial consciousness receive a sophisticated treatment. This book links the series to precedents such as classical mythology, first-wave feminist literature, and the Hollywood woman's film, to place The Bionic Woman in a tradition of feminist ethics deeply concerned with female autonomy, community, and the rights of nonhuman animals. Seen through the lens of feminist philosophy and gender studies, Jaime's constantly changing disguises, attempts to pass as human, and struggles to accept her new bionic abilities offer provocative engagement with issues of identity. Jaime Sommers is a feminist icon who continues to speak to women and queer audiences, and her struggles and triumphs resonate with a worldwide fanbase that still remains enthralled and represented by The Bionic Woman. |
| alfred hitchcock presents the deadly: Hitchcock Robert E. Kapsis, 2022-02-21 From the beginning of his career, Alfred Hitchcock wanted to be considered an artist. Although his thrillers were immensely popular, and Hitchcock himself courted reviewers, he was, for many years, regarded as no more than a master craftsman. By the 1960s, though, critics began calling him an artist of unique vision and gifts. What happened to make Hitchcock's reputation as a true innovator and singular talent? Through a close examination of Hitchcock's personal papers, scripts, production notes, publicity files, correspondence, and hundreds of British and American reviews, Robert Kapsis here traces Hitchcock's changing critical fortunes. Vertigo, for instance, was considered a flawed film when first released; today it is viewed by many as the signal achievement of a great director. According to Kapsis, this dramatic change occurred because the making of the Hitchcock legend was not solely dependent on the quality of his films. Rather, his elevation to artist was caused by a successful blending of self-promotion, sponsorship by prominent members of the film community, and, most important, changes in critical theory which for the first time allowed for the idea of director as auteur. Kapsis also examines the careers of several other filmmakers who, like Hitchcock, have managed to cross the line that separates craftsman from artist, and shows how Hitchcock's legacy and reputation shed light on the way contemporary reputations are made. In a chapter about Brian De Palma, the most reknowned thriller director since Hitchcock, Kapsis explores how Hitchcock's legacy has affected contemporary work in—and criticism of—the thriller genre. Filled with fascinating anecdotes and intriguing excerpts, and augmented by interviews with Hitchcock's associates, this thoroughly documented and engagingly written book will appeal to scholars and film enthusiasts alike. Required reading for Hitchcock scholars...scrupulously researched, invaluable material for those who continue to ask: what made the master tick?—Anthony Perkins |
| alfred hitchcock presents the deadly: Deadly Messengers Susan May, 2015-08-30 Freelancer Kendall Jennings writes fluff pieces for women's magazines. When a horrific massacre occurs at Cafe Amaretto, she scores an exclusive interview with a survivor. Suddenly, she's the go-to reporter for the crime. Investigating veteran detective Lance O'Grady and his partner Trip are tasked with finalizing the open and shut case. Seven people are dead at the hands of an unprovoked killer wielding an axe. It seems simple. Then another mass killing occurs. This time, arson, and ten eldercare facility residents die in the blaze. Both killers die at the scene. The crimes have no motive, and Lance O'Grady is left wondering how evil can strike twice. Then it happens again. Even more shocking: a mother with a gun goes on a rampage at a family birthday party. The killers share one odd detail: none have a murderer's profile. No history of violence, no connection to terrorists, no vendettas. Ordinary citizens suddenly became killers. Drawn deeper inside the crime investigation, Kendall finds herself not only clashing with O'Grady but also struggling with old demons. O'Grady resents Kendall's involvement as her presence provokes memories of a personal tragedy. O'Grady and Kendall are caught in a plan greater reaching than the crimes. They just don't know it. Someone is sending a message. And unless they can decipher the meaning, very soon, many more will die. Deadly Messengers is a page-turning thriller taking readers into the minds of mass killers in all their disconcerting madness. It poses the question: Is there a killer lurking inside everyone? The answer could prove more frightening than the crimes |
| alfred hitchcock presents the deadly: New York Magazine , 1991-02-25 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| alfred hitchcock presents the deadly: Ray Milland James McKay, 2020-02-21 With no formal training as an actor, Welsh-born Ray Milland (1907-1986), a former trooper in the British Army's Household Cavalry, enjoyed a half-century career working alongside some of the great directors and stars from the Golden Age of cinema. He won the Academy Award for Best Actor for his performance as the alcoholic writer in The Lost Weekend (1945), a defining moment that enabled him to break free from romantic leads and explore darker shades of his debonair demeanor, such as the veiled menace of his scheming husband in Hitchcock's Dial M For Murder (1954). A consummate professional with wide range, Milland took the directorial reins in several of his starring vehicles in the 1950s, most notably in the intelligent Western A Man Alone (1955). He comfortably slipped into most genres, from romantic comedy to adventure to film noir. Later he turned to science fiction and horror movies, including two with cult filmmaker Roger Corman. This first complete filmography covers the actor's screen career, with a concise introductory biography and an appendix listing his extensive radio and television credits. |
| alfred hitchcock presents the deadly: Wes Craven John Kenneth Muir, 1998-01-01 Filmmaker Wes Craven has consistently and imaginatively scared movie audiences since the early 1970s. His films encompass a variety of styles, elements and themes, from the nihilistic existentialism of The Last House on the Left to the successful A Nightmare on Elm Street (which sent horror in a bold new direction), to the hallucinatory dreamscapes of The Serpent and the Rainbow. And in the nineties, Craven returned with the Scream films, which were simultaneously funny, clever and scary films that overturned the horror cliches of the eighties. The present work provides a history of Craven's film career since 1972, examining all the themes and techniques the filmmaker explored. For each film, a synopsis, cast and credits, historical context, and critical commentary are provided. Also covered in detail are Craven's forays into television, including movies such as Stranger in the House and work on such series as The New Twilight Zone. |
| alfred hitchcock presents the deadly: Deadly Threads Jane K. Cleland, 2016 Fashions fade, but death is eternal in Deadly Threads, Agatha finalist Jane K. Cleland's irresistible new blend of vintage and vengeance. Josie Prescott has begun hosting classes at her antiques and appraisals shop, nestled in the cozy little coastal town of Rocky Point, New Hampshire. The next class is on building a great vintage clothing collection. But when guest lecturer Riley Jordan is late, Josie begins class by reaching under a display table for a dazzling pair of Chanel heels. But instead of the heels, she finds Riley, dead. When it looks as if one of Josie's employees may be involved in the murder, she teams up with the local police chief to investigate, one clue, and one fabulous vintage accessory, at a time. |
| alfred hitchcock presents the deadly: Obituaries in the Performing Arts, 2019 Harris M. Lentz III, 2020-10-28 The entertainment world lost many notable talents in 2019, including television icon Doris Day, iconic novelist Toni Morrison, groundbreaking director John Singleton, Broadway starlet Carol Channing and lovable Star Wars actor Peter Mayhew. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2019 are included in this edition. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers. |
| alfred hitchcock presents the deadly: Charles Bronson Michael R. Pitts, 2015-09-17 This work covers Bronson's entire output in film and on television, and includes many film stills and photographs. Alphabetical entries list film or episode, complete cast and credits, and year of release. Accompanying each entry's plot synopsis and discussion is a survey of the critical responses to the work. The great Charles Laughton once said Bronson has the strongest face in the business, and he is also one of its best actors. Pretty high praise for an actor who, though loved by fans worldwide, has been consistently underestimated by critics. Bronson's career has spanned five decades, from such television appearances in The Fugitive, Rawhide, Bonanza and Have Gun, Will Travel as well as the telemovie A Family of Cops (1995) and its two sequels. He will long be remembered for his role as urban vigilante Paul Kersey in the Death Wish films. Bronson is one of the most enigmatic, and also most recognizable, of all film stars. |
| alfred hitchcock presents the deadly: British Thrillers, 1950-1979 Franz Antony Clinton, 2020-11-10 The three decades following WWII are considered the golden age of the British thriller film. Newer characters like James Bond, along with established icons such as Sherlock Holmes, Miss Marple and The Saint, all contributed to the era's bountiful array of cinematic mystery, danger, excitement and suspense. For the first time, the extensive output of British thrillers from 1950 to 1979 is covered in one volume. Themed chapters cover a total of 845 films including spy thrillers, mystery thrillers, psychological thrillers, action-adventure thrillers, and crime thrillers. Within these chapters, films appear chronologically, each with a synopsis/review. Additional information provided for each film includes production companies and alternate British and U.S. titles, and the work includes eight useful appendices. |
| alfred hitchcock presents the deadly: The Horror Comics William Schoell, 2014-07-09 From the Golden Age of the 1940s, through the Silver Age of the '60s, up until the early '80s--the end of the Bronze Age. Included are the earliest series, like American Comics Group's Adventures into the Unknown and Prize Comics' Frankenstein, and the controversial and gory comics of the '40s, such as EC's infamous and influential Tales from the Crypt. The resurgence of monster-horror titles during the '60s is explored, along with the return of horror anthologies like Dell Comics' Ghost Stories and Charlton's Ghostly Tales from the Haunted House. The explosion of horror titles following the relaxation of the comics code in the '70s is fully documented with chapters on Marvel's prodigious output--The Tomb of Dracula, Werewolf by Night and others--DC's anthologies--Witching Hour and Ghosts--and titles such as Swamp Thing, as well as the notable contributions of firms like Gold Key and Atlas. This book examines how horror comics exploited everyday terrors, and often reflected societal attitudes toward women and people who were different. |
| alfred hitchcock presents the deadly: The Video Source Book David J. WEINER, 1990 |
| alfred hitchcock presents the deadly: Ed McBain/Evan Hunter Erin E. MacDonald, 2014-01-10 One of the most prolific crime writers of the last century, Evan Hunter published more than 120 novels from 1952 to 2005 under a variety of pseudonymns. He also wrote several teleplays and screenplays, including Alfred Hitchcock's The Birds, and the 1954 novel The Blackboard Jungle. When the Mystery Writers of America named Hunter a Grand Master, he gave the designation to his alter ego, Ed McBain, best known for his long-running police procedural series about the detectives of the 87th Precinct. This comprehensive companion provides detailed information about all of Evan Hunter's/Ed McBain's works, characters, and recurring themes. From police detective and crime stories to dramatic novels and films, this reference celebrates the vast body of literature of this versatile writer. |
| alfred hitchcock presents the deadly: Obituaries in the Performing Arts, 2018 Harris M. Lentz III, 2019-06-17 The entertainment world lost many notable talents in 2018, including movie icon Burt Reynolds, Queen of Soul Aretha Franklin, celebrity chef and food critic Anthony Bourdain, bestselling novelist Anita Shreve and influential Chicago blues artist Otis Rush. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2018 are included. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers. |
| alfred hitchcock presents the deadly: Video Source Book Gale Group, 1999-10-28 A guide to programs currently available on video in the areas of movies/entertainment, general interest/education, sports/recreation, fine arts, health/science, business/industry, children/juvenile, how-to/instruction. |
| alfred hitchcock presents the deadly: New York Magazine , 1990-10-08 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| alfred hitchcock presents the deadly: New York Magazine , 1991-02-11 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| alfred hitchcock presents the deadly: Hollywood Speaks John S. Schuchman, 1988 Once described as the invisible handicap, deafness remains a mystery to most Americans. From the silent film era to 1986, when deaf actress Marlee Matlin won an Oscar for her performance in Children of a Lesser God, Hollywood has reinforced stereotypical views of deafness and deaf people in nearly two hundred movies and television episodes--front flap. |
| alfred hitchcock presents the deadly: Hammer Complete Howard Maxford, 2019-11-08 Think you know everything there is to know about Hammer Films, the fabled Studio that Dripped Blood? The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution. |
| alfred hitchcock presents the deadly: Catalog of Copyright Entries. Third Series Library of Congress. Copyright Office, 1963 |
| alfred hitchcock presents the deadly: Cat's Paw An Unofficial And Unauthorized Guide to Dark Angel Mila Hasan, 2016-04-02 Informative contents on Dark Angel and background to the show. Cast biographies, episode guides to seasons 1&2. Other content such as Logan's Investigations and the impact they had on those around him, including showing what life was like in the future. |
| alfred hitchcock presents the deadly: Horror Literature through History Matt Cardin, 2017-09-21 This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections. |
| alfred hitchcock presents the deadly: Universal Television Jeb H. Perry, 1983 |
| alfred hitchcock presents the deadly: Science Fiction, Horror & Fantasy Film and Television Credits Harris M. Lentz, 1994 Updates and adds to Mr. Lentz's Science Fiction, Horror & Fantasy Film and Television Credits and his Supplement 1 for all works through |
| alfred hitchcock presents the deadly: A Miscellany of Murder The Monday Murder Club, 2011-09-15 Why do they call Adelaide, Australia the City of Corpses? How many people did Agatha Christie kill with her pen? What was Jack the Ripper's supposed occupation? There's nothing like a little murder to challenge the dark side of your brain. This dastardly little volume is organized by the seven deadly sins, giving you all the gumshoes, guns, and gore you need to explore the sinister side of human nature, including: The worst villains of all time—from Hannibal Lecter to Charles Manson The bloody truth about forensics Weaponry to die for Private dicks, dangerous dames, and dubious characters The most puzzling unsolved mysteries Who's really gotten away with murder From amateur sleuths to serial killers, this murderous miscellany of crime—both real and imagined—is just the thing for a dark and stormy night. |
| alfred hitchcock presents the deadly: The Women of Hammer Horror Robert Michael “Bobb” Cotter, 2014-01-10 The Hammer studio is best known for its horror film output from the mid-1950s through the 1970s. This book provides facts about the hundreds of actresses who appeared in those films, including ones released in the twenty-first century by a resurgent Hammer. Each woman's entry includes her Hammer filmography, a brief biography if available, and other film credits in the horror genre. The book is illustrated with more than 60 film stills and posters. |
| alfred hitchcock presents the deadly: Science Fiction, Horror & Fantasy Film and Television Credits: Actor and actress credits. Director, producer, screenwriter, cinematographer, special effects technician, make-up artist, art director, and other credits Harris M. Lentz (III.), 2001 |
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