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| alain locke the new negro: The New Negro Alain Locke, 2021-01-13 Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries. |
| alain locke the new negro: The New Negro Jeffrey C. Stewart, 2017-12-29 Winner of the 2018 Pulitzer Prize for Biography Winner of the 2018 National Book Award for Nonfiction A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro -- the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar and earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. Locke also received a cosmopolitan, aesthetic education through his travels in continental Europe, where he came to appreciate the beauty of art and experienced a freedom unknown to him in the United States. And yet he became most closely associated with the flowering of Black culture in Jazz Age America and his promotion of the literary and artistic work of African Americans as the quintessential creations of American modernism. In the process he looked to Africa to find the proud and beautiful roots of the race. Shifting the discussion of race from politics and economics to the arts, he helped establish the idea that Black urban communities could be crucibles of creativity. Stewart explores both Locke's professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man. Stewart's thought-provoking biography recreates the worlds of this illustrious, enigmatic man who, in promoting the cultural heritage of Black people, became -- in the process -- a New Negro himself. |
| alain locke the new negro: The New Negro Aesthetic Alain Locke, 2022-01-18 Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination A Penguin Classic For months, the philosopher Alain Locke wrestled with the idea of the Negro as America's most vexing problem. He asked how shall Negroes think of themselves as he considered the new crop of poets, novelists, and short story writers who, in 1924, wrote about their experiences as Black people in America. He did not want to frame Harlem and Black writing as yet another protest against racism, nor did he want to focus on the sociological perspective on the Negro problem and Harlem as a site of crime, poverty, and dysfunction. He wanted to find new language and a new way for Black people to think of themselves. The essays and articles collected in this volume, by Locke's Pulitzer Prize–winning biographer, are the result of that new attitude and the struggle to instill the New Negro aesthetics, as Stewart calls it here, into the mind of the twentieth century. To be a New Negro poet, novelist, actor, musician, dancer, or filmmaker was to commit oneself to an arc of self-discovery of what and who the Negro was—would be—without fear that one would disappoint the white or Black bystander. In committing to that path, Locke asserted, one would uncover a being-in-the-world that was rich and bountiful in its creative possibilities, if Black people could turn off the noise of racism and see themselves for who they really are: a world of creative people who have transformed, powerfully and perpetually, the culture of wherever history or social forces landed them. |
| alain locke the new negro: Alain L. Locke Leonard Harris, Charles Molesworth, 2010-04-02 Alain L. Locke (1886-1954), in his famous 1925 anthology TheNew Negro, declared that “the pulse of the Negro world has begun to beat in Harlem.” Often called the father of the Harlem Renaissance, Locke had his finger directly on that pulse, promoting, influencing, and sparring with such figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barthé, William Grant Still, Booker T. Washington, W. E. B. Du Bois, Ralph Bunche, and John Dewey. The long-awaited first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America’s cultural and intellectual life. Leonard Harris and Charles Molesworth trace this story through Locke’s Philadelphia upbringing, his undergraduate years at Harvard—where William James helped spark his influential engagement with pragmatism—and his tenure as the first African American Rhodes Scholar. The heart of their narrative illuminates Locke’s heady years in 1920s New York City and his forty-year career at Howard University, where he helped spearhead the adult education movement of the 1930s and wrote on topics ranging from the philosophy of value to the theory of democracy. Harris and Molesworth show that throughout this illustrious career—despite a formal manner that many observers interpreted as elitist or distant—Locke remained a warm and effective teacher and mentor, as well as a fierce champion of literature and art as means of breaking down barriers between communities. The multifaceted portrait that emerges from this engaging account effectively reclaims Locke’s rightful place in the pantheon of America’s most important minds. |
| alain locke the new negro: The Works of Alain Locke Charles Molesworth, 2012-07-10 With the publication of The New Negro in 1925, Alain Locke introduced readers all over the U.S. to the vibrant world of African American thought. As an author, editor, and patron, Locke rightly earned the appellation Godfather of the Harlem Renaissance. Yet, his intellectual contributions extend far beyond that single period of cultural history. Throughout his life he penned essays, on topics ranging from John Keats to Sigmund Freud, in addition to his trenchant social commentary on race and society. The Works of Alain Locke provides the largest collection available of his brilliant essays, gathered from a career that spanned forty years. They cover an impressively broad field of subjects: philosophy, literature, the visual arts, music, the theory of value, race, politics, and multiculturalism. Alongside seminal works such as The New Negro the volume features essays like The Ethics of Culture, Apropos of Africa, and Pluralism and Intellectual Democracy. Together, these writings demonstrate Locke's standing as the leading African American thinker between W. E. B. Du Bois and Martin Luther King, Jr. The foreword by Henry Louis Gates Jr. and the introduction by |
| alain locke the new negro: The Philosophy of Alain Locke Alain Locke, 1991-02-05 Important writings on cultural pluralism, value relativism, and critical relativism |
| alain locke the new negro: The Making of the New Negro Anna Pochmara, 2011 The Making of the New Negro examines black masculinity in the period of the New Negro/Harlem Renaissance, which for many decades did not attract a lot of scholarly attention, until, in the 1990s, many scholars discovered how complex, significant, and fascinating it was. Using African American published texts, American archives and unpublished writings, and contemporaneous European discourses, this book focuses both on the canonical figures of the New Negro Movement and African American culture, such as W.E.B. Du Bois, Booker T. Washington, Alain Locke, and Richard Wright, and on writers who have not received as much scholarly attention despite their significance for the movement, such as Wallace Thurman. Its perspective combines gender, sexuality, and race studies with a thorough literary analysis and historicist investigation, an approach that has not been extensively applied to analyze the New Negro Renaissance. |
| alain locke the new negro: Alain Leroy Locke Rudolph Alexander Kofi Cain, 2003 Drawing on the philosopher's writings as well as the recollections of several people who knew him, Cain (education, State U. of New York) examines Locke's philosophy of cultural pluralism and the impact of his grounding in philosophy as he became immersed in the adult education movement of the 1920s to the 1940s. The study looks at how Locke expected others to use his aesthetic, literary, and anthropological theories as instruments for social and political transformation, and discusses the links and contrasts between Locke's thinking and the work of Booker T. Washington and W.E.B. DuBois. Seven b&w photos follow the text. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com). |
| alain locke the new negro: A History of the Harlem Renaissance Rachel Farebrother, Miriam Thaggert, 2021-02-04 This book presents original essays that explore the eclecticism of Harlem Renaissance literature and culture. |
| alain locke the new negro: The New Negro Alain Locke, 1997 A collection of fiction, poetry, and essays that examines African and African-American art and literature during the early twentieth century and offers social and political analyses. |
| alain locke the new negro: Voices from the Harlem Renaissance Nathan Irvin Huggins, 1995 Nathan Irvin Huggins showcases more than 120 selections from the political writings and arts of the Harlem Renaissance. Featuring works by such greats as Langston Hughes, Aaron Douglas, and Gwendolyn Bennett, here is an extraordinary look at the remarkable outpouring of African-American literature and art during the 1920s. |
| alain locke the new negro: The New Negro Henry Louis Gates Jr., Gene Andrew Jarrett, 2021-06-08 When African American intellectuals announced the birth of the New Negro around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of the race, the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Louis Gates, Jr., and Gene Andrew Jarrett, The New Negro collects more than one hundred canonical and lesser-known essays published between 1892 and 1938 that examine the issues of race and representation in African American culture. These readings--by writers including W.E.B. Du Bois, Paul Laurence Dunbar, Alain Locke, Carl Van Vechten, Zora Neale Hurston, and Richard Wright--discuss the trope of the New Negro, and the milieu in which this figure existed, from almost every conceivable angle. Political essays are joined by essays on African American fiction, poetry, drama, music, painting, and sculpture. More than fascinating historical documents, these essays remain essential to the way African American identity and history are still understood today. |
| alain locke the new negro: Harlem, Mecca of the New Negro , 1980 |
| alain locke the new negro: New Voices on the Harlem Renaissance Australia Tarver, Paula C. Barnes, 2006 This book expands the discourse on the Harlem Renaissance into more recent crucial areas for literary scholars, college instructors, graduate students, upper-level undergraduates, and Harlem Renaissance aficionados. These selected essays, authored by mostly new critics in Harlem Renaissance studies, address critical discourse in race, cultural studies, feminist studies, identity politics, queer theory, and rhetoric and pedagogy. While some canonical writers are included, such as Langston Hughes and Alain Locke, others such as Dorothy West, Jessie Fauset, and Wallace Thurman have equal footing. Illustrations from several books and journals help demonstrate the vibrancy of this era. Australia Tarver is Associate Professor of English at Texas Christian University. Paula C. Barnes is an Associate Professor of English at Hampton University. |
| alain locke the new negro: African American Contributions to the Americas’ Cultures Jacoby Adeshei Carter, 2016-10-21 This book is a critical edition of six lectures by Alain Leroy Locke, the intellectual progenitor of the Harlem Renaissance. In them, Locke offers an Inter-American philosophical account of important contributions made by Afrodescendant peoples to the art, literature, and culture of various American societies. Locke offers a prescient vision of the intersection of the three Americas: Latin (South) America, the Caribbean, and North America. The book has two main parts: First, are the lectures, which all relate to the themes of black cultural contributions throughout the Americas, minority representation and marginalization in democratic contexts, the ethics of racial representation, the notion of cultural transformation and transparency, and the ethical issues involved in cross-cultural exchanges. The second portion of the book is a critical interpretive essay that elucidates the Inter-American philosophical significance of the lectures and their relevance to current philosophical discussions. |
| alain locke the new negro: Hearing the Hurt Eric King Watts, 2012-06-19 Hearing the Hurt is an examination of how the New Negro movement, also known as the Harlem Renaissance, provoked and sustained public discourse and deliberation about black culture and identity in the early twentieth century. Borrowing its title from a W. E. B. Du Bois essay, Hearing the Hurt explores the nature of rhetorical invention, performance, and mutation by focusing on the multifaceted issues brought forth in the New Negro movement, which Watts treats as a rhetorical struggle over what it means to be properly black and at the same time properly American. Who determines the meaning of blackness? How should African Americans fit in with American public culture? In what way should black communities and families be structured? The New Negro movement animated dynamic tension among diverse characterizations of African American civil rights, intellectual life, and well-being, and thus it provides a fascinating and complex stage on which to study how ideologies clash with each other to become accepted universally. Watts, conceptualizing the artistic culture of the time as directly affected by the New Negro public discourse, maps this rhetorical struggle onto the realm of aesthetics and discusses some key incarnations of New Negro rhetoric in select speeches, essays, and novels. |
| alain locke the new negro: Editing the Harlem Renaissance Joshua M. Murray, Ross K. Tangedal, 2021-05-01 In his introduction to the foundational 1925 text The New Negro, Alain Locke described the “Old Negro” as “a creature of moral debate and historical controversy,” necessitating a metamorphosis into a literary art that embraced modernism and left sentimentalism behind. This was the underlying theoretical background that contributed to the flowering of African American culture and art that would come to be called the Harlem Renaissance. While the popular period has received much scholarly attention, the significance of editors and editing in the Harlem Renaissance remains woefully understudied. Editing the Harlem Renaissance foregrounds an in-depth, exhaustive approach to relevant editing and editorial issues, exploring not only those figures of the Harlem Renaissance who edited in professional capacities, but also those authors who employed editorial practices during the writing process and those texts that have been discovered and/or edited by others in the decades following the Harlem Renaissance. Editing the Harlem Renaissance considers developmental editing, textual self-fashioning, textual editing, documentary editing, and bibliography. Chapters utilize methodologies of authorial intention, copy-text, manuscript transcription, critical edition building, and anthology creation. Together, these chapters provide readers with a new way of viewing the artistic production of one of the United States’ most important literary movements. |
| alain locke the new negro: The Great War and the Culture of the New Negro Mark Whalan, 2008 Examining the legacy of the Great War on African American culture, this book considers the work of such canonical writers as W.E.B. Du Bois, Langston Hughes, Nella Larsen and Alain Locke. It also considers the legacy of the war for African Americans as represented in film, photography and anthropology. |
| alain locke the new negro: The Debate on Black Civil Rights in America Kevern Verney, 2006-05-14 Here is the first full-length study to examine the changing academic debate on developments in African American history from the 1890s to the present. It provides a critical historiographical review of the most current thinking and explains how and why research and discourse have evolved in the ways that they have. Individual chapters focus on particular periods in African American history from the spread of racial segregation in the 1890s through to the postwar Civil Rights Movement and the Black Power Movement of the sixties and seventies. |
| alain locke the new negro: Picturing the New Negro Caroline Goeser, 2007 Chronicles the vibrant partnership between literary and visual African American artists that resulted in the image of the New Negro. In the process, demonstrates that commercial illustration represents the largest and, in some cases, most progressive body of visual art associated with the Harlem Renaissance. |
| alain locke the new negro: Plays of Negro Life Alain Le Roy Locke, 1969 |
| alain locke the new negro: Alain Locke and the Visual Arts Kobena Mercer, 2022-01-01 A fresh perspective on the influential critic, offering new ways of understanding the art of the Harlem Renaissance Alain Locke (1885-1954), leading theorist of the Harlem Renaissance, maintained a lifelong commitment to the visual arts. Offering an in-depth study of Locke's writings and art world interventions, Kobena Mercer focuses on the importance of cross-cultural entanglement. This distinctive approach reveals Locke's vision of modern art as a dynamic space where images and ideas generate new forms under the fluid conditions of diaspora. Positioning the philosopher as an advocate for an Afromodern aesthetic that drew from both formal experiments in Europe and the iconic legacy of the African past, Mercer shows how Aaron Douglas, Loïs Mailou Jones, and other New Negro artists acknowledged the diaspora's rupture with the ancestral past as a prelude to the rebirth of identity. In his 1940 picture book, The Negro in Art, Locke also explored the different ways black and white artists approached the black image. Mercer's reading highlights the global mobility of black images as they travel across national and ethnic frontiers. Finally, Mercer examines how Locke's investment in art was shaped by gay male aestheticism. Black male nudes, including works by Richmond Barthé and Carl Van Vechten, thus reveal the significance of queer practices in modernism's cross-cultural genesis Published in association with the Hutchins Center for African & African American Research, Harvard University |
| alain locke the new negro: An American Friendship David Weinfeld, 2022-05-15 In An American Friendship, David Weinfeld presents the biography of an idea, cultural pluralism, the intellectual precursor to modern multiculturalism. He roots its origins in the friendship between two philosophers, Jewish immigrant Horace Kallen and African American Alain Locke, who advanced cultural pluralism in opposition to both racist nativism and the assimilationist melting pot. It is a simple idea—different ethnic groups can and should coexist in the United States, perpetuating their cultures for the betterment of the country as whole—and it grew out of the lived experience of this friendship between two remarkable individuals. Kallen, a founding faculty member of the New School for Social Research, became a leading American Zionist. Locke, the first Black Rhodes Scholar, taught at Howard University and is best known as the intellectual godfather of the Harlem Renaissance and the editor of The New Negro in 1925. Their friendship began at Harvard and Oxford during the years 1906 through 1908 and was rekindled during the Great Depression, growing stronger until Locke's death in 1954. To Locke and Kallen, friendship itself was a metaphor for cultural pluralism, exemplified by people who found common ground while appreciating each other's differences. Weinfeld demonstrates how this understanding of cultural pluralism offers a new vision for diverse societies across the globe. An American Friendship provides critical background for understanding the conflicts over identity politics that polarize US society today. |
| alain locke the new negro: Word, Image, and the New Negro Anne Elizabeth Carroll, 2007-02-01 This book focuses on the collaborative illustrated volumes published during the Harlem Renaissance, in which African Americans used written and visual texts to shape ideas about themselves and to redefine African American identity. Anne Elizabeth Carroll argues that these volumes show how participants in the movement engaged in the processes of representation and identity formation in sophisticated and largely successful ways. Though they have received little scholarly attention, these volumes constitute an important aspect of the cultural production of the Harlem Renaissance. Word, Image, and the New Negro marks the beginning of a long-overdue recovery of this legacy and points the way to a greater understanding of the potential of texts to influence social change. |
| alain locke the new negro: BLACK BOOK Mose Hardin, 2019-04-14 BLACK BOOK is just another poetic chapter in the life of Mose Xavier Hardin Jr. I have changed and grown over the years overcoming depression, loneliness and a great deal of pain. I have managed to find love again in my 50s. I have managed to survive countless trials with racism and discrimination. I have managed to survive prostate cancer. I have learned to pick my battles and my friends more carefully. I have learned I still have so much more to say! |
| alain locke the new negro: Educating Harlem Ansley T. Erickson, 2019-11-05 Educating Harlem brings together a multidisciplinary group of scholars to consider of the history of schooling in perhaps the nation's most iconic black community. The volume traces the varied ways that Harlem residents defined and pursued educational justice for their children and community despite consistent neglect and structural oppression. |
| alain locke the new negro: The Berlin Stories Christopher Isherwood, 1954 The Sally Bowles character was the subject of a play, I am a camera; and a musical, Cabaret. |
| alain locke the new negro: Authentic Blackness J. Martin Favor, 1999 Analysis of four Harlem Renaissance texts that challenges our assumptions about the stability of racial identity and investigates the ways those assumptions shape how we have read literature by Black writers. |
| alain locke the new negro: Alain Locke Christopher Buck, 2005 |
| alain locke the new negro: Quicksand Nella Larsen, 2025-02-28 Quicksand by Nella Larsen is a profound novel that delves into the complexities of race and identity in the 1920s. The story revolves around Helga Crane, a mixed-race woman who is searching for a sense of belonging and fulfillment amidst the restrictive social constructs of her time. Helga's journey takes her from her upbringing in the black middle class in the North, to the vibrant artistic community of Harlem, to the rural Southern town of her ancestry, and finally to the exotic land of Denmark. Throughout her travels, she grapples with the dichotomy of her racial identity and the expectations placed upon her by the people around her, leading to a tumultuous journey of self-discovery. The novel opens with Helga Crane, an educator at a Southern school for black children, feeling stifled by the constraints of her job and the societal norms of the black community. Driven by a desire to find her true place in the world, she moves to Harlem, seeking the cultural richness of the Harlem Renaissance. However, she quickly becomes disillusioned with the materialism and shallow relationships she encounters there. Her search for authenticity leads her to Copenhagen, where she hopes to find a connection with her white Danish heritage. Initially, she is embraced by the avant-garde artistic community, but she soon realizes that her racial identity is as much of an issue in Europe as it is in America. Despite her attempts to assimilate, she remains an outsider, and her romantic involvement with a married artist further complicates her search for belonging. Returning to the Southern town where her mother was born, Helga experiences a sense of kinship with the black community but is also faced with the stark realities of Jim Crow laws and the deep-seated racism that pervades American society. Her time in the South is marked by a passionate love affair with a minister named Dr. Anderson, who represents a potential escape from her past. However, their relationship is fraught with the same issues of identity and conformity that she has been wrestling with throughout her life. Feeling trapped by her choices and her identity, Helga ultimately marries a man named James Vayle, a fellow teacher from the North who offers her stability and a respite from her tumultuous past. Yet, their marriage is plagued by her inability to fully embrace the domestic role expected of her, as well as James's infidelity and his inability to understand her inner turmoil. As the story unfolds, Helga's journey becomes a metaphor for the struggles of individuals caught between two worlds, unable to find a stable footing in either. The novel delivers a poignant commentary on the fluidity of identity and the quest for authenticity in a society that seeks to categorize and contain. Larsen's vivid portrayal of Helga's internal conflict is mirrored in the external landscapes she traverses, each offering a unique perspective on race and identity. Quicksand is a powerful exploration of the intersections of race, class, and gender during the era of the New Negro. The characters are complex and multifaceted, reflecting the multitude of experiences faced by those navigating the complexities of the time. The prose is rich and evocative, painting a vivid picture of the various settings and the tumultuous emotions of the protagonist. The novel is significant for its nuanced treatment of racial passing and the psychological toll it takes on individuals who are forced to navigate the boundaries of identity. Helga's experiences highlight the pain and isolation that result from a lifelong quest to find a place where she truly fits in. Through her story, Larsen critiques the limitations imposed by a society that refuses to acknowledge the fluidity of identity and the human need for acceptance. Quicksand is a timeless piece of literature that resonates with readers who grapple with the complexities of their own identity. It is a compelling narrative that challenges readers to consider the societal pressures that shape our perceptions of ourselves and others. The book's themes remain relevant today, as discussions of race, belonging, and the search for identity continue to evolve. Larsen's work is a poignant reminder of the enduring human desire for connection and authenticity amidst the ever-shifting sands of social constructs. |
| alain locke the new negro: The City of Refuge [New and Expanded Edition] Rudolph Fisher, 2008-11-03 One of the premier writers of the Harlem Renaissance, Rudolph Fisher wrote short stories depicting the multifaceted black urban experience that are still acclaimed today for their humor, grace, and objective view of Harlem life. Through his words, wrote the New York Times Book Review, “one feels, smells, and tastes his Harlem; its people come alive and one cares about them.” A definitive collection of Fisher’s short stories, The City of Refuge offers vibrant tales that deal with the problems faced by newcomers to the city, ancestor figures who struggle to instill a sense of integrity in the young, problems of violence and vengeance, and tensions of caste and class. This anthology has now been expanded to include seven previously unpublished stories that take up such themes as marital infidelity and passing for black and also relate the further adventures of Jinx and Bubber, the comic duo who appeared in Fisher’s two novels. This new edition also includes two unpublished speeches and the popular article “The Caucasian Storms Harlem,” describing the craze for black music and dance. John McCluskey’s introduction has been updated to place the additional works within the context of Fisher’s career while situating his oeuvre within the broader context of American writing during the twenties. Fisher recognized the dramatic and comic power in African American folklore and music and frequented Harlem’s many cabarets, speakeasies, and nightclubs, and at the core of his work is a strong regard for music as context and counterpoint. The City of Refuge now better captures the sounds of the city experience by presenting all of Fisher’s known stories. It offers a portrait of Harlem unmatched in depth and range by Fisher’s contemporaries or successors, celebrating, as Booklist noted, “the complexity of black urban life in its encounter with the dangers and delights of the city.” This expanded edition adds new perspectives to that experience and will enhance Fisher’s status for a new generation of readers. |
| alain locke the new negro: The Most Famous Man in America Debby Applegate, 2007-04-17 No one predicted success for Henry Ward Beecher at his birth in 1813. The blithe, boisterous son of the last great Puritan minister, he seemed destined to be overshadowed by his brilliant siblings—especially his sister, Harriet Beecher Stowe, who penned the century’s bestselling book Uncle Tom’s Cabin. But when pushed into the ministry, the charismatic Beecher found international fame by shedding his father’s Old Testament–style fire-and-brimstone theology and instead preaching a New Testament–based gospel of unconditional love and healing, becoming one of the founding fathers of modern American Christianity. By the 1850s, his spectacular sermons at Plymouth Church in Brooklyn Heights had made him New York’s number one tourist attraction, so wildly popular that the ferries from Manhattan to Brooklyn were dubbed “Beecher Boats.” Beecher inserted himself into nearly every important drama of the era—among them the antislavery and women’s suffrage movements, the rise of the entertainment industry and tabloid press, and controversies ranging from Darwinian evolution to presidential politics. He was notorious for his irreverent humor and melodramatic gestures, such as auctioning slaves to freedom in his pulpit and shipping rifles—nicknamed “Beecher’s Bibles”—to the antislavery resistance fighters in Kansas. Thinkers such as Emerson, Thoreau, Whitman, and Twain befriended—and sometimes parodied—him. And then it all fell apart. In 1872 Beecher was accused by feminist firebrand Victoria Woodhull of adultery with one of his most pious parishioners. Suddenly the “Gospel of Love” seemed to rationalize a life of lust. The cuckolded husband brought charges of “criminal conversation” in a salacious trial that became the most widely covered event of the century, garnering more newspaper headlines than the entire Civil War. Beecher survived, but his reputation and his causes—from women’s rights to progressive evangelicalism—suffered devastating setbacks that echo to this day. Featuring the page-turning suspense of a novel and dramatic new historical evidence, Debby Applegate has written the definitive biography of this captivating, mercurial, and sometimes infuriating figure. In our own time, when religion and politics are again colliding and adultery in high places still commands headlines, Beecher’s story sheds new light on the culture and conflicts of contemporary America. |
| alain locke the new negro: Holler If You Hear Me Michael Eric Dyson, 2006-09-05 Acclaimed for his writings on Malcolm X and Martin Luther King, Jr., as well as his passionate defense of black youth culture, Michael Eric Dyson has emerged as the leading African American intellectual of his generation. Now Dyson turns his attention to one of the most enigmatic figures of the past decade: the slain hip-hop artist Tupac Shakur. Five years after his murder, Tupac remains a widely celebrated, deeply loved, and profoundly controversial icon among black youth. Viewed by many as a black James Dean, he has attained cult status partly due to the posthumous release of several albums, three movies, and a collection of poetry. But Tupac endures primarily because of the devotion of his loyal followers, who have immortalized him through tributes, letters, songs, and celebrations, many in cyberspace. Dyson helps us to understand why a twenty-five-year-old rapper, activist, poet, actor, and alleged sex offender looms even larger in death than he did in life. With his trademark skills of critical thinking and storytelling, Dyson examines Tupac's hold on black youth, assessing the ways in which different elements of his persona-thug, confused prophet, fatherless child-are both vital and destructive. At once deeply personal and sharply analytical, Dyson's book offers a wholly original way of looking at Tupac Shakur that will thrill those who already love the artist and enlighten those who want to understand him. In the tradition of jazz saxophonists John Coltrane and Charlie Parker, Dyson riffs with speed, eloquence, bawdy humor, and startling truths that have the effect of hitting you like a Mack truck.-San Francisco Examiner Such is the genius of Dyson. He flows freely from the profound to the profane, from popular culture to classical literature. -- Washington Postbr Philadelphia Inquirer Among the young black intellectuals to emerge since the demise of the civil rights movement -- undoubtedly the most insightful and thought-provoking is Michael Eric Dyson. -- Manning Marable, Director of African American Studies, Columbia University |
| alain locke the new negro: Manhattan Phoenix Daniel S. Levy, 2022 Shows vividly how the Great Fire of 1835, which nearly leveled Manhattan also created the ashes from which the city was reborn.In 1835, a merchant named Gabriel Disosway marveled at a great fire enveloping New York, commenting on how it spread more and more vividly from the fiery arena, rendering every object, far and wide, minutely discernible - the lower bay and its Islands, with the shores of Long Island and New Jersey. The fire Disosway witnessed devastated a large swath of lower Manhattan, clearing roughly the same number of acres as the World Trade Center bombing, Manhattan Phoenix explores the emergence of modern New York after it emerged from the devastating fire of 1835 - a catastrophe that revealed how truly unprepared and haphazardly organized it was - to become a world-class city merely a quarter of a century later. The one led to other. New York effectively had to start over. Daniel Levy's book charts Manhattan's almost miraculous growth while interweaving the lives of various New Yorkers who took part in the city's transformation. Some are well known, such as the land baron John Jacob Astor and Mayor Fernando Wood. Others less so, as with the African-American oysterman Thomas Downing and the Bowery Theatre impresario Thomas Hamblin. The book celebrates Fire Chief James Gulick who battled the blaze, and celebrates the work of the architect Alexander Jackson Davis who built marble palaces for the rich. It chronicles the career of the merchant Alexander Stewart who constructed the first department store, follows the struggles of the abolitionist Arthur Tappan, and records of the efforts of the engineer John Bloomfield Jervis who brought clean water into homes. And this resurgence owed so much to the visionaries, such as Frederick Law Olmsted and Calvert Vaux, who designed Central Park, creating a refuge that it remains to this day. Manhattan Phoenix reveals a city first in flames and then in flux but resolute in its determination to emerge as one of the world's greatest metropolises. |
| alain locke the new negro: Women of the Harlem Renaissance Cheryl A. Wall, 1995-09-22 Wall's writing is lively and exuberant. She passes her enthusiasm for these writers' works on to the reader. She captures the mood of the times and follows through with the writers' evolution -- sometimes to success, other times to isolation.... Women of the Harlem Renaissance is a rare blend of thorough academic research with writing that anyone can appreciate. -- Jason Zappe, Copley News Service By connecting the women to one another, to the cultural movement in which they worked, and to other early 20th-century women writers, Wall deftly defines their place in American literature. Her biographical and literary analysis surpasses others by following up on diverse careers that often ended far past the end of the movement. Highly recommended... Â -- Library Journal Wall offers a wealth of information and insight on their work, lives and interaction with other writers... strong critiques... -- Publishers Weekly The lives and works of women artists in the Harlem Renaissance -- Jessie Redmon Fauset, Nella Larsen, Zora Neale Hurston, Bessie Smith, and others. Their achievements reflect the struggle of a generation of literary women to depict the lives of Black people, especially Black women, honestly and artfully. |
| alain locke the new negro: God's Crucible: Islam and the Making of Europe, 570-1215 David Levering Lewis, 2009-01-12 From the two-time Pulitzer Prize–winning author, God’s Crucible brings to life “a furiously complex age” (New York Times Book Review). Resonating as profoundly today as when it was first published to widespread critical acclaim a decade ago, God’s Crucible is a bold portrait of Islamic Spain and the birth of modern Europe from one of our greatest historians. David Levering Lewis’s narrative, filled with accounts of some of the most epic battles in world history, reveals how cosmopolitan, Muslim al-Andalus flourished—a beacon of cooperation and tolerance—while proto-Europe floundered in opposition to Islam, making virtues out of hereditary aristocracy, religious intolerance, perpetual war, and slavery. This masterful history begins with the fall of the Persian and Roman empires, followed by the rise of the prophet Muhammad and five centuries of engagement between the Muslim imperium and an emerging Europe. Essential and urgent, God’s Crucible underscores the importance of these early, world-altering events whose influence remains as current as today’s headlines. |
| alain locke the new negro: Zorrie Laird Hunt, 2021-02-09 Finalist for the 2021 National Book Award (Fiction) From prize-winning, acclaimed author Laird Hunt, a poignant novel about a woman searching for her place in the world and finding it in the daily rhythms of life in rural Indiana. “It was Indiana, it was the dirt she had bloomed up out of, it was who she was, what she felt, how she thought, what she knew.” As a girl, Zorrie Underwood’s modest and hardscrabble home county was the only constant in her young life. After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material. But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun. Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt’s extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout. |
| alain locke the new negro: Nationalism, Marxism, and African American Literature Between the Wars Anthony Dawahare, 2007-06 A call to recognize Marxism's underestimated influence on the course of African American letters |
Alain - Bulbapedia, the community-driven Pokémon encyclopedia
Mar 9, 2025 · Alain was first seen in Mega Evolution Special I battling a Trainer named Astrid, and defeated her Mega Absol. The battle was secretly watched by Mairin, a beginning Trainer who …
Alain (philosopher) - Wikipedia
Émile-Auguste Chartier (French:; 3 March 1868 – 2 June 1951), commonly known as Alain (), was a French philosopher, journalist, essayist, pacifist, and teacher of philosophy.
Alain | Existentialism, Phenomenology, Humanism | Britannica
May 29, 2025 · Alain (born March 3, 1868, Mortagne, Fr.—died June 2, 1951, Le Vésinet, near Paris) was a French philosopher whose work profoundly influenced several generations of …
Alain - Name Meaning, What does Alain mean? - Think Baby Names
What does Alain mean? A lain as a boys' name is pronounced al-LAYN. It is of Old German origin, and the meaning of Alain is "precious". French variant of Alan. STARTS WITH Al …
Alain - Meaning of Alain, What does Alain mean? - BabyNamesPedia
[ 2 syll. a-lai(n), al-a-in] The baby boy name Alain is pronounced as aa-L EH-N or AA-LehN †. Alain is used chiefly in English and French. Its origin is Celtic. Alain is a variant of the name …
Meaning, origin and history of the name Alain
May 30, 2025 · French form of Alan.A notable bearer was the French actor Alain Delon (1935-2024).
Alain - Pokémon Wiki | Fandom
Alain is a major supporting character appearing in Pokémon the Series and the Mega Evolution Specials. He is Ash's main rival in the Kalos region, and the eventual Kalos League Champion …
Alain Delon - Wikipedia
Alain Fabien Maurice Marcel Delon (French: [alɛ̃ dəlɔ̃]; 8 November 1935 – 18 August 2024) was a French actor, film producer, screenwriter, singer, and businessman.
Alain (given name) - Wikipedia
Alain André, Canadian politician and a City Councillor in Montreal, Quebec; Alain Anziani (born 1951), member of the Senate of France, representing the Gironde department; Alain Aoun …
Alain - Wikipedia
Alain, a standard author abbreviation used to indicate Henri Alain Liogier, also known as Brother Alain, as the author when citing a botanical name Alain , the pseudonym used by Emile …
Alain - Bulbapedia, the community-driven Pokémon encyclopedia
Mar 9, 2025 · Alain was first seen in Mega Evolution Special I battling a Trainer named Astrid, and defeated her Mega Absol. The battle was secretly watched by Mairin, a beginning Trainer who …
Alain (philosopher) - Wikipedia
Émile-Auguste Chartier (French:; 3 March 1868 – 2 June 1951), commonly known as Alain (), was a French philosopher, journalist, essayist, pacifist, and teacher of philosophy.
Alain | Existentialism, Phenomenology, Humanism | Britannica
May 29, 2025 · Alain (born March 3, 1868, Mortagne, Fr.—died June 2, 1951, Le Vésinet, near Paris) was a French philosopher whose work profoundly influenced several generations of …
Alain - Name Meaning, What does Alain mean? - Think Baby Names
What does Alain mean? A lain as a boys' name is pronounced al-LAYN. It is of Old German origin, and the meaning of Alain is "precious". French variant of Alan. STARTS WITH Al …
Alain - Meaning of Alain, What does Alain mean? - BabyNamesPedia
[ 2 syll. a-lai(n), al-a-in] The baby boy name Alain is pronounced as aa-L EH-N or AA-LehN †. Alain is used chiefly in English and French. Its origin is Celtic. Alain is a variant of the name …
Meaning, origin and history of the name Alain
May 30, 2025 · French form of Alan.A notable bearer was the French actor Alain Delon (1935-2024).
Alain - Pokémon Wiki | Fandom
Alain is a major supporting character appearing in Pokémon the Series and the Mega Evolution Specials. He is Ash's main rival in the Kalos region, and the eventual Kalos League Champion …
Alain Delon - Wikipedia
Alain Fabien Maurice Marcel Delon (French: [alɛ̃ dəlɔ̃]; 8 November 1935 – 18 August 2024) was a French actor, film producer, screenwriter, singer, and businessman.
Alain (given name) - Wikipedia
Alain André, Canadian politician and a City Councillor in Montreal, Quebec; Alain Anziani (born 1951), member of the Senate of France, representing the Gironde department; Alain Aoun …
Alain - Wikipedia
Alain, a standard author abbreviation used to indicate Henri Alain Liogier, also known as Brother Alain, as the author when citing a botanical name Alain , the pseudonym used by Emile …
