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| and the band played waltzing matilda live: New York Magazine , 1991-10-14 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| and the band played waltzing matilda live: Here Comes Everybody James Fearnley, 2012-04-17 October 1982: ABC, Culture Club, Shalamar and Survivor dominate the top twenty when the Pogues barrel out from the backstreets of King's Cross, a furious, pioneering mix of punk energy, traditional melodies and the powerfully poetic songwriting of Shane MacGowan. Reviled by traditionalists for their frequently fast, often riotous interpretations of Irish folk songs, the Pogues rose from the sweaty chaos of backroom gigs in Camden pubs to world tours with the likes of Elvis Costello, U2 and Bob Dylan, and had huge commercial success with everyone's favourite Christmas song, 'Fairytale of New York'. Yet, the exuberance of their live performances coupled with relentless touring spiralled into years of hard drinking and excess which eventually took their toll - most famously on Shane, but also on the rest of the band - causing them to part ways seven years later. Here, their story is told with beauty, lyricism and great candour by James Fearnley, founding member and accordion player. He brings to life the youthful friendships, the bust-ups, the amazing gigs, the terrible gigs, the fantastic highs and the dramatic lows in a hugely compelling, humorous, moving and honest account of life in one of our most treasured and original bands. |
| and the band played waltzing matilda live: Eric Bogle, Music and the Great War Michael J. K. Walsh, 2018-01-02 Eric Bogle has written many iconic songs that deal with the futility and waste of war. Two of these in particular, ‘And the Band Played Waltzing Matilda’ and ‘No Man’s Land (a.k.a. The Green Fields of France)’, have been recorded numerous times in a dozen or more languages indicating the universality and power of their simple message. Bogle’s other compositions about the First World War give a voice to the voiceless, prominence to the forgotten and personality to the anonymous as they interrogate the human experience, celebrate its spirit and empathise with its suffering. This book examines Eric Bogle’s songs about the Great War within the geographies and socio-cultural contexts in which they were written and consumed. From Anzac Day in Australia and Turkey to the ‘The Troubles’ in Northern Ireland and from small Aboriginal communities in the Coorong to the influence of prime ministers and rock stars on a world stage, we are urged to contemplate the nature and importance of popular culture in shaping contemporary notions of history and national identity. It is entirely appropriate that we do so through the words of an artist who Melody Maker described as ‘the most important songwriter of our time’. |
| and the band played waltzing matilda live: Killing the Black Dog Les Murray, 2015-09-29 In 1988, shortly after moving from Sydney back to his birthplace in the rural New South Wales hamlet of Bunyah, Les Murray was struck with depression. In the months that followed, the Black Dog (as he calls it) ruled his life. He raged at his wife and children. He ducked a parking ticket on grounds of insanity, and begged a police officer to shoot him rather than arrest him. For days on end he lay in despair, a state in which, as he puts it precisely, you feel beneath help. Killing the Black Dog is Murray's recollection of those awful days: brief, pointed, wise, and full of beauty in the way of his poetry. The prose text—delicately balanced between personal and informative—gives a glimpse of the imprint that depression can leave on a life. The accompanying poems show their roots in his crisis—a crisis from which, he reports toward the close of this poignant book, he has fully recovered. My thinking is no longer jammed and sooty with resentment, he recalls. I no longer wear only stretch-knit clothes and drawstring pants. I no longer come down with bouts of weeping or reasonless exhaustion. And I no longer seek rejection in a belief that only bitterly conceded praise is reliable. Killing the Black Dog is a crucial chapter in the life of an outstanding poet. |
| and the band played waltzing matilda live: MTV Europe Lauren Berger, Naomi Black, Valerie Conners, Ari Cohen, Christi Daugherty, Taryn Firkser, Fernando Gayesky, Kitty Hall, Sylvie Hogg, Andre Legaspi, Clare O?Connor, Hana Mastrini, John Moretti, Jennifer Reilly, Colleen Taylor, 2006-12-06 From celeb-studded nightclubs in London to scuba diving off Croatia, 'MTV Europe' shows you where you want to be, with choices for every budget to help you travel the way you want to. |
| and the band played waltzing matilda live: The Pogues' Rum, Sodomy and the Lash Jeffrey T. Roesgen, 2008-09-19 Jeff Roesgen's celebration of Rum, Sodomy & the Lash intertwines a seafaring fictional narrative with the band-informed accounts of the creation of this unique and enduring album--Back cover. |
| and the band played waltzing matilda live: The Pogues Ann Scanlon, 1988 |
| and the band played waltzing matilda live: No Such Thing as Society Andy McSmith, 2010-09-16 The 1980s was the revolutionary decade of the twentieth century. To look back in 1990 at the Britain of ten years earlier was to look into another country. The changes were not superficial, like the revolution in fashion and music that enlivened the 1960s; nor were they quite as unsettling and joyless as the troubles of the 1970s. And yet they were irreversible. By the end of the decade, society as a whole was wealthier, money was easier to borrow, there was less social upheaval, less uncertainty about the future. Perhaps the greatest transformation of the decade was that by 1990, the British lived in a new ideological universe where the defining conflict of the twentieth century, between capitalism and socialism, was over. Thatcherism took the politics out of politics and created vast differences between rich and poor, but no expectation that the existence of such gross inequalities was a problem that society or government could solve - because as Mrs Thatcher said, 'There is no such thing as society ... people must look to themselves first.' From the Falklands war and the miners' strike to Bobby Sands and the Guildford Four, from Diana and the New Romantics to Live Aid and the 'big bang', from the Rubik's cube to the ZX Spectrum, McSmith's brilliant narrative account uncovers the truth behind the decade that changed Britain forever. |
| and the band played waltzing matilda live: SPIN , 1998-09 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| and the band played waltzing matilda live: Perspectives on Death and Dying June L. Leishman, 2009 In the past, most people encountered death at a relatively young age. Dying relatives were cared for at home, and mortality rates were higher. Today, there is much less familiarity with death, which increasingly takes place in hospitals, hospices and nursing homes. This wide-ranging and enlightening book offers an exploration of death and dying as human conditions that impact on the individual, their significant others and those involved with their care and well-being. It is aimed at medical and healthcare staff, social workers and counsellors, as well as social sciences and health psychology students, professional health and social care educationalists, and anyone with an interest in this topic. Drawing on aspects of social anthropology, history, and the social and behavioural sciences, the book examines the customs, attitudes and beliefs surrounding death and dying. Emphasis is placed on the unique experience of death for each individual, and the book highlights the challenges faced by those who work with people who are dying or those who have experienced loss through death. In addition, each chapter ends with some reflective questions that allow the reader to consider certain issues at a more personal level. |
| and the band played waltzing matilda live: 33 Revolutions Per Minute Dorian Lynskey, 2011-03-03 Why 33? Partly because that's the number of rotations performed by a vinyl album in one minute, and partly because it takes a lot of songs to tell a story which spans seven decades and five continents - to capture the colour and variety of this shape-shifting genre. This is not a list book, rather each of the 33 songs offers a way into a subject, an artist, an era or an idea. The book feels vital, in both senses of the word: necessary and alive. It captures some of the energy that is generated when musicians take risks, and even when they fail, those endeavours leave the popular culture a little richer and more challenging. Contrary to the frequently voiced idea that pop and politics are awkward bedfellows, it argues that protest music is pop, in all its blazing, cussed glory. |
| and the band played waltzing matilda live: More Estate Life Andrew S Cowan, 2014-10-08 Nigel Moore is back with a further volume of his diaries designed to create a few more ripples in the placid lives of his admirers and detractors alike. Although the diaries cover the same period as Estate Life, he has brought a fresh eye to the burning questions of the day with a perspective which is uniquely his own, and which he is convinced his followers would do well to adopt, if they are to face an uncertain future with the same confidence which he has always displayed |
| and the band played waltzing matilda live: Kiss My Arse: The Story of the Pogues Carol Clerk, 2009-11-04 The story of The Pogues has been as riotous as their most rabble-rousing songs. From the streets of 80s London the Celtic Punks unleashed their hellraising 20-year career and in the process became legends; mythic troubadours whose popularity endures. This Omnibus Enhanced edition of Kiss My Arse has been revamped with an interactive digital timeline which paints the journey of The Pogues with videos and images of live performances, interviews, memorabilia and more. Also included is an integrated Spotify playlist containing the band’s greatest performances. To tell their story author Carol Clerk has interviewed Shane MacGowan, Spider Stacy, Jem Finer, Andrew Ranken, James Fearnley, Cait O'Riordan, and a clutch of associates, friends and fans. All paint a picture of a fiercely loyal group of musicians, their arguments and drunken spats, their love affairs, the drugs, the hirings and the firings, the marriages and deaths… but, above all, the music. This is their story, bared for all. |
| and the band played waltzing matilda live: The Great Scots Musicography Martin Charles Strong, 2002 |
| and the band played waltzing matilda live: Singing Out David Burke, 2015-03-01 The Life And Work Of 3 Female Folk Icons David Burke takes the lives of three of British folk music’s best-known and best-loved women and intertwines their stories. Why these three? As David explains: “Maddy Prior, June Tabor and Linda Thompson have both endured and evolved. The people’s relationship with its heritage may be capricious, but Maddy, June and Linda have remained resolutely committed to it while concurrently contemporising it.” They all began in the folk clubs of the second folk revival in the 1960s but, whilst staying true to their roots, have never been afraid to try new things (sometimes to the horror of traditional folkies). Maddy Prior MBE is best known as being the singer with Steeleye Span, though she has done many different things, including the Silly Sisters with June Tabor. June tried to juggle being a librarian and a singer, until singing, thankfully, won out. Elvis Costello said, “If you don’t like listening to June Tabor, you should stop listening to music” To a large extent, Linda Thompson’s later career has been blighted by hysterical dysphonia, a condition that has stopped her singing for long periods. For this book, all three women kindly provided interviews, but Linda could only communicate via e-mail; her condition (which comes and goes) was so bad at the time. However, her albums with ex-husband Richard Thompson are classics, as are her own solo albums: it is just sad that illness has deprived her (and us) of more of them. In addition to the three subjects, David has interviewed, amongst others, Ian Anderson, Martin Carthy, Christy Moore, Martin Simpson, Rufus Wainwright and even the creator of the Wombles pop group Mike Batt, who produced Steeleye Span. |
| and the band played waltzing matilda live: Shane MacGowan: London Irish Punk Life and Music Joe Merrick, 2012-06-26 As lead singer of The Pogues and as a solo artist, Shane MacGowan is a defining figure of modern Irish music. Among the greatest songwriters of his generation, he has infused traditional Irish folk with the spirit of punk and a bleary-eyed romanticism to create a compelling and unique musical brew. Joe Merrick's biography is an incredible story, sometimes sad, sometimes wonderful, and often soaked in a mixture of alcohol and genius. |
| and the band played waltzing matilda live: Sound of the Crowd: a Discography of the '80s (Fourth Edition) Steve Binnie, 2018-11-05 SOUND OF THE CROWD: A DISCOGRAPHY OF THE '80s is the ultimate record collector's guide to the 1980s. In the era of multi-formatting, picture discs, coloured vinyl, multiple remixes, funny shaped records and tiny CDs you could lose down the back of the sofa, this book lists every format of every single, EP and album released in the UK in the 1980s by over 140 of the decade's biggest acts, from ABBA to Paul Young. This fourth edition has been fully revised and expanded to include even more acts than ever before, with additional sections to cover Band Aid-style charity congregations and compilation albums from the early '80s K-Tel efforts through to the Now That's What I Call Music series and its competitors. Compiled by Steve Binnie, editor of the '80s music website Sound of the Crowd and writer, producer and co-host of the unconventional '80s chart show Off The Chart, broadcast weekly on Mad Wasp Radio. |
| and the band played waltzing matilda live: Too Young the Heroes George Lince, 2015-05-07 Right after Pearl Harbor, the author joined the Marines at 17. After boot camp, he went to the First Marine Division, taking part in some of the bloodiest fighting in the Pacific, including the landing on Okinawa where he was wounded. Fighting under terrible conditions, he and his fellow Marines persevered. This is the author's story of combat and of growing up. |
| and the band played waltzing matilda live: New York Magazine , 1991-10-14 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| and the band played waltzing matilda live: Letters to Vimy Orland French, 2017-01-25 Dear Uncle Oscar… I’m going to put a note on the back of our book to explain to readers what our correspondence inside is all about. It goes like this... A hundred years ago a German shell dropped on Pte. Oscar French on Vimy Ridge and ended his adventures in the First World War. A century later author Orland French replies to Oscar’s real letters home to his mother and tells him, in his own sardonic style, how the world turned out after the horrific War to End All Wars. Letters to Vimy is an excellent and highly entertaining personal guide to the birth and growth of Canadian nationalism out of that victory at Vimy. Sources abounded for this project, including a memorable conversation with a group of elderly German tourists on the steps of the Vimy Monument. Your nephew in history, Orland French |
| and the band played waltzing matilda live: A Passage Out of Sequence William F. Meininger, 2007-11 On a late November evening in 1936, Brad Harper, and three other airmail pilots, depart the Newark, NJ airport with contaminated fuel. Three of them crash, and two are killed. In early December 1940, Brad Harper, now a member of a jazz group, embarks on a steamship in Philadelphia for a two week working cruise, promising his family to be home for Christmas. When the ship docks in San Francisco, he unexpectedly encounters his uncle Jack, who is traveling to China to help operate a flying school. Jack tries to entice Brad into joining him, but Brad declines. However, while disembarking the ship, he meets a young doctor, Dorothy Lee Devereux (Dolly) and, like Jack, she is also traveling to the orient. It's love at first sight for both and Brad follows her to China. As luck would have it, both she and Jack are traveling to the same city. Arriving in Kunming, Brad's airmail experience puts him in good stead at the flying school and he soon becomes a flight instructor while Dolly works at Kunming General Hospital. With war looming, he is reluctantly drawn into Clare Chennault's Flying Tigers and becomes a squadron commander. As the war unfolds, he flies several missions against the Japanese, extracts vengeance when he murders a treacherous Chinese colonel, is involved in a midair collision, and faces courts-martial for a mercy killing. Soon after, he and Dolly marry, he is injured and they return home with an adopted daughter. Recovered, he is assigned to deliver aircraft to operational squadrons. On one such trip to England, he is Shanghaied into the Eight Air Force and detailed to a fighter squadron. On one mission he so distinguishes himself, he comes to the attention of General Doolittle, and is awarded a very high honor. Reluctant to return home, he convinces General Doolittle to allow him to remain in theater and is given positions of increasing responsibility. Meanwhile, his wife remains with his family in a small sea shore town to practice medicine. When the underworld attempts to take over the fishing industry, she is raped by gangsters. Before long an opportunity presents itself, and she extracts a brutal revenge. Discovered to have euthanized a patient, she finds others share her values. Returning home at war's end, circumstances have Brad departing the Newark, NJ airport in a P-51 fighter with no parachute. The plane, having been serviced from an old gas truck, has been contaminated. |
| and the band played waltzing matilda live: Popular Culture and Its Relationship to Conflict in the UK and Australia since the Great War Andrekos Varnava, Michael J.K. Walsh, 2022-12-26 This book shows how cultural production derived from, or in anticipation of, conflict can be used to create specific social identities, national histories, and contemporary concepts of memory in Britain and Australia. Studies on the politics of cultural production have usually focussed on one conflict, or on one particular cultural medium, at a time. This volume, however, presents a broader horizon to draw attention to more popular forms of cultural production from the Great War up to and including its Centenary. The chapters in this volume interrogate the contentious philosophical notion that culture thrives in times of war, and expires in peace, and asks whether ‘art’, as a form of social barometer, can anticipate conflict rather than merely respond to it. This is a fascinating read for students, researchers, and academics interested in British and Australian History and its relationship with Popular Culture. The chapters in this book were originally published as a special issue of Contemporary British History. |
| and the band played waltzing matilda live: Billboard , 1982-09-18 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| and the band played waltzing matilda live: CASTELFORTE Enzo Malagisi, 2017-10-31 These are poems about the state of desperation, longing and suffering, fear and want, the need to need and clinging to things. These are poems about oppression and freedom, justice and love, but ultimately these are poems about redemption. |
| and the band played waltzing matilda live: Eclipse of Destinies Ram Karan, 2009-07-24 As immoral capitalism implodes, remarkably almost all rescuing screaming millions evade true causes and cures, signifying they were in blood so far that returning was as tedious as wading on. |
| and the band played waltzing matilda live: New York , 2005 |
| and the band played waltzing matilda live: Clancy of the Overflow A B. Paterson, 2021 |
| and the band played waltzing matilda live: SPIN , 2006-10 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| and the band played waltzing matilda live: Life a Faecal Feast with a Hint of Chocolate! Adam J. SMIGIELSKI, 2013-01-05 This book reflects the personal feelings, thoughts and experiences of the author. It covers a broad spectrum of lifes facets such as health, relationships, money, the environment, leisure activities and mans hormonally driven operating systems underpinned by the foibles of hate, fear and greed. The poems in this compilation are divided into six chapters, which include: Life what is it all about; Lifes effects on me, and; Some fun with a twist of truth. The poems herein are a personal interpretation on a range of topics that play a part in the lives of every person on this planet. |
| and the band played waltzing matilda live: Hey True Blue John Williamson, 2014-07-23 The long-awaited life story of John Williamson: an Australian icon, a much-loved legend of the music industry and man of the land. The joy after all is in the journey, or being what you really wanna be . . . The son of a wheat farmer, John Williamson grew up with an appreciation of the land and all things Australian. His career was kickstarted with a self-proclaimed silly song – 'Old Man Emu' – winning TV's New Faces in 1970, but it was a decade of hard slog before he forged his unique place in our musical history. From his love of the bush ('Mallee Boy') and his outrage at environmental destruction ('Rip Rip Woodchip'), to his pride in the Australian character and spirit ('True Blue'), Williamson has been chronicling the subjects and issues that are close to his heart for more than forty years. He has become the voice of Australia, performing his unofficial anthems at all the major events. In his distinctive Aussie style, John Williamson tells it like it is. He takes us behind the scenes on the road and at home, revealing the tough times, the great times, what drives him and what matters. His passion – for preserving our national character and landscape, and to remain true to himself – is as strong now as it has ever been. This is a journey into the heart and soul of Australia. |
| and the band played waltzing matilda live: Mr. Pepys and the Turk Andrew C. Rouse, 2014-07-08 “Mr. Pepys and The Turk” is SPECHEL’s first inroad into publication. In line with the mission embodied in its name, this book and subsequent publications will be available in ebook and print-on-demand form, making it considerably more accessible than if it were solely a physical object. “Mr Pepys and Turk” tells of English popular notions of the “Turk” through history, centring upon the diary entries of civil servant Samuel Pepys (1633-1703) and the street ballads which he loved to collect. The author’s fascination with this subject stems from his dual life as an academic/folk singer, but also from having lived and worked most of his adult life in Hungary’s only city with two domed mosques, a minaret and other Turkish remains. Hungary is a country where the Turk gets bad press through incomplete and biased formal education and popular conception, yet one of the most charming children’s rhymes of which (included here in the author’s translation) features Mehmet the Turk. Unlike Hungary, England was not invaded by the Turk, unless you count a very brief visit to the Cornish coast, the only surviving trace of which is England’s oldest public house called “The Turk’s Head”. Yet popular misconceptions abound in both cultures through various media, including a seventeenth-century English street ballad about a battle in Hungary between the European forces and the Ottoman Empire. Here, then, is the “Turk”, not a historical man but a popular concept – lustful, terrible, but also poor and innocent as English popular notions fashion and refashion him through time and perspective. |
| and the band played waltzing matilda live: Northern Sky Mark Radcliffe, 2012-04-12 Having been sacked from his university teaching job, Ed has returned to his home town to pick up the threads of his old life with his friends and ex-girlfriend, Jeannie, in the Northern Sky folk music club. His dream is to play with them again, making music like his hero Nick Drake - and maybe even a little money. But know-it-all Matt O'Malley is now running the club and has ambitious plans for them that involve contracts and record deals. Can Ed get in on the act, or does O'Malley have a hidden agenda involving the less talented but more photogenic Lane Fox? And can Ed win Jeannie back - or will his legendary temper prevent him from getting anything right? This is a funny and touching novel, written with real Northern soul by one of the country's most popular and knowledgeable commentators on music. It will appeal to anyone who loves music, anyone who's ever been young and ambitious, and anyone who's ever fallen out with someone over the one thing that unites them. |
| and the band played waltzing matilda live: The Guinness Encyclopedia of Popular Music: A Cappella-Clarke, Johnny Colin Larkin, 1995 |
| and the band played waltzing matilda live: National Myth and the First World War in Modern Popular Music Peter Grant, 2016-12-09 This book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music takes an inter-disciplinary approach that locates popular music within the framework of ‘memory studies’ and analyses how songwriters are influenced by their country’s ‘national myths’. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great chansonniers Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bogle; the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda Galás and PJ Harvey. |
| and the band played waltzing matilda live: Folk Review , 1976 |
| and the band played waltzing matilda live: Missing in Action Marcus Breen, 1987 |
| and the band played waltzing matilda live: The CD Rock & Roll Library Bill Shapiro, 1988 Reviewing more than 500 discs of rock and roll music, the author analyzes the source of the recording (analog or digital) and rates each disc for content and sound quality. |
| and the band played waltzing matilda live: Canadiana , 1986 |
| and the band played waltzing matilda live: The Essential Rock Discography Martin Charles Strong, 2006 Covers British and American artists and groups, including a biography or history and chronological discographical listings in each entry. |
| and the band played waltzing matilda live: Gramophone Popular Catalogue , 1987-06 |
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BAND – The App For Groups
BAND is a group communication app designed for leaders to communicate better through messaging, file sharing, polls, and more.
BAND’s Top 4 Most Frequently Asked Questions
Aug 5, 2019 · BAND is a group communication platform that helps you organize and engage with your groups. It works a lot like other social media platforms, where you can upload photos, …
BAND – The App For Groups
BAND is the free communication app for groups trusted by team leaders around the world. Create a free and secure space for your group to communicate better.
All-in-One Group Communication App - BAND
Discover all the essential features your group needs in one app. BAND offers message notifications, shared calendars, private file sharing, survey tools, instant messaging, and admin …
Band (software) - Wikipedia
Band is a mobile community application that facilitates group communication. Created by Naver Corporation, the service is available on iOS, Android, and desktop.
BAND - App for all groups 12+ - App Store
Organize your group on BAND! It’s the perfect group communication app, with features like the Community Board, Shared Calendar, Polls, To-Do Lists, Private Chat & much more!
BAND - App for all groups - Apps on Google Play
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How to Use BAND on your Computer
Aug 21, 2019 · Trying to limit your screen time on your mobile device? Logging into BAND on your desktop computer can make some tasks, like uploading multiple files or writing a lengthy post, …
BAND Definition & Meaning | Dictionary.com
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Instant Messaging & Chat Features | BAND App
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BAND – The App For Groups
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Aug 5, 2019 · BAND is a group communication platform that helps you organize and engage with your groups. It works a lot like other social media platforms, where you can upload photos, …
