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| alain robbe grillet bibliography: The Film Career of Alain Robbe-Grillet William F. Van Wert, 1977 |
| alain robbe grillet bibliography: Alain Robbe-Grillet Dale Watson Fraizer, 1973 |
| alain robbe grillet bibliography: Alain Robbe-Grillet bibliography , 1999 |
| alain robbe grillet bibliography: Understanding Alain Robbe-Grillet Roch C. Smith, 2000 Transforming bewilderment into understanding and pleasure while preserving a sense of Robbe-Grillet's considerable richness and complexity, Smith elucidates the defining elements of the writer's fictional world - characters that barely exist, changeable narrators, plots that defy logic, notoriously meticulous descriptions that never quite form a complete story. Smith examines Robbe-Grillet's embrace of discontinuity, circularity, indeterminacy, and linguistic play. Smith also poses questions about how we should view this perplexing writer: as an author of hyperobjective novels and short stories, a subjective novelist, a realist, or a writer who undermines the narrative's claim to represent reality. In addition Smith evaluates the sado-erotic imagery of Robbe-Grillet's middle and late novels as a metaphorical play with textual and social conventions.--BOOK JACKET. |
| alain robbe grillet bibliography: The film career of Alain Robbe-Grillet William F. van Wert, Alain Robbe-Grillet, 1977 |
| alain robbe grillet bibliography: Alain Robbe-Grillet Ben Stoltzfus, 1985 This book is a thematic approach to Robbe-Grillet's works. As a semiological and structural study of his fiction it addresses generative themes, serial permutations, the esthetics of revolt and revolution, the sexuality of the text, abyssal effects, dialectical topologies, labyrinths, and ludic structures. |
| alain robbe grillet bibliography: The Erotic Dream Machine Anthony N. Fragola, Alain Robbe-Grillet, Roch Charles Smith, 1992 Robbe-Grillet is a visionary who seeks to discover unfamiliar ways of seeing and interpreting. His films, like his novels, challenge the limits of expected narrative structures and question the comfortable assumptions of conventional realism. In the interviews, conducted from 1982 until 1991, Fragola and Smith examine all nine of the films that Robbe-Grillet has created, specifically exploring the cultural milieu to which they are so closely and problematically related. |
| alain robbe grillet bibliography: The Novel Today Malcolm Bradbury, 1977 Britain's most important contemporary authors reflect intelligently and imaginatively on the nature and development of the modern novel. |
| alain robbe grillet bibliography: French Twentieth Bibliography Douglas W. Alden, Peter C. Hoy, William J. Thompson, 1992-10 This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely. |
| alain robbe grillet bibliography: Alain Robbe-Grillet A. R. Chadwick, 1987 |
| alain robbe grillet bibliography: In the Labyrinth Alain Robbe-Grillet, 2012-03-01 Alain Robbe-Grillet says in his prefatory note: 'this story is fiction, not a report. It describes a reality which is not necessarily that of the reader's own experience... And yet the reality here in question is strictly physical, that is to say it has no allegorical significance. |
| alain robbe grillet bibliography: Novel and Film Bruce Morrissette, 1985-07 Post-modern generative fiction. Aesthetic response to novel and film. The cinem a novel. The case of Robbe-Grillet. International aspects of the Nouveau Roman. Topology and the Nouveau Roman. Modes of Point of view. The alienated I. N arrative You. Interior duplication. Games and game structures in Robbe-Grill et. The evolution of view-point in Robbe-Grillet. |
| alain robbe grillet bibliography: Two Novels Alain Robbe-Grillet, 1977 |
| alain robbe grillet bibliography: French VII Bibliography , 1964 |
| alain robbe grillet bibliography: French Twentieth Bibliography Peter C. Hoy, 1991-08 This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely. |
| alain robbe grillet bibliography: The Erasers Alain Robbe-Grillet, 2015-06-23 The first book from the French avant-gardist and author of Jealousy. “Robbe-Grillet is the forerunner of a revolution in the novel” (Claude Mauriac, cultural critic for Le Figaro). Alain Robbe-Grillet is internationally hailed as the chief spokesman for the nouveau roman and one of the great novelists of the twentieth century. The Erasers, his first novel, reads like a detective story but is primarily concerned with weaving and then probing a complete mixture of fact and fantasy. The narrative spans the twenty-four-hour period following a series of eight murders in eight days, presumably the work of a terrorist group. After the ninth murder, the investigation is turned over to a police agent—who may in fact be the assassin. Both an engrossing mystery and a sinister deconstruction of reality, The Erasers intrigues and unnerves with equal force as it pulls us along to its ominous conclusion. “On the surface, and surface is the key word with this author, The Erasers is a mystery story, where a police agent named Wallas stalks an unknown assassin through a nameless puzzleboard Flemish town . . . Nothing is certain. The only thing the reader can be sure of is the laser precise detail in which all that isn’t clear is described, catalogued and analyzed.” —The Millions “A haunting, mystifying evocation of a murder that will keep your attention riveted.” —The Dallas Morning News Praise for Alain Robbe-Grillet “I can think of no other writer who can render the banal so fearfully fantastic.” —Books and Bookmen “I doubt that fiction as art can any longer be seriously discussed without Robbe-Grillet.” —The New York Times |
| alain robbe grillet bibliography: Concepts of Realism Luc Herman, 1996 Examination of the critical discourse on the literary movement of 'realism.' Concepts of Realismsurveys the central episodes in the development of the discourse surrounding 'realism' from its inception, with substantial reference to developments in the United States. It concentrates on modernismand the avant-garde as hostile to the realist movement, but more positive critics of the concept, such as Erich Auerbach and Joseph Stern, also receive ample treatment. |
| alain robbe grillet bibliography: French XX Bibliography (formerly French VII) French Institute-Alliance Française de New York, French Institute in the United States, |
| alain robbe grillet bibliography: French VII Bibliography, Critical and Biographical References for the Study of Contemporary French Literature... , |
| alain robbe grillet bibliography: Jean-Paul Sartre: A Bibliography of International Criticism Robert Wilcocks, 1975 A large, comprehensive compilation of journalism and international criticism of the works and activities of Jean-Paul Sartre. The work covers Sartre's stormy career from 1937 to 1975, containing nearly 700,000 entries and over 3,200 authors. |
| alain robbe grillet bibliography: Snapshots Alain Robbe-Grillet, 1968 |
| alain robbe grillet bibliography: Sequel to History Elizabeth Deeds Ermarth, 1992 Sequel to History offers a comprehensive definition of postmodernism as a reformation of time. Elizabeth Deeds Ermarth uses a diversified theoretical approachdrawing on post-structuralism, feminism, new historicism, and twentieth-century scienceto demonstrate the crisis of our dominant idea of history and its dissolution in the rhythmic time of postmodernism. She enlarges this definition in discussions of several crises of cultural identity: the crisis of the object, the crisis of the subject, and the crisis of the sign. Finally, she explores the relation between language and time in post-modernism, proposing an arresting theory of her own about the rhythmic nature of postmodern temporality. Because the postmodern construction of time appears so clearly in narrative writing, each part of this work is punctuated by a rhythm section on a postmodern narrative (Robbe-Grillet's Jealousy, Cortezar's Hopscotch, and Nabokov's Ada); these extended readings provide concrete illustrations of Ermarth's theoretical positions. As in her critically acclaimed Realism and Consensus in the English Novel, Ermarth ranges across disciplines from anthropology and the visual arts to philosophy and history. For its interdisciplinary character and its lucid definition of postmodernism, Sequel to History will appeal to all those interested in the humanities. |
| alain robbe grillet bibliography: For a New Novel Alain Robbe-Grillet, 1970 |
| alain robbe grillet bibliography: The Recognitions William Gaddis, 2012-02-07 The book Jonathan Franzen dubbed the ur-text of postwar fiction and the first great cultural critique, which, even if Heller and Pynchon hadn't read it while composing Catch-22 and V., managed to anticipate the spirit of both”—The Recognitions is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us. |
| alain robbe grillet bibliography: French XX Bibliography William H. Thompson, William J. Thompson, 2005-09 Provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. This book is for the study of French literature and culture. |
| alain robbe grillet bibliography: Alain Robbe-Grillet Dale Watson Fraizer, 1972 |
| alain robbe grillet bibliography: Ovid on Screen Martin M. Winkler, 2020-01-30 The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media. |
| alain robbe grillet bibliography: French XX bibliography : critical and biographical references for French literature since 1885 : index to volume VII (Nos. 31-35) and index to anonymes (vols. I-VII) , 1969 |
| alain robbe grillet bibliography: The Voyeur Alain Robbe-Grillet, 2015-06-23 The winner of the Prix des Critiques from the French avant-garde author of Jealousy. “Robbe-Grillet is the forerunner of a revolution in the novel” (Claude Mauriac, cultural critic for Le Figaro). Mathias, a timorous, ineffectual traveling salesman, returns to the island of his birth after a long absence. Two days later, a thirteen-year-old girl is found drowned and mutilated. With eerie precision, Robbe-Grillet puts us at the scene of the crime and takes us inside Mathias’s mind, artfully enlisting us as detective hot on the trail of a homicidal maniac. A triumphant display of the techniques of the “new novel,” The Voyeur achieves the impossible feat of keeping us utterly engrossed in the mystery of the child’s murder while systematically raising doubts about whether it really occurred. “The suspense . . . keeps us on tenterhooks.” —The New York Times Book Review “I can think of no other writer who can render the banal so fearfully fantastic. In the subtlest, slyest, and most sheerly delightful way he persuades us to look anew at the commonplace.” —Books and Bookmen Praise for Alain Robbe-Grillet “Robbe-Grillet’s theories constitute the most ambitious aesthetic program since Surrealism.” —John Updike, Pulitzer Prize–winner “Robbe-Grillet is important because he has attacked the last bastion of the traditional art of writing: the organization of literary space.” —Roland Barthes, influential literary theorist “Robbe-Grillet was a master at conveying human misunderstanding.” —Bernard-Henri Lévy, public intellectual, author, and filmmaker “I doubt that fiction as art can any longer be seriously discussed without Robbe-Grillet.” —The New York Times |
| alain robbe grillet bibliography: Fiction in French - Fiction in Soviet British Library, 2013-02-07 No detailed description available for Fiction in French - Fiction in Soviet. |
| alain robbe grillet bibliography: Alain Robbe-Grillet John Fletcher, 2019-10-01 Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet’s script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet’s work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss. |
| alain robbe grillet bibliography: For a New Novel Alain Robbe-Grillet, 1989 This is a work by the French author Alain Robbe-Grillet, translated from the original French. |
| alain robbe grillet bibliography: Bibliographic Index , 2004 |
| alain robbe grillet bibliography: A Guilty Thing Surprised Ruth Rendell, 2012-10-03 She took a peaceful walk in the woods—and found death waiting. . . . “The best mystery writer anywhere in the English-speaking world.”—The Boston Globe Elizabeth and Quentin Nightingale. A happy couple who lived quite graciously at Myfleet Manor in the gentle English countryside. Elizabeth Nightingale found peace and tranquility on her nightly walks through the rich, dense forests surrounding Myfleet Manor. But the peace she treasured was shattered one night when she found death waiting in the woods. Chief Inspector Wexford and his colleague Inspector Burden find a most unsavory case on their hands—and must use all their wit and wisdom to solve it . . . “Undoubtedly one of the best writers of English mysteries and chiller-killer plots.”—Los Angeles Times “You cannot afford to miss Ruth Rendell.”—The New York Times Book Review “For readers who have almost given up mysteries . . . Rendell may be just the woman to get them started again.”—Ellery Queen's Mystery Magazine |
| alain robbe grillet bibliography: Peter Greenaway's Postmodern / Poststructuralist Cinema Paula Willoquet-Maricondi, Mary Alemany-Galway, 2008-07-17 Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works, including The Draughtman's Contract, The Belly of an Architect, A Zed and Two Noughts, The Cook, the Thief, His Wife and Her Lover, The Baby of M%con, and The Pillow Book. Other artistic productions, including his paintings and installations are also discussed. These essays examine the filmmaker's position within British and avant-garde cinema and his interest in constructing and deconstructing representational systems. In the years since the first edition of this book, Greenaway has enjoyed continued success in creating hybridized media projects for the stage and screen, as evidenced by additional essays for this revised edition. A new chapter addresses how Dutch political events and Dutch art have been crucial in shaping Greenaway's aesthetic, focusing on The Draughtsman's Contract, the 1991 opera Writing to Vermeer, and Nightwatching, the audio-visual installation and 2007 film of the same name, which were inspired by Rembrandt's Night Watch. Also new to this collection is an essay that examines Greenaway's most ambitious endeavor to date, The Tulse Luper Suitcases, which exists as four feature films, multiple websites, an online game, several books and installations, and a number of theatrical events. Peter Greenaway's Postmodern/Poststructuralist Cinema, Revised Edition explores the cultural, historical, and philosophical implications of this hybrid artist whose paintings, drawings, exhibitions, installations, and operatic productions are an intrinsic part of his work in film. This collection of diverse essays, which includes two texts by Greenaway, two interviews with the director, and a revised filmography, will interest students, teachers, critics and lovers of both postmodern art and cinema. |
| alain robbe grillet bibliography: Minuit Steve Spalding, 2023-06-06 How does a novel accrue value? How do certain new and unknown authors and their works make their way from obscurity into the pantheon of the greats, or—at least—the firmament of the stars? Minuit examines the role played by French publishing house Editions de Minuit in altering the conception of literary France, not once but twice. The history of Les Editions de Minuit is an integral part of the history of the literary field; in Minuit, Spalding's work captures many of the cultural dimensions of literary production and dissemination at the height of France’s post-war intellectual and literary effervescence, and again, in the more recent period, when Minuit became the vehicle for French literature’s ‘postmodern’ turn. |
| alain robbe grillet bibliography: Jealousy Alain Robbe-Grillet, 1995 |
| alain robbe grillet bibliography: Susan Sontag Leland Poague, Kathy A. Parsons, 2003-09-02 Susan Sontag: An Annotated Bibliographycatalogues the works of one of America's most prolific and important 20th century authors. Known for her philosophical writings on American culture, topics left untouched by Sontag's writings are few and far between. This volume is an exhaustive collection that includes her novels, essays, reviews, films and interviews. Each entry is accompanied by an annotated bibliography. |
| alain robbe grillet bibliography: Understanding Barthes, Understanding Modernism Jeffrey R. Di Leo, Zahi Zalloua, 2022-07-14 Understanding Barthes, Understanding Modernism is a general assessment of the modern literary and philosophical contributions of Roland Barthes. The first part of the volume focuses on work published prior to Barthes's death in 1980 covering the major periods of his development from Writing Degree Zero (1953) to Camera Lucida: Reflections on Photography (1980). The second part focuses both on the posthumously published material and the legacies of his work after his death in 1980. This later work has attracted attention, for example, in conjunction with notions of the neutral, gay writing, and critiques of everyday life. The third part is devoted to some of the critical vocabulary of Barthes in both the work he published during his lifetime, and that which was published posthumously. |
| alain robbe grillet bibliography: Alain Resnais (French Film Directors) Emma Wilson, 2006-09-19 Tracing the evolving patterns of Alain Resnais's filmmaking, and its changing reflections on mortality, guilt, chance and human doubt, this work provides an introduction to the French film director's work, from his earliest documentaries to his musical films. |
Alain - Bulbapedia, the community-driven Pokémon encyclopedia
Mar 9, 2025 · Alain was first seen in Mega Evolution Special I battling a Trainer named Astrid, and defeated her Mega Absol. The battle was secretly watched by Mairin, a beginning Trainer who …
Alain (philosopher) - Wikipedia
Émile-Auguste Chartier (French:; 3 March 1868 – 2 June 1951), commonly known as Alain (), was a French philosopher, journalist, essayist, pacifist, and teacher of philosophy.
Alain | Existentialism, Phenomenology, Humanism | Britannica
May 29, 2025 · Alain (born March 3, 1868, Mortagne, Fr.—died June 2, 1951, Le Vésinet, near Paris) was a French philosopher whose work profoundly influenced several generations of …
Alain - Name Meaning, What does Alain mean? - Think Baby Names
What does Alain mean? A lain as a boys' name is pronounced al-LAYN. It is of Old German origin, and the meaning of Alain is "precious". French variant of Alan. STARTS WITH Al …
Alain - Meaning of Alain, What does Alain mean? - BabyNamesPedia
[ 2 syll. a-lai(n), al-a-in] The baby boy name Alain is pronounced as aa-L EH-N or AA-LehN †. Alain is used chiefly in English and French. Its origin is Celtic. Alain is a variant of the name …
Meaning, origin and history of the name Alain
May 30, 2025 · French form of Alan.A notable bearer was the French actor Alain Delon (1935-2024).
Alain - Pokémon Wiki | Fandom
Alain is a major supporting character appearing in Pokémon the Series and the Mega Evolution Specials. He is Ash's main rival in the Kalos region, and the eventual Kalos League Champion …
Alain Delon - Wikipedia
Alain Fabien Maurice Marcel Delon (French: [alɛ̃ dəlɔ̃]; 8 November 1935 – 18 August 2024) was a French actor, film producer, screenwriter, singer, and businessman.
Alain (given name) - Wikipedia
Alain André, Canadian politician and a City Councillor in Montreal, Quebec; Alain Anziani (born 1951), member of the Senate of France, representing the Gironde department; Alain Aoun …
Alain - Wikipedia
Alain, a standard author abbreviation used to indicate Henri Alain Liogier, also known as Brother Alain, as the author when citing a botanical name Alain , the pseudonym used by Emile …
Alain - Bulbapedia, the community-driven Pokémon e…
Mar 9, 2025 · Alain was first seen in Mega Evolution Special I battling a Trainer named Astrid, and defeated her Mega Absol. The battle was secretly watched by Mairin, a beginning …
Alain (philosopher) - Wikipedia
Émile-Auguste Chartier (French:; 3 March 1868 – 2 June 1951), commonly known as Alain (), was a French philosopher, journalist, essayist, pacifist, and teacher of philosophy.
Alain | Existentialism, Phenomenology, Humanism …
May 29, 2025 · Alain (born March 3, 1868, Mortagne, Fr.—died June 2, 1951, Le Vésinet, near Paris) was a French philosopher whose work profoundly influenced several generations of …
Alain - Name Meaning, What does Alain mean? - Think Ba…
What does Alain mean? A lain as a boys' name is pronounced al-LAYN. It is of Old German origin, and the meaning of Alain is "precious". French variant of Alan. STARTS WITH Al-Variations. …
Alain - Meaning of Alain, What does Alain mean? - BabyNam…
[ 2 syll. a-lai(n), al-a-in] The baby boy name Alain is pronounced as aa-L EH-N or AA-LehN †. Alain is used chiefly in English and French. Its origin is Celtic. Alain is a variant of the name Alan …
