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| andromeda euripides: The Structure and Performance of Euripides' Helen C. W. Marshall, 2014-12-04 In his detailed study of Euripides' play, Helen, C. W. Marshall expands our understanding of Athenian tragedy and Classical performance. |
| andromeda euripides: The Play of Texts and Fragments J. Robert C. Cousland, James James Rutherford Hume, 2009 This volume is arguably one of the most important studies of Euripides to appear in the last decade. Not only does it offer incisive examinations of many of Euripides' extant plays and their influence, it also includes seminal examinations of a number of Euripides fragmentary plays. This approach represents a novel and exciting development in Euripidean studies, since it is only very recently that the fragmentary plays have begun to appear in reliable and readily accessible editions. The book s thirty-two contributors constitute an international who s who of Euripidean studies and Athenian drama, and their contributions will certainly feature in the forefront of scholarly discourse on Euripides and Greek drama for years to come. |
| andromeda euripides: A Companion to Euripides Laura K. McClure, 2016-12-14 A COMPANION TO EURIPIDES A COMPANION TO EURIPIDES Euripides has enjoyed a resurgence of interest as a result of many recent important publications, attesting to the poet’s enduring relevance to the modern world. A Companion to Euripides is the product of this contemporary work, with many essays drawing on the latest texts, commentaries, and scholarship on the man and his oeuvre. Divided into seven sections, the companion begins with a general discussion of Euripidean drama. The following sections contain essays on Euripidean biography and the manuscript tradition, and individual essays on each play, organized in chronological order. Chapters offer summaries of important scholarship and methodologies, synopses of individual plays and the myths from which they borrow their plots, and conclude with suggestions for additional reading. The final two sections deal with topics central to Euripidean scholarship, such as religion, myth, and gender, and the reception of Euripides from the 4th century BCE to the modern world. A Companion to Euripides brings together a variety of leading Euripides scholars from a wide range of perspectives. As a result, specific issues and themes emerge across the chapters as central to our understanding of the poet and his meaning for our time. Contributions are original and provocative interpretations of Euripides’ plays, which forge important paths of inquiry for future scholarship. |
| andromeda euripides: Euripides John Pentland Mahaffy, 1879 |
| andromeda euripides: The Facts on File Companion to Classical Drama John E. Thorburn, 2005 Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more. |
| andromeda euripides: Perseus Daniel Ogden, 2008-02-19 The son of Zeus, Perseus belongs in the first rank of Greek heroes. Indeed to some he was a greater hero even than Heracles. With the help of Hermes and Athena he slew the Gorgon Medusa, conquered a mighty sea monster and won the hand of the beautiful princess Andromeda. This volume tells of his enduring myth, it's rendering in art and literature, and its reception through the Roman period and up to the modern day. This is the first scholarly book in English devoted to Perseus' myth in its entirety for over a century. With information drawn from a diverse range of sources as well as varied illustrations, the volume illuminates the importance of the Perseus myth throughout the ages. |
| andromeda euripides: Propertius, Greek Myth, and Virgil Peter J. Heslin, 2018-05-18 This volume offers a strikingly innovative account of Propertius' relationship with Virgil, positing a keen rivalry between two of the greatest poets of Latin literature, contemporaries within the circle of Maecenas. It begins by examining all of the references to Greek mythology in Propertius' first book; these passages emerge as strongly intertextual in nature, providing a way for the poet to situate himself with respect to his predecessors, both Greek and Roman. More specifically, myth is also the medium of a sustained polemic with Virgil's Eclogues, published only a few years earlier. Virgil's response can be traced in the Georgics, and subsequently, in his second and third books, Propertius continued to use mythology and its relationship to contemporary events as a vehicle for literary polemic. This volume argues that their competition can be seen as exemplifying a revised model for how the poets within Maecenas' circle interacted and engaged with each other's work - a model based on rivalry rather than ideological adhesion or subversion - while also painting a revealing picture of how Virgil was viewed by a contemporary in the days before his death had canonized his work as an instant classic. In particular, its novel interpretation offers us a new understanding of Propertius, one of the foundational figures in Western love poetry, and how his frequent references to other poets, especially Gallus and Ennius, take on new meanings when interpreted as responses to Virgil's changing career. |
| andromeda euripides: Noble Lies, Slant Truths, Necessary Angels Ellis Shookman, 2020-05-01 Using the nine novels of Christoph Martin Wieland (1733–1813) as case studies, Shookman explores the notion of fictionality both as a distinctive feature of the stories themselves and as a distinguishing characteristic of the fanciful notions, moral laws, political utopias, religious beliefs, and artistic concepts that they describe. The novels show readers why they should take fictions seriously, yet not literally — or how to suspend disbelief without suspending judgment. Shookman uses the concepts of imagination, ideals, and illusion to investigate how Wieland’s novels define fiction, know its referents, and accept its truths. He places Wieland’s use of fictionality in the evolution of the German novel, while also using his work to comment on academic and real world implications of fictionality. |
| andromeda euripides: Tragedy on the Comic Stage Matthew C. Farmer, 2017 Aristophanes' engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries. |
| andromeda euripides: Greek Theatre in the Fourth Century BC Eric Csapo, Hans Rupprecht Goette, J. Richard Green, Peter Wilson, 2014-06-18 Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation. |
| andromeda euripides: Pots & Plays Oliver Taplin, 2007-10-15 This interdisciplinary study opens up a fascinating interaction between art and theater. It shows how the mythological vase-paintings of fourth-century B.C. Greeks, especially those settled in southern Italy, are more meaningful for those who had seen the myths enacted in the popular new medium of tragedy. Of some 300 relevant vases, 109 are reproduced and accompanied by a picture-by-picture discussion. This book supplies a rich and unprecedented resource from a neglected treasury of painting. |
| andromeda euripides: The Journal of Hellenic Studies , 1904 |
| andromeda euripides: Die Griechischen Tragödien Mit Rücksicht Auf Den Epischen Cyclus Friedrich Gottlieb Welcker, 2011-04-10 An attempt to reconstruct the lost trilogies and tetralogies of Greek tragic theatre, demonstrating their debt to the Epic Cycle. |
| andromeda euripides: Controlling Desires Kirk Ormand, 2008-11-30 Historians of ancient Greece and Rome are sometimes hesitant to engage with the well-documented fact that Greek and Roman men regularly engaged in same-sex sexual relations with younger men. In a similar vein, scholars have constructed elaborate social explanations for Sappho, a 6th-century woman from the island of Lesbos who wrote passionate poetry about her erotic relations with a number of women, in order to avoid her apparent sexual orientation. On the other hand, in recent times the Greeks and Romans have occasionally been idealized as prototypes of modern homosexuality or bisexuality. In this engaging, cross-disciplinary book, Ormand argues that the Greeks and Romans thought of sex and sexuality in ways fundamentally different from our own. Ormand's exploration of Greek and Roman sexual practice allows readers the opportunity to see how attitudes and beliefs about sex—sexuality, in short—functioned in the early civilizations of the West, and how those attitudes reveal the unspoken rules that defined public and private behavior. Ormand treats Greece and Rome in separate sections, with ample cross-references and comparisons. Within each section, individual chapters focus on different types of texts and visual arts. Just as sexuality is presented differently in our legal cases than it is on television sitcoms, or supermarket tabloids, the reader will naturally find that the Greeks and Romans talk one way about sex, love, and marriage in legal speeches and another way in comedies, satires, and philosophical texts. Ormand's analysis takes into account changes in attitude over time, as well as different modes of presenting a complex and interconnected set of social beliefs and behaviors. |
| andromeda euripides: Aristophanes: Frogs and Other Plays Aristophanes, 2018-11-10 Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes. |
| andromeda euripides: Aristophanes and Alcibiades Michael Vickers, 2015-10-16 The conventional view of Aristophanes bristles with problems. Important testimony for Alcibiades’ paramount role in comedy is consistently disregarded, and the tradition that “masks were made to look like the komodoumenoi, so that before an actor spoke a word, the audience would recognize who was being attacked” is hardly ever invoked. If these testimonia are taken into account, a fascinating picture emerges, where the komodoumenoi are based on the Periclean household: older characters on Pericles himself, younger on Alcibiades. Aspasia, Pericles’ mistress, and Hipparete, Alcibiades’ wife, lie behind many female characters, and Alcibiades’ ambiguous sexuality also allows him to be shown on the stage as a woman, notably as Lysistrata. There is a substantial overlap between the anecdotal tradition relating to the historical figures and the plotting of Aristophanes’ plays. This extends to speech patterns, where Alcibiades’ speech defect is lampooned. Aristophanes is consistently critical of Alcibiades’ mercurial politics, and his works can also be seen to have served as an aide-mémoire for Thucydides and Xenophon. If the argument presented here is correct, then much current scholarship on Aristophanes can be set aside. |
| andromeda euripides: The Female Characters of Fragmentary Greek Tragedy P. J. Finglass, Lyndsay Coo, 2020-07-02 Sheds new light on the topic of women in tragedy by focusing on neglected evidence from the fragments. |
| andromeda euripides: Reconstructing Satyr Drama Andreas P. Antonopoulos, Menelaos M. Christopoulos, George W. M. Harrison, 2021-07-05 The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume’s contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical performance space and traditions. What is not contested is the relationship of satyr drama to tragedy as a required cap to the Attic trilogy. Here, however, how Aeschylus, Sophocles, and Euripides (to whom one complete play and the preponderance of the surviving fragments belong) envisioned the relationship of satyr drama to tragedy in plot, structure, setting, stage action and language is a complex subject tackled by several contributors. The playful satyr chorus and the drunken senility of Silenos have always suggested some links to comedy and later to Atellan farce and phlyax. Those links are best examined through language, passages in later Greek and Roman writers, and in art. The purpose of this volume is probe as many themes and connections of satyr drama with other literary genres, as well as other art forms, putting satyr drama on stage from the sixth century BC through the second century AD. The editors and contributors suggest solutions to some of the controversies, but the volume shows as much that the field of study is vibrant and deserves fuller attention. |
| andromeda euripides: Aristophanes and Women (Routledge Revivals) Lauren Taaffe, 2018-02-06 Aristophanes and Women, first published in 1993, investigates the workings of the great Athenian comedian’s ‘women plays’ in an attempt to discern why they were in fact probably quite funny to their original audiences. It is argued that modern students, scholars, and dramatists need to consider much more closely the conditions of the plays’ ancient productions when evaluating their ostensible themes. Three plays are focused upon: Lysistrata, Thesmophoriazusae, and Ecclesiazusae. All seem to speak quite eloquently to contemporary concerns about women’s rights, the value of women’s work, and the relationships between women and war, literary representation and politics. On the one hand, Professor Taaffe tries to retrieve what an ancient Athenian audience may have l appreciated about these plays and what their central theses may have meant within that culture. On the other hand, Aristophanes is discussed from the perspective of a late twentieth-century, specifically female, reader. |
| andromeda euripides: The Chorus of Drama in the Fourth Century BCE Lucy C. M. M. Jackson, 2019-11-26 The Chorus of Drama in the Fourth Century BCE seeks to upend conventional thinking about the development of drama from the fifth to the fourth centuries and to provide a new way of talking and thinking about the choruses of drama after the deaths of Euripides and Sophocles. Set in the context of a theatre industry extending far beyond the confines of the City Dionysia and the city of Athens, the identity of choral performers and the significance of their contribution to the shape and meaning of drama in the later Classical period (c.400-323) as a whole is an intriguing and under-explored area of enquiry. This volume draws together the fourth-century historical, material, dramatic, literary, and philosophical sources that attest to the activity and quality of dramatic choruses and, having considered the positive evidence for dramatic choral activity, provides a radical rethinking of two oft-cited yet ill-understood phenomena that have traditionally supported the idea that the chorus of drama 'declined' in the fourth century: the inscription of χοŕο*u~ με ́ λο*s in papyri and manuscripts in place of fully written-out choral odes, and Aristotle's invocation of embolima (Poetics 1456a25-32). It also explores the important role of influential fourth-century authors such as Plato, Demosthenes, and Xenophon, as well as artistic representations of choruses on fourth-century monuments, in shaping later scholars' understanding of the dramatic chorus throughout the Classical period, reaching conclusions that have significant implications for the broader story we wish to tell about Attic drama and its most enigmatic and fundamental element, the chorus. |
| andromeda euripides: Lysistrata, Women at the Thesmophoria, Frogs Aristophanes, 2024-10-07 Arnson Svarlien's translation offers fresh insight into three of Aristophanes's greatest comedies. The verse flows smoothly, and throughout it is stressed that these plays belong on a stage, with guidance on how that might be accomplished. At the same time, the detailed Introduction and interpretative notes on every page show that both Arnson Svarlien and Storey are deeply committed to presenting a vibrant, modern Aristophanes, and to giving the tools needed for readers and actors to form their own opinions on matters of ongoing scholarly controversy. —C.W. Marshall, FRSC, Professor of Greek, The University of British Columbia |
| andromeda euripides: Aristophanes: Clouds, Women at the Thesmophoria, Frogs Stephen Halliwell, 2015-11-12 Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes. |
| andromeda euripides: Painter and Poet in Ancient Greece Eva C. Keuls, 2011-05-02 The volumes published in the series Beiträge zur Altertumskunde comprise monographs, collective volumes, editions, translations and commentaries on various topics from the fields of Greek and Latin Philology, Ancient History, Archeology, Ancient Philosophy as well as Classical Reception Studies. The series thus offers indispensable research tools for a wide range of disciplines related to Ancient Studies. |
| andromeda euripides: Paracomedy Craig Jendza, 2020-04-07 Paracomedy: Appropriations of Comedy in Greek Drama is the first book that examines how ancient Greek tragedy engages with the genre of comedy. While scholars frequently study paratragedy (how Greek comedians satirize tragedy), this book investigates the previously overlooked practice of paracomedy: how Greek tragedians regularly appropriate elements from comedy such as costumes, scenes, language, characters, or plots. Drawing upon a wide variety of complete and fragmentary tragedies and comedies (Aeschylus, Sophocles, Euripides, Aristophanes, Rhinthon), this monograph demonstrates that paracomedy was a prominent feature of Greek tragedy. Blending a variety of interdisciplinary approaches including traditional philology, literary criticism, genre theory, and performance studies, this book offers innovative close readings and incisive interpretations of individual plays. Jendza presents paracomedy as a multivalent authorial strategy: some instances impart a sense of ugliness or discomfort; others provide a sense of light-heartedness or humor. While this work traces the development of paracomedy over several hundred years, it focuses on a handful of Euripidean tragedies at the end of the fifth century BCE. Jendza argues that Euripides was participating in a rivalry with the comedian Aristophanes and often used paracomedy to demonstrate the poetic supremacy of tragedy; indeed, some of Euripides' most complex uses of paracomedy attempt to re-appropriate Aristophanes' mockery of his theatrical techniques. Paracomedy: Appropriations of Comedy in Greek Tragedy theorizes a new, ground-breaking relationship between Greek tragedy and comedy that not only redefines our understanding of the genre of tragedy, but also reveals a dynamic theatrical world filled with mutual cross-generic influence. |
| andromeda euripides: Not Sparing the Child: Human Sacrifice in the Ancient World and Beyond Vita Daphna Arbel, Paul C. Burns, J.R.C. Cousland, Richard Menkis, Dietmar Neufeld, 2015-02-26 The role of human sacrifice in the ancient Mediterranean world and its implications continue to be topics that fire the popular imagination and engender scholarly discussion and controversy. This volume provides balanced and judicious treatments of the various facets of these topics from a cross-disciplinary and cross-cultural perspective. It provides nuanced examinations of ancient ritual, exploring the various meanings that human sacrifice held for antiquity, and examines its varied repercussions up into the modern world. The book explores evidence to shed new light on the origins of the rite, to whom these sacrifices were offered, and by whom they were performed. It presents fresh insights into the social and religious meanings of this practice in its varied biblical landscape and ancient contexts, and demonstrates how human sacrifice has captured the imagination of later writers who have employed it in diverse cultural and theological discourses to convey their own views and ideologies. It provides valuable perspectives for understanding key cultural, theological and ideological dimensions, such as the sacrifice of Christ, scapegoating,self-sacrifice and martyrdom in post-biblical and modern times. |
| andromeda euripides: Aristophanes: Frogs and Other Plays Stephen Halliwell, 2015-11-12 Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes. |
| andromeda euripides: Drakon Daniel Ogden, 2013-02-28 This volume explores the dragon or the supernatural serpent in Graeco-Roman myth and religion. It incorporates analyses, with comprehensive accounts of the rich literary and iconographic sources, for the principal dragons of myth, and discusses matters of cult and the paradoxical association of dragons and serpents with the most benign of deities. |
| andromeda euripides: Fragmentation in Ancient Greek Drama Anna A. Lamari, Franco Montanari, Anna Novokhatko, 2020-08-10 This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion. |
| andromeda euripides: Three Plays by Aristophanes Jeffrey Henderson, 2010-03-30 These three plays by the great comic playwright Aristophanes (c. 446-386 BCE), the well-known Lysistrata, and the less familiar Women at the Thesmophoria and Assemblywomen, are the earliest surviving portrayals of contemporary women in the European literary tradition. These plays provide a unique glimpse of women not only in their familiar domestic roles but also in relation to household and city, religion and government, war and peace, theater and festival, and, of course, to men. This freshly revised edition presents, for the first time in a single volume, all three plays in faithful modern translations that preserve intact Aristophanes’ blunt and often obscene language, sparkling satire, political provocation, and beguiling fantasy. Alongside the translations are ample introductions and notes covering the politically engaged genre of Aristophanic comedy in general and issues of sex and gender in particular, which have been fully updated since the first edition in light of recent scholarship. An appendix contains fragments of lost plays of Aristophanes that also featured women, and an up-to-date bibliography provides guidance for further exploration. In addition to their timeless humor and biting satire, the plays are unique and invaluable documents in the history of western sexuality and gender, and they offer strikingly prescient speculations about the social and political future of the female sex. |
| andromeda euripides: Parody, Politics and the Populace in Greek Old Comedy Donald Sells, 2018-12-13 This book argues that Old Comedy's parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedy's bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays. This study's broader, more flexible definition of parody as a visual – not just verbal – and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood. |
| andromeda euripides: ›Prometheus Bound‹ - A Separate Authorial Trace in the Aeschylean Corpus Nikos Manousakis, 2020-05-05 Classics, Computer Science, and Linguistics are brought together in this book, in an attempt to provide an answer to the authorship question concerning Prometheus Bound, a disputed play in the Aeschylean corpus, by applying some well-established Computer Stylistics methods. One of the main objectives of Stylometry, which, broadly speaking, is the study of quantified style, is Authorship Attribution. In its traditional form it can range from manually calculating descriptive statistics to the use of computer-assisted methodologies. However, non-traditional Authorship Attribution drastically changed the field. It brought together modern Linguistics and Artificial Intelligence applications (machine learning, natural language processing), and its key characteristic is that it aims at developing fully-automated systems for the attribution of texts of unknown authorship. In this book the author employs a series of supervised and unsupervised techniques used in non-traditional Authorship Attribution–applied here for the first time in ancient drama. The outcome of the analysis indicates a significant distance between the disputed text and the secure plays of Aeschylus, but also various interesting (micro-linguistic) ties of affinity with other authors, especially Sophocles and Euripides. |
| andromeda euripides: Antimachus of Colophon and the Position of Women in Greek Poetry Edward Felix Mendelssohn Benecke, 1896 |
| andromeda euripides: Dragons, Serpents, and Slayers in the Classical and Early Christian Worlds Daniel Ogden, 2013-04-25 Dragons, Serpents, and Slayers in the Classical and Early Christian Worlds offers a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. |
| andromeda euripides: Euripides' Escape-Tragedies Matthew Wright, 2005-02-24 Table of contents |
| andromeda euripides: The Comedies of Aristophanes Aristophanes, 1853 |
| andromeda euripides: The Fragments of Sophocles , |
| andromeda euripides: The Emergence of the Lyric Canon Theodora A. Hadjimichael, 2019-05-02 The Hellenistic period was an era of literary canons, of privileged texts and collections. One of the most stable of these consisted of the nine (rarely ten) lyric poets: whether the selection was based on poetic quality, popularity, or the availability of texts in the Library of Alexandria, the Lyric Canon offers a valuable and revealing window on the reception and survival of lyric in antiquity. This volume explores the complexities inherent in the process by which lyric poetry was canonized, and discusses questions connected with the textual transmission and preservation of lyric poems from the archaic period through to the Hellenistic era. It firstly contextualizes lyric poetry geographically, and then focuses on a broad range of sources that played a critical role in the survival of lyric poetry - in particular, comedy, Plato, Aristotle's Peripatetic school, and the Hellenistic scholars - to discuss the reception of the nine canonical lyric poets and their work. By exploring the ways in which fifth- and fourth-century sources interpreted lyric material, and the role they played both in the scholarly work of the Alexandrians and in the creation of what we conventionally call the Hellenistic Lyric Canon, it elucidates what can be defined as the prevailing pattern in the transmission of lyric poetry, as well as the place of Bacchylides as a puzzling exception to this norm. The overall discussion conclusively demonstrates that the canonizing process of the lyric poets was already at work from the fifth century BC and that it is reflected both in the evaluation of lyric by fourth-century thinkers and in the activities of the Hellenistic scholars in the Library of Alexandria. |
| andromeda euripides: Action, Song, and Poetry: Musical and Poetical Meta-performance in Aristophanes and Ben Jonson Alessandro Grilli, Francesco Morosi, 2023-01-30 This study aims to provide a comparative analysis of the dynamics of musical and poetical meta-performance as they emerge both from the surviving corpus of ancient Attic comedy (which adds up, for our purposes, to Aristophanes’ eleven extant plays) and from Ben Jonson’s comedies. As a matter of fact, both corpora show a huge presence of meta-performative elements, that is, of moments in which musical and/or poetical performance is explicitly thematized or enacted in the drama. Those moments are hardly ever fortuitous, or not significant. On the contrary, they play each time a vital role in the development of the plot, in the portrait of characters, or in the definition of the ideology of the play. By means of a comparative analysis between the two authors, the book aims at providing a taxonomy of meta-performance in Aristophanes and Ben Jonson, with particular attention to its role in the definition of the characters' poetic ability. Such comparison will show that, despite using similar comic and performative strategies, the two authors draw a completely different ideology around the crucial themes of culture and titularity. |
| andromeda euripides: Playing the Other Froma I. Zeitlin, 1996 Zeitlin explores the diversity and complexity of these interactions through the most influential literary texts of the archaic and classical periods, from epic (Homer) and didactic poetry (Hesiod) to the productions of tragedy and comedy in fifth-century Athens. |
| andromeda euripides: Legend Builders of the West Arthur Milton Young, 2010-11-23 Classical mythology came west from Greece, bearing the thoughts, feelings, and distilled experiences of ancient peoples that have, in turn, been formed by the skilled hands of artists into tangible creations of beauty and significance. Before there were records to preserve significant events, these stories were passed down in tales and songs. Adapted and embellished by successive generations, they were later written down and used to create art from many different materials in different mediums. Within these stories and the creations they inspired was an impulse either to recover the secrets of something that had been lost or to create something new from the old material.Young examines nine legends-Perseus and Andromeda; Demeter and Persephone; Pyramus and Thisbe; Pygmalion and Galatea; Daedalus and Icarus; Atlanta and Hippomenes; Philemon and Baucis; Echo and Narcissus; and Pomona and Vertumnus-explaining the legends themselves and tracing their dissemination through centuries and civilizations and across various art forms. In Young's view, classical mythology, through expressing humanity's enthusiasms, visions, and talents, might well be considered the skilled midwife of human civilization, proof of our constant effort to possess life symbolically and express it through arts. |
Andromeda (mythology) - Wikipedia
In Greek mythology, Andromeda (/ æ n ˈ d r ɒ m ɪ d ə /; Ancient Greek: Ἀνδρομέδα, romanized: Androméda or Ἀνδρομέδη, Andromédē) is the daughter of Cepheus, the king of Aethiopia, and …
Andromeda Galaxy | Description, Location, Distance, & Facts ...
Jun 2, 2025 · Andromeda Galaxy, great spiral galaxy in the constellation Andromeda, the nearest large galaxy. It is one of the few visible to the unaided eye, appearing as a milky blur. The …
Andromeda Galaxy: Facts about our closest galactic neighbor
Oct 26, 2023 · The Andromeda galaxy is the most distant object in the sky that you can see with your unaided eye. It's also on a collision course with our Milky Way.
Andromeda Galaxy - NASA
Jun 12, 2013 · Andromeda, also known as Messier 31 (M31), is a spiral galaxy located about 2.5 million light years away. It is thought that the Milky Way and Andromeda will collide several …
The Andromeda galaxy: All you need to know - EarthSky
Sep 5, 2024 · Excluding the Large and Small Magellanic Clouds, visible from Earth’s Southern Hemisphere, the Andromeda galaxy is the brightest external galaxy visible in our night sky. …
Messier 31 (The Andromeda Galaxy) - Science@NASA
Apr 24, 2025 · This is the largest photomosaic ever made by the Hubble Space Telescope. The target is the vast Andromeda galaxy that is only 2.5 million light-years from Earth, making it the …
Andromeda Facts: Facts about the Andromeda Galaxy - The …
Check out our selection of facts about Andromeda Galaxy. Did you know that the Milky Way is only about 80% the Mass of the Andromeda Galaxy? Read more here
Get to know the Andromeda Galaxy - Astronomy Magazine
Sep 1, 2024 · The famed Andromeda Galaxy, or M31, draws attention at public star parties not only because it is the nearest major member of the Local Group to our Milky Way, but also …
The Andromeda Galaxy | Images, Facts & Astrophotography Tips
The Andromeda Galaxy (M31) is the closest, large galaxy to the Milky Way. Here are my amateur atrophotography images using a small telescope.
Andromeda – Mythopedia
Mar 10, 2023 · Andromeda, the daughter of Cepheus and Cassiopeia, was a beautiful princess of Ethiopia. Offered up as a sacrifice to Poseidon as punishment for her mother’s foolish boasts, …
Andromeda (mythology) - Wikipedia
In Greek mythology, Andromeda (/ æ n ˈ d r ɒ m ɪ d ə /; Ancient Greek: Ἀνδρομέδα, romanized: Androméda or Ἀνδρομέδη, Andromédē) is the daughter of Cepheus, the king of Aethiopia, and …
Andromeda Galaxy | Description, Location, Distance, & Facts ...
Jun 2, 2025 · Andromeda Galaxy, great spiral galaxy in the constellation Andromeda, the nearest large galaxy. It is one of the few visible to the unaided eye, appearing as a milky blur. The …
Andromeda Galaxy: Facts about our closest galactic neighbor
Oct 26, 2023 · The Andromeda galaxy is the most distant object in the sky that you can see with your unaided eye. It's also on a collision course with our Milky Way.
Andromeda Galaxy - NASA
Jun 12, 2013 · Andromeda, also known as Messier 31 (M31), is a spiral galaxy located about 2.5 million light years away. It is thought that the Milky Way and Andromeda will collide several …
The Andromeda galaxy: All you need to know - EarthSky
Sep 5, 2024 · Excluding the Large and Small Magellanic Clouds, visible from Earth’s Southern Hemisphere, the Andromeda galaxy is the brightest external galaxy visible in our night sky. …
Messier 31 (The Andromeda Galaxy) - Science@NASA
Apr 24, 2025 · This is the largest photomosaic ever made by the Hubble Space Telescope. The target is the vast Andromeda galaxy that is only 2.5 million light-years from Earth, making it the …
Andromeda Facts: Facts about the Andromeda Galaxy - The …
Check out our selection of facts about Andromeda Galaxy. Did you know that the Milky Way is only about 80% the Mass of the Andromeda Galaxy? Read more here
Get to know the Andromeda Galaxy - Astronomy Magazine
Sep 1, 2024 · The famed Andromeda Galaxy, or M31, draws attention at public star parties not only because it is the nearest major member of the Local Group to our Milky Way, but also …
The Andromeda Galaxy | Images, Facts & Astrophotography Tips
The Andromeda Galaxy (M31) is the closest, large galaxy to the Milky Way. Here are my amateur atrophotography images using a small telescope.
Andromeda – Mythopedia
Mar 10, 2023 · Andromeda, the daughter of Cepheus and Cassiopeia, was a beautiful princess of Ethiopia. Offered up as a sacrifice to Poseidon as punishment for her mother’s foolish boasts, …
