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| acting one acting two robert cohen: Acting One Robert Cohen, 2002 Useful for teaching beginning acting, this text contains twenty-eight lessons based on experiential exercises. It covers basic skills, such as talking, listening, tactical interplay, physicalizing, building scenes, and making good choices. |
| acting one acting two robert cohen: Acting Power Robert Cohen, 2013 This carefully revised 21st Century Edition (re)considers, in the context of today's field: questions such as 'should actors act from the inside or the outside?' and 'should the actor live the role or present the role?'; contemporary research into communication theory, cybernetics, and cognitive science; brilliantly illuminating and witty exercises for solo study and classroom use, and a through-line of useful references to classic plays; and penetrating observations about the actor's art by more than 75 distinguished professional actors and directors.--Publisher's description. |
| acting one acting two robert cohen: Working Together in Theatre Robert Cohen, Joel Veenstra, 2024-10-31 This book explores how theater artistry melds the forces of collaboration and leadership, igniting creativity from the first spark of an idea to the climactic curtain call. It throws the spotlight on the dynamic interplay of roles, covering the collaboration between producer, director, playwright, actor, designer, stage manager, dramaturg, and stage crew. Each chapter illuminates various strategies and insights, revealing how you can harness these transformative techniques on your own journey, crafting spellbinding productions through the power of collective creativity. In this new edition, Joel Veenstra builds upon, updates, and expands on Robert Cohen's original concepts in the following ways: - Updated case studies and examples drawn from the combined 75 years of professional theatre-making experience of Cohen and Veenstra, as well as insights from their extensive network of collaborators - Revised flow and scope to include the collaborator's worldview, specific practices for creating collaborative milieu from the start, and conflict resolution tools - Modernized with new research, perspectives, and insights from leadership experts like Brené Brown and Simon Sinek, and team-based organizations like Google and The Second City - Refreshed exercises to enhance practical understanding and application of the concepts - Expanded lens for applications beyond the realm of theatre-making to any collaboration - Revised appendices with recommended digital resources |
| acting one acting two robert cohen: Milk Robert Cohen, 1998 ... Investigates to what end billions of dairy industry dollars have been used to influence the FDA and Congress as well as the scientific and medical establishment, misleading us about the dangers of consuming milk and dairy products.--Dust jacket. |
| acting one acting two robert cohen: Theatre Robert Cohen, 1988 This lively introduction to theatre offers equal measures of appreciation of theatrical arts, history of performance, and descriptions of the collaborative theatrical crafts. The author's enthusiasm for and knowledge of the current theatre, highlighted by contemporary production shots from around the world, put the students in the front row. The text includes extensive excerpts from seven plays: Prometheus Bound, Oedipus Tyrannos, The York Cycle, Romeo and Juliet, The Bourgeois Gentleman, The Three Sisters, and Happy Days. |
| acting one acting two robert cohen: Acting Professionally Robert Cohen, 1983 |
| acting one acting two robert cohen: Acting Power Robert Cohen, 1978 Designed for courses in beginning or intermediate acting, this text is a contemporary, personal, and provocative resource for students who strive to become great—not merely good—performers. |
| acting one acting two robert cohen: Drafting Scenery for Theater, Film, and Television Rich Rose, 1990 Introduces drafting tools and equipment, line types and weights, and lettering techniques, and covers designer's elevations, perspective sketches, and special graphic techniques. |
| acting one acting two robert cohen: Acting One/Acting Two Robert Cohen, 2007-01-17 The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined for the first time with his Acting Two, (the second edition of his previously-titled Advanced Acting). Together, Acting One/Acting Two provides a comprehensive and fully integrated system of all acting, from the most realistic to the most stylized. Part One (Acting One) covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making powerful acting choices. Part Two (Acting Two) provides a series of exercises that encourage the student actor's self-extension into radically different styles (historical, literary, fantastical) and characterizations; then coaches the student through scenework in a variety of historical periods (Greek, Commedia, Elizabethan, Molière, Restoration, Belle Epoque), as well as modern hyper-realistic theatrical forms such as the theatres of alienation and the absurd, and exemplary recent dramas by Tony Kushner, Margaret Edson, August Wilson and Doug Wright. |
| acting one acting two robert cohen: Fundamentals of Voice and Articulation Lyle Vernon Mayer, 2004 Still the leading text for the course, Fundamentals of Voice and Articulation continues to engage students with amusing exercises and lively practice material. This edition features new drill material and exercises, and an expanded selection of drills and problems designed for ESL students. |
| acting one acting two robert cohen: Gridlock Thomas Hale, David Held, Kevin Young, 2013-07-11 The issues that increasingly dominate the 21st century cannot be solved by any single country acting alone, no matter how powerful. To manage the global economy, prevent runaway environmental destruction, reign in nuclear proliferation, or confront other global challenges, we must cooperate. But at the same time, our tools for global policymaking - chiefly state-to-state negotiations over treaties and international institutions - have broken down. The result is gridlock, which manifests across areas via a number of common mechanisms. The rise of new powers representing a more diverse array of interests makes agreement more difficult. The problems themselves have also grown harder as global policy issues penetrate ever more deeply into core domestic concerns. Existing institutions, created for a different world, also lock-in pathological decision-making procedures and render the field ever more complex. All of these processes - in part a function of previous, successful efforts at cooperation - have led global cooperation to fail us even as we need it most. Ranging over the main areas of global concern, from security to the global economy and the environment, this book examines these mechanisms of gridlock and pathways beyond them. It is written in a highly accessible way, making it relevant not only to students of politics and international relations but also to a wider general readership. |
| acting one acting two robert cohen: The Origin of Consciousness in the Breakdown of the Bicameral Mind Julian Jaynes, 2000-08-15 National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry |
| acting one acting two robert cohen: The Essential Mario Savio Robert Cohen, 2014-08-28 The Free Speech Movement in Berkeley, California, was pivotal in shaping 1960s America. Led by Mario Savio and other young veterans of the civil rights movement, student activists organized what was to that point the most tumultuous student rebellion in American history. Mass sit-ins, a nonviolent blockade around a police car, occupations of the campus administration building, and a student strike united thousands of students to champion the right of students to free speech and unrestricted political advocacy on campus. This compendium of influential speeches and previously unknown writings offers insight into and perspective on the disruptive yet nonviolent civil disobedience tactics used by Savio. The Essential Mario Savio is the perfect introduction to an American icon and to one of the most important social movements of the post-war period in the United States. |
| acting one acting two robert cohen: The Actor as Storyteller: An Introduction to Acting Bruce Miller, 1999-07-02 This introductory acting text emphasizes the actor's responsibility to tell the story of the play. Through an engaging presentation of anecdotes and techniques, including more than 100 exercises, this text teaches beginning actors their craft as it casts them in the role of storytellers in service of the script. A complete play, Rules of Love, by Joe Pintauro, is included. |
| acting one acting two robert cohen: Idris Elba - So, Now What? The Biography Nadia Cohen, 2016-07-07 From starring as the ruthlessly ingenious drug lord Stringer Bell in the iconic HBO series The Wire, to playing Madiba himself in the long-awaited biopic of Nelson Mandela, it has been some journey for Idris Elba. From humble beginnings, a second generation immigrant born in Hackney, London, Elba set up his own wedding DJ business at the age of 14 but, encouraged by his drama teacher to pursue his natural talent, won a place at the National Youth Music Theatre. Though possessed of a brooding screen presence which served him so well in the BBC's terrifying crime drama series Luther, 2016 showed a whole new side to Idris as he entered the voice acting world with The Jungle Book and Finding Dory. He inhabits each role as if he were born to play it--but what of the man himself? This biography reveals Elba's life behind the lens, exploring what makes him so ambitious, adaptable and endlessly watchable. His charisma has won him admirers on both sides of the Atlantic, and the role of Bond may yet beckon. |
| acting one acting two robert cohen: The Method Acting Exercises Handbook Lola Cohen, 2016-12-08 The Method Acting Exercises Handbook is a concise and practical guide to the acting exercises originally devised by Lee Strasberg, one of the Method's foremost practitioners. The Method trains the imagination, concentration, senses and emotions to ‘re-create’ – not ‘imitate’ – logical, believable and truthful behavior on stage and in film. Building on nearly 30 years of teaching internationally and at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles, Lola Cohen details a series of specific exercises in order to provide clear instruction and guidance to this preeminent form of actor training. By integrating Strasberg's voice with her own tried and tested style of teaching, Cohen demonstrates what can be gained from the exercises, how they can inform and inspire your learning, and how they might be applied to your acting and directing practice. As a companion to The Lee Strasberg Notes (Routledge 2010), a transcription of Strasberg's own teaching, The Method Acting Exercises Handbook offers an unparalleled and updated guide to this world renowned technique. |
| acting one acting two robert cohen: Transnational Canadas Kit Dobson, 2011-04-07 Transnational Canadas marks the first sustained inquiry into the relationship between globalization and Canadian literature written in English. Tracking developments in the literature and its study from the centennial period to the present, it shows how current work in transnational studies can provide new insights for researchers and students. Arguing first that the dichotomy of Canadian nationalism and globalization is no longer valid in today’s economic climate, Transnational Canadas explores the legacy of leftist nationalism in Canadian literature. It examines the interventions of multicultural writing in the 1980s and 1990s, investigating the cultural politics of the period and how they increasingly became part of Canada’s state structure. Under globalization, the book concludes, we need to understand new forms of subjectivity and mobility as sites for cultural politics and look beyond received notions of belonging and being. An original contribution to the study of Canadian literature, Transnational Canadas seeks to invigorate discussion by challenging students and researchers to understand the national and the global simultaneously, to look at the politics of identity beyond the rubric of multiculturalism, and to rethink the slippery notion of the political for the contemporary era. |
| acting one acting two robert cohen: German Europe Ulrich Beck, 2013-04-24 The euro crisis is tearing Europe apart. But the heart of the matter is that, as the crisis unfolds, the basic rules of European democracy are being subverted or turned into their opposite, bypassing parliaments, governments and EU institutions. Multilateralism is turning into unilateralism, equality into hegemony, sovereignty into the dependency and recognition into disrespect for the dignity of other nations. Even France, which long dominated European integration, must submit to Berlin’s strictures now that it must fear for its international credit rating. How did this happen? The anticipation of the European catastrophe has already fundamentally changed the European landscape of power. It is giving birth to a political monster: a German Europe. Germany did not seek this leadership position - rather, it is a perfect illustration of the law of unintended consequences. The invention and implementation of the euro was the price demanded by France in order to pin Germany down to a European Monetary Union in the context of German unification. It was a quid pro quo for binding a united Germany into a more integrated Europe in which France would continue to play the leading role. But the precise opposite has happened. Economically the euro turned out to be very good for Germany, and with the euro crisis Chancellor Angela Merkel became the informal Queen of Europe. The new grammar of power reflects the difference between creditor and debtor countries; it is not a military but an economic logic. Its ideological foundation is ‘German euro nationalism’ - that is, an extended European version of the Deutschmark nationalism that underpinned German identity after the Second World War. In this way the German model of stability is being surreptitiously elevated into the guiding idea for Europe. The Europe we have now will not be able to survive in the risk-laden storms of the globalized world. The EU has to be more than a grim marriage sustained by the fear of the chaos that would be caused by its breakdown. It has to be built on something more positive: a vision of rebuilding Europe bottom-up, creating a Europe of the citizen. There is no better way to reinvigorate Europe than through the coming together of ordinary Europeans acting on their own behalf. |
| acting one acting two robert cohen: I'm Your Man Sylvie Simmons, 2012-10-23 The definitive biography of one of the most emigmatic, beloved, and celebrated artists of our time. Leonard Cohen's extensive and successful recent worldwide tour has demonstrated that his popularity across generations and borders has never been greater. Cohen's life is one of singular mystique. This major in-depth biography is the book Cohen's fans have been waiting for. Acclaimed writer/journalist Sylvie Simmons has interviewed more than 100 figures from Cohen's life and work, including his main muses; the women in his life -- from Suzanne and Marianne to Rebecca de Mornay and Anjani Thomas; artists such as Rufus Wainwright, Nick Cave, David Crosby, Judy Collins, and Philip Glass; his record producers; his closest friends, from childhood to adulthood; and many of the spiritual figures who have influenced his life. Cohen, notoriously private, has granted interviews himself. Thoroughly researched and thoughtful, penetrating and lively, fascinating and revealing of stories and facts never read before, I'm Your Man offers new perspectives on Cohen and his life. It will be one of the most talked-about books of the season, and for years to come. |
| acting one acting two robert cohen: The Art of Auditioning Rob Decina, 2004-06-01 A network daytime casting director highlights the difference between the craft of acting and the business of auditioning, and how those two worlds meet in television. Included are proven-effective preparation techniques, including asking the right questions, making specific acting choices, sitting versus standing, finding beats and beat changes, using spontaneity, and much more. Also included are interviews with top daytime casting directors and actors, advice on headshots and resumes, and an examination of the difference between audition preparation and theatrical preparation. |
| acting one acting two robert cohen: Reinforcement Learning, second edition Richard S. Sutton, Andrew G. Barto, 2018-11-13 The significantly expanded and updated new edition of a widely used text on reinforcement learning, one of the most active research areas in artificial intelligence. Reinforcement learning, one of the most active research areas in artificial intelligence, is a computational approach to learning whereby an agent tries to maximize the total amount of reward it receives while interacting with a complex, uncertain environment. In Reinforcement Learning, Richard Sutton and Andrew Barto provide a clear and simple account of the field's key ideas and algorithms. This second edition has been significantly expanded and updated, presenting new topics and updating coverage of other topics. Like the first edition, this second edition focuses on core online learning algorithms, with the more mathematical material set off in shaded boxes. Part I covers as much of reinforcement learning as possible without going beyond the tabular case for which exact solutions can be found. Many algorithms presented in this part are new to the second edition, including UCB, Expected Sarsa, and Double Learning. Part II extends these ideas to function approximation, with new sections on such topics as artificial neural networks and the Fourier basis, and offers expanded treatment of off-policy learning and policy-gradient methods. Part III has new chapters on reinforcement learning's relationships to psychology and neuroscience, as well as an updated case-studies chapter including AlphaGo and AlphaGo Zero, Atari game playing, and IBM Watson's wagering strategy. The final chapter discusses the future societal impacts of reinforcement learning. |
| acting one acting two robert cohen: Been Down So Long It Looks Like Up to Me Richard Farina, 1996-05-01 A witty, psychedelic, and telling novel of the 1960s Richard Fariña evokes the Sixties as precisely, wittily, and poignantly as F. Scott Fitzgerald captured the Jazz Age. The hero, Gnossus Pappadopoulis, weaves his way through the psychedelic landscape, encountering-among other things-mescaline, women, art, gluttony, falsehood, science, prayer, and, occasionally, truth. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. From the Trade Paperback edition. |
| acting one acting two robert cohen: The Science of Effective Mentorship in STEMM National Academies of Sciences, Engineering, and Medicine, Policy and Global Affairs, Board on Higher Education and Workforce, Committee on Effective Mentoring in STEMM, 2020-01-24 Mentorship is a catalyst capable of unleashing one's potential for discovery, curiosity, and participation in STEMM and subsequently improving the training environment in which that STEMM potential is fostered. Mentoring relationships provide developmental spaces in which students' STEMM skills are honed and pathways into STEMM fields can be discovered. Because mentorship can be so influential in shaping the future STEMM workforce, its occurrence should not be left to chance or idiosyncratic implementation. There is a gap between what we know about effective mentoring and how it is practiced in higher education. The Science of Effective Mentorship in STEMM studies mentoring programs and practices at the undergraduate and graduate levels. It explores the importance of mentorship, the science of mentoring relationships, mentorship of underrepresented students in STEMM, mentorship structures and behaviors, and institutional cultures that support mentorship. This report and its complementary interactive guide present insights on effective programs and practices that can be adopted and adapted by institutions, departments, and individual faculty members. |
| acting one acting two robert cohen: Judging Statutes Robert A. Katzmann, 2014-08-14 In an ideal world, the laws of Congress--known as federal statutes--would always be clearly worded and easily understood by the judges tasked with interpreting them. But many laws feature ambiguous or even contradictory wording. How, then, should judges divine their meaning? Should they stick only to the text? To what degree, if any, should they consult aids beyond the statutes themselves? Are the purposes of lawmakers in writing law relevant? Some judges, such as Supreme Court Justice Antonin Scalia, believe courts should look to the language of the statute and virtually nothing else. Chief Judge Robert A. Katzmann of the U.S. Court of Appeals for the Second Circuit respectfully disagrees. In Judging Statutes, Katzmann, who is a trained political scientist as well as a judge, argues that our constitutional system charges Congress with enacting laws; therefore, how Congress makes its purposes known through both the laws themselves and reliable accompanying materials should be respected. He looks at how the American government works, including how laws come to be and how various agencies construe legislation. He then explains the judicial process of interpreting and applying these laws through the demonstration of two interpretative approaches, purposivism (focusing on the purpose of a law) and textualism (focusing solely on the text of the written law). Katzmann draws from his experience to show how this process plays out in the real world, and concludes with some suggestions to promote understanding between the courts and Congress. When courts interpret the laws of Congress, they should be mindful of how Congress actually functions, how lawmakers signal the meaning of statutes, and what those legislators expect of courts construing their laws. The legislative record behind a law is in truth part of its foundation, and therefore merits consideration. |
| acting one acting two robert cohen: Undoing Gender Judith Butler, 2004-10-22 Undoing Gender constitutes Judith Butler's recent reflections on gender and sexuality, focusing on new kinship, psychoanalysis and the incest taboo, transgender, intersex, diagnostic categories, social violence, and the tasks of social transformation. In terms that draw from feminist and queer theory, Butler considers the norms that govern--and fail to govern--gender and sexuality as they relate to the constraints on recognizable personhood. The book constitutes a reconsideration of her earlier view on gender performativity from Gender Trouble. In this work, the critique of gender norms is clearly situated within the framework of human persistence and survival. And to do one's gender in certain ways sometimes implies undoing dominant notions of personhood. She writes about the New Gender Politics that has emerged in recent years, a combination of movements concerned with transgender, transsexuality, intersex, and their complex relations to feminist and queer theory. |
| acting one acting two robert cohen: Acting in Restoration Comedy Simon Callow, 1990-03-01 |
| acting one acting two robert cohen: Liquid Times Zygmunt Bauman, 2013-04-17 The passage from ‘solid’ to ‘liquid’ modernity has created a new and unprecedented setting for individual life pursuits, confronting individuals with a series of challenges never before encountered. Social forms and institutions no longer have enough time to solidify and cannot serve as frames of reference for human actions and long-term life plans, so individuals have to find other ways to organise their lives. They have to splice together an unending series of short-term projects and episodes that don’t add up to the kind of sequence to which concepts like ‘career’ and ‘progress’ could meaningfully be applied. Such fragmented lives require individuals to be flexible and adaptable – to be constantly ready and willing to change tactics at short notice, to abandon commitments and loyalties without regret and to pursue opportunities according to their current availability. In liquid modernity the individual must act, plan actions and calculate the likely gains and losses of acting (or failing to act) under conditions of endemic uncertainty. Zygmunt Bauman’s brilliant writings on liquid modernity have altered the way we think about the contemporary world. In this short book he explores the sources of the endemic uncertainty which shapes our lives today and, in so doing, he provides the reader with a brief and accessible introduction to his highly original account, developed at greater length in his previous books, of life in our liquid modern times. |
| acting one acting two robert cohen: Medieval Roles for Modern Times Helen Solterer, 2010 Examines the performances of a Parisian youth group, Gustave Cohen's Théophiliens, and the process of making medieval culture a part of the modern world. Explores the work of actor Moussa Abadi, and his clandestine resistance under the Vichy regime in France during World War II. |
| acting one acting two robert cohen: Writing Musical Theater A. Cohen, S. Rosenhaus, 2016-04-30 This guide to the modern musical covers the entire process of creating a show, from finding and working out the initial idea, through to the ways in which writers can market a finished show and get it produced. For the interested theatregoer and writers, it is written in a lively and user-friendly style and illustrated with numerous examples. |
| acting one acting two robert cohen: Acting Professionally James Calleri, Robert Cohen, 2019-05-08 This vital resource will steer you through the hugely competitive industry of stage, film and TV acting, offering wise advice on everything from writing an eye-catching résumé to finding an agent. It will give you a clear understanding of how acting careers are built and sustained, and how actors must position themselves in an environment overseen by directors, agents, casting directors and acting unions. Praised for its honest and critical understanding of the industry, the text has retained its status as the leading book in its field since the first edition published in 1972. Acclaimed industry professional authors Robert Cohen and James Calleri offer vast insight and experience as professors, directors, playwrights and casting directors, making the text essential reading for all students and lecturers of acting at universities, drama schools and conservatories, as well as anyone interested in pursuing and developing their career in acting. |
| acting one acting two robert cohen: Moral Blindness Zygmunt Bauman, Leonidas Donskis, 2013-04-01 Evil is not confined to war or to circumstances in which people are acting under extreme duress. Today it more frequently reveals itself in the everyday insensitivity to the suffering of others, in the inability or refusal to understand them and in the casual turning away of one’s ethical gaze. Evil and moral blindness lurk in what we take as normality and in the triviality and banality of everyday life, and not just in the abnormal and exceptional cases. The distinctive kind of moral blindness that characterizes our societies is brilliantly analysed by Zygmunt Bauman and Leonidas Donskis through the concept of adiaphora: the placing of certain acts or categories of human beings outside of the universe of moral obligations and evaluations. Adiaphora implies an attitude of indifference to what is happening in the world – a moral numbness. In a life where rhythms are dictated by ratings wars and box-office returns, where people are preoccupied with the latest gadgets and forms of gossip, in our ‘hurried life’ where attention rarely has time to settle on any issue of importance, we are at serious risk of losing our sensitivity to the plight of the other. Only celebrities or media stars can expect to be noticed in a society stuffed with sensational, valueless information. This probing inquiry into the fate of our moral sensibilities will be of great interest to anyone concerned with the most profound changes that are silently shaping the lives of everyone in our contemporary liquid-modern world. |
| acting one acting two robert cohen: Folk Devils and Moral Panics Stanley Cohen, 2011 'Richly documented and convincingly presented' -- New Society Mods and Rockers, skinheads, video nasties, designer drugs, bogus asylum seeks and hoodies. Every era has its own moral panics. It was Stanley Cohen's classic account, first published in the early 1970s and regularly revised, that brought the term 'moral panic' into widespread discussion. It is an outstanding investigation of the way in which the media and often those in a position of political power define a condition, or group, as a threat to societal values and interests. Fanned by screaming media headlines, Cohen brilliantly demonstrates how this leads to such groups being marginalised and vilified in the popular imagination, inhibiting rational debate about solutions to the social problems such groups represent. Furthermore, he argues that moral panics go even further by identifying the very fault lines of power in society. Full of sharp insight and analysis, Folk Devils and Moral Panics is essential reading for anyone wanting to understand this powerful and enduring phenomenon. Professor Stanley Cohen is Emeritus Professor of Sociology at the London School of Economics. He received the Sellin-Glueck Award of the American Society of Criminology (1985) and is on the Board of the International Council on Human Rights. He is a member of the British Academy. |
| acting one acting two robert cohen: Power Steven Lukes, 2021 The third edition of this seminal work includes the original text, first published in 1974, the updates and reflections from the second edition and two groundbreaking new chapters. Power: A Radical View assesses the main debates about how to conceptualize and study power, including the influential contributions of Michel Foucault. The new material includes a development of Lukes's theory of power and presents empirical cases to exemplify this. Including a refreshed introduction, this third edition brings a book that has consolidated its reputation as a classic work and a major reference point within Social and Political Theory to a whole new audience. It can be used on modules across the Social and Political Sciences dealing with the concept of power and its manifestation in the world. It is also essential reading for all undergraduate and postgraduate students interested in the history of Social and Political Thought.--Publisher's website |
| acting one acting two robert cohen: An Actor's Work on a Role Konstantin Stanislavsky, 2010 An Actor's Work on a Role is Konstantin Stanislavsky's classic exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing life and truth to one's role. Originally published over half a century ago as Creating a Role, this book became the third in a trilogy – after An Actor Prepares and Building a Character, which are now combined in a newly translated volume called An Actor's Work. In these books, now foundational texts for actors, Stanislavsky sets out his psychological, physical and practical vision of actor training. This new translation from renowned writer and critic Jean Benedetti not only includes Stanislavski's original teachings, but is also furnished with invaluable supplementary material in the shape of transcripts and notes from the rehearsals themselves, reconfirming The System as the cornerstone of actor training. |
| acting one acting two robert cohen: Michael Chekhov’s Acting Technique Sinéad Rushe, 2019-01-24 Intended for actors, directors, teachers and researchers, this book offers an exceptionally clear and thorough introduction to the renowned acting technique developed by Michael Chekhov. Providing a complete overview of the whole method, Michael Chekhov's Acting Technique includes illuminating explanations of his principles and a wide range of practical exercises that illustrate, step by step, how they can be applied to dramatic texts. Part One provides an outline of Chekhov's most basic principles, which help to prepare practitioners to become responsive and receptive, and to awaken their imagination. Part Two charts a journey through the foundational psychophysical exercises that can both orient an actor's training routine and be applied directly to the development of a role. Part Three focuses on more specific and elaborate methods of scene work, characterisation and the art of transformation. The book draws on the full range of Chekhov's writing in English and French, unpublished material from the Dartington Hall archives, and interviews with actors who have worked with the technique, including Simon Callow and Joanna Merlin. It illustrates Chekhov's approach by referring to Rushe's own productions of Nikolai Gogol's short story 'Diary of a Madman' and Shakespeare's Othello, as well as characters and scenes in Sarah Kane's Blasted and the contemporary American television series Breaking Bad. It will serve as a comprehensive and contemporary point of reference for those who are already trained in the method, as well as an initiation and toolkit for practitioners who are just beginning to discover it-- |
| acting one acting two robert cohen: Lyddie Katherine Paterson, 1995-01-01 From two-time Newbery award-winning author Katherine Paterson. When Lyddie and her younger brother are hired out as servants to help pay off their family farm's debts, Lyddie is determined to find a way to reunite her family once again. Hearing about all the money a girl can make working in the textile mills in Lowell, Massachusetts, she makes her way there, only to find that her dreams of returning home may never come true. Includes an all-new common core aligned educator's guide. Rich in historical detail...a superb story of grit, determination, and personal growth. —The Horn Book, starred review Lyddie is full of life, full of lives, full of reality. —The New York Times Book Review An ALA Notable Book An ALA Best Book for Young Adults A Booklist Editor's Choice American Bookseller Pick of the Lists School Library Journal Best Book Parents magazine Best Book |
| acting one acting two robert cohen: Bresson on Bresson: Interviews, 1943-1983 Robert Bresson, 2016-11-15 Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.” |
| acting one acting two robert cohen: Acting Onstage and Off : Montgomery College THET110 Robert Barton, 2015 |
| acting one acting two robert cohen: Two Concepts of Liberty Isaiah Berlin, 1961 |
Acting One Robert Cohen - dev.internal-displacement.org
Acting One Robert Cohen,2002 Useful for teaching beginning acting this text contains twenty eight lessons based on experiential exercises It covers basic skills such as talking listening tactical …
Acting One By Robert Cohen (Download Only)
Acting One/Acting Two Robert Cohen,2007-01-17 The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined …
Acting One By Robert Cohen - onlymagazine.net
Together, Acting One/Acting Two provides a comprehensive and fully integrated system of all acting, from the most realistic to the most stylized. Part One (Acting One) covers basic skills …
Acting One By Robert Cohen (PDF) - classroom.edopoly.edu.ng
Acting One Robert Cohen,2002 Useful for teaching beginning acting this text contains twenty eight lessons based on experiential exercises It covers basic skills such as talking listening tactical …
Acting One Robert Cohen Robert Cohen (Download Only) …
Nov 28, 2024 · Acting One/Acting Two Robert Cohen,2007-01-17 The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now …
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Acting One Robert Cohen,2002 Useful for teaching beginning acting this text contains twenty eight lessons based on experiential exercises It covers basic skills such as talking listening tactical …
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Acting One Robert Cohen Acting One Robert Cohen: A Deep Dive into Effective Communication and Performance Robert Cohen, a renowned name in the fields of communication and performance …
Acting One By Robert Cohen - wiki.drf.com
Part One (Acting One) covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making powerful acting choices. Part Two (Acting Two) provides a...
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Acting One/Acting Two Robert Cohen,2007-01-17 The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined …
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Acting One: Robert Cohen and the Art of Making a Scene In the bustling world of film and television, where stories unfold with a captivating blend of drama, humor, and heart, there lies a master …
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Acting One Robert Cohen,2002 Useful for teaching beginning acting this text contains twenty eight lessons based on experiential exercises It covers basic skills such as talking listening tactical …
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Acting One/Acting Two Robert Cohen,2007-01-17 The new fifth edition of Robert Cohen s Acting One the text used to teach acting on more campuses than any other has now been combined for …
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One To Another Acting Edition S: Acting One/Acting Two Robert Cohen,2007-01-17 The new fifth edition of Robert Cohen s Acting One the text used to teach acting on more campuses than any …
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Acting One Robert Cohen Acting One Robert Cohen: A Deep Dive into Effective Communication and Performance Robert Cohen, a renowned name in the fields of communication and performance …
Acting One By Robert Cohen (book)
Acting One/Acting Two Robert Cohen,2007-01-17 The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined …
Acting One Robert Cohen (PDF)
Acting One Robert Cohen,2002 Useful for teaching beginning acting this text contains twenty eight lessons based on experiential exercises It covers basic skills such as talking listening tactical …
Acting One By Robert Cohen(3) - goramblers.org
integrated system of all acting, from the most realistic to the most stylized. Part One (Acting One) covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and …
Acting One Robert Cohen - dev.internal-displacement.org
Acting One Robert Cohen,2002 Useful for teaching beginning acting this text contains twenty eight lessons based on experiential exercises It covers basic skills such as …
Acting One By Robert Cohen (Download Only)
Acting One/Acting Two Robert Cohen,2007-01-17 The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now …
Acting One By Robert Cohen - onlymagazine.net
Together, Acting One/Acting Two provides a comprehensive and fully integrated system of all acting, from the most realistic to the most stylized. Part One (Acting One) covers basic …
Acting One By Robert Cohen (PDF) - classroom.edopoly.edu.…
Acting One Robert Cohen,2002 Useful for teaching beginning acting this text contains twenty eight lessons based on experiential exercises It covers basic skills such as …
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Nov 28, 2024 · Acting One/Acting Two Robert Cohen,2007-01-17 The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any …
