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| all shook up glenn altschuler summary: All Shook Up Glenn C. Altschuler, 2003-08-07 The birth of rock 'n roll ignited a firestorm of controversy--one critic called it musical riots put to a switchblade beat--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's switchblade beat opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought race music into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties. |
| all shook up glenn altschuler summary: Triangle David Von Drehle, 2003 Describes the 1911 fire that destroyed the Triangle Shirtwaist factory in New York's Greenwich Village, the deaths of 146 workers in the fire, and the implications of the catastrophe for twentieth-century politics and labor relations. |
| all shook up glenn altschuler summary: Would You Kill the Fat Man? David Edmonds, 2014 Most people feel it's wrong to kill the fat man. |
| all shook up glenn altschuler summary: The Crisis of Zionism Peter Beinart, 2012-03-27 Israel's next great crisis may come not with the Palestinians or Iran but with young American Jews A dramatic shift is taking place in Israel and America. In Israel, the deepening occupation of the West Bank is putting Israeli democracy at risk. In the United States, the refusal of major Jewish organizations to defend democracy in the Jewish state is alienating many young liberal Jews from Zionism itself. In the next generation, the liberal Zionist dream—the dream of a state that safeguards the Jewish people and cherishes democratic ideals—may die. In The Crisis of Zionism, Peter Beinart lays out in chilling detail the looming danger to Israeli democracy and the American Jewish establishment's refusal to confront it. And he offers a fascinating, groundbreaking portrait of the two leaders at the center of the crisis: Barack Obama, America's first Jewish president, a man steeped in the liberalism he learned from his many Jewish friends and mentors in Chicago; and Benjamin Netanyahu, the Israeli prime minister who considers liberalism the Jewish people's special curse. These two men embody fundamentally different visions not just of American and Israeli national interests but of the mission of the Jewish people itself. Beinart concludes with provocative proposals for how the relationship between American Jews and Israel must change, and with an eloquent and moving appeal for American Jews to defend the dream of a democratic Jewish state before it is too late. |
| all shook up glenn altschuler summary: Contesting the Postwar City Eric Fure-Slocum, 2013-06-28 Focusing on mid-century Milwaukee, Eric Fure-Slocum charts the remaking of political culture in the industrial city. Professor Fure-Slocum shows how two contending visions of the 1940s city - working-class politics and growth politics - fit together uneasily and were transformed amid a series of social and policy clashes. Contests that pitted the principles of democratic access and distribution against efficiency and productivity included the hard-fought politics of housing and redevelopment, controversies over petty gambling, questions about the role of organized labor in urban life, and battles over municipal fiscal policy and autonomy. These episodes occurred during a time of rapid change in the city's working class, as African-American workers arrived to seek jobs, women temporarily advanced in workplaces, and labor unions grew. At the same time, businesses and property owners sought to re-establish legitimacy in the changing landscape. This study examines these local conflicts, showing how they forged the postwar city and laid a foundation for the neoliberal city. |
| all shook up glenn altschuler summary: A Companion to the History of American Broadcasting Aniko Bodroghkozy, 2018-07-23 Presented in a single volume, this engaging review reflects on the scholarship and the historical development of American broadcasting A Companion to the History of American Broadcasting comprehensively evaluates the vibrant history of American radio and television and reveals broadcasting’s influence on American history in the twentieth and twenty-first centuries. With contributions from leading scholars on the topic, this wide-ranging anthology explores the impact of broadcasting on American culture, politics, and society from an historical perspective as well as the effect on our economic and social structures. The text’s original and accessibly-written essays offer explorations on a wealth of topics including the production of broadcast media, the evolution of various television and radio genres, the development of the broadcast ratings system, the rise of Spanish language broadcasting in the United States, broadcast activism, African Americans and broadcasting, 1950’s television, and much more. This essential resource: Presents a scholarly overview of the history of radio and television broadcasting and its influence on contemporary American history Contains original essays from leading academics in the field Examines the role of radio in the television era Discusses the evolution of regulations in radio and television Offers insight into the cultural influence of radio and television Analyzes canonical texts that helped shape the field Written for students and scholars of media studies and twentieth-century history, A Companion to the History of American Broadcasting is an essential and field-defining guide to the history and historiography of American broadcasting and its many cultural, societal, and political impacts. |
| all shook up glenn altschuler summary: American Identities Lois P. Rudnick, Judith E. Smith, Rachel Lee Rubin, 2009-02-09 American Identities is a dazzling array of primary documentsand critical essays culled from American history, literature,memoir, and popular culture that explore major currents and trendsin American history from 1945 to the present. Charts the rich multiplicity of American identities through thedifferent lenses of race, class, and gender, and shaped by commonhistorical social processes such as migration, families, work, andwar. Includes editorial introductions for the volume and for eachreading, and study questions for each selection. Enables students to engage in the history-making process whiledeveloping the skills crucial to interpreting rich and enduringcultural texts. Accompanied by an instructor's guide containing reading,viewing, and listening exercises, interview questions,bibliographies, time-lines, and sample excerpts of students' familyhistories for course use. |
| all shook up glenn altschuler summary: Suffrage Ellen Carol DuBois, 2021-02-23 Honoring the 100th anniversary of the 19th amendment to the Constitution, this “indispensable” book (Ellen Chesler, Ms. magazine) explores the full scope of the movement to win the vote for women through portraits of its bold leaders and devoted activists. Distinguished historian Ellen Carol DuBois begins in the pre-Civil War years with foremothers Lucretia Mott, Elizabeth Cady Stanton, Susan B. Anthony, and Sojurner Truth as she “meticulously and vibrantly chronicles” (Booklist) the links of the woman suffrage movement to the abolition of slavery. After the Civil War, Congress granted freed African American men the right to vote but not white and African American women, a crushing disappointment. DuBois shows how suffrage leaders persevered through the Jim Crow years into the reform era of Progressivism. She introduces new champions Carrie Chapman Catt and Alice Paul, who brought the fight to the 20th century, and she shows how African American women, led by Ida B. Wells-Barnett, demanded voting rights even as white suffragists ignored them. DuBois explains how suffragists built a determined coalition of moderate lobbyists and radical demonstrators in forging a strategy of winning voting rights in crucial states to set the stage for securing suffrage for all American women in the Constitution. In vivid prose, DuBois describes suffragists’ final victories in Congress and state legislatures, culminating in the last, most difficult ratification, in Tennessee. “Ellen DuBois enables us to appreciate the drama of the long battle for women’s suffrage and the heroism of many of its advocates” (Eric Foner, author of The Second Founding: How the Civil War and Reconstruction Remade the Constitution). DuBois follows women’s efforts to use their voting rights to win political office, increase their voting strength, and pass laws banning child labor, ensuring maternal health, and securing greater equality for women. Suffrage: Women’s Long Battle for the Vote is a “comprehensive history that deftly tackles intricate political complexities and conflicts and still somehow read with nail-biting suspense,” (The Guardian) and is sure to become the authoritative account of one of the great episodes in the history of American democracy. |
| all shook up glenn altschuler summary: Grave Misfortune: The USS Indianapolis Tragedy Richard A. Hulver, 2019-06-03 Dedicated to the Sailors and Marines who lost their lives on the final voyage of USS Indianapolis and to those who survived the torment at sea following its sinking. plus the crews that risked their lives in rescue ships. The USS Indianapolis (CA-35) was a decorated World War II warship that is primarily remembered for her worst 15 minutes. . This ship earned ten (10) battle stars for her service in World War II and was credited for shooting down nine (9) enemy planes. However, this fame was overshadowed by the first 15 minutes July 30, 1945, when she was struck by two (2) torpedoes from Japanese submarine I-58 and sent to the bottom of the Philippine Sea. The sinking of Indianapolis and the loss of 880 crew out of 1,196 --most deaths occurring in the 4-5 day wait for a rescue delayed --is a tragedy in U.S. naval history. This historical reference showcases primary source documents to tell the story of Indianapolis, the history of this tragedy from the U.S. Navy perspective. It recounts the sinking, rescue efforts, follow-up investigations, aftermath and continuing communications efforts. Included are deck logs to better understand the ship location when she sunk and testimony of survivors and participants. For additional historical publications produced by the U.S. Naval History and Heritage Command, please check out these resources here: https://bookstore.gpo.gov/agency/naval-history-heritage-command Year 2016 marked the 71st anniversary of the sinking and another spike in public attention on the loss -- including a big screen adaptation of the story, talk of future films, documentaries, and planned expeditions to locate the wreckage of the warship. |
| all shook up glenn altschuler summary: Noise Music Paul Hegarty, 2007-09-01 Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music. |
| all shook up glenn altschuler summary: Freedom Riders Raymond Arsenault, 2006-01-15 They were black and white, young and old, men and women. In the spring and summer of 1961, they put their lives on the line, riding buses through the American South to challenge segregation in interstate transport. Their story is one of the most celebrated episodes of the civil rights movement, yet a full-length history has never been written until now. In these pages, acclaimed historian Raymond Arsenault provides a gripping account of six pivotal months that jolted the consciousness of America. The Freedom Riders were greeted with hostility, fear, and violence. They were jailed and beaten, their buses stoned and firebombed. In Alabama, police stood idly by as racist thugs battered them. When Martin Luther King met the Riders in Montgomery, a raging mob besieged them in a church. Arsenault recreates these moments with heart-stopping immediacy. His tightly braided narrative reaches from the White House--where the Kennedys were just awakening to the moral power of the civil rights struggle--to the cells of Mississippi's infamous Parchman Prison, where Riders tormented their jailers with rousing freedom anthems. Along the way, he offers vivid portraits of dynamic figures such as James Farmer, Diane Nash, John Lewis, and Fred Shuttlesworth, recapturing the drama of an improbable, almost unbelievable saga of heroic sacrifice and unexpected triumph. The Riders were widely criticized as reckless provocateurs, or outside agitators. But indelible images of their courage, broadcast to the world by a newly awakened press, galvanized the movement for racial justice across the nation. Freedom Riders is a stunning achievement, a masterpiece of storytelling that will stand alongside the finest works on the history of civil rights. |
| all shook up glenn altschuler summary: Nilsson Alyn Shipton, 2013-06-19 Paul McCartney and John Lennon described him as the Beatles' favorite group, he won Grammy awards, wrote and recorded hit songs, and yet no figure in popular music is as much of a paradox, or as underrated, as Harry Nilsson. In this first ever full-length biography, Alyn Shipton traces Nilsson's life from his Brooklyn childhood to his Los Angeles adolescence and his gradual emergence as a uniquely talented singer-songwriter. With interviews from friends, family, and associates, and material drawn from an unfinished autobiography, Shipton probes beneath the enigma to discover the real Harry Nilsson. A major celebrity at a time when huge concerts and festivals were becoming the norm, Nilsson shunned live performance. His venue was the studio, his stage the dubbing booth, his greatest triumphs masterful examples of studio craft. He was a gifted composer of songs for a wide variety of performers, including the Ronettes, the Yardbirds, and the Monkees, yet Nilsson's own biggest hits were almost all written by other songwriters. He won two Grammy awards, in 1969 for Everybody's Talkin' (the theme song for Midnight Cowboy), and in 1972 for Without You, had two top ten singles, numerous album successes, and wrote a number of songs--Coconut and Jump into the Fire, to name just two--that still sound remarkably fresh and original today. He was once described by his producer Richard Perry as the finest white male singer on the planet, but near the end of his life, Nilsson's career was marked by voice-damaging substance abuse and the infamous deaths of both Keith Moon and Mama Cass in his London flat. Drawing on exclusive access to Nilsson's papers, Alyn Shipton's biography offers readers an intimate portrait of a man who has seemed both famous and unknowable--until now. |
| all shook up glenn altschuler summary: The New Southern Gentleman Jim Booth, 2002 Daniel Randolph Deal is a Southern aristocrat, having the required bloodline, but little of the nobility. A man resistant to the folly of ethics, he prefers a selective, self-indulgent morality. He is a confessed hedonist, albeit responsibly so.--Back cover |
| all shook up glenn altschuler summary: Understanding Truman Capote Thomas Fahy, 2014-06-18 “Does an admirable job of examining Capote as a writer whose work reflects America of the late 1940s and 1950s more deeply than previously thought.” —Ralph F. Voss, author of Truman Capote and the Legacy of “In Cold Blood” Truman Capote—and his most famous works, In Cold Blood and Breakfast at Tiffany’s—continue to have a powerful hold over the American popular imagination, along with his glamorous lifestyle, which included hobnobbing with the rich and famous and frequenting the most elite nightclubs in Manhattan. In Understanding Truman Capote, Thomas Fahy offers a way to reconsider the author’s place in literary criticism, the canon, and the classroom. By reading Capote’s work in its historical context, Fahy reveals the politics shaping his writing and refutes any notion of Capote as disconnected from the political. Instead this study positions him as a writer deeply engaged with the social anxieties of the postwar years. It also applies a highly interdisciplinary framework to the author’s writing that includes discussions of McCarthyism, the Lavender Scare, automobile culture, juvenile delinquency, suburbia, Beat culture, the early civil rights movement, female sexuality as embodied by celebrities such as Marilyn Monroe, and atomic age anxieties. This new approach to studying Capote will be of interest in the fields of literature, history, film, suburban studies, sociology, gender/sexuality studies, African American literary studies, and American and cultural studies. Capote’s writing captures the isolation, marginalization, and persecution of those who deviated from or failed to achieve white middle-class ideals and highlights the artificiality of mainstream idealizations about American culture. His work reveals the deleterious consequences of nostalgia, the insidious impact of suppression, the dangers of Cold War propaganda, and the importance of equal rights. Ultimately, Capote’s writing reflects a critical engagement with American culture that challenges us to rethink our understanding of the 1940s and 1950s. |
| all shook up glenn altschuler summary: Seneca Falls and the Origins of the Women's Rights Movement Sally McMillen, 2009-09-08 In a quiet town of Seneca Falls, New York, over the course of two days in July, 1848, a small group of women and men, led by Elizabeth Cady Stanton and Lucretia Mott, held a convention that would launch the woman's rights movement and change the course of history. The implications of that remarkable convention would be felt around the world and indeed are still being felt today. In Seneca Falls and the Origins of the Woman's Rights Movement, the latest contribution to Oxford's acclaimed Pivotal Moments in American History series, Sally McMillen unpacks, for the first time, the full significance of that revolutionary convention and the enormous changes it produced. The book covers 50 years of women's activism, from 1840-1890, focusing on four extraordinary figures--Lucretia Mott, Elizabeth Cady Stanton, Lucy Stone, and Susan B. Anthony. McMillen tells the stories of their lives, how they came to take up the cause of women's rights, the astonishing advances they made during their lifetimes, and the lasting and transformative effects of the work they did. At the convention they asserted full equality with men, argued for greater legal rights, greater professional and education opportunities, and the right to vote--ideas considered wildly radical at the time. Indeed, looking back at the convention two years later, Anthony called it the grandest and greatest reform of all time--and destined to be thus regarded by the future historian. In this lively and warmly written study, Sally McMillen may well be the future historian Anthony was hoping to find. A vibrant portrait of a major turning point in American women's history, and in human history, this book is essential reading for anyone wishing to fully understand the origins of the woman's rights movement. |
| all shook up glenn altschuler summary: Television Music Norma Coates, 2018-12 This Routledge Television Guidebook on Television Music provides a comprehensive overview of the engagement between music and television since the inception of network television broadcasting in the United States in the late 1940s. In this book, Norma Coates presents a how-to guide, providing examples and case studies of many approaches to making sense of how music functions on television. Music plays many roles on television--it can function as a soundtrack, comment on the narrative, or be part of the narrative itself. Music can be foundational to a genre and industrial structure like music television, or it can be the organizing principle for a type of program such as the televised singing contest. Music can provide content in the form of band or individual performances across a range of television genres. With case studies of popular shows like American Idol and Glee, this Television Guidebook aims to help students explore and understand how music contributes to television style, narrative, genre, and history. |
| all shook up glenn altschuler summary: Hidden in the Mix Diane Pecknold, 2013-07-10 Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became white, how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as the white man’s blues. Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever |
| all shook up glenn altschuler summary: The Transatlantic Sixties Grzegorz Kosc, Clara Juncker, Sharon Monteith, Britta Waldschmidt-Nelson, 2014-04-15 This collection brings together new and original critical essays by eleven established European American Studies scholars to explore the 1960s from a transatlantic perspective. Intended for an academic audience interested in globalized American studies, it examines topics ranging from the impact of the American civil rights movement in Germany, France and Wales, through the transatlantic dimensions of feminism and the counterculture movement. It explores, for example, the vicissitudes of Europe's status in US foreign relations, European documentaries about the Vietnam War, transatlantic trends in literature and culture, and the significance of collective and cultural memory of the era. |
| all shook up glenn altschuler summary: Welcome to the Beatles Jimmy Meehan, Scottie Lynch, Nicholas Hoy, Patrick O'Dell, Trey Wells, Cecilia Burger, Shannon Canonico, Delanie Tarvin, Iris Swaney, Matthew Remson, Karson Lyon, Brady Hess, Richard Pedro, 2018-06-06 |
| all shook up glenn altschuler summary: The Postal Record , 1894 |
| all shook up glenn altschuler summary: The Jazz Age Arnold Shaw, 1989-11-30 F. Scott Fitzgerald named it, Louis Armstrong launched it, Paul Whiteman and Fletcher Henderson orchestrated it, and now Arnold Shaw chronicles this fabulous era in The Jazz Age. Spicing his account with lively anecdotes and inside stories, he describes the astonishing outpouring of significant musical innovations that emerged during the Roaring Twenties--including blues, jazz, band music, torch ballads, operettas and musicals--and sets them against the background of the Prohibition world of the Flapper. The jazz age set the sound of popular music into the 1950s. It included the flowering of improvised music by such artists as Armstrong, Bix Benderbecke, and Duke Ellington; the maturation and Americanization of the Broadway musical theatre; the explosion of the arts celebrated in the Harlem Renaissance; the rise of the classical blues singers starting with Mamie Smith and climaxing with Bessie Smith; the evolution of ragtime into stride piano; the spread of speakeasy night life and the emergence of the Cabaret singers; the musical creativity of a whole range of composers and songwriters including Kern, Gershwin, Berlin, Youmans, Rodgers and Hart, and Cole Porter, whom Shaw calls Song Laureate of the Roaring 20s. Here is a lively account of all these significant developments and personalities. A bibliography, detailed discography, and two informative lists--songs of the 20s in Variety's Golden 100 and films featuring singers and songwriters of the era--round out the book. |
| all shook up glenn altschuler summary: Patterns for College Writing Laurie G. Kirszner, Stephen R. Mandell, 2012-02-01 Laurie Kirszner and Stephen Mandell, authors with nearly thirty years of experience teaching college writing, know what works in the classroom and have a knack for picking just the right readings. In Patterns for College Writing, they provide students with exemplary rhetorical models and instructors with class-tested selections that balance classic and contemporary essays. Along with more examples of student writing than any other reader, Patterns has the most comprehensive coverage of active reading, research, and the writing process, with a five-chapter mini-rhetoric; the clearest explanations of the patterns of development; and the most thorough apparatus of any rhetorical reader, all reasons why Patterns for College Writing is the best-selling reader in the country. And the new edition includes exciting new readings and expanded coverage of critical reading, working with sources, and research. It is now available as an interactive Bedford e-book and in a variety of other e-book formats that can be downloaded to a computer, tablet, or e-reader. Read the preface. |
| all shook up glenn altschuler summary: Crying Tom Lutz, 2001 This provocative and indispensable book provides a natural and cultural history of our most mysterious and complex human function: our ability to shed tears. All humans, and only humans, weep. Tears are sometimes considered pleasurable, sometimes dangerous, mysterious, deceptive, or profound. Tears of happiness, tears of joy, the proud tears of a parent, tears of mourning, tears of laughter, tears of defeat --what do they have in common? Why is it that at times of victory, success, love, reunion, and celebration the outward signs of our emotions are identical to those of our most profound experiences of loss? Why We Cry looks at the many different ways people have understood weeping, from the earliest known representation of tears in the fourteenth century B.C. through the latest neurophysiological research. Despite our most common romantic assumptions, what this brilliant book tells us is that tears are never pure, they are never simple. |
| all shook up glenn altschuler summary: Invisible Influence Jonah Berger, 2017-06-20 You think that your choices and behaviors are driven by your individual, personal tastes, and opinions. Our own personal thoughts and opinions is patently obvious. Right? Wrong. Other people's behavior has a huge influence on everything we do, from the mundane to the momentous. Berger integrates research and thinking from business, psychology, and social science to focus on the subtle, invisible influences behind our choices as individuals |
| all shook up glenn altschuler summary: Popular Music and the Politics of Novelty Pete Dale, 2016-02-11 Popular music, today, has supposedly collapsed into a 'retromania' which, according to leading critic Simon Reynolds, has brought a 'slow and steady fading of the artistic imperative to be original.' Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require 'the dictatorial power of a creation ex nihilo'. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of 'popular song', on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty? |
| all shook up glenn altschuler summary: Race, Rock, and Elvis Michael T. Bertrand, 2000 In Race, Rock, and Elvis, Michael T. Bertrand contends that popular music, specifically Elvis's brand of rock 'n' roll, helped revise racial attitudes after World War II. Observing that youthful fans of rhythm and blues, rock 'n' roll, and other black-inspired music seemed more inclined than their segregationist elders to ignore the color line, Bertrand links popular music with a more general relaxation, led by white youths, of the historical denigration of blacks in the South. The tradition of southern racism, successfully communicated to previous generations, failed for the first time when confronted with the demand for rock 'n' roll by a new, national, commercialized youth culture. In a narrative peppered with the colorful observations of ordinary southerners, Bertrand argues that appreciating black music made possible a new recognition of blacks as fellow human beings. Bertrand documents black enthusiasm for Elvis and cites the racially mixed audiences that flocked to the new music at a time when adults expected separate performances for black and white audiences. He describes the critical role of radio and recordings in blurring the color line and notes that these media made black culture available to appreciative whites on an unprecedented scale. He also shows how music was used to define and express the values of a southern working-class youth culture in transition, as young whites, many of them trying to orient themselves in an unfamiliar urban setting, embraced black music and culture as a means of identifying themselves. By adding rock 'n' roll to the mix of factors that fed into civil rights advances in the South, Race, Rock, and Elvis shows how the music, with its rituals and vehicles, symbolized the vast potential for racial accord inherent in postwar society. |
| all shook up glenn altschuler summary: New Left Revisited John Campbell McMillian, Paul Buhle, 2008 Starting with the premise that it is possible to say something significantly new about the 1960s and the New Left, the contributors to this volume trace the social roots, the various paths, and the legacies of the movement that set out to change America. As members of a younger generation of scholars, none of them (apart from Paul Buhle) has first-hand knowledge of the era. Their perspective as non-participants enables them to offer fresh interpretations of the regional and ideological differences that have been obscured in the standard histories and memoirs of the period. Reflecting the diversity of goals, the clashes of opinions, and the tumult of the time, these essays will engage seasoned scholars as well as students of the '60s. |
| all shook up glenn altschuler summary: Poems Henry Wadsworth Longfellow, 1970 |
| all shook up glenn altschuler summary: Empowerment Series: Understanding Human Behavior and the Social Environment Charles Zastrow, Karen K. Kirst-Ashman, Sarah L. Hessenauer, 2019-01-31 UNDERSTANDING HUMAN BEHAVIOR AND THE SOCIAL ENVIRONMENT, 11th Edition, looks at the lifespan through the lens of social work theory and practice, covering human development and behavior theories within the context of individual, family, group, organizational, and community systems. Using a chronological lifespan approach, the book presents separate chapters on biological, psychological, and social impacts at the different lifespan stages with an emphasis on strengths and empowerment. Part of the Brooks/Cole Empowerment Series, this edition is up to date and thoroughly integrates the core competencies and recommended behaviors outlined in the current Educational Policy and Accreditation Standards (EPAS) set by the Council on Social Work Education (CSWE). Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version. |
| all shook up glenn altschuler summary: Just around Midnight Jack Hamilton, 2016-09-26 When Jimi Hendrix died, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet ten years earlier, Chuck Berry had stood among the most influential rock and roll performers. Why did rock and roll become white? Jack Hamilton challenges the racial categories that distort standard histories of rock music and the 60s revolution. |
| all shook up glenn altschuler summary: America Responds to Terrorism K. Feste, 2011-05-09 Feste develops a framework of terrorism termination dynamics constructed from empirical cases and applies it to the current al Qaeda problem to offer a new method for tracking development of terrorist episodes with implications for U.S. foreign policy. |
| all shook up glenn altschuler summary: The Evolving Congress Congressional Research Congressional Research Service Library of Congress, Congressional Research Service Library O, 2015-05-17 For 100 years, the Congressional Research Service (CRS) has been charged with providing nonpartisan and authoritative research and analysis to inform the legislative debate in Congress. This has involved a wide range of services, such as written reports on issues and the legislative process, consultations with Members and their staff, seminars on policy and procedural matters, and congressional testimony. The Government and Finance Division at CRS took a step back from its intensive day-to-day service to Congress to analyze important trends in the evolution of the institution-its organization and policymaking process-over the last many decades. Changes in the political landscape, technology, and representational norms have required Congress to evolve as the Nation's most democratic national institution of governance. The essays in this print demonstrate that Congress has been a flexible institution that has changed markedly in recent years in response to the social and political environment. |
| all shook up glenn altschuler summary: Composing Apartheid Grant Olwage, 2008-06-01 Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid’s social and political topography, as well as how music and musicians contested and even helped to conquer apartheid. The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists. The essays focus on a variety of music (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel’s Messiah). Musical institutions and previously little-researched performers (such as the African National Congress’s troupe-in-exile, Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies. |
| all shook up glenn altschuler summary: Transition of the Mind Tony Cloud, PhD, 2013-12 Author Tony Cloud grew up in Wheaton, Maryland, when the metropolitan area of Washington, DC, earned the title “Crime Capital of the World.” He knows firsthand the ugliness that crime perpetuates. In Transition of the Mind, he shows how drugs and violence have affected the hearts of the entire world and discusses how action must be taken before it’s too late. This study journeys into the hearts of deprived, devalued, and distressed inner-city children. Based on real lives and true events in the ghetto and suburban areas, it answers many questions that have been asked by parents and grandparents around the nation: • Why are so many young people joining gangs, and how do we get them out? • What kinds of laws or rules are necessary for inner-city survival? • How has poverty cheapened the value of life? • Besides abortion, how are children murdered without a weapon? • What is the power of a gangsta in underprivileged areas? • Is racism truly alive, and does it exists on every level of life? Heartfelt and raw, Transition of the Mind provides insight into the challenges of street life for many young people in inner-city settings. It shows that through discipline and faith in God and themselves, they can overcome the challenges and become righteous people. |
| all shook up glenn altschuler summary: The Complete Book of Doo-wop Anthony J. Gribin, Matthew M. Schiff, 2000 Provides an extensive history of doo-wop from 1950 through the early 1970s and gives definitions and illustrations of the music that falls between rhythm and blues and rock 'n' roll. It also features 150 photos, 64 sheet-music covers and prices for 1000 top doo-wop records. |
| all shook up glenn altschuler summary: The Clink Stephen Jeffreys, 1999 Elizabeth I is tottering at death's door. Conspirators are everywhere. Lucius Bodkin, an Elizabethan stand-up comedian, becomes unwillingly involved in the political skullduggery and jiggery-pokery surrounding the ailing queen. A riotously funny satirical farce in the tradition of Rosencrantz and Guildenstern are Dead and Shakespeare in Love |
| all shook up glenn altschuler summary: The Achievement Habit , 2017 The co-founder of the Stanford d.School introduces the power of design thinking to help you achieve goals you never thought possible. Achievement can be learned. It’s a muscle, and once you learn how to flex it, you’ll be able to meet life’s challenges and fulfill your goals, Bernard Roth, Academic Director at the Stanford d.school contends. In The Achievement Habit, Roth applies the remarkable insights that stem from design thinking—previously used to solve large scale projects—to help us realize the power for positive change we all have within us. Roth leads us through a series of discussions, stories, recommendations, and exercises designed to help us create a different experience in our lives. He shares invaluable insights we can use to gain confidence to do what we’ve always wanted and overcome obstacles that hamper us from reaching our potential, including: Don’t try—DO; Excuses are self-defeating; Believe you are a doer and achiever and you’ll become one; Build resiliency by reinforcing what you do rather than what you accomplish; Learn to ignore distractions that prevent you from achieving your goals; Become open to learning from your own experience and from those around you; And more. The brain is complex and is always working with our egos to sabotage our best intentions. But we can be mindful; we can create habits that make our lives better. Thoughtful and powerful The Achievement Habitshows you how. |
| all shook up glenn altschuler summary: Where Dead Voices Gather Nick Tosches, 2001-08-21 A forgotten singer from the early days of jazz is at the center of this narrative; Emmett Miller, a yodeling blackface performer whose songs prefigured jazz, country, blues and much of the popular music in the twentieth century. |
| all shook up glenn altschuler summary: Without Sanctuary James Allen, 2000 |
| all shook up glenn altschuler summary: Hating Jazz Andrew S. Berish, 2025-03-12 A deep dive into the meaning behind the hatred of jazz. A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place? Andrew S. Berish’s Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz’s complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual’s taste in music may seem personal, but Berish’s analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures. Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are. |
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