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| andrea dworkin heartbreak: Heartbreak Andrea Dworkin, 2007-02-01 Always innovative, often provocative, and frequently polarizing, Andrea Dworkin carved out a unique position as one of the women's movement's most influential figures. She wrote thirteen books, ranging across feminist theory, fiction and poetry. This book is her memoir. |
| andrea dworkin heartbreak: Intercourse Andrea Dworkin, 2008-08-01 Andrea Dworkin, once called Feminism's Malcolm X, has been worshipped, reviled, criticized, and analyzed-but never ignored. The power of her writing, the passion of her ideals, and the ferocity of her intellect have spurred the arguments and activism of two generations of feminists. Now the book that she's best known for-in which she provoked the argument that ultimately split apart the feminist movement-is being reissued for the young women and men of the twenty-first century. Intercourse enraged as many readers as it inspired when it was first published in 1987. In it, Dworkin argues that in a male supremacist society, sex between men and women constitutes a central part of women's subordination to men. (This argument was quickly-and falsely-simplified to all sex is rape in the public arena, adding fire to Dworkin's already radical persona.) In her introduction to this twentieth-anniversary edition of Intercourse, Ariel Levy, the author of Female Chauvinist Pigs, discusses the circumstances of Dworkin's untimely death in the spring of 2005, and the enormous impact of her life and work. Dworkin's argument, she points out, is the stickiest question of feminism: Can a woman fight the power when he shares her bed? |
| andrea dworkin heartbreak: Woman Hating Andrea Dworkin, 2025-02-25 Reissued with a bold, modern package, Andrea Dworkin’s debut book Woman Hating argues that a deep-rooted hatred of women in history, art, politics, and beyond has reigned—and influenced and formed culture—for centuries. A classic work in the canon of radical feminist thinking, Andrea Dworkin’s 1974 debut Woman Hating is a stunning exploration of how women, and the idea of women, have been treated through the centuries. From fairy tales to erotic novels to medieval witch burnings, Dworkin uncovers the ways in which a rhetoric of hate and violence against women has been historically normalized, leading to a history of degradation, mutilation, and even killing. |
| andrea dworkin heartbreak: Last Days at Hot Slit Andrea Dworkin, 2019-03-05 Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s. Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery in a revolutionary analysis of male supremacy, Dworkin was a philosopher outside and against the academy who wrote with a singular, apocalyptic urgency. Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. The collection charts her path from the militant primer Woman Hating (1974), to the formally complex polemics of Pornography (1979) and Intercourse (1987) and the raw experimentalism of her final novel Mercy (1990). It also includes “Goodbye to All This” (1983), a scathing chapter from an unpublished manuscript that calls out her feminist adversaries, and “My Suicide” (1999), a despairing long-form essay found on her hard drive after her death in 2005. |
| andrea dworkin heartbreak: Life and Death Andrea Dworkin, 2002-01-15 From Simon & Schuster, Life and Death by Andrea Dworkin is the unapologetic writing on the continuing war against women. In this important work, Dworken gathers essays published between 1987 and 1995, in which she comments on society's ongoing and tacit approval of aggression against women that often ends in these women losing their lives. |
| andrea dworkin heartbreak: Letters from a war zone Andrea Dworkin, 1993 The nonconformist and social commentator discusses her experiences as a woman and a battered wife, her life of demonstrating, organizing, and addressing other women and the government, and the current state of the women's movement. |
| andrea dworkin heartbreak: Pornography Andrea Dworkin, 1981 This volume presents a study of the damaging effect of pornography and its ramifications on society. |
| andrea dworkin heartbreak: Mercy Andrea Dworkin, 1993-01-12 A controversial novel by the author of Pornography, Intercourse and Ice & Fire. Mercy is an intelligent and couargeous woman who, as a nine-year-old girl, was molested by a man in a dark theatre. The repercussions of this act follow her through her life. Gloria Steinem says of Dworkin: In every century, there are a handful of writers who help the human race evolve. Andrea is one of them. |
| andrea dworkin heartbreak: The Lilac House Anita Nair, 2012-04-24 Meera is happily submerged in the role of corporate wife and cookbook writer. Then, one day, her husband fails to come home. Overnight, Meera, disoriented and emotionally fragile, becomes responsible not just for her two children, but also her mother, grandmother and the running of Lilac House, their rambling old family home in Bangalore. A few streets away, Professor J.A. Krishnamurthy or Jak, cyclone studies expert, has recently returned from Florida, to care for his nineteen-year-old daughter, the victim of a tragic accident. What happened on her holiday in a small beachside village? The police will not help, Smriti's friends have vanished, and a wall of silence and fear surrounds the incident. But Jak cannot rest until he gets to the truth. Meera and of Jak's paths intertwine as they uncover the truth about the secrets of their pasts and the promise of the future. The Lilac House is a sweeping story of redemption, forgiveness and second chances. |
| andrea dworkin heartbreak: Female Chauvinist Pigs Ariel Levy, 2006-10-03 In this passionate report from the front lines, a New York magazine writer examines the enormous cultural impact of the newest wave of post-feminism. |
| andrea dworkin heartbreak: Right-Wing Women Andrea Dworkin, 2025-02-25 ‘Feminism is hated because women are hated’ Why do some women support Right-wing movements, even though they curtail their freedoms? Andrea Dworkin’s timeless, visionary analysis goes to the heart of this contradiction, exploring the Right’s positions on abortion, sexuality, racism and antifeminism, and showing how it attempts both to exploit and to quiet women’s deepest fears of male violence. The Right-wing woman, Dworkin contends, acquiesces to male authority for protection and some semblance of power: because ‘survival depends on it’. ‘Groundbreaking’ Bella Abzug ‘Her razor-sharp analysis of why so many women are attracted to a politics that despises their rights is more relevant today than ever’ Guardian |
| andrea dworkin heartbreak: Sisterhood and After Margaretta Jolly, 2019 This ground-breaking history of the UK Women's Liberation Movement examines the movement's shape and strategy as well as the conditions that gave rise to it. Through personal stories of key activists, the politics of experience is sympathetically evaluated in the context of iconic moments of the movement. It urges today's activists to engage anew with feminist memory in shaping new political futures. |
| andrea dworkin heartbreak: Death and the Afterlife Samuel Scheffler, 2013-09-09 Suppose you knew that, though you yourself would live your life to its natural end, the earth and all its inhabitants would be destroyed thirty days after your death. To what extent would you remain committed to your current projects and plans? Would scientists still search for a cure for cancer? Would couples still want children? In Death and the Afterlife, philosopher Samuel Scheffler poses this thought experiment in order to show that the continued life of the human race after our deaths--the afterlife of the title--matters to us to an astonishing and previously neglected degree. Indeed, Scheffler shows that, in certain important respects, the future existence of people who are as yet unborn matters more to us than our own continued existence and the continued existence of those we love. Without the expectation that humanity has a future, many of the things that now matter to us would cease to do so. By contrast, the prospect of our own deaths does little to undermine our confidence in the value of our activities. Despite the terror we may feel when contemplating our deaths, the prospect of humanity's imminent extinction would pose a far greater threat to our ability to lead lives of wholehearted engagement. Scheffler further demonstrates that, although we are not unreasonable to fear death, personal immortality, like the imminent extinction of humanity, would also undermine our confidence in the values we hold dear. His arresting conclusion is that, in order for us to lead value-laden lives, what is necessary is that we ourselves should die and that others should live. Death and the Afterlife concludes with commentary by four distinguished philosophers--Harry Frankfurt, Niko Kolodny, Seana Shiffrin, and Susan Wolf--who discuss Scheffler's ideas with insight and imagination. Scheffler adds a final reply. |
| andrea dworkin heartbreak: The Right to Sex Amia Srinivasan, 2021-08-19 A SUNDAY TIMES BESTSELLER BLACKWELL'S BOOK OF THE YEAR 2021 Essential lessons on the world we live in, from one of our greatest young thinkers – a guide to what everybody is talking about today 'Unparalleled and extraordinary . . . A bracing revivification of a crucial lineage in feminist writing' JIA TOLENTINO 'I believe Amia Srinivasan's work will change the world' KATHERINE RUNDELL 'Rigorously researched, but written with such spark and verve. The best non-fiction book I have read this year' PANDORA SYKES ------------------------- How should we talk about sex? It is a thing we have and also a thing we do; a supposedly private act laden with public meaning; a personal preference shaped by outside forces; a place where pleasure and ethics can pull wildly apart. To grasp sex in all its complexity – its deep ambivalences, its relationship to gender, class, race and power – we need to move beyond 'yes and no', wanted and unwanted. We need to rethink sex as a political phenomenon. Searching, trenchant and extraordinarily original, The Right to Sex is a landmark examination of the politics and ethics of sex in this world, animated by the hope of a different one. SHORTLISTED FOR THE ORWELL PRIZE 2022 LONGLISTED FOR THE POLARI FIRST BOOK PRIZE 2022 LONGLISTED FOR THE BRITISH ACADEMY BOOK PRIZE 2022 |
| andrea dworkin heartbreak: War Nerd Gary Brecher, 2009-03-01 “[A] raucous, offensive, and sometimes amusing CliffsNotes compilation of wars both well-known and ignored.” —Utne Reader Self-described war nerd Gary Brecher knows he’s not alone, that there’s a legion of fat, lonely Americans, stuck in stupid, paper-pushing desk jobs, who get off on reading about war because they hate their lives. But Brecher writes about war, too. War Nerd collects his most opinionated, enraging, enlightening, and entertaining pieces. Part war commentator, part angry humorist à la Bill Hicks, Brecher inveighs against pieties of all stripes—Liberian generals, Dick Cheney, U.N. peacekeepers, the neo-cons—and the massive incompetence of military powers. A provocative free thinker, he finds much to admire in the most unlikely places, and not always for the most pacifistic reasons: the Tamil Tigers, the Lebanese Hezbollah, the Danes of 1,000 years ago, and so on, across the globe and through the centuries. Crude, scatological, un-P.C., yet deeply informed, Brecher provides a radically different, completely unvarnished perspective on the nature of warfare. “Military columnist Gary Brecher’s look at contemporary war is both offensive and illuminating. His book, War Nerd . . . aims to explain why the best-equipped armies in the world continue to lose battles to peasants armed with rocks . . . Brecher’s unrefined voice adds something essential to the conversation.” —Mother Jones “It’s international news coverage with a soul and acne, not to mention a deeply contrarian point of view.” —The Millions |
| andrea dworkin heartbreak: Parisian Lives Deirdre Bair, 2019-11-12 A PULITZER PRIZE FINALIST A Publishers Weekly Best Book of the Year National Book Award-winning biographer Deirdre Bair explores her fifteen remarkable years in Paris with Samuel Beckett and Simone de Beauvoir, painting intimate new portraits of two literary giants and revealing secrets of the biographical art. In 1971 Deirdre Bair was a journalist and recently minted Ph.D. who managed to secure access to Nobel Prize-winning author Samuel Beckett. He agreed that she could be his biographer despite her never having written—or even read—a biography before. The next seven years comprised of intimate conversations, intercontinental research, and peculiar cat-and-mouse games. Battling an elusive Beckett and a string of jealous, misogynistic male writers, Bair persevered. She wrote Samuel Beckett: A Biography, which went on to win the National Book Award and propel Deirdre to her next subject: Simone de Beauvoir. The catch? De Beauvoir and Beckett despised each other—and lived essentially on the same street. Bair learned that what works in terms of process for one biography rarely applies to the next. Her seven-year relationship with the domineering and difficult de Beauvoir required a radical change in approach, yielding another groundbreaking literary profile and influencing Bair’s own feminist beliefs. Parisian Lives draws on Bair’s extensive notes from the period, including never-before-told anecdotes. This gripping memoir is full of personality and warmth and gives us an entirely new window on the all-too-human side of these legendary thinkers. |
| andrea dworkin heartbreak: Pornography Andrea Dworkin, 2025-02-25 Andrea Dworkin’s 1981 critique of pornography is an important and urgent document about how the culture consumes and manipulates images of women. Essential and discomfiting reading in a social media era, where women’s bodies are being commodified and displayed more than ever. Andrea Dworkin’s seminal 1981 work on the issue of pornography argues that the industry serves only to harm and oppress women. Her discussion of pornography as an outgrowth of the power that men exert over women—the power of owning, the power of money, and the power of sex, among others—still blazes with its clarity and immediacy, and illustrates how these inequities, while displayed in raw form in pornography, are endemic in all media. With a lively and deeply compelling voice, Andrea Dworkin succinctly outlines her anti-pornography stance. Though the media environment may have changed, this passionately and powerfully argued classic remains a relevant and crucial contribution to the area of feminist studies. |
| andrea dworkin heartbreak: The SAGE Handbook of Feminist Theory Mary Evans, Clare Hemmings, Marsha Henry, Hazel Johnstone, Sumi Madhok, Ania Plomien, Sadie Wearing, 2014-08-12 At no point in recorded history has there been an absence of intense, and heated, discussion about the subject of how to conduct relations between women and men. This Handbook provides a comprehensive guide to these omnipresent issues and debates, mapping the present and future of thinking about feminist theory. The chapters gathered here present the state of the art in scholarship in the field, covering: Epistemology and marginality Literary, visual and cultural representations Sexuality Macro and microeconomics of gender Conflict and peace. The most important consensus in this volume is that a central organizing tenet of feminism is its willingness to examine the ways in which gender and relations between women and men have been (and are) organized. The authors bring a shared commitment to the critical appraisal of gender relations, as well as a recognition that to think ‘theoretically’ is not to detach concerns from lived experience but to extend the possibilities of understanding. With this focus on theory and theorizing about the world in which we live, this Handbook asks us, across all disciplines and situations, to abandon our taken-for-granted assumptions about the world and interrogate both the origin and the implications of our ideas about gender relations and feminism. It is an essential reference work for advanced students and academics not only of feminist theory, but of gender and sexuality across the humanities and social sciences. |
| andrea dworkin heartbreak: Scapegoat Andrea Dworkin, 2002-04-05 In a terrifying exploration of the hatred of women and Jews throughout history, controversial author and feminist Andrea Dworkin draws on history, literature, philosophy, and politics to create a series of pairings--pogrom/rape, Palestinians/prostitutes, homeland/home--to elucidate the misogyny and anti-Semitism of the past millennium's atrocities. |
| andrea dworkin heartbreak: Repossessing the World Helen M. Buss, 2006-01-01 Why does it seem as if everyone is writing memoirs, and particularly women? The current popularity of memoir verifies the common belief that we each have a story to tell. And we do...especially women. Memoirs are not only representations of women’s personal lives but also of their desire to repossess important parts of our culture, in which women’s stories have not mattered. Beginning with her own motivations for writing memoirs, Helen M. Buss examines the many kinds of memoir written by contemporary women: memoirs about growing up, memoirs about traumatic events, about relationships, about work. In writing memoirs, these women publicly assert that their lives have mattered. They reshape the memoir, a form as old as the middle ages and as young as today, into a social discourse that blends the personal with the political, the self with the significant other, literature with history, and fiction with autobiography and essay. Buss urges readers to use their reading experience to help themselves understand and write the significance of their own lives. Repossessing the World is the first book-length critical inquiry into women’s use of a form that has often been dismissed as less important than autobiography, less professional than the novel, and less intellectual than the formal essay. Buss demonstrates that the memoir makes its own art, not only through selective borrowing from these genres but also through the unique way that the tripartite narrative voice of the memoir constructs the personal and public experience of the memorist as significant to our cultural moment. |
| andrea dworkin heartbreak: The Sexual Politics of Meat (20th Anniversary Edition) Carol J. Adams, 2010-05-27 > |
| andrea dworkin heartbreak: Benchley at the Theatre Robert Benchley, 1985 |
| andrea dworkin heartbreak: The Beauty Myth Naomi Wolf, 2009-03-17 The bestselling classic that redefined our view of the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, however, writer and journalist Naomi Wolf is troubled by a different kind of social control, which, she argues, may prove just as restrictive as the traditional image of homemaker and wife. It's the beauty myth, an obsession with physical perfection that traps the modern woman in an endless spiral of hope, self-consciousness, and self-hatred as she tries to fulfill society's impossible definition of the flawless beauty. |
| andrea dworkin heartbreak: Citizen Cash Michael Stewart Foley, 2021-12-07 A leading historian argues that Johnny Cash was the most important political artist of his time Johnny Cash was an American icon, known for his level, bass-baritone voice and somber demeanor, and for huge hits like “Ring of Fire” and “I Walk the Line.” But he was also the most prominent political artist in the United States, even if he wasn’t recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash’s politics, usually accepting the idea of him as a “walking contradiction.” Cash didn’t fit into easy political categories—liberal or conservative, Republican or Democrat, hawk or dove. Like most people, Cash’s politics were remarkably consistent in that they were based not on ideology or scripts but on empathy—emotion, instinct, and identification. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure. |
| andrea dworkin heartbreak: Skye O'Malley Bertrice Small, 1980-10-17 From the incomparable New York Times bestselling author Bertrice Small comes a heroine as breathtaking as she is legendary. Indomitable and bold in an era of royalty and rogues, Skye O’Malley is a woman who embraces her unbridled sensuality as valiantly as she fights for her children, her lovers, her empire. A woman of justice and honor, she will match wits with and challenge the most dangerous and powerful woman of her time: Queen Elizabeth I. Though Skye is the object of every man’s fantasy, only a handful have had the thrill of tasting her enticing passions–men whose own daring adventures match her exotic forays into a world of lust, longing, and remarkable destiny. Skye’s is a stunning tale that reaches from the emerald hills of Ireland to the lush palaces of Algiers to the helm of a shipping empire, where she will wage her greatest battle for love and vengeance against the crown itself. Praise for Skye O'Malley “Small creates cover-to-cover passion, a keen sense of history, and suspense.”—Publishers Weekly “Small continues to prove herself worthy of the title queen of sensuality!”—Literary Times |
| andrea dworkin heartbreak: Bobcat and Other Stories Rebecca Lee, 2013-06-11 Wise and funny . . . [A] near-perfect collection. —Entertainment Weekly Rebecca Lee, one of our most gifted and original short story writers, guides readers into a range of landscapes, both foreign and domestic, crafting stories as rich as novels. A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected. |
| andrea dworkin heartbreak: Wonder Woman: The Golden Age Vol. 1 William Moulton Marston, 2017-11-28 The most famous of all the women who have ever been called a superhero, Wonder Woman exploded into the world of comic books amid the uncertainty and bleak determination of World War II. Fighting for justice and treating even her enemies with firm compassion, Wonder Woman brought not a cape nor a ring nor a personal fortune or hidden clubhouse, but a magical lariat that compelled anyone it bound to tell the truth, and bracelets that could not only deflect bullets but prevent Wonder Woman from ever using her superpowers for unchecked destruction. The very first stories of the Amazon Warrior are collected here in WONDER WOMAN: THE GOLDEN AGE VOLUME 1, featuring the adventures of Wonder Woman as she tackles corruption, oppression and cruelty in ALL STAR COMICS #8, COMIC CAVALCADE #1, SENSATION COMICS #1-14 and WONDER WOMAN #1-3. |
| andrea dworkin heartbreak: A Hypersexual Society K. Kammeyer, 2008-11-10 As many can attest, the prevalence of sexual imagery has increased in modern society over the past half century. In this timely new study, Kenneth Kammeyer traces the historical development of sexual imagery in America and society's preoccupation with it, all within a firm theoretical and sociological framework. |
| andrea dworkin heartbreak: The Narnian Alan Jacobs, 2009-10-13 The White Witch, Aslan, fauns and talking beasts, centaurs and epic battles between good and evil -- all these have become a part of our collective imagination through the classic volumes of The Chronicles of Narnia. Over the past half century, children everywhere have escaped into this world and delighted in its wonders and enchantments. Yet what we do know of the man who created Narnia? This biography sheds new light on the making of the original Narnian, C. S. Lewis himself. Lewis was one of the intellectual giants of the twentieth century and arguably the most influential religious writer of his day. An Oxford don and scholar of medieval literature, he loved to debate philosophy at his local pub, and his wartime broadcasts on the basics of Christian belief made him a celebrity in his native Britain. Yet one of the most intriguing aspects of Clive Staples Lewis remains a mystery. How did this middle-aged Irish bachelor turn to the writing of stories for children -- stories that would become among the most popular and beloved ever written? Alan Jacobs masterfully tells the story of the original Narnian. From Lewis's childhood days in Ireland playing with his brother, Warnie, to his horrific experiences in the trenches during World War I, to his friendship with J. R. R. Tolkien (and other members of the Inklings), and his remarkable late-life marriage to Joy Davidman, Jacobs traces the events and people that shaped Lewis's philosophy, theology, and fiction. The result is much more than a conventional biography of Lewis: Jacobs tells the story of a profound and extraordinary imagination. For those who grew up with Narnia, or for those just discovering it, The Narnian tells a remarkable tale of a man who knew great loss and great delight, but who knew above all that the world holds far more richness and meaning than the average eye can see. |
| andrea dworkin heartbreak: Why We Lost the Sex Wars Lorna N. Bracewell, 2021 Reexamining feminist sexual politics since the 1970s-the rivalries and the remarkable alliances-- |
| andrea dworkin heartbreak: In Harm's Way Catharine A. MacKinnon, Andrea Dworkin, 1997 This book covers the hearings in Minneapolis, Indianapolis, Los Angeles, and Massachusetts. |
| andrea dworkin heartbreak: Pleasure Activism Adrienne Maree Brown, 2019 No more self-denial. Politics should be a resounding, erotic yes, not another deadening no. |
| andrea dworkin heartbreak: A Brave and Cunning Prince James Horn, 2021-11-16 The extraordinary story of the Powhatan chief who waged a lifelong struggle to drive European settlers from his homeland In the mid-sixteenth century, Spanish explorers in the Chesapeake Bay kidnapped an Indian child and took him back to Spain and subsequently to Mexico. The boy converted to Catholicism and after nearly a decade was able to return to his land with a group of Jesuits to establish a mission. Shortly after arriving, he organized a war party that killed them. In the years that followed, Opechancanough (as the English called him), helped establish the most powerful chiefdom in the mid-Atlantic region. When English settlers founded Virginia in 1607, he fought tirelessly to drive them away, leading to a series of wars that spanned the next forty years—the first Anglo-Indian wars in America— and came close to destroying the colony. A Brave and Cunning Prince is the first book to chronicle the life of this remarkable chief, exploring his early experiences of European society and his long struggle to save his people from conquest. |
| andrea dworkin heartbreak: Our Blood Andrea Dworkin, 1982 |
| andrea dworkin heartbreak: Clarice Cliff Lynn Knight, 2009-08-17 The captivating biography of one of the most important designers of the twentieth century - adapted for Sky Cinema starring Phoebe Dynevor, Matthew Goode and David Morrissey 'A thoughtful and fascinating biography, packed with fabulous pictures' Image '[the author] has done wonders in building up a picture of a woman of exceptional self-reliance and determination' Guardian Clarice Cliff was one of the most prominent ceramic designers of the twentieth century. Born in 1899 in the Staffordshire Potteries, she started work as just another factory girl, but by 1928 had launched her own range of pottery, 'Bizarre'. A 'gargantuan feast of colour', it blazed a trail through the homes of inter-war Britain. But if Clarice Cliff's rise from apprentice gilder to art director was remarkable - and all the more so for her being a woman - it was not without its tensions; for years she conducted a secret relationship with her married boss. Fusing art, design and industry and vividly conveying the texture of women's lives between the wars, this is a compelling study of the complex, talented woman whose work is for many the epitome of art deco. |
| andrea dworkin heartbreak: Particular Voices Robert Giard, 1998-07 In 1985 photographer Robert Giard set out to create an archive of portraits of gay and lesbian writers from across the United States. His intention was to present visible evidence of their presence in our culture, to attest to their particular voices. This book contains 182 of the more than 500 portraits Giard has made--photographs which underscore the diversity of the gay population and encompass a broad range of literary genres. |
| andrea dworkin heartbreak: Good Morning, Destroyer of Men's Souls Nina Renata Aron, 2020-06-11 'The disease he has is addiction,' Nina Renata Aron writes of her boyfriend. 'The disease I have is loving him.' Their affair is dramatic, urgent - an intoxicating antidote to the lonely days of early motherhood. But soon, K starts using again. Even as his addiction deepens, she stays, thinking she can save him. It's a familiar pattern, developed in an adolescence marred by family trauma - how can she break it? If she leaves, has she failed? In this unflinching memoir, Aron shows the devastating effect of addiction on loved ones. She also untangles the messy ties between her own history of enabling, society's expectations of womanhood and our ideas of love. She cracks open the feminised phenomenon of co-dependency, tracing its development from the formation of Al-Anon to recent research in the psychology of addiction, and asks uncomfortable questions about when help becomes harm, and when we choose to leave. |
| andrea dworkin heartbreak: Andrea Dworkin Martin Duberman, 2020-09-08 From one of America’s leading biographers, the definitive story of the radical feminist and anti-pornography activist, based on exclusive access to her archives Fifteen years after her death, Andrea Dworkin remains one of the most important and challenging figures in second-wave feminism. Although frequently relegated to its more radical fringes, Dworkin was without doubt a formidable and influential writer, a philosopher, and an activist—a brilliant figure who inspired and infuriated in equal measure. Her many detractors were eager to reduce her to the caricature of the angry, man-hating feminist who believed that all sex was rape, and as a result, her work has long been misunderstood. It is in recent years, especially with the rise of the #MeToo movement, that there has been a resurgence of interest in her ideas. This biography is the perfect complement to the widely reviewed anthology of her writing, Last Days at Hot Slit, published in 2019, providing much-needed context to her work. Given exclusive access to never-before-published photographs and archives, including her letters to many of the major figures of second-wave feminism, award-winning biographer Martin Duberman traces Dworkin’s life, from her abusive first marriage through her central role in the sex and pornography wars of the following decades. This is a vital, complex, and long overdue reassessment of the life and work of one of the towering figures of second-wave feminism. |
| andrea dworkin heartbreak: Fashion Talks Shira Tarrant, Marjorie Jolles, 2012-09-01 Essays on the politics of everyday style. |
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Andrea - Wikipedia
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej …
Andrea - Baby Name Meaning, Origin, and Popularity
4 days ago · Andrea is a girl's name of German, English, Italian, Scandinavian, Czech origin meaning "strong and …
Andrea Name Meaning, Origin, Popularity, Girl Names Like A…
Andrea is derived from the Greek name Andrew, which means “warrior” or “protector.” This makes Andrea a …
Meaning, origin and history of the name Andrea - Behind th…
There are multiple entries for this name… Andrea 1 m Italian Andrea 2 f English, German, Spanish, Czech, …
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Andrea - Wikipedia
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. The name derives from the Greek word ἀνήρ (anēr), genitive …
Andrea - Baby Name Meaning, Origin, and Popularity
4 days ago · Andrea is a girl's name of German, English, Italian, Scandinavian, Czech origin meaning "strong and manly". Andrea is the 185 ranked female name by popularity.
Andrea Name Meaning, Origin, Popularity, Girl Names Like Andrea …
Andrea is derived from the Greek name Andrew, which means “warrior” or “protector.” This makes Andrea a strong, powerful name with a lot of meaning behind it.
Meaning, origin and history of the name Andrea - Behind the Name
There are multiple entries for this name… Andrea 1 m Italian Andrea 2 f English, German, Spanish, Czech, Slovak, Hungarian, Romanian, Swedish, Norwegian, Danish, Icelandic, …
Andrea - Name Meaning, What does Andrea mean? - Think Baby Names
Andrea as a girls' name (also used less widely as boys' name Andrea) is pronounced AHN-free-ah, AN-dree-ah. It is of Greek origin, and the meaning of Andrea is "manly, virile".
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Meaning of Andrea - What does Andrea mean? Read the name meaning, origin, pronunciation, and popularity of the baby name Andrea for girls.
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Andrea - Name Meaning and Origin
The name Andrea is of Greek origin and is derived from the male name Andreas, meaning "manly" or "brave." It is a unisex name that is commonly used for both boys and girls. Andrea …
