Adam Smyth Autobiography

  adam smyth autobiography: Autobiography in Early Modern England Adam Smyth, 2010-08-05 Explores life-writing forms - almanacs, financial accounts, commonplace books and parish registers - which emerged during the sixteenth and seventeenth centuries.
  adam smyth autobiography: A History of English Autobiography Adam Smyth, 2016-04-04 This History explores the genealogy of autobiographical writing in England from the medieval period to the digital era.
  adam smyth autobiography: A Pleasing Sinne Adam Smyth, 2004 Studies of the representation and understanding of drink and conviviality in diverse social contexts.
  adam smyth autobiography: The Atheist's Bible Georges Minois, 2022-10-27 A comprehensive biography of the Treatise of the Three Impostors, a controversial nonexistent medieval book. Like a lot of good stories, this one begins with a rumor: in 1239, Pope Gregory IX accused Frederick II, the Holy Roman Emperor, of heresy. Without disclosing evidence of any kind, Gregory announced that Frederick had written a supremely blasphemous book—De tribus impostoribus, or the Treatise of the Three Impostors—in which Frederick denounced Moses, Jesus, and Muhammad as impostors. Of course, Frederick denied the charge, and over the following centuries the story played out across Europe, with libertines, freethinkers, and other “strong minds” seeking a copy of the scandalous text. The fascination persisted until finally, in the eighteenth century, someone brought the purported work into actual existence—in not one but two versions, Latin and French. Although historians have debated the origins and influences of this nonexistent book, there has not been a comprehensive biography of the Treatise of the Three Impostors. In The Atheist’s Bible, the eminent historian Georges Minois tracks the course of the book from its origins in 1239 to its most salient episodes in the seventeenth and eighteenth centuries, introducing readers to the colorful individuals obsessed with possessing the legendary work—and the equally obsessive passion of those who wanted to punish people who sought it. Minois’s compelling account sheds much-needed light on the power of atheism, the threat of blasphemy, and the persistence of free thought during a time when the outspoken risked being burned at the stake.
  adam smyth autobiography: All the Lives We Ever Lived Katharine Smyth, 2020-01-21 A wise, lyrical memoir about the power of literature to help us read our own lives—and see clearly the people we love most. “Transcendent.”—The Washington Post • “You’d be hard put to find a more moving appreciation of Woolf’s work.”—The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TOWN & COUNTRY Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death—a calamity that claimed her favorite person—she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth’s story moves between the New England of her childhood and Woolf’s Cornish shores and Bloomsbury squares, exploring universal questions about family, loss, and homecoming. Through her inventive, highly personal reading of To the Lighthouse, and her artful adaptation of its groundbreaking structure, Smyth guides us toward a new vision of Woolf’s most demanding and rewarding novel—and crafts an elegant reminder of literature’s ability to clarify and console. Braiding memoir, literary criticism, and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author. Praise for All the Lives We Ever Lived “This searching memoir pays homage to To the Lighthouse, while recounting the author’s fraught relationship with her beloved father, a vibrant figure afflicted with alcoholism and cancer. . . . Smyth’s writing is evocative and incisive.”—The New Yorker “Like H Is for Hawk, Smyth’s book is a memoir that’s not quite a memoir, using Woolf, and her obsession with Woolf, as a springboard to tell the story of her father’s vivid life and sad demise due to alcoholism and cancer. . . . An experiment in twenty-first century introspection that feels rooted in a modernist tradition and bracingly fresh.”—Vogue “Deeply moving – part memoir, part literary criticism, part outpouring of longing and grief… This is a beautiful book about the wildness of mortal life, and the tenuous consolations of art.”—The Times Literary Supplement “Blending analysis of a deeply literary novel with a personal story... gently entwining observations from Woolf's classic with her own layered experience. Smyth tells us of her love for her father, his profound alcoholism and the unpredictable course of the cancer that ultimately claimed his life.”—Time
  adam smyth autobiography: ADAM SMYTH: 13 MARCH 1911 PB Adam Smyth, 2019-04-16 13 March 1911 is a starkly succinct collage work that weaves together intriguing fragments of found text, all of which relate to this unremarkable day in history. Long forgotten newspaper articles are juxtaposed with extracts from personal letters, theatre reviews and advertiser's announcements. Classified personal ads reveal the needs, aspirations and poignant losses of their authors.These ultra-short stories, honed to perfection, resonate with lyrical intensity. The effect is gloriously impressionistic: sketchy, unrelated brushstrokes that come together to paint a richly evocative and seemingly complete portrait of the day.In the hands of a lesser author, this composition might fall short, but Smyth selects, edits and juxtaposes the material with a masterful touch. I found 13 March 1911 utterly compelling. I did not want this day to end.-- Graham Rawle, author of Woman's World (Atlantic Books), & Overland (Chatto & Windus)
  adam smyth autobiography: Material Texts in Early Modern England Adam Smyth, 2018-01-11 This book combines book history and literary criticism to explore how early modern books were richer things than previously imagined.
  adam smyth autobiography: Autobiography and Gender in Early Modern Literature Sharon Cadman Seelig, 2006-03-02 Early modern autobiographies and diaries provide a unique insight into women's lives and how they remembered, interpreted and represented their experiences. Sharon Seelig analyzes the writings of six seventeenth-century women: diaries by Margaret Hoby and Anne Clifford, more extended narratives by Lucy Hutchinson, Ann Fanshawe, and Anne Halkett, and the extraordinarily varied and self-dramatizing publications of Margaret Cavendish. Combining an original account of the development of autobiography with analysis of the texts, Seelig explores the relation between the writers' choices of genre and form and the stories they chose to tell.
  adam smyth autobiography: A Companion to the Global Renaissance Jyotsna G. Singh, 2021-07-09 A COMPANION TO THE GLOBAL RENAISSANCE An innovative collection of original essays providing an expansive picture of globalization across the early modern world, now in its second edition A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500–1700, Second Edition provides readers with a deeper and more nuanced understanding of both macro and micro perspectives on the commercial and cross-cultural interactions of the sixteenth and seventeenth centuries. Covering a uniquely broad range of literary and cultural materials, historical contexts, and geographical regions, the Companion’s varied chapters offer interdisciplinary perspectives on the implications of early modern concepts of commerce, material and artistic culture, sexual and cross-racial encounters, conquest and enslavement, social, artistic, and religious cross-pollinations, geographical “discoveries,” and more. Building upon the success of its predecessor, this second edition of A Companion to the Global Renaissance radically extends its scope by moving beyond England and English culture. Newly-commissioned essays investigate intercultural and intra-cultural exchanges, transactions, and encounters involving England, European powers, Eastern kingdoms, Africa, Islamic empires, and the Americas, within cross-disciplinary frameworks. Offering a complex and multifaceted view of early modern globalization, this new edition: Demonstrates the continuing global “turn” in Early Modern Studies through original essays exploring interconnected exchanges, transactions, and encounters Provides significantly expanded coverage of global interactions involving England, European powers such as Portugal, Spain, and The Netherlands, Eastern empires such as Japan, and the Ottoman, Safavid, and Mughal empires Includes a Preface and Afterword, as well as a revised and expanded Introduction summarizing the evolving field of Global Early Modern Studies and describing the motifs and methodologies informing the essays within the volume Explores an array of new subjects, including an exceptional woman traveler in Eurasia, the Jesuit presence in Mughal India and sixteenth-century Japan, the influence of Mughal art on an Amsterdam painter-cum-poet, the cultural impact of Eastern trade on plays and entertainments in early modern London, Safavid cultural disseminations, English and Portuguese slaving practices, the global contexts of English pattern poetry, and global lyric transmissions across cultures A wide-ranging account of the global expansions and interactions of the period, A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500–1700, Second Edition remains essential reading for early modern scholars and students ranging from undergraduate and graduate students to more advanced scholars and specialists in the field.
  adam smyth autobiography: Beastie Boys Book Michael Diamond, Adam Horovitz, 2020-05-12 THE #1 NEW YORK TIMES, GRAMMY-NOMINATED BESTSELLER A SUNDAY TIMES, GUARDIAN, OBSERVER, ROLLING STONE, AND ROUGH TRADE BOOK OF THE YEAR A panoramic experience that tells the story of Beastie Boys, a book as unique as the band itself-by band members AD-ROCK and Mike D, with contributions from Amy Poehler, Colson Whitehead, Spike Jonze, Wes Anderson, Luc Sante, and more. THE INSPIRATION FOR THE 5-TIME EMMY NOMINATED, SPIKE JONZE-DIRECTED BEASTIE BOYS STORY 'One of the greatest music books ever published.' MAX PORTER Formed as a New York City hardcore band in 1981, Beastie Boys struck an unlikely path to global hip hop superstardom. Here is their story, told for the first time in the words of the band. Adam AD-ROCK Horovitz and Michael Mike D Diamond offer revealing and very funny accounts of their transition from teenage punks to budding rappers; their early collaboration with Russell Simmons and Rick Rubin; the almost impossible-to-fathom overnight success of their debut studio album Licensed to Ill; that album's messy fallout; their break with Def Jam, move to Los Angeles, and rebirth as musicians and social activists, with the genre-defying masterpiece Paul's Boutique. For more than twenty years, this band has had a wide-ranging and lasting influence on popular culture. With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir. Alongside the band narrative you will find rare photos, original illustrations, a cookbook by chef Roy Choi, a graphic novel, a map of Beastie Boys' New York, mixtape playlists, pieces by guest contributors, and many more surprises. 'Memoir, graphic novel, cookbook, photo-journal, love letter, elegy: this vast, unwieldy, marvellous book, narrated, like the band's songs, scatter-gun style by the two surviving Beastie Boys, is as original, uncategorisable and attention-grabbing as their music.' SUNDAY TIMES (BOOK OF THE YEAR) 'Wide-ranging and unorthodox . . . [a] treat . . . insightful about the group's shifting music and are expert yarn-spinners, homing in on telling vignettes rather than doling out a straightforward history . . . shot through with yearning and melanchonly.' GUARDIAN (BOOK OF THE YEAR) 'Here is their story, told for the first time in the words of the ban With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir . . . Our clear winner for Book of the Year.' ROUGH TRADE (BOOK OF THE YEAR) 'The Beasties didn't play by the rules during their career, and this memoir by surviving members Michael Diamond and Adam Horovitz doesn't either . . . hiliarious, at times heartwarming.' ROLLING STONE (BOOK OF THE YEAR)
  adam smyth autobiography: London Fog Christine L. Corton, 2015-11-02 The classic London fogs—thick yellow “pea-soupers”—were born in the industrial age and remained a feature of cold, windless winter days until clean air legislation in the 1960s. Christine L. Corton tells the story of these epic London fogs, their dangers and beauty, and the lasting effects on our culture and imagination of these urban spectacles.
  adam smyth autobiography: My New Roots Sarah Britton, 2015-03-31 Holistic nutritionist and highly-regarded blogger Sarah Britton presents a refreshing, straight-forward approach to balancing mind, body, and spirit through a diet made up of whole foods. Sarah Britton's approach to plant-based cuisine is about satisfaction--foods that satiate on a physical, emotional, and spiritual level. Based on her knowledge of nutrition and her love of cooking, Sarah Britton crafts recipes made from organic vegetables, fruits, whole grains, beans, lentils, nuts, and seeds. She explains how a diet based on whole foods allows the body to regulate itself, eliminating the need to count calories. My New Roots draws on the enormous appeal of Sarah Britton's blog, which strikes the perfect balance between healthy and delicious food. She is a whole food lover, a cook who makes simple accessible plant-based meals that are a pleasure to eat and a joy to make. This book takes its cues from the rhythms of the earth, showcasing 100 seasonal recipes. Sarah simmers thinly sliced celery root until it mimics pasta for Butternut Squash Lasagna, and whips up easy raw chocolate to make homemade chocolate-nut butter candy cups. Her recipes are not about sacrifice, deprivation, or labels--they are about enjoying delicious food that's also good for you.
  adam smyth autobiography: A Small Boy and Others Henry James, 2011-04-18 This first fully annotated critical edition of A Small Boy and Others, which guides the reader through the allusive complexities of James's prose, offers fresh insights into the formative years of one of literature's most influential figures.
  adam smyth autobiography: Early Modern Autobiography Ronald Bedford, Lloyd Davis, Philippa Kelly, 2006 Why, and in what ways, did late medieval and early modern English people write about themselves, and what was their understanding of how selves were made and discussed? This collection goes to the heart of current debate about literature and autobiography, addressing the contentious issues of what is meant by early modern autobiographical writing, how it was done, and what was understood by self-representation in a society whose groupings were both elaborate and highly regulated. Early Modern Autobiography considers the many ways in which autobiographical selves emerged from the late medieval period through the seventeenth century, with the aim of understanding the interaction between those individuals' lives and their worlds, the ways in which they could be recorded, and the contexts in which they are read. In addressing this historical arc, the volume develops new readings of significant autobiographical works, while also suggesting the importance of texts and contexts that have rarely been analyzed in detail, enabling the contributors to reflect on, and challenge, some prevailing ideas about what it means to write autobiographically and about the development of notions of self-representation. The idea of the self, as seen from diverse and fascinating perspectives on sixteenth- and seventeenth-century life: this is what readers can expect from Early Modern Autobiography. A beautifully edited collection, genuinely far-reaching and insightful, Early Modern Autobiography makes known to us a great deal about how people saw themselves four hundred years ago. --Derek Cohen, Professor of English, McLaughlin College, York University Acutely addressing a range of central issues from subjectivity to theatricality to religion, these essays will be of great interest to specialists in early modern studies and students of autobiographical writings from all eras. --Heather Dubrow, Tighe-Evans Professor and John Bascom Professor, Department of English, University of Wisconsin The essays in this volume show where archival discoveries--memoirs, letters, account books, wills, and marginalia--can take us in understanding early modern mentalities. They document the interdependence of the abstract and the everyday, the social constructedness of self-awareness, local contexts for self-recordation, and impulses that range from legal purpose to imaginative escape. The sixteen chapters open many fascinating new perspectives on identity and personhood in Renaissance England.--Lena Cowen Orlin, Executive Director, The Shakespeare Association of America and Professor of English, University of Maryland Baltimore County Ronald Bedford is Reader in the School of English, Communication and Theatre at the Unversity of New England in Armidale, New South Wales, and author of The Defence of Truth: Herbert of Cherbury and the Seventeenth Century and Dialogues with Convention: Readings in Renaissance Poetry. The late Lloyd Davis was Reader in the School of English at the University of Queensland, and author of Guise and Disguise: Rhetoric and Characterization in the English Renaissance (1993) and editor of Sexuality and Gender in the English Renaissance (1998) and Shakespeare Matters: History, Teaching, Performance (2003). Philippa Kelly is a Senior Research Fellow at the University of New South Wales, and has published widely in the areas of Shakespeare studies, cultural studies, feminism, and postcolonial studies.
  adam smyth autobiography: Christopher Marlowe, Theatrical Commerce and the Book Trade Kirk Melnikoff, Roslyn L. Knutson, 2018-10-18 Examines Christopher Marlowe and his work in the overlapping contexts of the professional theatre and the book trade.
  adam smyth autobiography: College Andrew Delbanco, 2023-04-18 The strengths and failures of the American college, and why liberal education still matters As the commercialization of American higher education accelerates, more and more students are coming to college with the narrow aim of obtaining a preprofessional credential. The traditional four-year college experience—an exploratory time for students to discover their passions and test ideas and values with the help of teachers and peers—is in danger of becoming a thing of the past. In College, prominent cultural critic Andrew Delbanco offers a trenchant defense of such an education, and warns that it is becoming a privilege reserved for the relatively rich. In describing what a true college education should be, he demonstrates why making it available to as many young people as possible remains central to America's democratic promise. In a brisk and vivid historical narrative, Delbanco explains how the idea of college arose in the colonial period from the Puritan idea of the gathered church, how it struggled to survive in the nineteenth century in the shadow of the new research universities, and how, in the twentieth century, it slowly opened its doors to women, minorities, and students from low-income families. He describes the unique strengths of America’s colleges in our era of globalization and, while recognizing the growing centrality of science, technology, and vocational subjects in the curriculum, he mounts a vigorous defense of a broadly humanistic education for all. Acknowledging the serious financial, intellectual, and ethical challenges that all colleges face today, Delbanco considers what is at stake in the urgent effort to protect these venerable institutions for future generations.
  adam smyth autobiography: Research Methodologies for Auto/biography Studies Kate Douglas, Ashley Barnwell, 2019-06-03 This collection of short essays provides a rigorous, rich, collaborative space in which scholars and practitioners debate the value of different methodological approaches to the study of life narratives and explore a diverse range of interdisciplinary methods. Auto/biography studies has been one of the most vibrant sub-disciplines to emerge in the humanities and social sciences in the past decade, providing significant links between disciplines including literary studies, languages, linguistics, digital humanities, medical humanities, creative writing, history, gender studies, education, sociology, and anthropology. The essays in this collection position auto/biography as a key discipline for modelling interdisciplinary approaches to methodology and ask: what original and important thinking can auto/biography studies bring to discussions of methodology for literary studies and beyond? And how does the diversity of methodological interventions in auto/biography studies build a strong and diverse research discipline? In including some of auto/biography’s leading international scholars alongside emerging scholars, and exploring key subgenres and practices, this collection showcases knowledge about what we do when engaging in auto/biographical research. Research Methodologies for Auto/biography Studies offers a series of case studies that explore the research practices, reflective behaviours, and ethical considerations that inform auto/biographical research.
  adam smyth autobiography: Smile Please Jean Rhys, 2016-11-03
  adam smyth autobiography: My Brief History Stephen Hawking, 2013-09-12 'His clarity, wit and determination are evident, his understand and good humour moving' New Scientist My Brief History recounts Stephen Hawking’s improbable journey, from his post-war London boyhood to his years of international acclaim and celebrity. Lavishly illustrated with rarely seen photographs, this concise, witty and candid account introduces readers to a Hawking rarely glimpsed in previous books: the inquisitive schoolboy whose classmates nicknamed him ‘Einstein’; the jokester who once placed a bet with a colleague over the existence of a black hole; and the young husband and father struggling to gain a foothold in the world of academia. Writing with characteristic humility and humour, Hawking opens up about the challenges that confronted him following his diagnosis of motor neurone disease aged twenty-one. Tracing his development as a thinker, he explains how the prospect of an early death urged him onwards through numerous intellectual breakthroughs, and talks about the genesis of his masterpiece A Brief History of Time – one of the iconic books of the twentieth century. Clear-eyed, intimate and wise, My Brief History opens a window for the rest of us into Hawking’s personal cosmos. 'Read it for the personal nuggets . . . but above all, it's worth reading for its message of hope' Mail on Sunday
  adam smyth autobiography: Early Modern French Autobiography Nicolae Alexandru Virastau, 2021-04-06 This book offers a survey of the constitution of the French memoir tradition, and explores in detail the works of four representative authors: Philippe de Commynes, Louise de Savoie, Philippe de Cheverny, and François de Bassompierre. Works of self-writing were usually printed under the title of “memoirs” and have been often considered a uniform genre. These early forms of self-writing were in fact highly heterogenous works at the crossroads of multiple genres, from the account book to the astrological diary. Their writing, printing, and circulation challenge modern notions of autobiographical genres: their authorship is often questionable and collective, and they tended to be compiled in large collections for political ends, without regard to the authors’ intention.
  adam smyth autobiography: Godly Reading Andrew Cambers, 2011-03-10 This innovative exploration of Puritan reading practices from c.1580-1720 connects the history of religion with the history of the book.
  adam smyth autobiography: Life and Times of Frederick Douglass Frederick Douglass, 1882 Frederick Douglass recounts early years of abuse, his dramatic escape to the North and eventual freedom, abolitionist campaigns, and his crusade for full civil rights for former slaves. It is also the only of Douglass's autobiographies to discuss his life during and after the Civil War, including his encounters with American presidents such as Lincoln, Grant, and Garfield.
  adam smyth autobiography: Protestant Autobiography in the Seventeenth-Century Anglophone World Kathleen Lynch, 2012-03-22 Autobiographical narrative is seldom viewed as a catalyst for the social and political upheavals of mid-seventeenth-century England and its colonies. Protestant Autobiography in the Seventeenth-Century Anglophone World argues that it should be. Focusing on the inward search for signs of election as a powerful stimulus for new, written forms of self-identification, this study directs critical attention toward the collective processes through which 'truthful' texts of spiritual experience were constructed, validated, and endorsed. This new analysis of the rhetoric of authentic selfhood emphasizes the ways in which personal accounts of religious awakening became another opportunity to conceptualize experience as an authorizing principle. A broad spectrum of Protestant life-writing is explored, from Augustine's Confessions, first translated into English in 1620, through John Bunyan's Grace Abounding to the Chief of Sinners (1666) and Richard Baxter's Reliquiae Baxterianae (1696). The forms in which these landmark texts were circulated and the interests that those circulations served are examined in such a way as to put canonical texts back into conversation with the outpouring of individual life writings that dates from the middle of the 17th century on. As the first new historicized account of the seventeenth-century Protestant conversion narrative in a generation, Protestant Autobiography in the Seventeenth-Century Anglophone World contributes to the reintegration of the scholarly fields of literature, religion, and politics. It revitalizes the study of proto-literary forms which, while devotional in nature, were deeply political in their consequences, contributing as they did to the emerging discourse of personal liberties.
  adam smyth autobiography: Five Oceans in a Teaspoon Dennis J. Bernstein, 2019-09-15 Five Oceans in a Teaspoon is a memoir in short visual poems, written by poet/investigative journalist Dennis J Bernstein, typographic visualizations by designer/author Warren Lehrer. As with his journalism, Bernstein's poems reflect the struggle of everyday people trying to survive in the face of adversity. Divided into eight chapters, it spans a lifetime, lifetimes: growing up confused by dyslexia and a parent's alcoholism; graced by pogo sticks, boxing lessons and a mother's compassion; becoming a frontline witness to war and its aftermaths, to prison, street life, poverty, love and loss, to open heart surgery, caring for aging parents and visitations from them after they're gone. Lehrer's typographic compositions give form to the interior, emotional and metaphorical underpinnings of the poems. Together, the writing and visuals create a new whole that engages the reader to become an active participant in the navigation, discovery, and experience of each poem.
  adam smyth autobiography: Book Row Marvin Mondlin, Roy Meador, 2005-01-01 The city has eight million stories, and this one unfolds just south of 14th Street in Manhattan, mostly on the seven blocks of Fourth Avenue bracketed by Union Square and Astor Place. There, for nearly eight decades, from the 1890s to the 1960s, thrived a bibliophiles' paradise. They called it the New York Booksellers' Row, or, more commonly, Book Row. It's an American story, the story that this richly anecdotal historical memoir amiably tells: as American as the rags-to-riches tale of the Strand, which began its life as book stall on Eighth Street and today houses 2.5 million volumes in twelve miles of space. It's a story cast with colorful characters: like the horse-betting, poker-playing go-getter and book dealer George D. Smith; the irascible Russian-born book hunter Peter Stammer, the visionary Theodore C. Schulte; Lou Cohen, founder of the still-surviving Argosy Book Store; gentleman bookseller George Rubinowitz and his legendary shrewd wife Jenny. Rising rents, street crime, urban redevelopment, television-the reasons are many for the demise of Book Row, but in this volume, based on interviews with dozens upon dozens of the book people who bought, sold, and collected there, it lives again.
  adam smyth autobiography: Difficult Death Morten Høi Jensen, 2017-09-26 Beautifully written and incisive, this is the first English biography of a major Scandinavian author who is ripe for rediscovery While largely unknown today, Danish writer and Darwin translator Jens Peter Jacobsen was the leading prose writer in Scandinavia in the late nineteenth century and part of a generation that included Henrik Ibsen, Knut Hamsun, and August Strindberg. His novels Marie Grubbe and Niels Lyhne as well as his stories and poems were widely admired by writers such as Rainer Maria Rilke, Thomas Mann, and James Joyce. Despite his untimely death from tuberculosis at the age of thirty-eight, Jacobsen became a cult figure to an entire generation and continues to occupy an important place in Scandinavian cultural history. In this book, Morten Høi Jensen gives a moving account of Jacobsen’s life, work, and death: his passionate interest in the natural sciences, his complicated and nuanced attitude to his own atheism, and his painful descent toward an early death. Carefully researched and sympathetically imagined, this is an evocative portrait of one of the most influential and gifted writers of the nineteenth century.
  adam smyth autobiography: Early Modern English Marginalia Katherine O. Acheson, 2019-01-15 Marginalia in early modern and medieval texts - printed, handwritten, drawn, scratched, colored, and pasted in - offer a crazy quilt composed of fragments of how people, as individuals and in groups, interacted with books and manuscripts over often lengthy periods of time. The chapters in this volume build on earlier scholarship that established marginalia as intellectual method (Grafton and Jardine), as records of reading motivated by cultural, social, theological, and personal inclinations (Hackel and Orgel), and as practices inspired by material affordances particular to the book and the pen (Fleming and Sherman). They further the study of the practices of marginalia as a mode - a set of ways in which material opportunities and practices overlap with intellectual, social and personal motivations to make meaning in the world. They introduce us to a set of idiosyncratic examples - erotic images doodled in a medical manuscript, cut - and - pasted additions to printed volumes, a marriage depicted through shared book ownership, for example - and reveal to us in case studies the unique value of marginalia as evidence of phenomena as diverse as religious change, scientific discovery, and the history of the literary canon. They also raise broad historical, cultural, and theoretical questions about the relationship between animal parts and human society, the construction of authorship, the ways in which exchange of words and objects align, the strange, marvelous, metamorphic thing we call the book, and the equally multiplicitous, eccentric, and inscrutable known as the reader.
  adam smyth autobiography: The Real Enid Blyton Nadia Cohen, 2018-08-30 She is the most prolific childrens author in history, but Enid Blyton is also the most controversial. A remarkable woman who wrote hundreds of books in a career spanning forty years, even her razor sharp mind could never have predicted her enormous global audience. Now, fifty years after her death, Enid remains a phenomenon, with sales outstripping every rival.Parents and teachers lobbied against Enids books, complaining they were simplistic, repetitive and littered with sexist and snobbish undertones. Blatant racist slurs were particularly shockingly; foreign and working class characters were treated with a distain that horrifies modern readers. But regardless of the criticism, Enid worked until she could not physically write another word, famously producing thousands of words a day hunched over her manual typewriter.She imaged a more innocent world, where children roamed unsupervised, and problems were solved with midnight feasts or glorious picnics with lashings of ginger beer. Smugglers, thieves, spies and kidnappers were thwarted by fearless gangs who easily outwitted the police, while popular schoolgirls scored winning goals in nail-biting lacrosse matches.Enid carefully crafted her public image to ensure her fans only knew of this sunny persona, but behind the scenes, she weaved elaborate stories to conceal infidelities, betrayals and unconventional friendships, lied about her childhood and never fully recovered from her parents marriage collapsing. She grew up convinced that her beloved father abandoned her for someone he loved more, and few could ever measure up to her impossible standards.A complex and immature woman, Enid was plagued by insecurities and haunted by a dark past. She was prone to bursts of furious temper, yet was a shrewd businesswoman years ahead of her time. She may not have been particularly likeable, and her stories infuriatingly unimaginative, but she left a vast literary legacy to generations of children.
  adam smyth autobiography: Mostly Medieval Piotr P. Chruszczewski, Hans Sauer, Magdalena Bator, Andrew Breeze, Dominika Buchowska, Katarzyna Buczek, Radosław Dylewski, Katarzyna Dziubalska-Kołaczyk, Joanna Esquibel, Piotr Gąsiorowski, Adam Jezierski, Magdalena Kizeweter, Aleksandra R. Knapik, Barbara Kowalik, Tomasz P. Krzeszowski, Barbara Lewandowska-Tomaszczyk, Janusz Malak, Rory McTurk, Rafal Molencki, Jerzy Nykiel, Dawid Pietrala, Joanna Rabęda, Aleksander Szwedek, Peter Trudgill, Letizia Vezzosi, Andrzej Wicher, Alicja Witalisz, Anna Wojtyś, 2020-12-24 Vita mortuorum in memoria vivorum — volume 5 of the Beyond Language series is dedicated to the memory of Professor Jacek Fisiak, one of the titans in English historical linguistics in Poland and beyond. For over 40 years, he taught at Adam Mickiewicz University in Poznań, where he established a stronghold of English studies in Europe. His efforts were appreciated with medals, awards, honorific titles, and mentoring positions amongst academic bodies. “The present In Memoriam volume undoubtedly counts among the all-encompassing and much-expected individual and collective acts of commemoration to recognize the authority of Professor Jacek Fisiak—the great scientist, the indefatigable Organizer, Manager and Mentor, relentless of any adversity or difficulty; the person whose countless contributions and merits in the history of Polish humanities – especially in the field of philological sciences and English studies in Poland – cannot be overestimated. […] On the one hand, the articles included in the volume yield a multidimensional testimony of the authors' scientific kinship with Professor Fisiak's broad scientific interests. On the other, they present a whole range of individual philological inquiries, starting from texts whose synthetic theoretical overtones prove the rich experience of their authors, through the articles of a more general nature, to prolegomena stimulating further in-depth scientific analyses. […]” (from the review by prof. Grzegorz Kleparski)_____TABLE OF CONTENTS_____Jacek Fisiak 1936–2019____ MENTOR in Academia: The Master in Title and Reality―by Joanna M. Esquibel____PART II. Old and Middle English Literature | Campbell’s “Art of Parallelism” in Old English Poetry: A Reappraisal―by Rory McTurk | The Question of Beowulf’s Relation to Fairy Tales Revisited―by Andrzej Wicher | Cornish Symptoms in the Old English Orosius―by Andrew Breeze | When a Lexical Borrowing Becomes an Ideological Tool: The Case of Saint Erkenwald―by Letizia Vezzosi | Medieval Multitasking: Hoccleve Translates Christine de Pizan and Imitates Chaucer, For Example his Binomials―by Hans Sauer | Mimetic Desires in Thomas Malory’s Le Morte Darthur―by Barbara Kowalik____PART III. Old and Middle English language and historical linguistics | Selected Elements of Language Change―by Aleksandra R. Knapik | For and Against Anglo-Frisian: The Linguistic Debate on the Matter―by Katarzyna Buczek | On Speech and Discourse Communities in the Viking Age―by Piotr P. Chruszczewski | East Anglia as an Old English and Middle English Dialect Area―by Peter Trudgill | Middle English Voiced Fricatives Revisited―by Piotr Gąsiorowski | From Where Did the Death of the English Inflection Come?―by Janusz Malak | On the Expansion of the Old Norse Root hap- in Middle English―by Rafał Molencki | So that in Clauses of Result and Purpose in Old English and Middle English―by Jerzy Nykie____PART IV. Adapting Earlier English for Modern Times | Adapting Shakespeare and Fletcher’s Drama for Theatre―by Magdalena Kizeweter, Anna Wojtyś | Medieval Modernism and the New Age Magazine: Creating Modernity While Turning to the Past―by Dominika Buchowska____PART V. Modern English, contrastive studies, and translation studies | Variation in the Use of the 3rd Person Singular Marker in American Private Letters from the mid-19th Century―by Radoslaw Dylewski, Magdalena Bator, Joanna Rabęda | The NAD Phonotactic Calculator: An Online Tool to Calculate Cluster Preferability Across Languages―by Katarzyna Dziubalska-Kołaczyk, Dawid Pietrala | Event Construal in Some English Middle and Reflexive Constructions and Their Polish Counterparts―by Barbara Lewandowska-Tomaszczyk | Problems in Studying Loan-Translations―by Alicja Witalisz | When do nouns control sentence stress placement?―by Aleksander Szwedek____PART VI. Notes on Contributors | Index
  adam smyth autobiography: Early Modern Nationalism and Milton's England David Loewenstein, Paul Stevens, 2008-11-29 Although the poet John Milton was a politically active citizen and polemicist during the English Revolution, little has been written on Milton's concept of nationalism. The first book to examine major aspects of Milton's nationalism in its full complexity and diversity, Early Modern Nationalism and Milton's England features fifteen essays by leading international scholars who illuminate the significance of the nation as a powerful imaginative construct in his writings. Informed by a range of critical methods, the essays examine the diverse - sometimes conflicting - and strained expressions of nationhood and national identity in Milton's writings, to address the literary, ethnic, and civic dimensions of his nationalism. These essays enrich our understanding of the imaginative achievements, religious polemics, and political tensions of Milton's poetry and prose, as well as the impact of his writings in the later seventeenth and early eighteenth centuries. Early Modern Nationalism and Milton's England also illuminates the formation of early-modern nationalism, as well as the complexities of seventeenth-century English politics and religion.
  adam smyth autobiography: The Invention of Angela Carter Edmund Gordon, 2017 The much-anticipated biography of one of the most beguiling and influential writers of the twentieth-century. With unprecedented access to its subject's personal records and informed by fresh, unvarnished anecdotes from family, friends, and colleagues, Edmund Gordon's biography provides the first full account of Angela Carter's amazing life and enduring work.
  adam smyth autobiography: On Life-Writing Zachary Leader, 2015-10-08 'Life-writing' is a generic term meant to encompass a range of writings about lives or parts of lives, or which provide materials out of which lives or parts of lives are composed. These writings include not only memoir, autobiography, biography, diaries, autobiographical fiction, and biographical fiction, but letters, writs, wills, written anecdotes, depositions, marginalia, lyric poems, scientific and historical writings, and digital forms (including blogs, tweets, Facebook entries). On Life-Writing offers a sampling of approaches to the study of life-writing, introducing readers to something of the range of forms the term encompasses, their changing fortunes and features, the notions of 'life,' 'self' and 'story' which help to explain these changing fortunes and features, recent attempts to group forms, the permeability of the boundaries between forms, the moral problems raised by life-writing in all forms, but particularly in fictional forms, and the relations between life-writing and history, life-writing and psychoanalysis, life-writing and philosophy. The essays mostly focus on individual instances rather than fields, whether historical, theoretical or generic. Generalizations are grounded in particulars. For example, the role of the 'life-changing encounter,' a frequent trope in literary life-writing, is pondered by Hermione Lee through an account of a much-storied first meeting between the philosopher Isaiah Berlin and the Russian poet Anna Akhmatova; James Shapiro examines the history of the 'cradle to grave' life-narrative, as well as the potential distortions it breeds, by focusing on Shakespeare biography, in particular attempts to explain Shakespeare's so-called 'lost years'.
  adam smyth autobiography: The Life of Thomas Cooper Thomas Cooper, 1872
  adam smyth autobiography: The House of Twenty Thousand Books Sasha Abramsky, 2014-06-26 This is the story of Sasha Abramsky's grandparents, Chimen and Miriam Abramsky, and of their unique home at 5 Hillway, around the corner from Hampstead Heath. In their semi-detached house, so deceptively ordinary from the outside, the Abramskys created a remarkable House of Books. It became the repository for Chimen's collection of thousands upon thousands of books, manuscripts and other printed, handwritten and painted documents, representing his journey through the great political, philosophical, religious and ethical debates that have shaped the western world. Chimen Abramsky was barely a teenager when his father, a famous rabbi, was arrested by Stalin's secret police and sentenced to five years hard labour in Siberia, and fifteen when his family was exiled to London. Lacking a university degree, he nevertheless became a polymath, always obsessed with collecting ideas, with capturing the meanderings of the human soul through the world of great thoughts and thinkers. Rejecting his father's Orthodoxy, he became a Communist, made his living as a book-dealer and amassed a huge, and astonishingly rare, library of socialist literature and memorabilia. Disillusioned with Communism and belatedly recognising the barbarity at the core of Stalin's project, he transformed himself once more, this time into a liberal and a humanist. To his socialist library was added a vastrove of Jewish history volumes. Chimen ended his career as Professor of Hebrew and Jewish studies at UCL, London and rare manuscripts expert for Sotheby's. With his wife Miriam, Chimen made their house a focal point for left-wing intellectual Jewish life: hundreds of the world's leading thinkers, from at their table. The House of Twenty Thousand Books brings alive this latter-day salon by telling the story of Chimen Abramsky's love affair with ideas and with the world of books and of Miriam's obsession with being a hostess and with entertaining. Room by room, book by book, idea by idea, the world of these politically engaged intellectuals, autodidacts and dreamers is lovingly resurrected. In this extraordinary elegy to a lost world, Sasha Abramsky's passionate narrative brings to life once more not just the Hillway salon, but the ideas, the conflicts, the personalities and the human yearnings that animated it. 'The sheer richness of this marvellous book - in terms of its style, think Borges, Perec - amply complements the wondrous complexity of the family - in terms of its subject-matter, think the Eitingons, the Ephrussi - about which Sasha Abramsky writes so lovingly. And as a portrait of London's left-wing Jewish intellectual life it is surely without equal.' Simon Winchester 'I loved this touching and heartfelt celebration of a scholar, teacher and bibliophile, a man whose profound learning was fine-tempered by humane wisdom and self-knowledge. We might all of us envy Sasha Abramsky in possessing such a remarkable grandfather, heroic in his integrity and evoked for us here with real eloquence and affection.' Jonathan Keates 'Sasha Abramsky has combined four kinds of history - familial, political, Jewish, and literary - into one brilliant and compelling book. With him as an erudite and sensitive guide, any reader will be grateful for the opportunity to be immersed into the house of twenty thousand books.' Samuel Freedman 'The House of Twenty Thousand Books is a grandson's elegy for the vanished world of his grandparents' house in London and the exuberant, passionate jostling of two traditions - Jewish and Marxist - that intertwined in his growing up. It is a fascinating memoir of the fatal encounter between Russian Jewish yearning for freedom and the Stalinist creed, a grandson's unsparing, but loving reckoning with a conflicted inheritance. In the digital age, it will also make you long for the smell of old books, the dust on shelves and the collector's passions, all on display in The House of Twenty Thousand Books.' Michael Ignatieff
  adam smyth autobiography: Book Destruction from the Medieval to the Contemporary G. Partington, A. Smyth, 2014-09-09 This rich and varied collection of essays by scholars and interviews with artists approaches the fraught topic of book destruction from a new angle, setting out an alternative history of the cutting, burning, pulping, defacing and tearing of books from the medieval period to our own age.
  adam smyth autobiography: But Seriously John McEnroe, 2017-06-29 The wildly entertaining Sunday Times bestseller 'This book deserves to be seeded No. 1' Daily Mail Fifteen years after his massive bestseller Serious, John McEnroe is back and ready to talk. Who are the game's winners and losers? What's it like playing guitar onstage with the Rolling Stones, hitting balls with today's greats, breaking bread with his former on-court nemeses, getting scammed by an international art dealer, and raising a big family while balancing McEnroe-sized expectations? But Seriously is a richly personal account, blending anecdote and reflection with razor sharp and brutally honest opinions. This is the sports book of the year: brilliantly funny, surprisingly touching, and 100% McEnroe.
  adam smyth autobiography: The Outsider Frederick Forsyth, 2015-09-10 FREDERICK FORSYTH HAS SEEN IT ALL. AND LIVED TO TELL THE TALE... At eighteen, Forsyth was the youngest pilot to qualify with the RAF. At twenty-five, he was stationed in East Berlin as a journalist during the Cold War. Before he turned thirty, he was in Africa controversially covering the bloodiest civil war in living memory. Three years later, broke and out of work, he wrote his game-changing first novel, The Day of the Jackal. He never looked back. Forsyth has seen some of the most exhilarating moments of the last century from the inside, travelling the world, once or twice on her majesty’s secret service. He’s been shot at, he’s been arrested, he’s even been seduced by an undercover agent. But all the while he felt he was an outsider. This is his story.
  adam smyth autobiography: The Oxford History of Life-writing Karen Anne Winstead, Alan Stewart, 2018 The Oxford History of Life-Writing: Volume 1: The Middle Ages' explores the richness and variety of life writing in the Middle Ages, ranging from Anglo-Latin lives of missionaries, prelates, and princes to high medieval lives of scholars and visionaries to late medieval lives of authors and laypeople.
  adam smyth autobiography: Writing at the Origin of Capitalism Julianne Werlin, 2021 Explores the relationship between the transition to capitalism in early modern England and the many literary innovations that emerged within the period.
LIFE-WRITING IN EARLY MODERN ENGLAND - JSTOR
In this respect, a refreshing contrast is offered by another work, albeit also by aa literary scholar, Adam Smyth's …

A History of English Autobiography - api.pagepla…
adam smyth is the A. C. Bradley-J.C. Maxwell Tutorial Fellow in English Literature at Balliol College, Oxford, and …

A HISTORY OF ENGLISH AUTOBIOGRAPHY
Introduction: The range, limits, and potentials of the form Adam Smyth PART I AUTOBIOGRAPHY BEFORE …

BOOK PARTS - api.pageplace.de
ADAM SMYTH is Professor of English Literature and the History of the Book at the University of Oxford. He is the …

6 x 10.Long new.P65 - Cambridge University Press …
How did individuals write about their lives, before a modern tra-dition of diaries and autobiographies was established? …

Introduction - assets.cambridge.org
In Part 1, ‘Autobiography before “autobiography” (ca. 1300–1700)’, coverage of medieval and early modern …

Bess of Hardwick - manchesterhive.com
Smyth, Adam, ‘Money, accounting, and life-writing, 1600–1700: balancing a life’, in A History of English Autobiography, …

A HISTORY OF ENGLISH AUTOBIOGRAPHY - Cambridge …
Contents List of contributors page xi 1 Introduction: The range, limits, and potentials of the form Adam Smyth 1 part 1 autobiography before ‘autobiography’ (ca. 1300–1700) 11 2 Medieval life-writing: …

LIFE-WRITING IN EARLY MODERN ENGLAND - JSTOR
In this respect, a refreshing contrast is offered by another work, albeit also by aa literary scholar, Adam Smyth's Autobiography in early modern England. Smyth is naturally well versed in the literary history of the …

A History of English Autobiography - api.pageplace.de
adam smyth is the A. C. Bradley-J.C. Maxwell Tutorial Fellow in English Literature at Balliol College, Oxford, and University Lecturer in the History of the Book.

A HISTORY OF ENGLISH AUTOBIOGRAPHY
Introduction: The range, limits, and potentials of the form Adam Smyth PART I AUTOBIOGRAPHY BEFORE ‘AUTOBIOGRAPHY’ (CA. I3OO-I7OO) II

BOOK PARTS - api.pageplace.de
ADAM SMYTH is Professor of English Literature and the History of the Book at the University of Oxford. He is the author of, among other things, Material Texts in Early Modern England (2018) and …