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| american history skits: 10 American History Plays for the Classroom Sarah J. Glassock, 1995 Contains scripts for ten plays on different aspects of American history plus follow-up teaching activities. |
| american history skits: Success with Reading: 10 Easy-To-Read American History Plays That Reach All Kinds of Readers Sarah Glasscock, 2001 All students love learning history with these exciting, easy-to-read plays. The plays are all written on a 3rd grade reading level, so even your most challenged readers will be successful. Topics covered include Columbus’s explorations, Jamestown, the Pilgrims, the Boston Tea Party, the Underground Railroad, the Civil War, Immigration, and more. Also includes creative activities, Web and literature links, background information, and vocabulary lists. For use with Grades 4-8. |
| american history skits: Read-aloud Plays Mack Lewis, 2011 The repeated readings students do while rehearsing these plays help build fluency and comprehension skills. |
| american history skits: Read-Aloud Plays Mack Lewis, 2003-04-01 Help kids meet the social studies standards with ten captivating read-aloud plays about the White House, the Liberty Bell, the Pledge, Martin Luther King Day, and more! Each play tells the story of an American symbol, holiday, or person in a unique and compelling way. What would the presidents on Mount Rushmore say if they came to life? Did Betsy Ross really make the first flag? Includes background information, extension activities, and multiple-choice quizzes. For use with Grades 4-8. |
| american history skits: Reader's Theater Scripts: Texas History Timothy Rasinski, Debby Murphy, 2014-08-01 Improve students' reading fluency while providing fun and purposeful practice and performance through Reader's Theater Scripts. Engage students through Reader's Theater to make learning fun while building knowledge of Texas history and the significant people, events, and places that make Texas what it is today. Improve vocabulary and comprehension with repeated practice and performance of the scripts along with TEKS-based activities in the lesson plans, which include word study, comprehension questions, and extension activities. Make your classroom a Reader's Theater classroom today! |
| american history skits: The Bicentennial of the United States of America American Revolution Bicentennial Administration, 1977 |
| american history skits: Reader's Guide to Literature in English Mark Hawkins-Dady, 2012-12-06 Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study. |
| american history skits: Performing Asian America Josephine Lee, 1998-03-25 At a time when Asian American theater is enjoying a measure of growth and success, Josephine Lee tells us about the complex social and political issues depicted by Asian American playwrights. By looking at performances and dramatic texts, Lee argues that playwrights produce a different conception of Asian America in accordance with their unique set of sensibilities. For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well. Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a. |
| american history skits: Milestones in Asian American Theatre Josephine Lee, 2022-09-30 This introduction to Asian American theatre charts ten of the most pivotal moments in the history of the Asian diaspora in the USA and how those moments have been reflected in theatre. Designed for weekly use on Asian American theatre courses, ten chosen milestones move chronologically from the earliest contact between Japan and the West through the impact of the Vietnam War and the resurgent yellow peril hysteria of COVID-19. Each chapter emphasizes common questions of how racial identities and relationships are understood in everyday life as well as represented on the theatrical stage and in popular culture. Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas. |
| american history skits: Performing America J. Ellen Gainor, 1999 DIVHow theatrical representations of the U.S. have shaped national identity /div |
| american history skits: Like a King Christina Gutierrez-Dennehy, 2020-11-18 Like a King argues that strategic casting positions Shakespeare’s histories as spaces for American political discourse. Drawing from the archive and the rehearsal room, the book examines productions of Richard II, Henry V and King John in the renaissance and the twenty-first century. |
| american history skits: American Book Publishing Record , 1999 |
| american history skits: Inseparable: The Original Siamese Twins and Their Rendezvous with American History Yunte Huang, 2018-04-03 “An astonishing story, by turns ghastly, hilarious, unnerving, and moving.”—Stephen Greenblatt, author of The Rise and Fall of Adam and Eve In this “excellent” portrait of America’s famed nineteenth-century Siamese twins, celebrated biographer Yunte Huang discovers in the conjoined lives of Chang and Eng Bunker (1811–1874) a trenchant “comment on the times in which we live” (Wall Street Journal). “Uncovering ironies, paradoxes and examples of how Chang and Eng subverted what Leslie Fiedler called ‘the tyranny of the normal’ ” (BBC), Huang depicts the twins’ implausible route to assimilation after their “discovery” in Siam by a British merchant in 1824 and arrival in Boston as sideshow curiosities in 1829. Their climb from subhuman, freak-show celebrities to rich, southern gentry who profited from entertaining the Jacksonian mobs; their marriage to two white sisters, resulting in twenty-one children; and their owning of slaves, is here not just another sensational biography but an “extraordinary” (New York Times), Hawthorne-like excavation of America’s historical penchant for tyrannizing the other—a tradition that, as Huang reveals, becomes inseparable from American history itself. |
| american history skits: Feminism, Dramaturgy, and the Contemporary British History Play Rebecca Benzie, 2024-08-22 When we think of the contemporary British history play, why might we automatically think of playwrights such as David Hare, Howard Brenton, Peter Gill and Edward Bond? Because for decades the writing of the history play has been the preserve of the white male. This book provides a vital feminist intervention into the dramaturgy of history plays, investigating work produced at major British theatres from 2000 to the present, written by a generation of innovative women playwrights. This much-needed study explores the use of history – specifically Elizabethan, Restoration, Victorian and early 20th century – in contemporary playwriting in order to interrogate the gender politics of this work. Within the framework of contemporary feminism – including the pivotal #MeToo movement – the book looks at post-2000s feminist drama that somehow represents the past. Through delving into the recurring tropes and their politics in the light of current feminist debate, the author helps us grasp how these plays essentially re-imagine gender politics. Plays that are considered include Emilia (Morgan Lloyd Malcolm), Swive [Elizabeth] (Ella Hickson), An August Bank Holiday Lark (Deborah McAndrew), The Empress (Tanika Gupta), Red Velvet (Lolita Chakrabarti), Scuttlers (Rona Munro), I, Joan (Charlie Josephine), Blue Stockings and Nell Gwynn (Jessica Swale), and the musical Six (Toby Marlow and Lucy Moss). |
| american history skits: Into the Bush J. Manfred Weichsel, 2024-03-18 After the overwhelmingly successful premiere of Jungle Jitters, Jennifer, the leader of the Action Girls, is eager to make another jungle adventure movie, and she asks her regular scribe, J. Manfred Weichsel, to write it. His pitch? A three-hundred-mile-long giantess named Patty McGloop lies eternally on her back in the Mojave Desert, with a pubic hair region spanning seven miles from below her navel to between her thighs. Just as the Gargantua ray made Patty McGloop very big, it also enlarged the microscopic animals that live on her skin and hair. Wouldn’t it be fun to go exploring inside her pubic hair jungle in order to document all the interesting flora and fauna? The Action girls excitedly make all the preparations needed to shoot such a bizarre motion picture and take a helicopter to Patty McGloop’s navel, the gateway to her colossal realm. But when the girls become captive to a tribe of zealous lice, it’s up to Manfred to go on a daring mission into the bush to rescue them. About the author: Before he became America’s premier writer of subversive fiction, J. Manfred Weichsel cut his teeth in Hollywood, crafting screenplays for the notorious Action Girls, a trio of indie starlets whose on and off-screen antics captivated audiences throughout the 2010s. But while the glitz and glamor of Tinseltown may have seemed like a dream come true, insiders know that life with the Action Girls was anything but ordinary. Weichsel's days were a whirlwind of adrenaline and excess. Rumors of secret romances, bitter rivalries, and drunken nights on set only added fuel to the fiery saga of his Hollywood tenure. In this tell-all memoir, J. Manfred Weichsel dishes out the most salacious details on the making of their most notorious film, Into the Bush. Don't miss out on these behind-the-scenes revelations that will leave you laughing, gasping, and begging for more. |
| american history skits: Revolutionary War Dallas Murphy, 2000-05 5 short plays for the classroom with background information, writing prompts, and creative activities--Cover |
| american history skits: May All Your Fences Have Gates Alan Nadel, 1993-11-01 This stimulating collection of essays, the first comprehensive critical examination of the work of two-time Pulitzer Prize-winning playwright August Wilson, deals individually with his five major plays and also addresses issues crucial to Wilson's canon: the role of history, the relationship of African ritual to African American drama, gender relations in the African American community, music and cultural identity, the influence of Romare Bearden's collages, and the politics of drama. The collection includes essays by virtually all the scholars who have currently published on Wilson along with many established and newer scholars of drama and/or African American literature. |
| american history skits: Robert Lowell, Interviews and Memoirs Robert Lowell, 1988 A collection of conversations with Lowell and of critical reflections on his work |
| american history skits: Junior High School Library Catalog , 1975 |
| american history skits: Catalog of Copyright Entries Library of Congress. Copyright Office, 1974 |
| american history skits: Resources in Education , 1990 |
| american history skits: Pageants and Plays Depicting the Life of George Washington and His Time United States George Washington Bicentennial Commission, 1932 |
| american history skits: Play Index Estelle A. Fidell, 1973 |
| american history skits: Narrative of the life of Henry Box Brown, written by himself Henry Box Brown, 1851 The life of a slave in Virginia and his escape to Philadelphia. |
| american history skits: Sparking Student Motivation Eric M. Anderman, 2020-08-06 Be the change that lights the learning fire. Facing a classroom of attentive, focused, and ready-to-learn students is a teacher’s dream. Nevertheless, this is not always the reality, and pulling students along when they don’t seem interested is frustrating. Too often, a teacher’s daily experience does not align with the dream. This book is here to show how you, as a classroom teacher, can generate enthusiasm, confidence, and joy in your students. You can affect motivation and make a difference in their lives. Delve into the what, why, and how by reflecting on your own experiences and unpacking multiple factors that affect motivation. Then, learn how to spark motivation using practical, research-informed strategies that address how to Hone student grouping, rewards, technology, and competition for positive impact Confront and disarm testing conflicts to make assessments a pleasant student experience Examine and empower teacher–student relationships Rethink rules and procedures to improve behavioral outcomes Read this book and you’ll come away prepared to implement strategies that rekindle a love for learning. |
| american history skits: Read-Aloud Plays Carol Pugliano-Martin, 2000-10 Eight short plays for grades 3-5, with writing prompts and activities that link to language arts, social studies, etc. |
| american history skits: An Index to Holiday Plays for Schools , 1938 |
| american history skits: Subject Catalog Library of Congress, 1982 |
| american history skits: Thesaurus of ERIC Descriptors , 1980 |
| american history skits: Dictionary Catalog of the Harris Collection of American Poetry and Plays, Brown University Library, Providence, Rhode Island Brown University. Library, 1972 |
| american history skits: Subject Catalog, 1982 Library of Congress, 1982 |
| american history skits: Pamphlet, No. 1- United States. Office of Education, 1930 |
| american history skits: The Cambridge History of American Theatre Don B. Wilmeth, Christopher Bigsby, 1998-02-28 The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity. |
| american history skits: Reaching Out Barbara J. Higgins, 1989 |
| american history skits: School Activities , 1935 |
| american history skits: Recreation , 1951 |
| american history skits: The Playground , 1927 |
| american history skits: Children's Catalog H.W. Wilson Company, 1946 The 1st ed. includes an index to v. 28-36 of St. Nicholas. |
| american history skits: Abraham Lincoln Through the Eyes of High School Youth Jean Dresden Grambs, 1959 |
| american history skits: Abraham Lincoln Through the Eyes of High School Youth United States Lincoln Sesquincentennial Commission, 1959 |
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