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| aboulela the museum: Opening Spaces Yvonne Vera, 1999 In this anthology the award-winning author Yvonne Vera brings together the stories of many talented writers from different parts of Africa. |
| aboulela the museum: The Postcolonial Museum Iain Chambers, Alessandra De Angelis, Celeste Ianniciello, Mariangela Orabona, 2016-02-17 This book examines how we can conceive of a ’postcolonial museum’ in the contemporary epoch of mass migrations, the internet and digital technologies. The authors consider the museum space, practices and institutions in the light of repressed histories, sounds, voices, images, memories, bodies, expression and cultures. Focusing on the transformation of museums as cultural spaces, rather than physical places, is to propose a living archive formed through creation, participation, production and innovation. The aim is to propose a critical assessment of the museum in the light of those transcultural and global migratory movements that challenge the historical and traditional frames of Occidental thought. This involves a search for new strategies and critical approaches in the fields of museum and heritage studies which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of ’modernity’ in a so-called globalised and multicultural world. |
| aboulela the museum: The Translator Leila Aboulela, 2001 Although they work in the same department at Aberdeen University, she as a translator, he as a lecturer in Postcolonial Politics, Sammar and Rae live in worlds divided by simple facts |
| aboulela the museum: Elsewhere, Home Leila Aboulela, 2019-02-12 The renowned Sudanese-Egyptian author explores the lives of immigrants at home and abroad in this “earnest and engrossing” story collection (Publishers Weekly, starred review). A young woman’s encounter with a former classmate elicits painful reminders of her old life in Khartoum. A wealthy young Sudanese woman studying in Aberdeen begins an unlikely friendship with one of her Scottish classmates. A woman experiences an evolving relationship to her favorite writer, whose portrait of their shared culture both reflects and conflicts with her own sense of identity. Shuttling between the dusty, sun-baked streets of Khartoum and the university halls and cramped apartments of Aberdeen and London, Elsewhere, Home explores, with subtlety and restraint, the profound feelings of yearning, loss, and alienation that come with leaving one’s homeland in pursuit of a different life. |
| aboulela the museum: Minaret Leila Aboulela, 2007-12-01 “A beautiful, daring, challenging novel” of a young Muslim immigrant—from the author of the New York Times Notable Book, The Translator (The Guardian). Leila Aboulela’s American debut is a provocative, timely, and engaging novel about a young Muslim woman—once privileged and secular in her native land and now impoverished in London—gradually embracing her orthodox faith. With her Muslim hijab and down-turned gaze, Najwa is invisible to most eyes, especially to the rich families whose houses she cleans in London. Twenty years ago, Najwa, then at university in Khartoum, would never have imagined that one day she would be a maid. An upperclass Westernized Sudanese, her dreams were to marry well and raise a family. But a coup forces the young woman and her family into political exile in London. Soon orphaned, she finds solace and companionship within the Muslim community. Then Najwa meets Tamer, the intense, lonely younger brother of her employer. They find a common bond in faith and slowly, silently, begin to fall in love. Written with directness and force, Minaret is a lyric and insightful novel about Islam and an alluring glimpse into a culture Westerners are only just beginning to understand. “Lit up by a highly unusual sensibility and world view, so rarefied and uncompromising that it is likely to throw the reader out of kilter . . . Her delicacy of touch is to be complimented.” —Chandrahas Choudhury, San Francisco Chronicle |
| aboulela the museum: Lyrics Alley Leila Aboulela, 2011-03-08 In 1950s Sudan, the powerful and sprawling Abuzeid dynasty has amassed a fortune through their trading firm, with Mahmoud Bey at its helm. But when Mahmoud’s son, Nur, the handsome heir to his business empire, suffers a debilitating accident, the family is suddenly divided in the face of an uncertain future. As British rule nears its end, Sudan is torn between modernizing influences and the call of traditions past—a conflict reflected in the growing tensions between Mahmoud’s two wives: the younger, Nabilah, longs to return to Egypt and escape the dust of “backward-looking” Sudan; and Waheeba, who lives traditionally in the confines of her open-air kitchen. It is not until Nur begins to assert himself outside the strict cultural limits of his parents that both his own spirit and the frayed bonds of his family can begin to mend. Moving from the alleys of Sudan to cosmopolitan Cairo and a decimated post-colonial Britain, Lyrics Alley is a sweeping tale of desire and loss, faith, despair and reconciliation. It is one of the most accomplished and evocative portraits ever written about Sudanese society at the time of independence. |
| aboulela the museum: A New Generation of African Writers Brenda Cooper, 2013 Brenda Cooper examines the work of the new generation of African writers who have placed migration as central to their writing |
| aboulela the museum: Coloured Lights Leila Aboulela, 2005 All eleven stories illuminate the subtleties of Muslim immigrant experience in Britain: comic culture clash and deep spiritual struggles, from the title story, which tells of the tragic death of the narrator's brother; in another, romance is tentative in a Scottish kebab shop. One of the stories, 'The Museum', won the first Caine Prize for African Writing (2000). edition. |
| aboulela the museum: African Women Writers and the Politics of Gender Sadia Zulfiqar, 2016-09-23 This work examines the work of a group of African women writers who have emerged over the last forty years. While figures such as Chinua Achebe, Ben Okri and Wole Soyinka are likely to be the chief focus of discussions of African writing, female authors have been at the forefront of fictional interrogations of identity formation and history. In the work of authors such as Mariama Bâ (Senegal), Buchi Emecheta (Nigeria), Chimamanda Ngozi Adichie (Nigeria), Tsitsi Dangarembga (Zimbabwe), and Leila Aboulela (Sudan), there is a clear attempt to subvert the tradition of male writing where the female characters are often relegated to the margins of the culture, and confined to the domestic, private sphere. This body of work has already generated a significant number of critical responses, including readings that draw on gender politics and colonialism, but it is still very much a minor literature, and most mainstream western feminism has not sufficiently processed it. The purpose of this book is three-fold. First, it draws together some of the most important and influential African women writers of the post-war period and looks at their work, separately and together, in terms of a series of themes and issues, including marriage, family, polygamy, religion, childhood, and education. Second, it demonstrates how African literature produced by women writers is explicitly and polemically engaged with urgent political issues that have both local and global resonance: the veil, Islamophobia and a distinctively African brand of feminist critique. Third, it revisits Fredric Jameson’s claim that all third-world texts are “national allegories” and considers these novels by African women in relation to Jameson’s claim, arguing that their work has complicated Jameson’s assumptions. |
| aboulela the museum: Writing Africa in the Short Story Ernest Emenyo̲nu, 2013 |
| aboulela the museum: Postcolonial Lack Gautam Basu Thakur, 2020-01-01 Postcolonial Lack reconvenes dialogue between Lacanian psychoanalysis and postcolonial theory in order to expand the range of cultural analyses of the former and make the latter theoretically relevant to the demands of contemporary narratives of othering, exclusion, and cultural appropriation. Seeking to resolve the mutual suspicion between the disciplines, Gautam Basu Thakur draws out the connections existing between Lacan's teachings on subjectivity and otherness and writings of postcolonial and decolonial theorists such as Gayatri Spivak, Frantz Fanon, and Homi Bhabha. By developing new readings of the marginalized other as radical impasse and pushing the envelope on neoliberal identity politics, the book moves postcolonial studies away from the perennial topic of identity and difference and into examining the form and function of the other as excess--surplus and/or lack--in colonial and postcolonial literature, film, and social discourse. Looking at writings by Mahasweta Devi, Amitav Ghosh, Leila Aboulela, Narayan Gangopadhyay, Katherine Boo, and films by Gillo Pontecorvo, Clint Eastwood, Ryan Coogler (Black Panther), and Tony Gatlif, Basu Thakur highlights a new set of ethical and political considerations emerging as a direct result of this shift and stakes a fundamental rethinking of postcoloniality through what he calls the politics of ontological discordance. |
| aboulela the museum: Translated People,Translated Texts Tina Steiner, 2014-04-08 Translated People, Translated Texts examines contemporary migration narratives by four African writers who live in the diaspora and write in English: Leila Aboulela and Jamal Mahjoub from the Sudan, now living in Scotland and Spain respectively, and Abdulrazak Gurnah and Moyez G. Vassanji from Tanzania, now residing in the UK and Canada. Focusing on how language operates in relation to both culture and identity, Steiner foregrounds the complexities of migration as cultural translation. Cultural translation is a concept which locates itself in postcolonial literary theory as well as translation studies. The manipulation of English in such a way as to signify translated experience is crucial in this regard. The study focuses on a particular angle on cultural translation for each writer under discussion: translation of Islam and the strategic use of nostalgia in Leila Aboulela's texts; translation and the production of scholarly knowledge in Jamal Mahjoub's novels; translation and storytelling in Abdulrazak Gurnah's fiction; and translation between the individual and old and new communities in Vassanji's work. Translated People, Translated Texts makes a significant contribution to our understanding of migration as a common condition of the postcolonial world and offers a welcome insight into particular travellers and their unique translations. |
| aboulela the museum: Translation, Travel, Migration Loredana Polezzi, 2016-04-08 The connection between travel and translation is often evoked in contemporary critical theory, both practices seen as metaphors of mobility and flux linked to globalized 'post-modern' society. Travel is a multiple activity, encompassing temporary and voluntary displacement, repeated movement, exile, economic migration, diaspora. Places of origin are often plural and unstable, in spite of the enduring appeal of traditional labels such as 'mother country' or 'patrie'. The multiple interfaces between translation, travel and migration are the focus of all contributions in this special issue. Starting from different points of view, and using a variety of methodologies, the authors raise fundamental questions about the way in which we perceive the link between language, national or ethnic identity, and individual voice. Topics range from the interaction between travel, travel narratives and translation in early English representations of China, to the special role played by interpreters in mediating the first contact between a literate and a non-literate culture; from the multiple functions and audiences addressed by contemporary Romani literature and its translation, to the political as well a cultural implications of translating popular music across the Bosporus. A number of the articles focus on detailed textual analysis, covering the intersection between exile, self-translation and translingualism in the work of Manuel Puig; the uses and limitations of translation in the works of migrant authors; or the impact on figurations of Europe of experimental work embracing polylingualism. Collectively, these contributions also underline the importance of a closer examination of our assumptions about who the translators and the interpreters are, and what roles they play in our society. |
| aboulela the museum: Africa Writing Europe Maria Olaussen, Christina Angelfors, 2009 Africa Writing Europe offers critical readings of the meaning and presence of Europe in a variety of African literary texts. Authors discussed include Leila Aboulela, Tatamkhulu Afrika, Alice Solomon Bowen, Ken Bugul, and Tayeb Salih. |
| aboulela the museum: The Kindness of Enemies Leila Aboulela, 2015-08-13 The new novel from three times Orange Prize longlisted Leila Aboulela Natasha Wilson knows how difficult it is to fit in. Born to a Russian mother and a Muslim father, she feels adrift in Scotland and longs for a place which really feels like home. Then she meets Oz, a charismatic and passionate student at the university where Natasha teaches. As their bond deepens, stories from Natasha's research come to life - tales of forbidden love and intrigue in the court of the Tsar. But when Oz is suspected of radicalism, Natasha's own work and background suddenly come under the spotlight. As suspicions grow around her, and friends and colleagues back away, Natasha stands to lose the life she has fought to build. |
| aboulela the museum: Perspectives on the Contemporary Novel Abdulgawad Elnady , 2020-11-12 I am introducing the kind reader to a sample selection of studies on the contemporary novel. Egyptian, Ghanaian, British, Portuguese, Sudanese, and Canadian, the novels, short stories, and film-adaptation of novels discussed range also from ones grappling with man’s plight in an ever traumatized and traumatizing world to national and international politics, ecocritical issues, critical, cinematic and translational concerns, the anxiety of resistance and coexistence, geocritical horizons, and third-culture parameters. Table of Contents Dedication. Preface. Chapter One: Scatology in the Postcolonial Ghanaian and Egyptian Novel Chapter Two: A Geocritical Reading of Some of Alice Munro’s Short Stories Chapter Three: A Cixousian Reading of Alice Munro’s and Mohja Kahf’s Short Stories Chapter Four: The Anxiety of Resistance and Coexistence in Leila Aboulela’s The Translator. Error! Bookmark not defined. Chapter Five: A Reading of Jose Saramago’s Blindness in the Context of Ecocriticism Chapter Six: The Problematics of Translating Literary Criticism Chapter Seven: The Poetry of Science Writing: the Panacea of the Third Culture in Ian McEwan’s Saturday. Works Cited |
| aboulela the museum: The Space of the Transnational Shirin E. Edwin, 2021-12-01 This book examines Muslim women's creative strategies of deploying religious concepts such as ummah, or community, to solve problems of domestic and communal violence, polygamous abuse, sterility, and heteronormativity. By closely reading and examining examples of ummah-building strategies in interfaith dialogues, exchanges, and encounters between Muslim and non-Muslim women in a selection of African and Southeast Asian fictions and essays, this book highlights women's assertive activisms to redefine transnationalism, understood as relationships across national boundaries, as transgeography. Ummah-building strategies shift the space of, or respatialize, transnational relationships, focusing on connections between communities, groups, and affiliations within the same nation. Such a respatialization also enables a more equitable and inclusive remediation of the citizenship of gendered and religious citizens to the nation-state and the transnational sphere of relationships. |
| aboulela the museum: An African Quilt Barbara H. Solomon, W. Reginald Rampone Jr., 2012-12-31 Encompassing many different visions of Africa, the stories in this comprehensive collection feature characters struggling to survive grinding poverty, tyrannical governments, cultural upheavals, and disintegrating relationships. Reflecting a continent with a tragic history, An African Quilt depicts a place where even everyday life is extraordinary, and the continent’s history changes what it means to be a woman, an employee, a couple, a passerby, and, of course, a citizen. Revealed through the backdrop of postcolonial Africa, the struggles within these stories resonate beyond their context and appeal to every reader’s sense of what it means to be human. Includes Stories by Chimamanda Ngozi Adichie, Nadine Gordimer (Winner of the Nobel Prize), Bessie Head, Doris Lessing (Winner of the Nobel Prize), Ngugi wa Thiong’o, and Others |
| aboulela the museum: West Africa , 2000 |
| aboulela the museum: Can We Talk and Other Stories Shimmer Chinodya, 2001 A collection of Zimbabwean stories following the transition from childhood to adult life. Youthful desires for prosperity, love and a purpose in life are undermined as the characters grow up, reflecting the decline in post-independence Zimbabwe. |
| aboulela the museum: Edinburgh Companion to the Arab Novel in English Nouri Gana, 2015-04-17 Opening up the field of diasporic Anglo-Arab literature to critical debate, this companion spans from the first Arab novel in 1911 to the resurgence of the Anglo-Arabic novel in the last 20 years. There are chapters on authors such as Ameen Rihani, Ahdaf |
| aboulela the museum: Arab Voices in Diaspora Layla Al Maleh, Layla Maleh, 2009 Arab Voices in Diaspora offers a wide-ranging overview and an insightful study of the field of anglophone Arab literature produced across the world. The first of its kind, it chronicles the development of this literature from its inception at the turn of the past century until the post 9/11 era. The book sheds light not only on the historical but also on the cultural and aesthetic value of this literary production, which has so far received little scholarly attention. It also seeks to place anglophone Arab literary works within the larger nomenclature of postcolonial, emerging, and ethnic literature, as it finds that the authors are haunted by the same 'hybrid', 'exilic', and 'diasporic' questions that have dogged their fellow postcolonialists. Issues of belonging, loyalty, and affinity are recognized and dealt with in the various essays, as are the various concerns involved in cultural and relational identification. The contributors to this volume come from different national backgrounds and share in examining the nuances of this emerging literature. Authors discussed include Elmaz Abinader, Diana Abu-Jaber, Leila Aboulela, Leila Ahmed, Rabih Alameddine, Edward Atiyah, Shaw Dallal, Ibrahim Fawal, Fadia Faqir, Khalil Gibran, Suheir Hammad, Loubna Haikal, Nada Awar Jarrar, Jad El Hage, Lawrence Joseph, Mohja Kahf, Jamal Mahjoub, Hisham Matar, Dunya Mikhail, Samia Serageldine, Naomi Shihab Nye, Ameen Rihani, Mona Simpson, Ahdaf Soueif, and Cecile Yazbak. Contributors: Victoria M. Abboud, Diya M. Abdo, Samaa Abdurraqib, Marta Cariello, Carol Fadda-Conrey, Cristina Garrigós, Lamia Hammad, Yasmeen Hanoosh, Waïl S. Hassan, Richard E. Hishmeh, Syrine Hout, Layla Al Maleh, Brinda J. Mehta, Dawn Mirapuri, Geoffrey P. Nash, Boulus Sarru, Fadia Fayez Suyoufie |
| aboulela the museum: The Translator , 2006 |
| aboulela the museum: Cultural Dance in Australia Jeanette Mollenhauer, 2022-11-28 This book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora. It is the first book to present a broad-ranging analysis of cultural dance in Australia. Topics include adaptation of dance customs within a post-migration context, multicultural festivals, prominent performers, historiographies and archives, and the relative positionings of cultural and Western theatrical dance genres. The book offers a decolonized appraisal of dance in Australia, critiquing past and present praxes and offering suggestions for the future. Overall, it underscores the highly variegated nature of the Australian dance landscape and advocates for greater recognition of amateur community dance practices. Cultural Dance in Australia makes a substantial contribution to the catalogue of work about immigrants and cultural dance styles that continue to be preserved in Australia. This book will be of interest to scholars of dance, performance studies, migration studies and transnationalism. |
| aboulela the museum: The Europa Directory of Literary Awards and Prizes Susan Leckey, 2015-12-22 A complete guide to the major awards and prizes of the literary world. * An invaluable source of information on awards and prizes world-wide * Covers over 1,000 awards and prizes * Comprehensive background information on each award * Extensive contact details. Contents * Includes internationally awarded prizes along with prestigious national awards * Subject areas covered include adult and children's fiction, non-fiction, poetry, lifetime's achievement, translation and drama * Information is provided on the history of each award, its purpose, what is awarded, how often the prize is awarded, eligibility and restrictions, the awarding organization and the most recent recipients * Full contact details of the awarding organization are provided, including main contact name, postal address, e-mail and Internet address, telephone and fax numbers * Fully indexed by keyword, awarding organization and award by subject. |
| aboulela the museum: Compatriots or Competitors? Hywel Dix, 2022-11-15 Rather than being limited to political or legal discussion (like most books on Brexit), this book explores the relationship between cultural production and Brexit (both in the lead up to it; and in its aftermath). It is the first major study to take a comparative approach to analysing the relationship between cultural production and Brexit in all 4 nations of the UK. This comparative approach is necessary to get a detailed picture of the complex dynamics at work across each. This book is highly interdisciplinary in nature, looking at the rise of the cultural industries; the relationship between the UK City of Culture festival and its fore-runner, the European Capital of Culture; national book prizes in Britain and Europe; British variations on Nordic Noir TV; and the Brexit novel. As a result, it draws on research in the disciplines of geography, economics, film and television studies, history and politics as well as publishing and literary studies. |
| aboulela the museum: Calligraphies of the Desert Hassan Massoudy, 2020-09-29 Celebrated calligrapher Hassan Massoudy carries the desert within him. Through majestic, sweeping strokes, he depicts its breath-taking beauty and wonder. Massoudy draws inspiration from the words and wisdom of some of our greatest poets and writers - Rumi, Paul Bowles, Goethe, Baudelaire, Antoine de Saint-Exupery, Khalil Gibran - who have lost themselves in the mysteries of the desert. Speaking to the senses, Calligraphies of the Desert is a treasure for travellers, poets and dreamers. |
| aboulela the museum: SIHA Journal: Women in Islam (Issue Three) SIHA SIHA, 2017-12-29 Women in Islam explores the complexities of gender relations in Muslim communities in the Horn of Africa and beyond, engaging critically with the social, political and cultural challenges associated with the intersection of Islam and gender. With an eclectic selection of essays, academic papers, opinion pieces and personal narratives punctuated with poetry and art, the journal seeks to spark creative and forward-looking discussions on how to effectively improve the status of women in Muslim societies. Women in Islam is published annually by SIHA, the Strategic Initiative for Women in the Horn of Africa. Issue Three of Women in Islam includes investigations of social issues, profiles of inspiring women, book and film reviews, poetry, and opinion pieces. The dossier on Living With Religious Militancy explores womens experiences in contexts of conflict and extremism, with articles on the dilemma of female political Islamists, a gender-segregated community in Eastern Sudan, and women of Boko Haram. Other articles include stories of Sufi women, the experience of female convert to Islam, Ziba Mir-Hosseinis quest for equality in Islamic law, and reviews of Wadjda and Timbuktu. |
| aboulela the museum: Stories Fly Brenda Cooper, 2003 Where is home? How does our identity change when we move to a new country, or when national borders are eroded by globalisation? These are some of the themes explored in this collection of new fiction from African writers living outside the continent. |
| aboulela the museum: Sudan Media Makers Mohamed A. Satti, 2022-12-19 In this book, Mohamed A. Satti identifies and interviews six prominent Sudanese media personalities in the diaspora to tell their stories, examine their contributions to Sudanese media, and connect their stories to the history of Sudan. |
| aboulela the museum: Scottish Literature and Postcolonial Literature Michael Gardiner, 2011-06-13 The first full-length study of Scottish literature using a post-devolutionary understanding of postcolonial studies. Using a comparative model and spanning over two hundred years of literary history from the 18th Century to the contemporary, this collection of 19 new essays by some of the leading figures in the field presents a range of perspectives on Scottish and postcolonial writing. The essays explore Scotland's position on both sides of the colonial divide and also its role as instigator of a devolutionary process with potential consequences for British Imperialism. |
| aboulela the museum: Ten Years of the Caine Prize for African Writing Chris Brazier, 2009 Celebrates 10 years of the leading literary prize for African fiction and includes work from authors for whom the prestigious prize has been a springboard for success. Helon Habila and Segun Afolabi are amongst the many notable writers featured. The anthology underlines the Caine Prize as the African Booker by including a story from each of the African Booker Prize winners: Chinua Achebe, J.M. Coetzee, Nadine Gordimer and Ben Okri. |
| aboulela the museum: The Translator Leila Aboulela, 2007-12-01 A New York Times Notable Book: “Aboulela’s lovely, brief story encompasses worlds of melancholy and gulfs between cultures” (Kirkus Reviews, starred review). American readers were introduced to the award-winning Sudanese author Leila Aboulela with Minaret, a delicate tale of a privileged young African Muslim woman adjusting to her new life as a maid in London. Now, for the first time in North America, we step back to her extraordinarily assured debut about a widowed Muslim mother living in Aberdeen who falls in love with a Scottish secular academic. Sammar is a Sudanese widow working as an Arabic translator at a Scottish university. Since the sudden death of her husband, her young son has gone to live with family in Khartoum, leaving Sammar alone in cold, gray Aberdeen, grieving and isolated. But when she begins to translate for Rae, a Scottish Islamic scholar, the two develop a deep friendship that awakens in Sammar all the longing for life she has repressed. As Rae and Sammar fall in love, she knows they will have to address his lack of faith in all that Sammar holds sacred. An exquisitely crafted meditation on love, both human and divine, The Translator is ultimately the story of one woman’s courage to stay true to her beliefs, herself, and her newfound love. “A story of love and faith all the more moving for the restraint with which it is written.” —J. M. Coetzee |
| aboulela the museum: The Story of Antigone Ali Smith, Sophocles, 2019-03-26 Now there's a girl who understands things, the crow thought. When two brothers, Eteocles and Polynices, die in a vicious battle over the crown of Thebes, the new ruler, King Creon, decides that Eteocles will be buried as a hero, while Polynices will be left outside as a feast for the dogs and crows. But the young Antigone, daughter of Oedipus, will defy the cruel tyrant and attempt to give her brother the burial he deserves. This simple act of love and bravery will set in motion a terrible course of events that will reverberate across the entire kingdom... Dave Eggers says, of the series: I couldn't be prouder to be a part of it. Ever since Alessandro conceived this idea I thought it was brilliant. The editions that they've complied have been lushly illustrated and elegantly designed. |
| aboulela the museum: Scottish Literary Journal , 1998 |
| aboulela the museum: Book Review Index - 2009 Cumulation Dana Ferguson, 2009-08 Book Review Index provides quick access to reviews of books, periodicals, books on tape and electronic media representing a wide range of popular, academic and professional interests. The up-to-date coverage, wide scope and inclusion of citations for both newly published and older materials make Book Review Index an exceptionally useful reference tool. More than 600 publications are indexed, including journals and national general interest publications and newspapers. Book Review Index is available in a three-issue subscription covering the current year or as an annual cumulation covering the past year. |
| aboulela the museum: Community in Contemporary British Fiction Sara Upstone, Peter Ely, 2022-10-20 Examining how British writers are addressing the urgent matter of how we form and express group belonging in the 21st century, this book brings together a range of international scholars to explore the ongoing crises, developments and possibilities inherent in the task of representing community in the present. Including an extended critical introduction that positions the individual chapters in relation to broader conceptual questions, chapters combine close reading and engagement with the latest theories and concepts to engage with the complex regionalities of the United Kingdom, with representation of writers from all parts of the UK including Northern Ireland. Including specific focus on the most challenging issues for community in the past five years, notably Brexit and the Covid-19 crisis, with a broader understanding of themes of local and national belonging, this book offers detailed discussions of writers including Ali Smith, Niall Griffiths, John McGregor, Max Porter, Amanda Craig, Bernadine Evaristo, Jonathan Coe, Bernie McGill, Jan Carson, Guy Gunaratne, Anthony Cartright, Barney Farmer, Maggie Gee and Sarah Hall. Demonstrating some of the resources that literature can offer for a renewed understanding of community, this book is essential reading for anyone interested in how British Literature contributes to our understanding of society in both the past and present, and how such understanding can potentially help us to shape the future. |
| aboulela the museum: The Last Summer of Reason Tahar Djaout, 2007-09-01 This elegant, haunting novel takes us deep into the world of bookstore owner Boualem Yekker. He lives in a country being overtaken by the Vigilant Brothers, a radically conservative party that seeks to control every element of life according to the laws of their stringent moral theology: no work of beauty created by human hands should rival the wonders of their god. Once-treasured art and literature are now despised. ø Silently holding his ground, Boualem withstands the new regime, using the shop and his personal history as weapons against puritanical forces. Readers are taken into the lush depths of the bookseller's dreams, the memories of his now-empty family life, his passion for literature, then yanked back into the terror and drudgery of his daily routine by the vandalism, assaults, and death warrants that afflict him. ø From renowned Algerian author Tahar Djaout we inherit a brutal and startling story that reveals how far an ordinary human being will go to maintain hope. |
| aboulela the museum: Dictionary of African Biography Emmanuel Kwaku Akyeampong, Professor Henry Louis Gates, Jr., 2012-02-02 From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -). |
| aboulela the museum: Forms of Migration. Migration of Forms. Cultural Studies Associazione Italiana di Anglistica, 2009 |
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