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| amistad spielberg online: The Amistad Revolt Iyunolu Folayan Osagie, 2010-07-01 From journalism and lectures to drama, visual art, and the Spielberg film, this study ranges across the varied cultural reactions--in America and Sierra Leone--engendered by the 1839 Amistad slave ship revolt. Iyunolu Folayan Osagie is a native of Sierra Leone, from where the Amistad's cargo of slaves originated. She digs deeply into the Amistad story to show the historical and contemporary relevance of the incident and its subsequent trials. At the same time, she shows how the incident has contributed to the construction of national and cultural identity both in Africa and the African diasporo in America--though in intriguingly different ways. This pioneering work of comparative African and American cultural criticism shows how creative arts have both confirmed and fostered the significance of the Amistad revolt in contemporary racial discourse and in the collective memories of both countries. |
| amistad spielberg online: Steven Spielberg: Groundbreaking Director Sue Vander Hook, 2009-08-01 This title examines the remarkable life of Steven Spielberg. Readers will learn about his family background, childhood, and education, as well as his career as a movie producer and his famous works. Color photos, detailed maps, and informative sidebars accompany easy-to-read, compelling text. Features include a timeline, facts, additional resources, web sites, a glossary, a bibliography, and an index. Essential Lives is a series in Essential Library, an imprint of ABDO Publishing Company. Grades 6-9. |
| amistad spielberg online: Steven Spielberg Joseph McBride, 2012-09-01 Steven Spielberg is responsible for some of the most successful films of all time: Jaws, Close Encounters of the Third Kind, E.T. and the 'Indiana Jones' series. Yet for many years most critics condescendingly regarded Spielberg as a child-man incapable of dealing maturely with the complexities of life. The deeper levels of meaning in his films were largely ignored. This changed with Schindler's List, his masterpiece about a gentile businessman who saves eleven hundred Jews from the Holocaust. For Spielberg, the film was the culmination of a long struggle with his Jewish identity - an identity of which he had long been ashamed, but now triumphantly embraced. Until the first edition of Steven Spielberg: A Biography was published in 1997, much about Spielberg's personality and the forces that shaped it had remained enigmatic, in large part because of his tendency to obscure and mythologize his own past. In his astute and perceptive biography, Joseph McBride reconciled Spielberg's seeming contradictions and produced a coherent portrait of the man who found a way to transmute the anxieties of his own childhood into some of the most emotionally powerful and viscerally exciting films ever made. In the second edition, McBride added four chapters to Spielberg's life story, chronicling his extraordinarily active and creative period from 1997 to 2010, a period in which he balanced his executive duties as one of the partners in the film studio DreamWorks SKG with a remarkable string of films as a director: Amistad, Saving Private Ryan, A. I. Artificial Intelligence, Minority Report, The Terminal and Munich--films which expanded his range both stylistically and in terms of adventurous, often controversial, subject matter. This third edition brings Spielberg's career up-to-date with material on The Adventures of Tintin and War Horse. The original edition was praised by the New York Times Book Review as 'an exemplary portrait' written with 'impressive detail and sensitivity'; Time called it 'easily the finest and fairest of the unauthorized biographies of the director.' Of the second edition, Nigel Morris - author of The Cinema of Steven Spielberg: Empire of Light - said: 'With this tour de force, McBride remains the godfather of Spielberg studies.' |
| amistad spielberg online: Citizen Spielberg Lester D. Friedman, 2010-10-01 Steven Spielberg is the director or producer of over one third of the thirty highest grossing films of all time, yet most film scholars dismiss him as little more than a modern P. T. Barnum--a technically gifted and intellectually shallow showman who substitutes spectacle for substance. To date, no book has attempted to analyze the components of his worldview, the issues which animate his most significant works, the roots of his immense acceptance, and the influence his vast spectrum of imaginative products exerts on the public consciousness. In Citizen Spielberg, Lester D. Friedman fills that void with a systematic analysis of the various genres in which the director has worked, including science fiction (E.T.), adventure (Raiders trilogy), race films (The Color Purple, Amistad), and war films (Saving Private Ryan, Schindler’s List). Friedman concludes that Spielberg’s films present a sustained artistic vision combined with a technical flair matched by few other filmmakers, and makes a compelling case for Spielberg to be considered as a major film artist. |
| amistad spielberg online: THE Journal , 1998 |
| amistad spielberg online: The Environmental Communication Yearbook Stephen P. Depoe, 2014-04-08 First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company. |
| amistad spielberg online: Emily D. West and the "Yellow Rose of Texas" Myth Phillip Thomas Tucker, 2014-02-13 For the first time, the true story of The Yellow Rose of Texas is told in full, revealing a host of new insights and perspectives on one of America's most popular stories. For generations, the Yellow Rose of Texas has been one of America's most popular western myths, growing larger over time and little resembling the truth of what happened on April 21, 1836, at the battle of San Jacinto, where a new Texas Republic won its independence. The woman who has been popularly connected to the story was an ordinary but also quite remarkable free black woman from the North, Emily D. West. This work reconstructs her experience, places it in full context and explores the evolution of a most fanciful myth. |
| amistad spielberg online: Histories on Screen Sam Edwards, Faye Sayer, Michael Dolski, 2018-02-08 How, as historians, should we 'read' a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The book begins with a theoretical 'Thinking about Film' section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger 'Using Film' segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text. Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work. |
| amistad spielberg online: Introducing Cultural Studies David Walton, 2007-11-29 An outstanding entry level text aimed at those with little or no cultural studies knowledge... Innovative, creative and clever. - Times Higher Education The ideal textbook for FE and first year HE cultural studies students. Its quality and character allow the reader to ‘feel’ the enthusiasm of its author which in turn becomes infectious, instilling in the reader a genuine sense of ebullient perturbation. - Art/Design/Media, The Higher Education Authority An introduction to the practice of cultural studies, this book is ideal for undergraduate courses. Full of practical exercises that will get students thinking and writing about the issues they encounter, this book offers its readers the conceptual tools to practice cultural analysis for themselves. There are heuristics to help students prepare and write projects, and the book provides plenty of examples to help students develop their own ideas. Written in a creative, playful and witty style, this book: Links key concepts to the key theorists of cultural studies. Includes a wide range of references of popular cultural forms. Emphasizes the multidisciplinary nature of cultural studies. Includes pedagogical features, such as dialogues, graphs, images and recommended readings. The book′s skills-based approach enables students to develop their creative skills, and shows students how to improve their powers of analysis generally. |
| amistad spielberg online: The Routledge Companion to Global Popular Culture Toby Miller, 2014-12-05 Research on popular culture is a dynamic, fast-growing domain. In scholarly terms, it cuts across many areas, including communication studies, sociology, history, American studies, anthropology, literature, journalism, folklore, economics, and media and cultural studies. The Routledge Companion to Global Popular Culture provides an authoritative, up-to-date, intellectually broad, internationally-aware, and conceptually agile guide to the most important aspects of popular culture scholarship. Specifically, this Companion includes: interdisciplinary models and approaches for analyzing popular culture; wide-ranging case studies; discussions of economic and policy underpinnings; analysis of textual manifestations of popular culture; examinations of political, social, and cultural dynamics; and discussions of emerging issues such as ecological sustainability and labor. Featuring scholarly voices from across six continents, The Routledge Companion to Global Popular Culture presents a nuanced and wide-ranging survey of popular culture research. |
| amistad spielberg online: Movie Blockbusters Julian Stringer, 2013-10-18 Big-budget, spectacular films designed to appeal to a mass audience: is this what - or all - blockbusters are? Movie Blockbusters brings together writings from key film scholars, including Douglas Gomery, Peter Kramer, Jon Lewis and Steve Neale, to address the work of notable blockbuster auteurs such as Steven Spielberg and James Cameron, discuss key movies such as Star Wars and Titanic, and consider the context in which blockbusters are produced and consumed, including what the rise of the blockbuster says about the Hollywood film industry, how blockbusters are marketed and exhibited, and who goes to see them. The book also considers the movie scene outside Hollywood, discussing blockbusters made in Bollywood, China, South Korea, New Zealand and Argentina |
| amistad spielberg online: History by HBO Rebecca Weeks, 2022-07-12 The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the post-network era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory. |
| amistad spielberg online: Department of the Interior and Related Agencies Appropriations for 1999: Smithsonian Institution United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies, 1998 |
| amistad spielberg online: America Online For Dummies John Kaufeld, 1998-02-10 Here's your fast and friendly guide to the corner of the digital world known as America Online. This lighthearted, easy-to-use reference is your ticket to exploring the online wonders of AOL's rich content and wide range of services, from exploring newsgroups and chat areas to getting your hands on free (or almost free) software and shareware in AOL's hundreds of online libraries. Online guru John Kaufeld takes you on a plain-English, personally guided tour through everything you'll ever need to know about making the most of AOL. After you take a glance through the sound advice and solid searching tips packed inside America Online For Dummies, 4th Edition, you'll understand why AOL is the most popular online service in cyberspace. Unearth the secrets of customizing your member profile, traverse the World Wide Web, troubleshoot problems quickly and effectively, and find out which tweaks, tunings, and upgrades can improve your online activity. With a copy of America Online For Dummies, 4th Edition, you'll be up to cyberspeed in no time at all. |
| amistad spielberg online: Department of the Interior and Related Agencies Appropriations for 1999 United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies, 1998 |
| amistad spielberg online: Legacies of Slavery Maria Suzette Fernandes Dias, 2021-03-04 The proclamation by the United Nations General Assembly of the International Year to Commemorate the Struggle against Slavery and its Abolition during 2004 marked the culmination of recent efforts to re-engage with slavery’s past and create an intellectual, social, political and ethical climate conducive to a sustained and meaningful dialogue among cultures and civilisations. The past decade witnessed an upsurge of national and international exhibitions and conferences on the impact of slavery and the overwhelming and enduring cultural miscegenation and the demographic, socio-political and spiritual hybridisation that the phenomenon consciously or unconsciously initiated; the celebration of efforts by Abolitionists to publicise the savagery of this inhumane practice; a revival of interest in and the glorification of, the often ignored or historically negatively represented resistance to slavery by slaves themselves; and, numerous endeavours to address the negative legacies of slavery like racism, racial discrimination, xenophobia and related intolerance, which continue to impinge upon our present as part of contemporary politics. Yet, these ventures aimed at raising awareness of the horrors of slave trade and slavery, at honouring struggles for the emancipation of the enslaved, at examining the aftermath of slavery like the emergence of a new historic consciousness, at restoring broken links and solidarity between the historically dislocated diasporas and their countries of origin, at commemorating sites of memory, and, at celebrating artistic and cultural métissage, such as the UNESCO’s Slave Route Project, have largely focused on the Atlantic World, and the deportation of slaves from Africa to other parts of the World, raising questions about the legacy of slavery in other societies, like those in Asia, the Pacific and Europe, where slavery still remains on the margins of national and post-colonial histories. This edited volume is an attempt to reconsider slavery as a global human institution which has coexisted with other socio-political, economic, legal and cultural institutions. As a temporally and spatially ubiquitous phenomenon, it has generated and continues to, engender legacies, be they historical, oral or visual, which need to be compared and discussed to facilitate dialogue between cultures and civilisations and to mitigate the wounds of the past which continue to scar our present. It brings together writings by scholars from history, literature, anthropology and cultural studies who examine the indelible mark left by slavery in its various forms, on societies, cultures and peoples all over the world and attempts by artistes and writers to alleviate this stigmata of History. This volume consists of two sections. The first section entitled Connecting Histories explores some of the varied forms in which slavery presented itself in the last four centuries and the need to reengage with its legacies. Adhering to Manning’s contention that slavery is an enduring metaphor for inequities in the treatment of humans, this section focuses on identifying the legacy of slavery and its significance in scholarship (Manning); alternate perspectives on slavery through the examination of forced labour and the dehumanising treatment of indigenous people in Australia (Read), enforced migration and labour exploitation of convicts in penal colonies (Maxwell-Stewart); and, a historical overview of Lusitanian slavery in India (D’Souza) and the hybridisation of pre-colonial slavery traditions in the perpetuation of the perkerniersstelse, or a profitably managed European settler-colony based on the global monopoly of nutmeg production, by the Dutch (Winn). The second section of the book entitled Centering Discourses: Identity, Image and Text begins with a postcolonialist reading of Caribbean slavery as a legacy of capitalism, imperialism and plantation culture and above all, the globalization of sugar consumption (Ashcroft). The two chapters that follow resuscitate two of the many categories of slaves who were victims of historical silence, namely children in the sugar plantations of the West Indies (Teelucksingh) and Martiniquan maroons (Fernandes-Dias). Articulating with the discourse on identity and cultural appropriation introduced in the preceding essay, chapter nine provides an overview of the power struggle at work in the construction of Creole identity and its political legitimization, through a topical analysis of the process of commemoration of a site of memory, Le Morne Brabant, symbol of slavery and marronage in the Mauritian collective memory (Carmignani). The final two chapters explore the problematics of presenting slavery through the adoption of a counter-hegemonic discourse, particularly through the arts. Aphra Behn’s Oroonoko which exalts the Black slave as a hero without making any explicit case for the abolition of slavery, continues to occupy the terrain of sympathist - abolitionist ambiguity (Landford) while the Amistad case, despite its numerous positive legacies, demonstrates how excessive popularization of the incident as an Abolitionist cause célèbre, resulted in an overload of historical memory to the point of obscuring historical reality (Fernandes Dias). Despite the volume's overarching desire to provide a global and comparative overview of the historical, ideological, economical and cultural factors that contributed to the evolution of slavery and the legacies that the institution generated, this volume is limited in the thematic, chronological and geographic terrain that it has covered. We attribute this shortcoming to the complexity of slavery itself as an institution, the problematic of defining what constitutes slavery and the historical silence maintained over its dehumanizing effects. Yet the story of slavery is also a tale of survival, of resistance and of the resilience of the human spirit to transcend oppression and preserve its inherent dignity. It is the celebration of the rich cultural fusion and métissage that rose from the ashes of human suffering. The wounds of the past need to be healed, perhaps initially, at a mythopoetic level, through the articulation of repressed collective angst and its legacies through the arts and through scholarship. |
| amistad spielberg online: The Record United States. National Archives and Records Administration, 1996 |
| amistad spielberg online: Applied Natural Language Processing with Python Taweh Beysolow II, 2018-09-11 Learn to harness the power of AI for natural language processing, performing tasks such as spell check, text summarization, document classification, and natural language generation. Along the way, you will learn the skills to implement these methods in larger infrastructures to replace existing code or create new algorithms. Applied Natural Language Processing with Python starts with reviewing the necessary machine learning concepts before moving onto discussing various NLP problems. After reading this book, you will have the skills to apply these concepts in your own professional environment. What You Will Learn Utilize various machine learning and natural language processing libraries such as TensorFlow, Keras, NLTK, and Gensim Manipulate and preprocess raw text data in formats such as .txt and .pdf Strengthen your skills in data science by learning both the theory and the application of various algorithms Who This Book Is For You should be at least a beginner in ML to get the most out of this text, but you needn’t feel that you need be an expert to understand the content. |
| amistad spielberg online: A Study Guide for Bernard Dadie's "Dry Your Tears, Africa" Gale, Cengage Learning, 2016 |
| amistad spielberg online: Cinematic Social Studies William B. Russell, Stewart Waters, 2017-01-01 Action! Film is a common and powerful element in the social studies classroom and Cinematic Social Studies explores teaching and learning social studies with film. Teaching with film is a prominent teaching strategy utilized by many teachers on a regular basis. Cinematic Social Studies moves readers beyond the traditional perceptions of teaching film and explores the vast array of ideas and strategies related to teaching social studies with film. The contributing authors of this volume seek to explain, through an array of ideas and visions, what cinematic social studies can/should look like, while providing research and rationales for why teaching social studies with film is valuable and important. This volume includes twenty-four scholarly chapters discussing relevant topics of importance to cinematic social studies. The twenty four chapters are divided into three sections. This stellar collection of writings includes contributions from noteworthy scholars like Keith Barton, Wayne Journell, James Damico, Cynthia Tyson, and many more. |
| amistad spielberg online: Fodor's Puerto Rico Fodor's Travel Guides, 2019-07-16 For a limited time, receive a free Fodor's Guide to Safe and Healthy Travel e-book with the purchase of this guidebook! Go to fodors.com for details. Ready to experience Puerto Rico? The experts at Fodor’s are here to help. Fodor’s Puerto Rico travel guide is packed with customizable itineraries with top recommendations, detailed maps of Puerto Rico, and exclusive tips from locals. Whether you want to stroll the atmospheric streets of Old San Juan, lounge on the island's beautiful beaches, or escape to Vieques or Culebra, this up-to-date guidebook will help you plan it all out. This new edition has been FULLY-REDESIGNED with a new layout and beautiful images for more intuitive travel planning! Fodor’s Puerto Rico includes: • AN ULTIMATE EXPERIENCE GUIDE that visually captures the top highlights of Puerto Rico. • SPECTACULAR COLOR PHOTOS AND FEATURES throughout, including special features on walking in Old San Juan, bioluminescent Bays, and salsa. • INSPIRATIONAL “BEST OF” LISTS identify the best things to see, do, eat, drink, and more. • MULTIPLE ITINERARIES for various trip lengths help you maximize your time. • 25 DETAILED MAPS help you plot your itinerary and navigate confidently. • EXPERT RECOMMENDATIONS ON HOTELS AND RESTAURANTS offer options for every taste. • TRIP PLANNING TOOLS AND PRACTICAL TIPS including: guides to getting around, saving money and time, beating the crowds; basic Spanish phrases; and a calendar of festivals and events. • LOCAL INSIDER ADVICE on where to find under-the-radar gems, along with the best walking tours. • HISTORICAL AND CULTURAL OVERVIEWS that add perspective and enrich your travels. • COVERS: San Juan, El Yunque National Forest, Vieques, Culebra, Mayaguëz, Ponce, Rincón, San Germán, and more. ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor’s has been offering expert advice for all tastes and budgets for over 80 years. Planning on visiting any other Caribbean destinations? Check out Fodor’s Essential Caribbean, Fodor's In Focus Aruba, Fodor's In Focus Cayman Islands, and Fodor's In Focus Barbados & St. Lucia. . |
| amistad spielberg online: Narrating the Slave Trade, Theorizing Community Raphaël Lambert, 2018-12-24 In Narrating the Slave Trade, Theorizing Community, Raphaël Lambert explores the notion of community in conjunction with literary works concerned with the transatlantic slave trade. The recent surge of interest in both slave trade and community studies concurs with the return of free-market ideology, which once justified and facilitated the exponential growth of the slave trade. The motif of unbridled capitalism recurs in all the works discussed herein; however, community, whether racial, political, utopian, or conceptual, emerges as a fitting frame of reference to reveal unsuspected facets of the relationships between all involved parties, and expose the ramifications of the trade across time and space. Ultimately, this book calls for a complete reevaluation of what it means to live together. |
| amistad spielberg online: Steven Spielberg and Philosophy Dean A. Kowalski, 2008-11-21 Has any film director had a greater impact on popular culture than Steven Spielberg? Whether filming Holocaust heroes and villains, soldiers, dinosaurs, extraterrestrials, or explorers in search of the Holy Grail, Spielberg has given filmgoers some of the most memorable characters and wrenching moments in the history of cinema. Whatever his subject—war, cloning, slavery, terrorism, or adventure—all of Spielberg's films have one aspect in common: a unique view of the moral fabric of humanity. Dean A. Kowalski's Steven Spielberg and Philosophy is like a remarkable conversation after a night at the movie theater, offering new insights and unexpected observations about the director's most admired films. Some of the nation's most respected philosophers investigate Spielberg's art, asking fundamental questions about the nature of humanity, cinema, and Spielberg's expression of his chosen themes. Applying various philosophical principles to the movies, the book explores such topics as the moral demands of parenthood in War of the Worlds; the ultimate unknowability of the other in Close Encounters of the Third Kind and Schindler's List; the relationship between nature and morality in Jurassic Park; the notion of consciousness in A.I.: Artificial Intelligence; issues of war theory and ethics in Munich; and the foundation of human rights in Amistad. Impressive in scope, this volume illustrates the philosophical tenets of a wide variety of thinkers from Plato to Aquinas, Locke, and Levinas. Contributors introduce readers to philosophy while simultaneously providing deeper insight into Spielberg's approach to filmmaking. The essays consider Spielberg's movies using key philosophical cornerstones: metaphysics, epistemology, ethics, axiology, aesthetics, and political philosophy, among others. At the same time, Steven Spielberg and Philosophy is accessible to those new to philosophy, using the philosophical platform to ponder larger issues embedded in film and asking fundamental questions about the nature of cinema and how meanings are negotiated. The authors contend that movies do not present philosophy—rather philosophy is something viewers do while watching and thinking about films. Using Spielberg's films as a platform for discussing these concepts, the authors contemplate questions that genuinely surprise the reader, offering penetrating insights that will be welcomed by film critics, philosophers, and fans alike. |
| amistad spielberg online: The 1990s Richard Alan Schwartz, 2006 Traces the history of the United States during the 1990s through such primary sources as memoirs, letters, contemporary journalism, and official documents. |
| amistad spielberg online: Film Review , 2001 |
| amistad spielberg online: Real-World Media Ethics Philippe Perebinossoff, 2016-07-15 Is it ethical to pass yourself off as black if you are Caucasian, as Rachel Dolezai, the president of a local chapter of the NAACP, did in 2015? Was it ethical for Donald Sterling, the former owner of the NBA team, to use racially inflammatory language? Is it ethical to exaggerate or fabricate the importance of one’s role, as Brian Williams apparently did when he anchored the NBC nightly news? Is it ethical for a journalist to pay a source for a story, tips, and photos, as TMZ, Gawker and others do regularly? The above questions as well as other questions definitely illustrate the need for studying ethics. Real-World Media Ethics provides a wide showcase of real ethical issues faced by professionals in the media field. Numerous case studies allow readers to explore multiple perspectives while using realistic ethical principles. This book includes the basics in ethical journalism, as well as the tools to navigate through the landscape of mass media such as public relations, entertainment and other forms of visual communication. The second edition has been updated to encompass globalization, new media platforms, current copyright issues, net neutrality, sports ethics, and more. An accompanying companion website provides additional interviews demonstrating ethical principles in practice. Being a former ABC executive, author Philippe Perebinossoff gives readers an inside look at circumstances with an ethical, experienced eye. |
| amistad spielberg online: Business Week , 1998 |
| amistad spielberg online: The American Directory of Certified Uncle Toms , 2002 |
| amistad spielberg online: The Grammar of Good Intentions Susan M. Ryan (Ph. D.), 2003 Susan M. Ryan explores antebellum Americans' preoccupation with the language and practice of benevolence. Drawing on a variety of cultural and literary texts, she traces how people working and writing within social reform movements?and their outspoken opponents?helped solidify racial and class ideologies that ultimately marginalized even the most deserving poor. The links between race and the relations of benevolence occasioned much soul-searching among antebellum Americans, Ryan explains. In a period of heated public debate over issues such as slavery, Indian removal, and non-Protestant immigration, the categories of blackness, Indianness, and a generic 'foreignness' came to signify, for many whites, need itself. Ryan puts familiar literary works such as Herman Melville's The Confidence-Man, Frederick Douglass's My Bondage and My Freedom, and Harriet Beecher Stowe's Uncle Tom's Cabin back into dialogue with a broad range of print materials: the reports of charity societies, African American and Native American newspapers, juvenile fiction, travel writing, cartoons, sermons, and tract literature. In the process, she dispels the myth that authors usually classified as literary were responding to a simple and unquestioned cult of benevolence. Rather, she contends, they were participating in the complex and often rancorous debates occurring within the broader culture over how good intentions should be expressed and enacted. Ryan's inquiry into the antebellum culture of benevolence has implications for contemporary U.S. society, resonating especially with recent debates over welfare reform, the politics of compassionate conservatism, and representations of welfare queens and violent urban youth. As Ryan writes, The conversations that this book reconstructs remind us of our ongoing participation in the national ritual of laying claim to good intentions. |
| amistad spielberg online: OAH Newsletter , 1998 |
| amistad spielberg online: Race and Ethnicity in America Russell M. Lawson, Benjamin A. Lawson, 2019-10-11 Divided into four volumes, Race and Ethnicity in America provides a complete overview of the history of racial and ethnic relations in America, from pre-contact to the present. The five hundred years since Europeans made contact with the indigenous peoples of America have been dominated by racial and ethnic tensions. During the colonial period, from 1500 to 1776, slavery and servitude of whites, blacks, and Indians formed the foundation for race and ethnic relations. After the American Revolution, slavery, labor inequalities, and immigration led to racial and ethnic tensions; after the Civil War, labor inequalities, immigration, and the fight for civil rights dominated America's racial and ethnic experience. From the 1960s to the present, the unfulfilled promise of civil rights for all ethnic and racial groups in America has been the most important sociopolitical issue in America. Race and Ethnicity in America tells this story of the fight for equality in America. The first volume spans pre-contact to the American Revolution; the second, the American Revolution to the Civil War; the third, Reconstruction to the Civil Rights Movement; and the fourth, the Civil Rights Movement to the present. All volumes explore the culture, society, labor, war and politics, and cultural expressions of racial and ethnic groups. |
| amistad spielberg online: African American Magazine , 1998 |
| amistad spielberg online: Sierra Leone Katrina Manson, James Knight, Paige McClanahan, 2012 This is the only English-language guide on the market dedicated exclusively to Sierra Leone. Sierra Leone is about the size of Wales and manages to squeeze beaches, rainforests, mountains, savannah grasslands, marshes, mangrove swamps and rivers into its relatively small size. Written for intrepid travellers looking to explore this scarred but vibrant nation, this brand new edition of Sierra Leone invites you to discover the hidden beaches on the country's Atlantic coast, climb to the top of Mount Bintumani, west Africa's highest peak, learn about magical customs, and experience world-class bird-watching. |
| amistad spielberg online: The Cinema of Steven Spielberg Nigel Morris, 2007-02-13 Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilification often vitriolic for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consistently as a self-reflexive commentary on cinema. Rather than straightforwardly consumed realism or fantasy, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies. Exercising powerful emotional appeal, their ambiguities are profitably advantageous in maximising audiences and generating media attention. |
| amistad spielberg online: Steven Spielberg Kathi Jackson, 2007-03-30 Steven Spielberg is hailed as one of the most influential and commercially successful film directors in motion picture history. Through his role in developing, directing, and driving the special effects of many of the biggest blockbusters in movie history, includingJaws, Raiders of the Lost Ark, E.T., Saving Private Ryan, Jurassic Park, Schindler's List, and Minority Report, Spielberg changed the way movies are made and left an indelible mark on popular culture. This biography traces his rise from shooting films as a shy young boy with the family's 8 mm camera to his first unpaid job at Universal Studios, to the rise of DreamWorks, the studio Spielberg founded and quickly turned into a filmmaking powerhouse. While Spielberg's best work may lie ahead, this compelling biography puts his legendary career and work to date into perspective by offering analysis and commentary from fans and critics alike. Whether about an alien lost in suburbia or the battles of World War II, Spielberg has directed and produced many of the most talked about movies of the past 30 years. Students interested in the history of film and the filmmaking industry will find this biography endlessly fascinating. |
| amistad spielberg online: A Companion to Steven Spielberg Nigel Morris, 2017-02-15 A Companion to Steven Spielberg provides an authoritative collection of essays exploring the achievements and legacy of one of the most influential film directors of the modern era. Offers comprehensive coverage of Spielberg’s directorial output, from early works including Duel, The Sugarland Express, and Jaws, to recent films Explores Spielberg’s contribution to the development of visual effects and computer games, as well as the critical and popular reception of his films Topics include in-depth analyses of Spielberg’s themes, style, and filming techniques; commercial and cultural significance of the Spielberg ‘brand’ and his parallel career as a producer; and collaborative projects with artists and composers Brings together an international team of renowned scholars and emergent voices, balancing multiple perspectives and critical approaches Creates a timely and illuminating resource which acknowledges the ambiguity and complexity of Spielberg’s work, and reflects its increasing importance to film scholarship |
| amistad spielberg online: Northern Exposure Michael Samuel, 2021-11-15 This book revisits and celebrates the cultural legacy of the cult television series Northern Exposure. With a focus on its production history, fan culture, and individual episodes, it reveals the show's profound influence and argues its status as the prototype contemporary television series-- |
| amistad spielberg online: Teaching Haiti Cécile Accilien, Valérie K. Orlando, 2021-08-10 Approaching Haiti’s history and culture from a multidisciplinary perspective This volume is the first to focus on teaching about Haiti’s complex history and culture from a multidisciplinary perspective. Making broad connections between Haiti and the rest of the Caribbean, contributors provide pedagogical guidance on how to approach the country from different lenses in course curricula. They offer practical suggestions, theories on a wide variety of texts, examples of syllabi, and classroom experiences. Teaching Haiti dispels stereotypes associating Haiti with disaster, poverty, and negative ideas of Vodou, going beyond the simplistic neocolonial, imperialist, and racist descriptions often found in literary and historical accounts. Instructors in diverse subject areas discuss ways of reshaping old narratives through women’s and gender studies, poetry, theater, art, religion, language, politics, history, and popular culture, and they advocate for including Haiti in American and Latin American studies courses. Portraying Haiti not as “the poorest nation in the Western Hemisphere” but as a nation with a multifaceted culture that plays an important part on the world’s stage, this volume offers valuable lessons about Haiti’s past and present related to immigration, migration, locality, and globality. The essays remind us that these themes are increasingly relevant in an era in which teachers are often called to address neoliberalist views and practices and isolationist politics. Contributors: Cécile Accilien | Jessica Adams | Alessandra Benedicty-Kokken | Anne M. François | Régine Michelle Jean-Charles | Elizabeth Langley | Valérie K. Orlando | Agnès Peysson-Zeiss | John D. Ribó | Joubert Satyre | Darren Staloff | Bonnie Thomas | Don E. Walicek | Sophie Watt |
| amistad spielberg online: Foreign Language Units for All Proficiency Levels Carl Falsgraf, 2007 Language students learn best when given the opportunity to communicate meaningful content in realistic settings. See how technology can help! |
| amistad spielberg online: Inland Seas , 2004 |
Amistad (film) - Wikipedia
The schooner La Amistad is transporting black slaves off the coast of the Spanish colony of Cuba in …
Amistad (1997) - IMDb
Amistad: Directed by Steven Spielberg. With Morgan Freeman, Nigel Hawthorne, Anthony Hopkins, …
Amistad Case - Date, Facts & Significance - HISTORY
Oct 27, 2009 · The story of the Amistad began in February 1839, when Portuguese slave hunters abducted …
The Amistad Case - National Archives
Jun 2, 2021 · U.S. v. Amistad: A Case of Jurisdiction on DocsTeach asks students to analyze specified passages from …
Amistad: How it Began - U.S. National Park Service
The Amistad’s story began in 1839 when slave hunters captured large numbers of native Africans near Mendeland in …
Amistad (film) - Wikipedia
The schooner La Amistad is transporting black slaves off the coast of the Spanish colony of Cuba in 1839. A captive, Cinqué, leads an uprising against the crew, most of whom are killed. Two navigators, Pedro …
Amistad (1997) - IMDb
Amistad: Directed by Steven Spielberg. With Morgan Freeman, Nigel Hawthorne, Anthony Hopkins, Djimon Hounsou. In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the …
Amistad Case - Date, Facts & Significance - HISTORY
Oct 27, 2009 · The story of the Amistad began in February 1839, when Portuguese slave hunters abducted hundreds of Africans …
The Amistad Case - National Archives
Jun 2, 2021 · U.S. v. Amistad: A Case of Jurisdiction on DocsTeach asks students to analyze specified passages from the Supreme Court's decision in United States v. Libellants of Schooner Amistad to explore the …
Amistad: How it Began - U.S. National Park Service
The Amistad’s story began in 1839 when slave hunters captured large numbers of native Africans near Mendeland in present-day Sierre Leone. These captives were sent to Havana, Cuba to be sold into slavery.
