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| and thats a rap: That's a Rap MattyB, Mattyb, Travis Thrasher, 2017-01-03 In his first memoir, That s a Rap, MattyB opens up about his journey so far, including what it s like to go from the boy next door to a global sensation, grow up with a sister with Down syndrome (and how he uses his songs to spread awareness about it), the heart and soul that goes into making his music, and the importance of the Christian values that have kept him and his family grounded through every up and down along the way.--Provided by publisher. |
| and thats a rap: The Anthology of Rap Adam Bradley, Andrew DuBois, 2010-11-02 From the school yards of the South Bronx to the tops of the Billboard charts, rap has emerged as one of the most influential cultural forces of our time. This pioneering anthology brings together more than 300 lyrics written over 30 years, from the old school to the present day. |
| and thats a rap: Rap Dad Juan Vidal, 2020-03-17 This timely reflection on male identity in America that explores the intersection of fatherhood, race, and hip-hop culture “is a page-turner…drenched in history and encompasses the energy, fire, and passion that is hip-hop” (D. Watkins, New York Times bestselling author). Just as his music career was taking off, Juan Vidal received life-changing news: he’d soon be a father. Throughout his life, neglectful men were the norm—his own dad struggled with drug addiction and infidelity—a cycle that, inevitably, wrought Vidal with insecurity. At age twenty-six, with barely a grip on life, what lessons could he possibly offer a kid? Determined to alter the course for his child, Vidal did what he’d always done when confronted with life’s challenges—he turned to the counterculture. In Rap Dad, the musician-turned-journalist takes a thoughtful and inventive approach to exploring identity and examining how today’s society views fatherhood. To root out the source of his fears around parenting, Vidal revisits the flash points of his juvenescence, a feat that transports him, a first-generation American born to Colombian parents, back to the drug-fueled streets of 1980s–90s Miami. It’s during those pivotal years that he’s drawn to skateboarding, graffiti, and the music of rebellion: hip-hop. As he looks to the past for answers, he infuses his personal story with rap lyrics and interviews with some of pop culture’s most compelling voices—plenty of whom have proven to be some of society’s best, albeit nontraditional, dads. Along the way, Vidal confronts the unfair stereotypes that taint urban men—especially Black and Latino men. “A heartfelt examination of the damage that wayward fathers can leave in their wake” (The Washington Post), Rap Dad is “rich with symbolism…a poetic chronicle of beats, rhymes, and life” (NPR). |
| and thats a rap: Rap a Tap Tap Leo Dillon, Diane Dillon, 2002 In illustrations and rhyme describes the dancing of Bill Bojangles Robinson, one of the most famous tap dancers of all time. A brief Afterword outlines his career. |
| and thats a rap: The Rap Year Book Shea Serrano, 2015-10-13 A New York Times–bestselling, in-depth exploration of the most pivotal moments in rap music from 1979 to 2014. Here’s what The Rap Year Book does: It takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano hilariously discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music—from artists’ backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players—both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Picked by Billboard as One of the 100 Greatest Music Books of All-Time Pitchfork Book Club’s first selection |
| and thats a rap: Rap on Trial Erik Nielson, Andrea Dennis, 2019 In 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many across the US. Rap on Trial places this disturbing prosecutorial practice in the context of hip-hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip-hop and mass incarceration. |
| and thats a rap: The Story of Rap Lindsey Sagar, 2019-06-13 From Grandmaster Flash to Jay-Z rap has shaped generations and transformed the charts. Bop along with the greats in this adorable baby book that introduces little ones to the rappers that started it all. |
| and thats a rap: American Rap Scenes Lavar Pope, 2025-05-01 American Rap Scenes examines the history and legacy of rap music in 25 American cities through factors of geography, migration, movements, music, and technology. Providing area-centered analysis of a culture many see as monolithic, Lavar Pope highlights the unique histories of rap music and Hip Hop culture - how and why these scenes developed - in 25 mid-size and major cities across the country. More so than other genres of music, rap offers historical record of a multigenerational Black music that is region- and locale- specific and opens a window into the Black experience in America. Highlighting global stars and key local artists alike, American Rap Scenes features artists contextualized within their city of origin from Andre 3000 (Atlanta), Kendrick Lamar (Compton), and Common (Chicago) to Too Short (Oakland), Freddie Gibbs (Gary), and Akon (Jersey City). The 25 scenes covered in this book are South Bronx, Manhattan and Harlem, Queens, Brooklyn, Staten Island, Hempstead, Philadelphia, Newark and Jersey City, Boston, Los Angeles and Compton, Oakland and the San Francisco Bay Area, Seattle and Portland, Chicago and Gary, Indiana, St. Louis, Minneapolis, Detroit, Houston, New Orleans, Memphis, Atlanta, Miami, Hampton, Virginia, Washington, D.C. and Baltimore, Honolulu, San Juan, Puerto Rico and Saint Thomas, USVI. These scenes have been chosen for the documented and longstanding histories of their local music-making communities as well as similarities in the evolution of the local environment and geography, the proximity and timeline of Black, Latinx, and Caribbean migrations, and the impact of the Civil Rights, Racial Justice, and Women's Movements. |
| and thats a rap: How to Rap Paul Edwards, 2009-12 A complete guide to the art and craft of the MC, anyone who's serious about becoming a rapper should read this first.--Hip Hop Connection magazine A clever breakdown of the art form of hip-hop rhymes ... It's about time someone actually recognized this powerful music for its artistic integrity. -Speech, Arrested Development Examining the dynamics of hip-hop from every region and in every form-mainstream and underground, current and classic-this compelling how-to discusses everything from content and flow to rhythm and delivery. Compiled from the most extensive research on rapping to date, this first-of-its-kind guide delivers countless candid and exclusive insights from more than 100 of the most critically acclaimed artists in hip-hop-including Clipse, Cypress Hill, Nelly, Public Enemy, Remy Ma, Schoolly D, A Tribe Called Quest, and will.i.am-revealing the stories behind their art and preserving the genre's history through the words of the legends themselves. Beginners and pros alike will benefit from the wealth of rapping lore and insight in this remarkable collection.-- |
| and thats a rap: Ego Trip's Book of Rap Lists Sacha Jenkins, Elliott Wilson, Jeff Mao, Gabe Alvarez, Brent Rollins, 2014-03-25 Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge. |
| and thats a rap: Gangsta Rap Coloring Book Aye Jay Morano, Aye Jay, 2004 The title of the book says it all. 48 pages of line-drawings of Gangsta' rappers, done with the black line we all remember from the colouring books of our youth. The juxtaposition of the outlaw image of the rappers with the childlike innocence of a colouring book makes for an instant laugh. In a smaller self-published edition, the book was an immediate hit with the few people who were able to see it. Now expanded from 20 to 48 pages, the book includes all of the top rappers and their underground peers.' |
| and thats a rap: Decoded (Enhanced Edition) Jay-Z, 2010-12-07 This enhanced eBook includes: • Over 30 minutes of never-before-seen video* interviews with Jay-Z discussing the back-story and inspiration for his songs • Two bonus videos*: “Rap is Poetry” and “The Evolution of My Style” • The full text of the book with illustrations and photographs *Video may not play on all readers. Check your user manual for details. Expanded edition of the acclaimed New York Times bestseller features 16 pages of new material, including 3 new songs decoded. Decoded is a book like no other: a collection of lyrics and their meanings that together tell the story of a culture, an art form, a moment in history, and one of the most provocative and successful artists of our time. |
| and thats a rap: Who Got the Camera? Eric Harvey, 2021-10-05 Reality first appeared in the late 1980s—in the sense not of real life but rather of the TV entertainment genre inaugurated by shows such as Cops and America’s Most Wanted; the daytime gabfests of Geraldo, Oprah, and Donahue; and the tabloid news of A Current Affair. In a bracing work of cultural criticism, Eric Harvey argues that reality TV emerged in dialog with another kind of entertainment that served as its foil while borrowing its techniques: gangsta rap. Or, as legendary performers Ice Cube and Ice-T called it, “reality rap.” Reality rap and reality TV were components of a cultural revolution that redefined popular entertainment as a truth-telling medium. Reality entertainment borrowed journalistic tropes but was undiluted by the caveats and context that journalism demanded. While N.W.A.’s “Fuck tha Police” countered Cops’ vision of Black lives in America, the reality rappers who emerged in that group’s wake, such as Snoop Doggy Dogg and Tupac Shakur, embraced reality’s visceral tabloid sensationalism, using the media's obsession with Black criminality to collapse the distinction between image and truth. Reality TV and reality rap nurtured the world we live in now, where politics and basic facts don’t feel real until they have been translated into mass-mediated entertainment. |
| and thats a rap: Cibola Burn James S. A. Corey, 2014-06-17 The fourth book in the NYT bestselling Expanse series, Cibola Burn sees the crew of the Rocinante on a new frontier, as the rush to colonize the new planets threatens to outrun law and order and give way to war and chaos. Now a Prime Original series. HUGO AWARD WINNER FOR BEST SERIES Enter a new frontier. An empty apartment, a missing family, that's creepy. But this is like finding a military base with no one on it. Fighters and tanks idling on the runway with no drivers. This is bad juju. Something wrong happened here. What you should do is tell everyone to leave. The gates have opened the way to a thousand new worlds and the rush to colonize has begun. Settlers looking for a new life stream out from humanity's home planets. Ilus, the first human colony on this vast new frontier, is being born in blood and fire. Independent settlers stand against the overwhelming power of a corporate colony ship with only their determination, courage, and the skills learned in the long wars of home. Innocent scientists are slaughtered as they try to survey a new and alien world. The struggle on Ilus threatens to spread all the way back to Earth. James Holden and the crew of his one small ship are sent to make peace in the midst of war and sense in the midst of chaos. But the more he looks at it, the more Holden thinks the mission was meant to fail. And the whispers of a dead man remind him that the great galactic civilization that once stood on this land is gone. And that something killed it. The Expanse Leviathan Wakes Caliban's War Abaddon's Gate Cibola Burn Nemesis Games Babylon's Ashes Persepolis Rising Tiamat's Wrath Leviathan Falls Memory's Legion The Expanse Short Fiction Drive The Butcher of Anderson Station Gods of Risk The Churn The Vital Abyss Strange Dogs Auberon The Sins of Our Fathers |
| and thats a rap: Envisioning Criminology Michael D. Maltz, Stephen K. Rice, 2015-06-09 This book covers research design and methodology from a unique and engaging point of view, based on accounts from influential researchers across the field of Criminology and Criminal Justice. Most books and articles about research in criminology and criminal justice focus on how the research was carried out: the data that were used, the methods that were applied, the results that were achieved. While these are all important, they do not present a complete picture. Envisioning Criminology: Researchers on Research as a Process of Discovery aims to fill that gap by providing nuance--the “back story” of why researchers selected particular problems, how they approached those problems, and how their background, training, and experience affected the approaches they took. As the contributions in this book demonstrate, research is not a cut-and-dried process, as all too many methods books imply, but a living, breathing–and in some ways quirky–process that is influenced by non-“scientific” factors. The path taken by a researcher is important, and an appreciation of his or her background, experience, knowledge–and the setbacks and triumphs of performing the research–provides a much more complete picture of how research is done. The twenty-eight chapters in this book describe the back stories of their authors, which serve to enlighten readers about the interplay between the personal and the methodological. While primarily aimed as a textbook, this work will also be of interest to researchers in Criminology and Criminal Justice, and related Social and Behavioral Science fields as an account of how seminal researchers in the field developed their key contributions. |
| and thats a rap: Yes We Did? Cynthia Griggs Fleming, 2009-11-04 Barack Obama's presidential victory demonstrated unprecedented racial progress on a national level. Not since the civil rights legislation of the 1960s has the United States seen such remarkable advances. During Obama's historic campaign, however, prominent African Americans voiced concern about his candidacy, demonstrating a divided agenda among black political leaders. The assassination of Martin Luther King Jr. changed perceptions about the nature of African American leadership. In Yes We Did?, Cynthia Fleming examines the expansion of black leadership from grassroots to the national arena, beginning with Booker T. Washington and W. E. B. DuBois and progressing through contemporary leaders including Harold Ford Jr., Louis Farrakhan, Jesse Jackson Jr., and Barack Obama. She emphasizes socioeconomic status, female black leadership, media influence, black conservatism, and generational conflict. Fleming had unprecedented access to a wide range of activists, including Carol Mosley Braun, Al Sharpton, and John Hope Franklin. She deftly maps the history of black leadership in America, illuminating both lingering disadvantages and obstacles that developed after the civil rights movement. Among those interviewed were community activists and scholars, as well as former freedom riders, sit-in activists, and others who were intimately involved in the civil rights struggle and close to Dr. King. Their personal accounts reflect the diverse viewpoints of the black community and offer a new understanding of the history of African American leadership, its current status, and its uncertain future. |
| and thats a rap: Forest Haven United States. Congress. House. Committee on the District of Columbia. Subcommittee on Education, Labor and Social Services, 1976 |
| and thats a rap: To Live and Defy in LA Felicia Angeja Viator, 2020-02-25 How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored. |
| and thats a rap: SPIN , 1989-08 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| and thats a rap: Billboard , 2010-01-09 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| and thats a rap: Signifying Rappers David Foster Wallace, Mark Costello, 2013-07-23 David Foster Wallace and Mark Costello's exuberant exploration of rap music and culture. Living together in Cambridge in 1989, David Foster Wallace and longtime friend Mark Costello discovered that they shared an uncomfortable, somewhat furtive, and distinctively white enthusiasm for a certain music called rap/hip-hop. The book they wrote together, set against the legendary Boston music scene, mapped the bipolarities of rap and pop, rebellion and acceptance, glitz and gangsterdom. Signifying Rappers issued a fan's challenge to the giants of rock writing, Greil Marcus, Robert Palmer, and Lester Bangs: Could the new street beats of 1989 set us free, as rock had always promised? Back in print at last, Signifying Rappers is a rare record of a city and a summer by two great thinkers, writers, and friends. With a new foreword by Mark Costello on his experience writing with David Foster Wallace, this rerelease cannot be missed. |
| and thats a rap: Fictional Discourse and the Law Hans J. Lind, 2020-04-14 Drawing on insights from literary theory and analytical philosophy, this book analyzes the intersection of law and literature from the distinct and unique perspective of fictional discourse. Pursuing an empirical approach, and using examples that range from Victorian literature to the current judicial treatment of rap music, the volume challenges the prevailing fact–fiction dichotomy in legal theory and practice by providing a better understanding of the peculiarities of legal fictionality, while also contributing further material to fictional theory’s endeavor to find a transdisciplinary valid criterion for a definition of fictional discourse. Following the basic presumptions of the early law-as-literature movement, past approaches have mainly focused on textuality and narrativity as the common denominators of law and literature, and have largely ignored the topic of fictionality. This volume provides a much needed analysis of this gap. The book will be of interest to scholars of legal theory, jurisprudence and legal writing, along with literature scholars and students of literature and the humanities. |
| and thats a rap: Slam School Bronwen Low, 2011-03-22 Exploring the often difficult relations between hip-hop and schooling, Slam School builds a new and surprising argument: the very reasons teachers and administrators might resist the deliberate introduction of hip-hop into the planned curriculum are what make hip-hop so pedagogically vital. |
| and thats a rap: Thoughts James Mays, 2009-02-19 I was adopted at age 6. I immediately felt as a part of the family. My father spent most every weekend with us. e played sports, went to amusement parks and went out places all the time. Come Christmas we received most everything any child could possibly want. We had a wonderful childhood. As we grew up we moved and things got even better. At the new school, work was much harder. My dad always took out time to help me. Now that I'm nearly grown, he's still there when I need him & I love him dearly. So if you ask is he a fit father the answer is surely yes! |
| and thats a rap: Father Do You Know Us Fitzgerald Gambrell, 2016-03-17 There was a time when African Americans depended on God because that was all that they had. From slavery to segregation, they depended on God to get them through the hardest of times. Today this is not the same. Many have no use for God or Jesus and many wonder if They care about them. No matter what walk of life they may be from, they all have the same question, Father Do You Know Us? |
| and thats a rap: Striking the Balance Matthew Lippman, 2016-12-22 Award-winning professor and author Matthew Lippman enhances teaching and learning with his newest text, Striking the Balance: Debating Criminal Justice and Law. Organizing the book around clashing points of view on contemporary issues in criminal justice and criminal law, Lippman puts each debate into context for students to help them develop a better understanding of the issue. Designed to develop the reader’s critical thinking skills, the text offers students summaries of contrasting views from original sources, questions for classroom discussion, and engaging “You Decide” activities. Additionally, chapter topics are independent of one another, giving instructors the flexibility to customize the material to their individual course organization. Edited to minimize technical legal terms, the text is the perfect companion to any criminal law or introductory criminal justice textbook. |
| and thats a rap: Reflecting Black Michael Eric Dyson, 1993 From rap music to preaching, from Toni Morrison to Leonard Jeffries, from Michael Jackson to Michael Jordan, Reflecting Black explores as never before the varied and complex dimensions of African-American culture through personal reflection, expository journalism, scholarly investigation and even homily. A landmark text in Afro-American cultural criticism. There is simply nothing like it that exists. The level of theoretical sophistication and political engagement is rare-and badly needed. -Cornel West As Reflecting Black so richly demonstrates, Michael Eric Dyson combines cutting-edge theoretical acuity with the passionate, engaged, and accessible stance of a public intellectual. His critical purview encompasses scholarly tomes and mass market periodicals, trends in theology and in hip-hop culture alike. This book is a splendid introduction to a singularly important voice. -Henry Louis Gates, Jr. Dyson is a young black cultural, political and religious critic whose new book directs its nastiest commentary at racism, sexism, capitalism and straight-up immorality. His is a fresh voice seemingly unfazed by Blackademe's battle royal. Dyson's project is very much in the tradition of recent work by a number of young African-American cultural critics like Tricia Rose, Hilton Als, bell hooks, Greg Tate, Wahneema Lubiano, Elizabeth Alexander and Herman Gray, to name but a few. Reflecting Black is much more than a cultural critique in the formal sense. It interrogates the political, social and moral crises confronting American society generally and African-American communities in particular. In the end, Dyson is not one of those cultural studies scholars concerned with debating the fine points of discourse theory. He is an 'oppositional' critic with a much higher purpose than developing analytical tools to make sense of African-American culture. The Reverend Dyson is not only operating within a rich Marxist tradition but within a very old and continuing African-American tradition. Black communities, through newspaper columns, church groups, street corner gatherings, beauty parlor and barber shop discussions, have always debated and taken responsibility for their culture(s). Dyson's constant lecturing, chiding and encouraging embodies what Antonio Gramsci and his own mama expected us to do all along: not just interpret culture but actively change it--through struggle. -The Nation Where Michael Jackson meets spirituality, where Martin Luther King meets Malcolm X, where the consolidating 'narrative of racial unity' meets the 'perplexing and chaotic politics of racial identity': These are the border zones of Michael Eric Dyson's compassionate, postmodern, eclectic critical project. Reflecting Black is an invigorating reader for our perplexing and chaotic times. -Voice Literary Supplement He shows an admirable breadth, ranging from issues such as racism and political correctness in the seminary to examinations of such icons of popular culture as filmaker Spike Lee, singer Michael Jackson and athlete Michael Jordan. One entire section of the book is devoted to black religion, and includes an examination of the lives and examples of Martin Luther King, Jr. and Malcom X. -Washington Post Book World Yet, if Dyson stumbles in his discussions of black popular culture, he soars in his section titled 'Beyond the Mantra: Reflections on Race, Gender, and Class.' In 'Remembering Emmett Till, ' Dyson writes not just with his mind, but with his heart. -Boston Globe Yet his insights are just as often incisive and challenging, and they demand serious consideration. By insisting that we acknowledge the complexities of race in America and by refusing to accept easy answers, Reflecting Black forces us to think harder about how we can create alterna |
| and thats a rap: The 1992 Los Angeles Riots Louise I. Gerdes, 2014-04-14 The American public was holding its collective breath as four officers of the Los Angeles Police Department were acquitted of excessive force in the arrest and beating of Rodney King. Upon the exhale came relief for some, but for many more came a crushing grief and anger. This essential volume gives readers a strong background on the events leading up to the 1992 Los Angeles Riots. Essays also present the controversies related to the event, including whether the police department protected its citizens during the riots. The last chapter shares first-person narratives and accounts of those impacted by the riots, giving your readers a chance to go beyond simple facts and experience the event for themselves. |
| and thats a rap: Understanding African American Rhetoric Ronald L. Jackson II, Elaine B. Richardson, 2014-05-22 This is an extraordinarily well-balanced collection of essays focused on varied expressions of African American Rhetoric; it also is a critical antidote to a preoccupation with Western Rhetoric as the arbiter of what counts for effective rhetoric. Rather than impose Western terminology on African and African American rhetoric, the essays in this volume seek to illumine rhetoric from within its own cultural expression, thereby creating an understanding grounded in the culture's values. The consequence is a richly detailed and well-researched set of essays. The contribution of African American rhetoric can no longer be rendered invisible through neglect of its tradition. The essays in this volume neither seek to displace Western Rhetoric, nor function as an uncritical paen to Afrocentricity and Africology. This volume is both timely and essential; timely in advancing a better understanding of the richly textured history that is expressed through African American discourse, and essential as a counterpoint to the hegemonic influence of Greek and Roman rhetoric as the origin of rhetorical theory and practice. Written in the spirit of a critical rhetoric, this collection eschews traditional focus on public address and instead offers a rich array of texts, in musical and other forms, that address publics. |
| and thats a rap: The Roots of Rap Carole Boston Weatherford, 2025-06-10 Carole Boston Weatherford, once again, delivers a resounding testament and reminder, that hip-hop is a flavorful slice of a larger cultural cake. And to be hip-hop-to truly be it-we must remember that we are also funk, jazz, soul, folktale, and poetry. We must remember that . . . we are who we are! -Jason Reynolds, New York Times best-selling author Starting with its attention-getting cover, this picture book does an excellent job of capturing the essence of rap . . . This tribute to hip hop culture will appeal to a wide audience, and practically demands multiple readings. ―Booklist, STARRED REVIEW No way around it, this book is supa-dupa fly, with lush illustrations anchored in signature hip-hop iconography for the future of the global hip-hop nation. ―Kirkus Reviews, STARRED REVIEW With short, rhyming lines and dramatic portraits of performers, the creative team behind How Sweet the Sound: The Story of Amazing Grace offers a dynamic introduction to hip-hop. . . . This artful introduction to one of the most influential cultural movements of the 20th century pulses with the energy and rhythm of its subject. ―Publishers Weekly, STARRED REVIEW Explore the roots of rap in this stunning, rhyming, triple-timing book, now available as a board book! A generation voicing stories, hopes, and fears founds a hip-hop nation. Say holler if you hear. The roots of rap and the history of hip-hop have origins that precede DJ Kool Herc and Grandmaster Flash. Kids will learn about how it evolved from folktales, spirituals, and poetry, to the showmanship of James Brown, to the culture of graffiti art and break dancing that formed around the art form and gave birth to the musical artists we know today. Written in lyrical rhythm by award-winning author and poet Carole Boston Weatherford and complete with flowing, vibrant illustrations by Corettta Scott King Award winner, Frank Morrison, this book beautifully illustrates how hip-hop is a language spoken the whole world 'round, and it features a foreword by Swizz Beatz, a Grammy Award-winning American hip-hop rapper, DJ, and record producer. |
| and thats a rap: Progress in infancy Research Harlene Hayne, Jeffrey Fagen, 2014-03-18 The Progress in Infancy Research Series is dedicated to the presentation of innovative and exciting research on infants, both human and animal. Each volume in the series is designed to stand alone and contains autonomous chapters which are based on high quality programs of research with infants. These chapters integrate the work of the authors with that of other experts working in the same or related areas. The authors wish to present high quality critical syntheses bearing on infant perception and sensation, learning and memory processes, and other aspects of development. This series will be a forum for the presentation of technological breakthroughs, methodological advances, and new integrations that might create platforms for future programmatic work on the complexities of infant behavior and development. Each volume in the series is dedicated to an outstanding investigator whose research has illuminated the nature of infant behavior and development, and whose contributions to the field have been of seminal importance. |
| and thats a rap: Rap Music and the Poetics of Identity Adam Krims, 2000-04-24 This is the first book to discuss in detail how rap music is put together musically and how it contributes to the formation of cultural identities for both artists and audiences. It also argues that current skeptical attitudes toward music analysis in popular music studies are misplaced and need to be reconsidered if cultural studies are to treat seriously the social force of rap music, popular musics, and music in general. Drawing extensively on recent scholarship in popular music studies, cultural theory, communications, critical theory, and musicology, Krims redefines 'music theory' as meaning simply 'theory about music', in which musical poetics (the study of how musical sound is deployed) may play a crucial role when its claims are contextualized and demystified. Theorizing local and global geographies of rap, Krims discusses at length the music of Ice Cube, the Goodie MoB, KRS-One, Dutch group the Spookrijders, and Canadian Cree rapper Bannock. |
| and thats a rap: Rapstar Aliyo Momot, 2020-03-23 Two babies. Two fathers. One white. One black. “She knew that one of the babies wasn’t Mr. Meyer’s child, and it was really difficult for her to expose it. She knew that her husband was a nice man, sent from above, but this process had started nine months ago when she’d met an African named Daniel in a course she’d joined to improve her IT knowledge. She remembered that Daniel wasn’t a shy man; he was always around the ladies, and he had that charming, courageous look. All the ladies in the course really liked him because of his brilliance, coupled with his handsomeness. She remembered when he’d approached her and asked her to have a drink with him.” Rapstar, the story of a woman who birthed twins after being with two men, one white and the other black. One of the baby boys was an albino, the other was white. Her husband hated the albino child, because he knew his wife cheated. The albino grew up to become a rap star. He fell in love with the girlfriend of his friend, who gave him hell and punished him. Later he fought back … |
| and thats a rap: Musical Landscapes in Color William C. Banfield, 2023-02-21 Now available in paperback, William C. Banfield’s acclaimed collection of interviews delves into the lives and work of forty-one Black composers. Each of the profiled artists offers a candid self-portrait that explores areas from training and compositional techniques to working in a exclusive canon that has existed for a very long time. At the same time, Banfield draws on sociology, Western concepts of art and taste, and vernacular musical forms like blues and jazz to provide a frame for the artists’ achievements and help to illuminate the ongoing progress and struggles against industry barriers. Expanded illustrations and a new preface by the author provide invaluable added context, making this new edition an essential companion for anyone interested in Black composers or contemporary classical music. Composers featured: Michael Abels, H. Leslie Adams, Lettie Beckon Alston, Thomas J. Anderson, Dwight Andrews, Regina Harris Baiocchi, David Baker, William C. Banfield, Ysaye Maria Barnwell, Billy Childs, Noel DaCosta, Anthony Davis, George Duke, Leslie Dunner, Donal Fox, Adolphus Hailstork, Jester Hairston, Herbie Hancock, Jonathan Holland, Anthony Kelley, Wendell Logan, Bobby McFerrin, Dorothy Rudd Moore, Jeffrey Mumford, Gary Powell Nash, Stephen Newby, Coleridge-Taylor Perkinson, Michael Powell, Patrice Rushen, George Russell, Kevin Scott, Evelyn Simpson-Curenton, Hale Smith, Billy Taylor, Frederick C. Tillis, George Walker, James Kimo Williams, Julius Williams, Tony Williams, Olly Wilson, and Michael Woods |
| and thats a rap: Hip Hop Africa Eric Charry, 2012-10-23 Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture. |
| and thats a rap: Migrating Music Jason Toynbee, Byron Dueck, 2011-03-31 Migrants bring music from the homeland to the metropolis. But music also migrates via the media: 'world' music, hip hop, bossa nova ... With case studies from across the world this ground-breaking collection shows how migrating music is key to the construction of a still-emerging, global cosmopolitan imagination. |
| and thats a rap: Music Lyrics and Commerce United States. Congress. House. Committee on Energy and Commerce. Subcommittee on Commerce, Consumer Protection, and Competitiveness, 1994 |
| and thats a rap: Billboard , 2009-11-21 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| and thats a rap: Hip-Hop Archives Mark V. Campbell, Murray Forman, 2023-09-04 This book focuses on the culture and politics involved in building hip-hop archives. It addresses practical aspects, including methods of accumulation, curation, preservation, and digitization and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications associated with hip-hop culture’s enduring tensions with dominant social values. The collection of essays are divided into four sections; Doing the Knowledge, Challenging Archival Forms, Beyond the Nation and Institutional Alignments: Interviews and Reflections. The book covers a range of official, unofficial, DIY and community archives and collections and features chapters by scholar practitioners, educators and curators. A wide swath of hip-hop culture is featured in the book, including a focus on dance, graffiti, clothing, and battle rap. The range of authors and their topics span countries in Asia, Europe, the Caribbean and North America. |
| and thats a rap: FOIA Update , 1988 |
last names | Creative Writing Forums - Writing Help, Writing …
Jul 7, 2016 · But thats because the character is a child and its from her POV. So using the characters last name is a show of respect. In my novel WIPS, my characters have last names, …
Things to keep in mind while plotting a book that's an homage to ...
Apr 9, 2025 · No. Just write. There are 'general' things about written stories that are different than stories for film and television. But in general the written word gives you more freedom than film …
Creating a parallel world. - Creative Writing Forums
Jun 28, 2017 · Thats probably my only two problems. thisisyourend, Nov 26, 2017 #1. Azuresun Senior Member. Joined: Mar ...
The Waves Arent Making Enough Of An Impact On You
Apr 10, 2008 · Search titles only; Posted by Member: Separate names with a comma. Newer Than: Search blogs and entries only. Search blog entries only
Anyone else hated being interrupted while reading, and asked …
Oct 6, 2020 · If thats the case then you are, indeed, Gen z (zoomer) Click to expand... Because im a dork and have to google stuff, wikipedia lists Gen Z as 1995-early 2012... in Canada and …
How To Write In Past and Present Tense - Writing Forums
Dec 17, 2007 · Well thats the problem FMK. Ever since I've been writing I write in present tense. I put "was" in the wrong sentences making people think I'm talking past tense. When all I like to …
Character Theft?? - Writing Forums
Aug 8, 2015 · You're right. I'm just saying that it's entirely a possibiliity, however unlikely. If any of us writers are lucky (or unlucky depending on your values) enough to require a trademark for …
Style - How I taught myself to write. | Creative Writing Forums ...
Nov 7, 2014 · Until I'd started to write the two books I'm currently working on, I had never seriously written books before. I had written, of course, as thats part and parcel of the job. Every …
Alien swamp ideas - Creative Writing Forums
Jul 29, 2008 · besides i like the weirdness of sweaty moist humid swamp thats like that at ground level but petrified by heat as it goes up and fed by a vast underground lake...so it kinda wicks …
Writing a fight scene that involves magic. Not sure how to go …
May 8, 2017 · When we are talking about a fight, we are talking about power, when we are talking about magic we are talking about power. In real life or stories, People / charcters have power …
last names | Creative Writing Forums - Writing Help, Writing …
Jul 7, 2016 · But thats because the character is a child and its from her POV. So using the characters last name is a show of respect. In my novel WIPS, my characters have last names, …
Things to keep in mind while plotting a book that's an homage to ...
Apr 9, 2025 · No. Just write. There are 'general' things about written stories that are different than stories for film and television. But in general the written word gives you more freedom than film …
Creating a parallel world. - Creative Writing Forums
Jun 28, 2017 · Thats probably my only two problems. thisisyourend, Nov 26, 2017 #1. Azuresun Senior Member. Joined: Mar ...
The Waves Arent Making Enough Of An Impact On You
Apr 10, 2008 · Search titles only; Posted by Member: Separate names with a comma. Newer Than: Search blogs and entries only. Search blog entries only
Anyone else hated being interrupted while reading, and asked …
Oct 6, 2020 · If thats the case then you are, indeed, Gen z (zoomer) Click to expand... Because im a dork and have to google stuff, wikipedia lists Gen Z as 1995-early 2012... in Canada and …
How To Write In Past and Present Tense - Writing Forums
Dec 17, 2007 · Well thats the problem FMK. Ever since I've been writing I write in present tense. I put "was" in the wrong sentences making people think I'm talking past tense. When all I like to …
Character Theft?? - Writing Forums
Aug 8, 2015 · You're right. I'm just saying that it's entirely a possibiliity, however unlikely. If any of us writers are lucky (or unlucky depending on your values) enough to require a trademark for …
Style - How I taught myself to write. | Creative Writing Forums ...
Nov 7, 2014 · Until I'd started to write the two books I'm currently working on, I had never seriously written books before. I had written, of course, as thats part and parcel of the job. …
Alien swamp ideas - Creative Writing Forums
Jul 29, 2008 · besides i like the weirdness of sweaty moist humid swamp thats like that at ground level but petrified by heat as it goes up and fed by a vast underground lake...so it kinda wicks …
Writing a fight scene that involves magic. Not sure how to go …
May 8, 2017 · When we are talking about a fight, we are talking about power, when we are talking about magic we are talking about power. In real life or stories, People / charcters have power …
