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| allusion poems about love: Biblical Echo and Allusion in the Poetry of W.B. Yeats Dwight Hilliard Purdy, 1994 This book treats the poetics of biblical allusion in the lyric poetry of William Butler Yeats, and the ways in which the King James Bible became for Yeats a model for poetry as a communal voice shaping a culture. The introduction analyzes the critical history of what Eleanor Cook has termed the poetics of allusion, emphasizing the work of the Italian rhetorician Gian Biago Conte and the American critic and poet John Hollander. The major topics considered here are allusions as the intersections of texts, as figures of speech, and as structural signifiers; the centrality of the reader in the study of allusion; the quality of allusions, their placement and varying degrees of clarity; and the centrality of the study of allusion to cultural criticism. The first chapter is concerned with the development of the Bible as a model for secular poetry from the late eighteenth century to Yeats, surveying Bishop Lowth, Blake, Coleridge, Wordsworth, Shelley, and Matthew Arnold, as well as Yeats's references in his prose works to the Bible as a model for art and the artist, and his desire to restore the Bible as sacred text, yet write his own Bible. Chapters 2 through 5 take up in detail the poetics of biblical allusion and echo in the poems. Chapter 2 treats the poetry of the nineties: here Yeats usually engages the Bible as an antagonist, subverting it for the sake of a Celtic consciousness, denying its exclusive claim to spiritual truth. But many biblical echoes show Yeats's dependence upon the Bible as a guide to poetic language. Chapter 3 concerns the poetry from In the Seven Worlds to The Wild Swans at Coole. Yeats looks on Scripture with an ironic eye, often replacing it with what he calls haughtier texts, the parables, prayers, visions, and private revelations that mirror biblical models and make biblical texts into warrants for his own theory of rebirth. Chapter 4 is a close reading of biblical intertextuality in seven poems: The Second Coming, Sailing to Byzantium, Meditations in Time of Civil War, Nineteen Hundred and Nineteen, Prayer for My Son, Dialogue of Self and Soul, and Vacillation. In these major poems Yeats displays his antitheticality, as Hazard Adams calls it, putting into dramatic tension biblical texts and his own heterodox ideas about birth, death, and resurrection. Chapter 5 examines the poetry after Vacillation, where Yeats gives biblical texts (often text used before) a new sensual gloss, but also admits the limits of a high talk derived from scriptural language. Chapter 6 places Yeats in the broad context of biblical intertextuality, working backward from modernism to Romanticism. First, the study contrasts Yeats with two of his contemporaries, D. H. Lawrence and T. S. Eliot, for whom the Bible always asserts its religious authority, in the Victorian tradition of Arnold, Clough, Browning, and Tennyson. The study concludes by comparing Yeats to Wordsworth and Shelley. Although Yeats is deeply indebted to them, his attitude is distinct from theirs: even when rejecting the Bible, Wordsworth. and Shelley accept a dogmatic view of it, while Yeats escapes dogmatism.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| allusion poems about love: The Poetry of Allusion Rachel Jacoff, Robert Ball, 1991 A Stanford University Press classic. |
| allusion poems about love: Utamakura, Allusion, and Intertextuality in Traditional Japanese Poetry Edward Kamens, Howard I. Kamens, 1997-01-01 Kamens focuses especially on one figure, the buried tree, which refers to fossilized wood associated in particular with an utamakura site, the Natori River, and is mentioned in poems that first appear in anthologies in the early tenth century. The figure surfaces again at many points in the history of traditional Japanese poetry, as do the buried trees themselves in the shallow waters that otherwise conceal them. After explaining and discussing the literary history of the concept of utamakura, Kamens traces the allusive and intertextual development of the figure of the buried tree and the use of the place-name Natorigawa in waka poetry through the late nineteenth-century. He investigates the relationship between utamakura and the collecting of fetishes and curios associated with utamakura sites by waka connoisseurs. |
| allusion poems about love: Markers of Allusion in Archaic Greek Poetry Thomas J. Nelson, 2023-05-25 Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries BCE) signposted their debts to their predecessors and prior traditions – placing markers in their works for audiences to recognise (much like the 'Easter eggs' of modern cinema). Within antiquity, such signposting has often been considered the preserve of later literary cultures, closely linked with the development of libraries, literacy and writing. In this wide-ranging new study, Thomas Nelson shows that these devices were already deeply ingrained in oral archaic Greek poetry, deconstructing the artificial boundary between a supposedly 'primal' archaic literature and a supposedly 'sophisticated' book culture of Hellenistic Alexandria and Rome. In three interlocking case studies, he highlights how poets from Homer to Pindar employed the language of hearsay, memory and time to index their allusive relationships, as they variously embraced, reworked and challenged their inherited tradition. |
| allusion poems about love: Chaucer and the Poets Winthrop Wetherbee, 2016-11-01 In this sensitive reading of Chaucer’s Troilus and Criseyde, Winthrop Wetherbee redefines the nature of Chaucer’s poetic vision. Using as a starting point Chaucer’s profound admiration for the achievement of Dante and the classical poets, Wetherbee sees the Troilus as much more than a courtly treatment of an event in ancient history—it is, he asserts, a major statement about the poetic tradition from which it emerges. Wetherbee demonstrates the evolution of the poet-narrator of the Troilus, who begins as a poet of romance, bound by the characters’ limited worldview, but who in the end becomes a poet capable of realizing the tragic and ultimately the spiritual implications of his story. |
| allusion poems about love: Religious Allusion in the Poetry of Gwendolyn Brooks Margot Harper Banks, 2014-01-02 This book examines how Gwendolyn Brooks, a self-proclaimed nonreligious person, advocates adherence to Christian ideals through religious allusions in her poetry. The discussion integrates Brooks' words, biographical data, commentary by other scholars, scriptural references, and doctrinal tenets. It identifies biblical figures and events and highlights Brooks' effective use of the sermon genre, and her express parallels between Christianity and Democracy. The work opens with a biographical chapter and Brooks' comments on religion, followed by analyses of her long poems, and more than thirty of her short ones. An illuminating interview with Nora Brooks Blakely about Brooks' religious background and philosophy is included. |
| allusion poems about love: Non-Elegiac Latin Love Poetry of Late Antiquity Vasileios Pappas, 2025-05-19 For about five hundred years – between Ovid’s death (17 AD) and Maximianus’ Elegies (6th century AD) – the genre of love elegy disappears. Does this mean that love poetry in general was no longer being written? This was certainly not the case. Poets continued to compose love poetry, merely in other forms than elegy. This book deals with non-elegiac Latin love poetry of Late Antiquity. It is the first monograph to focus on the metaliterary interpretation of four non-elegiac poetic works: the Pervigilium Veneris, Ausonius’ Bissula, Reposianus’ De concubitu Martis et Veneris, and the Aegritudo Perdicae. The book contains all the required information about these poems (including their date, authorship, structure, and literary tradition). However, its content is predominantly original, as it examines subjects that have not previously been discussed in the past. These include: a) the generic interaction between the poems’ ‘host’ genre and several ‘guest’ genres that are present within them; b) the metaliterary discourse developed in several passages, which reveals the metapoetic self-consciousness of their poets; c) their hidden demands for the innovation of love poetry; and d) their allusive comments on the conservatism of this era. |
| allusion poems about love: Poetry and Painting in Song China Alfreda Murck, 2020-10-26 Throughout the history of imperial China, the educated elite used various means to criticize government policies and actions. During the Song dynasty (960-1278), some members of this elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions--some transparent, others deliberately concealed. She argues that the coding of messages in seemingly innocuous paintings was an important factor in the growing respect for painting among the educated elite and that the capacity of painting’s systems of reference to allow scholars to express dissent with impunity contributed to the art’s vitality and longevity. |
| allusion poems about love: The Art of Chinese Poetry James J.Y. Liu, 2022-05-17 This book, first published in 1962, is a majestic survey of the whole structure of Chinese poetry. It is a critical introduction to the field as well as an exposition of Chinese views on the nature of poetry. It discusses the Chinese language as a poetic medium from various angles – visual, semantic, auditory, grammatical and conceptual. It also describes the bases of Chinese versification and the major verse forms, and offers interpretations of various schools of traditional Chinese criticisms of poetry. The author suggests a synthesis among the different schools and evolves a view of poetry from which critical standards for Chinese poetry can be derived. In applying these standards, he attempts a further synthesis – one between this mainly traditional Chinese view of poetry and the modern Western method of verbal analysis. Imagery, symbolism, allusions and other features of Chinese poetry are analysed critically. |
| allusion poems about love: The Poetry of Asher Reich Yair Mazor, 2004-01-05 A rich union of image and word, this striking book introduces English-speaking audiences to a full range of poetry by Asher Reich, one of Israel’s most celebrated contemporary poets, paired with evocative drawings by renowned Israeli artist Michael Kovner. Yair Mazor, a leading scholar of Hebrew literature, provides readers with an introduction to Reich’s work and its prominent position within the panorama of modern literature in Hebrew. Asher Reich’s poetry has been characterized as vivid, vibrant, passionate, and expressionistic. Dominated by themes of stormy sensuality and frank sexuality, his dramatic imagery and metaphors interweave Mishnaic, Talmudic, and Biblical references in a colorful, complex poetic texture. The beautiful simplicity of Kovner’s drawings—depicting female figures and natural landscapes—resonates throughout the book. Tender, stark, and striking, the drawings illustrate life’s fragility and grace with a subtlety and dignity that complements Reich’s sensitive style. Presenting contemporary Hebrew poetry, modern Israeli art, and informed literary commentary in an engaging format, this book promises to delight a broad audience of readers. |
| allusion poems about love: The Oxford History of Poetry in English Catherine Bates, Patrick Cheney, 2022 A history of the birth moment of modern English poetry from Skelton to Spenser that studies a range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. |
| allusion poems about love: Fugitive Tilts Ishion Hutchinson, 2025-04-15 Ishion Hutchinson turns his poetic sensibility to questions of home, displacement, and memory in his beautiful and searingly brilliant prose debut. In Fugitive Tilts, the poet Ishion Hutchinson turns to prose to create an incomplete biography of love: love of poetry, discovered in childhood; love of home, with its continual disconnections and returns; and love of the works and artists—from Treasure Island, to John Coltrane, to the Jamaican music of his youth—that look over him with an angel’s aura. Drawing inspiration from Derek Walcott’s notion that “the sea is history,” Fugitive Tilts is suffused with the sea, present whether Hutchinson is recalling a trip to Senegal or memorializing his grandmother in a meditation on a painting by Édouard Vuillard. With this fresh, archipelagic sensibility Hutchinson confronts the fraught questions of inheritances and influences, “acknowledging,” in his words, “something outside our view.” These essays, varied in their forms and ranging across time and place, allow Hutchinson to build a space from which the suffering of the past and the present can be reckoned with and survived. |
| allusion poems about love: Pictures of the Heart Joshua S. Mostow, 1996-01-01 The Hyakunin Isshu, or One Hundred Poets, One Poem Each collection, is a sequence of one hundred Japanese poems in the tanka form, selected by the famous poet and scholar Fujiwara no Teika (1162-1241) and arranged, in part, to represent the history of Japanese poetry from the seventh century down to Teika's own day. The anthology is, without doubt, the most popular and widely known collection of poetry in Japan - a distinction it has maintained for hundreds of years. In this study, Joshua Mostow challenges the idea of a final or authoritative reading of the Hyakunin Isshu and presents a refreshing, persuasive case for a reception history of this seminal work. In addition to providing a new translation of this classic text and biographical information on each poet, Mostow examines issues relating to text and image that are central to the Japanese arts from the Heian into the early modern period. By using Edo-period woodblock illustrations as pictorializations of the poems - as pictures of the heart, or meaning, of the poems - text and image are pieced together in a holistic approach that will stand as a model for further research in the interrelationship between Japanese visual and verbal art. |
| allusion poems about love: Study and Revise for AS/A-level: AQA Anthology: love poetry through the ages Luke McBratney, 2016-03-14 Enable students to achieve their best grade in AS/A-level English Literature with this year-round course companion; designed to instil in-depth textual understanding as students read, analyse and revise the AQA A Poetry Anthology throughout the course. This Study and Revise guide: - Increases students' knowledge of the AQA A Poetry Anthology as they progress through the detailed commentary and contextual information written by experienced teachers and examiners - Develops understanding of characterisation, themes, form, structure and language, equipping students with a rich bank of textual examples to enhance their coursework and exam responses - Builds critical and analytical skills through challenging, thought-provoking questions and tasks that encourage students to form their own personal responses to the text - Extends learning and prepares students for higher-level study by introducing critical viewpoints, comparative references to other literary works and suggestions for independent research - Helps students maximise their exam potential using clear explanations of the Assessment Objectives, sample student answers and examiner insights - Improves students' extended writing techniques through targeted advice on planning and structuring a successful essay |
| allusion poems about love: Studies in Chinese Poetry James R. Hightower, Florence Chia-ying Yeh, 2020-10-26 This collection of seventeen essays by James R. Hightower and Florence Chia-ying Yeh contains three chapters on shih poetry, ten chapters on Sung tz'u, and four chapters on the works of Wang Kuo-wei. It includes ten previously unpublished works, including Hightower's now classic work on T'ao Ch'ien and Yeh's studies of Subg tz'u, as well as seven important additions to the literature on Chinese poetry. The essays treat individual poets, particular poetic techniques (for example, allusion), and general issues of period style and poetry criticism. The previoulsy published items have been updated to include the Chinese texts of all poems presented in translation. Although authored separately by Professors Hightower and Yeh, the essays presented here are the result of theor thirty years of collaboration in working on Chinese poetry. Through close readings of individual texts, the two authors explicate the stylistic and psychological components of the work of the poets they study and present compelling interpretations of their poems. |
| allusion poems about love: Al-Muʾayyad al-Shīrāzī and Fatimid Daʿwa Poetry Tahera Qutbuddin, 2005-05-01 Al-Muʾayyad al-Shīrāzī was a medieval Arabic-Islamic scholar and poet committed to the Fatimid religio-political ideology. Chief missionary for their Caliph-Imams, he founded the dynamic tradition of Fatimid daʿwa (religious mission) poetry” that flourished after him for a thousand years through the succeeding Ṭayyibī daʿwa and continues to thrive today. This study examines the manner in which al-Muʾayyad's mission informed the aesthetic rules, motifs, structures, genres, motives, addressees, and aspirations of his poetry. It analyzes the characteristics of al-Muʾayyad's verse that render it distinctive, above all, its use of a unique form of esoteric tāwīl-based religious symbolism—metaphor, in fact, as manifestation, where what appears to be metaphor is the theological reality of the Imam. This book features a large number of original translations. |
| allusion poems about love: Critical Companion to William Butler Yeats David A. Ross, 2014-05-14 Examines the life and writings of William Butler Yeats, including a biographical sketch, detailed synopses of his works, social and historical influences, and more. |
| allusion poems about love: Theorising the Popular Michael Brennan, Jacqui Miller, 2017-05-11 While chiefly a site of popular pleasure and merriment, popular culture also offers a profound sense of meaning-making, where it functions as a site and source through which identities are inhabited, brokered and contested. As a significant domain within contemporary society, popular culture is both shaped by and has the capacity to shape developments occurring at the wider social, cultural and political levels of human life. Taking popular culture seriously – as an arena of everyday life that has merit in its own right – the contributors to this wide-ranging collection of essays offer unique insight into various elements of contemporary popular culture. Drawn from across the humanities and social sciences, as well as the performing arts and creative industries, this volume offers theoretical reflections on the significance of particular elements of popular culture: from the performative effects of interactive and immersive theatre, through developments in the shifting cultural landscape of a post-television age, to contemporary popular literature of various sorts and its basis for identity and fandom. Above all else, what these essays demonstrate is the radically porous nature of popular culture, and the ways in which it continually defies attempts at neat categorisation by transcending traditional boundaries and genres. |
| allusion poems about love: Ovid and the Liberty of Speech in Shakespeare's England Heather James, 2021-07-08 This book explores how Ovid, as the poet-philosopher of the liberty of speech, galvanized poetic innovation in English Renaissance poetry. |
| allusion poems about love: Personal Modernisms James Gifford, 2014-09-24 Oft-neglected Personalist writers of 1930s–40s comprise a missing link between modernist and postmodernist literatures. |
| allusion poems about love: As it is Written Stanley E. Porter, Christopher D. Stanley, 2008 This work examines the notion of the land and its conquest which are important subjects today for the formation of the Pentateuch. The sabbatical calendar, known from the books of Enoch and Jubilees and several Dead Sea Scrolls, is applied to the Pentateuch, revealing it as the calendar. |
| allusion poems about love: Allusion to the Poets Christopher Ricks, 2002-08-29 Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time - on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English. The first half of the book, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always a form of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal. The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company); to allusion within poetry to prose (on A E. Housman); to translation as exercising allusion (on David Ferry); and to the clash between one poet's practice and his critical principles (on Yvor Winters). |
| allusion poems about love: The Tale of Matsura Wayne Lammers, 2021-01-19 Fujiwara Teika is known as the premier poet and literary scholar of the early 13th century. It is not so widely known that he also tried his hand at fiction: Mumyōzōshi (Untitled Leaves; ca. 1201) refers to “several works” by Teika and then names Matsura no miya monogatari (The Tale of Matsura; ca. 1190) as the only one that can be considered successful. The work is here translated in full, with annotation. Set in the pre-Nara period, The Tale of Matsura is the story of a young Japanese courtier, Ujitada, who is sent to China with an embassy and has a number of supernatural experiences while there. Affairs of the heart dominate The Tale of Matsura, as is standard for courtly tales. Several of its other features break the usual mold, however: its time and setting; the military episode that would seem to belong instead in a war tale; scenes depicting the sovereign’s daily audiences, in which formal court business is conducted; a substantial degree of specificity in referring to things Chinese; a heavy reliance on fantastic and supernatural elements; an obvious effort to avoid imitating The Tale of Genji as other late-Heian tales had done; and a most inventive ending. The discussion in the introduction briefly touches upon each of these features, and then focuses at some length on how characteristics associated with the poetic ideal of yōen inform the tale. Evidence relating to the date and authorship of the tale is explored in two appendixes. |
| allusion poems about love: The Modern Hebrew Poem Itself Stanley Burnshaw, 2003 A collection of modern Hebrew poetry that presents the poems in the original Hebrew, with an English phonetic transcription. |
| allusion poems about love: Love's Wounds Cynthia N. Nazarian, 2017-01-10 Love's Wounds takes an in-depth look at the widespread language of violence and abjection in early modern European love poetry. Beginning in fourteenth-century Italy, this book shows how Petrarch established a pattern of inequality between suffering poet and exalted Beloved rooted in political parrhēsia. Sixteenth- and early seventeenth-century French and English poets reshaped his model into an idiom of extravagant brutality coded to their own historical circumstances. Cynthia N. Nazarian argues that these poets exaggerated the posture of the downtrodden lover, adapting the rhetoric of powerless desire to forge a new countersovereignty from within the heart of vulnerability—a potentially revolutionary position through which to challenge cultural, religious, and political authority. Creating a secular equivalent to the martyr, early modern sonneteers crafted a voice that was both critical and unstoppable because it suffered.Love’s Wounds tracks the development of the countersovereign voice from Francesco Petrarca to Maurice Scève, Joachim du Bellay, Théodore-Agrippa d’Aubigné, Edmund Spenser, and William Shakespeare. Through interdisciplinary and transnational analyses, Nazarian reads early modern sonnets as sites of contestation and collaboration and rewrites the relationship between early modern literary forms. |
| allusion poems about love: PROCEEDINGS OF THE SECOND INTERNATIONAL CONFERENCE ON GLOBALIZATION: CHALLENGES FOR TRANSLATORS AND INTERPRETERS Youbin Zhao, Wei Lin, Zhiqing Zhang, 2017-07-04 This two-volume book contains the refereed proceedings of The Second International Conference on Globalization: Challenges for Translators and Interpreters organized by the School of Translation Studies, Jinan University (China) on its Zhuhai campus, October 27-29, 2016. The interrelation between translation and globalization is essential reading for not only scholars and educators, but also anyone with an interest in translation and interpreting studies, or a concern for the future of our world’s languages and cultures. The past decade or so, in particular, has witnessed remarkable progress concerning research on issues related to this topic. Given this dynamic, The Second International Conference on Globalization: Challenges for Translators and Interpreters organized by the School of Translation Studies, Jinan University (China) organized by the School of Translation Studies, Jinan University (China), was held at the Zhuhai campus of Jinan University on October 27-29, 2016. This conference attracts a large number of translators, interpreters and researchers, providing a rare opportunity for academic exchange in this field. The 135 full papers accepted for the proceedings of The Second International Conference on Globalization: Challenges for Translators and Interpreters organized by the School of Translation Studies, Jinan University (China) were selected from 350 submissions. For each paper, the authors were shepherded by an experienced researcher. Generally, all of the submitted papers went through a rigorous peer-review process. |
| allusion poems about love: Women, Poetry, and Politics in Seventeenth-century Britain Sarah C. E. Ross, 2015 Women, Poetry, and Politics in Seventeenth-Century Britain offers a new account of women's engagement in the poetic and political cultures of seventeenth-century England and Scotland, based on poetry that was produced and circulated in manuscript. Katherine Philips is often regarded as the first in a cluster of women writers, including Margaret Cavendish and Aphra Behn, who were political, secular, literary, print-published, and renowned. Sarah C. E. Ross explores a new corpus of political poetry by women, offering detailed readings of Elizabeth Melville, Anne Southwell, Jane Cavendish, Hester Pulter, and Lucy Hutchinson, and making the compelling case that female political poetics emerge out of social and religious poetic modes and out of manuscript-based authorial practices. Situating each writer in her political and intellectual contexts, from early covenanting Scotland to Restoration England, this volume explores women's political articulation in the devotional lyric, biblical verse paraphrase, occasional verse, elegy, and emblem. For women, excluded from the public-political sphere, these rhetorically-modest genres and the figural language of poetry offered vital modes of political expression; and women of diverse affiliations use religious and social poetics, the tropes of family and household, and the genres of occasionality that proliferated in manuscript culture to imagine the state. Attending also to the transmission and reception of women's poetry in networks of varying reach, Sarah C. E. Ross reveals continuities and evolutions in women's relationship to politics and poetry, and identifies a female tradition of politicised poetry in manuscript spanning the decades before, during, and after the Civil Wars. |
| allusion poems about love: Tamil Heroic Poetry K. Kailasapathy, 2023-07-19 An elegant and thorough examination of the riches of Sangam poetry In this acclaimed comparative study, K. Kailasapathy, the celebrated Sri Lankan academic and critic, introduces and interprets ancient Tamil poems and examines the stylistic heritage, themes and motifs pervading Sangam poetry while building the literary corpus's bridge to heroic poetry in other languages - most notably Greek. He identifies the formulaic expression, stock phrases and overarching sensibilities pervasive in the poems and, going much against the popular grain, expands on the notion that oral verse-making is central to Sangam poetry. A nod to Milman Parry, this deeply necessary exploration of our neglected past is an engaging and accessible discourse on one of our most fertile literary ages and, with much agility, connects the dots in studying early Tamil poetry for a modern reader. |
| allusion poems about love: A Glossary, Or, Collection of Words, Phrases, Names, and Allusions to Customs, Proverbs, Etc., ... Particularly Shakespeare and His Contemporaries Robert Nares, 1882 |
| allusion poems about love: The Making of Shinkokinshū Robert N. Huey, 2020-03-23 This study of the Japanese imperial court in the early thirteenth century focuses on the compilation of one of Japan’s most important poetry collections, Shinkokinshū. Using personal diaries, court records, poetry texts, and literary treatises, Robert N. Huey reconstructs the process by which Retired Emperor Go-Toba brought together contending factions to produce this collection and laid the groundwork for his later attempt at imperial restoration. The work analyzes how poetic discourse of the imperial court animated both other kinds of writing and other activities. Finally, it underscores the inextricable ties between the writing of poetry and court politics. Shinkokinshū—the “New Kokinshu”—has been viewed as a neo-classical effort. Reading history backward, scholars have often taken the work to be the outgrowth of a nostalgia for greatness presumed to have been lost in the wars of the origins of the collection. The author argues that the compilers of Shinkokinshū instead saw it as a “new” beginning, a revitalization and affirmation of courtly traditions, and not a reaction to loss. It is a dynamic collection, full of innovative, challenging poetry—not an elegy for a lost age. |
| allusion poems about love: The Christian Imagination Leland Ryken, 2011-12-07 The Christian Imagination brings together in a single source the best that has been written about the relationship between literature and the Christian faith. This anthology covers all of the major topics that fall within this subject and includes essays and excerpts from fifty authors, including C.S. Lewis, Flannery O’Connor, Dorothy Sayers, and Frederick Buechner. |
| allusion poems about love: The Princeton Companion to Classical Japanese Literature Earl Miner, Robert E. Morrell, Hiroko Odagiri, 2020-09-01 The description for this book, The Princeton Companion to Classical Japanese Literature, will be forthcoming. |
| allusion poems about love: Musical Allusions in the Works of James Joyce Zack R. Bowen, 1974-06-30 Professor Bowen's book is more than a simple collection of musical allusions; it is an engaging discussion of how Joyce uses music to expand and orchestrate his major themes. The introductions to the separate sections, on each of Joyce's works, express a new and cohesive critical theory and reevaluate the major thematic patterns in the works. The introductory material proceeds to analyze the general workings of music in each particular book. The specific musical references follow, accompanied by their sources and an examination of the role each plays in the work. While the author considers the early works with equal care, the bulk of this volume explores the musical resonances of Ulysses, especially as they affect the style, structure, characterization, and themes. Like motifs in Wagnerian opera, some allusions introduce and later remind us of characters—bits of Molly's songs for instance constantly intrude her impending adultery on Bloom's consciousness. Other motifs are linked to concerns such as Stephen's Oedipal guilt over his mother's death, which in turn connects to his preoccupation with Shakespeare, the creator, the father, and the cuckold. Music helps create the bond which briefly joins Stephen and Bloom, and music augments the entire grand theme of consubstantiality. Professor Bowen's style is simple and clear, allowing Joycean artifice to speak for itself. The volume includes a bibliography. |
| allusion poems about love: American and British Poetry Harriet Semmes Alexander, 1984 |
| allusion poems about love: The Oxford History of Poetry in English , 2024-08-08 The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets. |
| allusion poems about love: The Oxford History of Poetry in English Laura L. Knoppers, 2024-08-08 Beginning with the last years of the reign of Elizabeth I and ending late in the seventeenth century, this volume traces the growth of the literary marketplace, the development of poetic genres, and the participation of different writers in a century of poetic continuity, change, and transformation. |
| allusion poems about love: Mary Barnard, American Imagist Sarah Barnsley, 2013-12-01 Uncovers a new chapter in the story of American modernist poetry. Perhaps best known for her outstanding translation of Sappho, poet Mary Barnard (19092001) has until recently received little attention for her own work. In this book, Sarah Barnsley examines Barnards poetry and poetics in the light of her plentiful correspondence with Ezra Pound, William Carlos Williams, and others. Presenting Barnard as a late Imagist, Barnsley links Barnards search for a poetry grounded in native speech to efforts within American modernism for new forms in the American grain. Barnsley finds that where Pound and Williams began the campaign for a modern poetry liberated from the heave of the iambic pentameter, Barnard completed it through a spare but musical aesthetic derived from her studies of Greek metric and American speech rhythms, channeled through materials drawn direct from the American local. The first book on Barnard, and the first to draw on the Barnard archives at Yales Beinecke Library, Mary Barnard, American Imagist unearths a fascinating and previously untold chapter of twentieth-century American poetry. Clearly structured and elegantly written, Mary Barnard, American Imagist far exceeds any act of routine scholarly recovery. In addition to giving full recognition to Barnards superb skills as a translator of Sappho, Sarah Barnsley also makes a convincing case for her original poetic output and for her contribution to the evolution of American free verse. Peter Nicholls, author of Modernisms: A Literary Guide, Second Edition |
| allusion poems about love: Mystics Michael Kessler, Christian Sheppard, 2003-12-15 Mystics presents a collection of previously unpublished essays by prominent scholars that consider both the idea of mystics and mysticism. The contributors offer detailed discussions of a variety of mystics from history, and on mysticism in the twenty-first century. |
| allusion poems about love: Visionary Spenser and the Poetics of Early Modern Platonism Kenneth Borris, 2017-08-04 Platonic concerns and conceptions profoundly affected early modern English and continental poetics, yet the effects have had little attention. This book defines Platonism's roles in early modern theories of literature, then reappraise the Platonizing major poet Edmund Spenser. It makes important new contributions to the knowledge of early modern European poetics and advances our understanding of Spenser's role and significance in English literary history. Literary Platonism energized pursuits of the sublime, and knowledge of this approach to poetry yields cogent new understandings of Spenser's poetics, his principal texts, his poetic vocation, and his cultural influence. By combining Christian resources with doctrines of Platonic poetics such as the poet's and lover's inspirational furies, the revelatory significance of beauty, and the importance of imitating exalted ideals rather than the world, he sought to attain a visionary sublimity that would ensure his enduring national significance, and he thereby became a seminal figure in the English literary line of vision including Milton and Blake among others. Although readings of Spenser's Shepheardes Calender typically bypass Plato's Phaedrus, this text deeply informs the Calender's treatments of beauty, inspiration, poetry's psychagogic power, and its national responsibilities. In The Faerie Queene, both heroism and visionary poetics arise from the stimuli of love and beauty conceived Platonically, and idealized mimesis produces its faeryland. Faery's queen, projected from Elizabeth I as in Platonic idealization of the beloved, not only pertains to temporal governance but also points toward the transcendental Ideas and divinity. Whereas Plato's Republic valorizes philosophy for bringing enlightenment to counter society's illusions, Spenser champions the learned and enraptured poetic imagination, and proceeds as such a philosopher-poet. |
| allusion poems about love: Sacred Tradition in the New Testament Stanley E. Porter, 2016-04-12 Leading biblical scholar Stanley Porter critiques the state of research regarding the New Testament's use of the Old Testament and sacred traditions. He provides needed orientation for readers interested in New Testament references to themes such as son of man and suffering servant as well as the faith of Abraham and the Passover. Porter explains that examining scriptural traditions is fundamental to understanding central ideas in the New Testament regarding Jesus. He sheds light on major themes in New Testament Christology and soteriology, offering fresh, constructive proposals. |
Allusion - Examples and Definition of Allusion as a Liter…
An allusion is a reference, typically brief, to a person, place, thing, event, or other literary work with which the reader is …
ALLUSION Definition & Meaning - Merriam-Webster
An allusion is an indirect reference, whereas an illusion is something that is unreal or incorrect. Each of the nouns has a related verb form: allude “to refer …
Allusion - Definition and Examples | LitCharts
In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to other literary works, famous …
Allusion Explained: Definition, Types, and Examples - Gramm…
May 13, 2025 · An allusion is a literary device used to refer to something well-known, like a famous person, story, place, or event, without saying it explicitly, …
ALLUSION | English meaning - Cambridge Dictionary
ALLUSION definition: 1. something that is said or written that is intended to make you think of a particular thing or…. Learn …
Allusion - Examples and Definition of Allusion as a Literary Device
An allusion is a reference, typically brief, to a person, place, thing, event, or other literary work with which the reader is presumably familiar. As a literary device, allusion allows a writer to …
ALLUSION Definition & Meaning - Merriam-Webster
An allusion is an indirect reference, whereas an illusion is something that is unreal or incorrect. Each of the nouns has a related verb form: allude “to refer indirectly to,” and illude (not a very …
Allusion - Definition and Examples | LitCharts
In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to other literary works, famous individuals, historical events, or …
Allusion Explained: Definition, Types, and Examples - Grammarly
May 13, 2025 · An allusion is a literary device used to refer to something well-known, like a famous person, story, place, or event, without saying it explicitly, allowing the audience to …
ALLUSION | English meaning - Cambridge Dictionary
ALLUSION definition: 1. something that is said or written that is intended to make you think of a particular thing or…. Learn more.
Allusion Examples and Definition - Literary Devices
An allusion is a literary device used to reference another object outside of the work of literature. The object can be a real or fictional person, event, quote, or other work of artistic expression.
What Is Allusion? | Definition, Explanation & Examples - Scribbr
Dec 9, 2024 · An allusion is commonly used in literature, cinema, music, and art. It is a reference to a person, place, or event that the speaker or writer assumes will be understood by their …
What is an Allusion? Definition and Examples of Allusion
An allusion occurs in literature when an author indirectly references another work, event, person, or place. The reference may be historical or modern. Authors and writers use allusions to …
What is an Allusion? | Definition & Examples - Oregon State …
However, allusions are an essential tool for literary artists that often serve to situate their own works within the wider culture and the contexts of literary history. So, how does this work? …
ALLUSION Definition & Meaning | Dictionary.com
noun a passing or casual reference; an incidental mention of something, either directly or by implication: The novel's title is an allusion to Shakespeare. the act of alluding; the making of a …
