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| 2001 a space odyssey stills: Kubrick's 2001 Leonard F. Wheat, 2000-06-21 Three allegories—an Odysseus (Homer) allegory, a man-machine symbiosis (Arthur Clarke) allegory, and a Zarathustra (Nietzsche) allegory—are simultaneously concealed and revealed by well over 200 highly imaginative and sometimes devilishly clever symbols. In bringing Kubrick's secrets to light, Wheat builds a powerful case for his assertion that 2001 is the grandest motion picture ever filmed. |
| 2001 a space odyssey stills: The Making of Stanley Kubrick's '2001: a Space Odyssey' Piers Bizony, 2020 2001: A Space Odyssey combines meticulous science, limitless imagination, and pure visual majesty. This compendium, previously available as a Collector's Edition, contains photographs, pre-production paintings, and conceptual designs that explore the genius behind the sci-fi classic that remains the benchmark for all cinema space epics. |
| 2001 a space odyssey stills: The Making of 2001: A Space Odyssey Stephanie Schwam, 2010-07-21 If 2001 has stirred your emotions, your subconscious, your mythological yearnings, then it has succeeded.--Stanley Kubrick Stanley Kubrick's extraordinary movie 2001: A Space Odyssey was released in 1969. The critics initially disliked it, but the public loved it. And eventually, the film took its rightful place as one of the most innovative, brilliant, and pivotal works of modern cinema. The Making of 2001: A Space Odyssey consists of testimony from Kubrick's collaborators and commentary from critics and historians. This is the most complete book on the film to date--from Stanley Kubrick's first meeting with screenwriter Arthur C. Clarke to Kubrick's exhaustive research to the actual shooting and release of the movie. |
| 2001 a space odyssey stills: 2001 Piers Bizony, 1994 |
| 2001 a space odyssey stills: Ivory, Horn and Blood Ronald Orenstein, 2013-07-25 Meticulous research, chilling facts.... an important and much needed book. -- Dr. Jane Goodall, DBE, Founder, The Jane Goodall Institute If it is understanding you seek, turn these pages. -- Virginia McKenna, OBE, Founder, The Born Free Foundation If you care about elephants and rhinos, and the poaching onslaught that threatens their extinction in the wild, this is the book for you. -- Ian Redmond, OBE, Ambassador, UN Great Apes Survival Program As recently as ten years ago, out of every ten African elephants that died, four fell at the hands of poachers. The figure today is eight. Over sixty percent of Africa's Forest Elephants have been killed by poachers since the turn of the century. Rhinoceroses are being slaughtered throughout their ranges. The Vietnamese One-horned Rhinoceros and the Western Black rhino have become extinct in the last decade, and the Northern White Rhinoceros, the largest of them all, barely survives in captivity. This alarming book tells a crime story that takes place thousands of miles away, in countries that few of us may visit. But like the trade in illegal drugs, the traffic in elephant ivory and rhinoceros horn has far-reaching implications not only for these endangered animals, but also for the human victims of a world-wide surge in organized crime, corruption and violence. Since the worldwide ban on commercial ivory trade was passed in 1989, after a decade that saw half of Africa's elephants slaughtered by poachers, Ronald Orenstein has been at the heart of the fight. Today a new ivory crisis has arisen, fuelled by internal wars in Africa and a growing market in the Far East. Seizures of smuggled ivory have shot up in the past few years. Bands of militia have crossed from one side of Africa to the other, slaughtering elephants with automatic weapons. A market surge in Vietnam and elsewhere has led to a growing criminal onslaught against the world's rhinoceroses. The situation, for both elephants and rhinos, is dire. |
| 2001 a space odyssey stills: Artificial Culture Tama Leaver, 2011-12-22 Artificial Culture is an examination of the articulation, construction, and representation of the artificial in contemporary popular cultural texts, especially science fiction films and novels. The book argues that today we live in an artificial culture due to the deep and inextricable relationship between people, our bodies, and technology at large. While the artificial is often imagined as outside of the natural order and thus also beyond the realm of humanity, paradoxically, artificial concepts are simultaneously produced and constructed by human ideas and labor. The artificial can thus act as a boundary point against which we as a culture can measure what it means to be human. Science fiction feature films and novels, and other related media, frequently and provocatively deploy ideas of the artificial in ways which the lines between people, our bodies, spaces and culture more broadly blur and, at times, dissolve. Building on the rich foundational work on the figures of the cyborg and posthuman, this book situates the artificial in similar terms, but from a nevertheless distinctly different viewpoint. After examining ideas of the artificial as deployed in film, novels and other digital contexts, this study concludes that we are now part of an artificial culture entailing a matrix which, rather than separating minds and bodies, or humanity and the digital, reinforces the symbiotic connection between identities, bodies, and technologies. |
| 2001 a space odyssey stills: The Stanley Kubrick Archives Alison Castle, 2016 A comprehensive exploration of American filmmaker Stanley Kubrick's cinematic life's work and creative process featuring film stills, articles and essays by Kubrick and Kubrick scholars, letters, interviews, notes, and photographs. |
| 2001 a space odyssey stills: The 2001 File Christopher Frayling, 2015 This magnificent tome is a previously unseen look behind-the-scenes at the making of this most legendary of science fiction classics. Art director Harry Lange's strikingly realistic designs for Stanley Kubrick's 2001: A Space Odyssey created an extraordinary vision of the future and they remain the epitome of filmmaking. For the first time ever, Lange's archive is explored in this stunning volume, featuring original concept sketches, designs, correspondence and on set photographs. |
| 2001 a space odyssey stills: Star Trek Gene Roddenberry, 2000-05-23 Celebrate the 40th anniversary of Star Trek: The Motion Picture with this classic movie novelization written by legendary Star Trek creator Gene Roddenberry! The original five-year mission of the Starship Enterprise to explore strange new worlds and to seek out new life and new civilizations has ended. Now James T. Kirk, Spock, Dr. McCoy, and the rest of the crew of the Enterprise have separated to follow their own career paths and different lives. But now, an overwhelming alien threat—one that is ignoring all attempts at communication and annihilating all opposition in its path—is on a collision course with Earth, the very heart of the United Federation of Planets. And the only vessel that Starfleet can send in time to intercept this menace is a refitted Enterprise, with her old crew heeding the call to once again boldly go where no one has gone before…. |
| 2001 a space odyssey stills: Stanley Kubrick Christiane Kubrick, 2002 This rich and compelling volume is an intimate tribute to the private life and public work of legendary director Stanley Kubick. Includes 200+ photos and images from his life and films. |
| 2001 a space odyssey stills: Stanley Kubrick Paul Duncan, 2003 This a highly illustrated guide to the work of film director, Stanley Kubrick. |
| 2001 a space odyssey stills: Full Metal Jacket Stanley Kubrick, Gustav Hasford, Michael Herr, 1987 |
| 2001 a space odyssey stills: 1001 Movies You Must See Before You Die Steven Jay Schneider, 2021-09-02 |
| 2001 a space odyssey stills: Full Metal Jacket Stanley Kubrick, Gustav Hasford, Michael Herr, 1987 |
| 2001 a space odyssey stills: The Essentials Vol. 2 Jeremy Arnold, Turner Classic Movies, 2020-10-20 A guide to fifty-two examples of must-see cinema, The Essentials Vol. 2 -- based on the Turner Classic Movies series -- is packed with behind-the-scenes stories, illuminating commentary, moments to watch for, and hundreds of photos spotlighting films that define what it means to be a classic. Since 2001, Turner Classic Movies' The Essentials has been the ultimate destination for cinephiles both established and new, showcasing films that have had a lasting impact on audiences and filmmakers everywhere. In this second volume based on the series, fifty-two films are profiled with insightful notes on why they're Essential, a guide to must-see moments, and running commentary from Essentials hosts past and present: TCM's Ben Mankiewicz and the late Robert Osborne, as well as Rob Reiner, Sydney Pollack, Molly Haskell, Carrie Fisher, Rose McGowan, Alec Baldwin, Drew Barrymore, Sally Field, William Friedkin, Ava DuVernay, and Brad Bird. Enjoy one film per week for a year of stellar viewing or indulge in your own classic movie festival. Spanning the silent era through the late 1980s with such diverse films as Top Hat, Brief Encounter, Rashomon, Vertigo, and Field of Dreams, it's an indispensable book for movie lovers to expand their knowledge of cinema and discover -- or revisit -- landmark films that impacted Hollywood forever. |
| 2001 a space odyssey stills: Downtime Mark Goble, 2025-06-17 Slow motion has become perhaps the least special effect in film and media, a stylistic technique for showing violence, dream sequences, and flashbacks or other experiences outside ordinary time. We see so much slow motion on our screens today that we can look past its history and forget how rare it was before the 1960s, when films such as The Wild Bunch, Bonnie and Clyde, and 2001: A Space Odyssey helped it explode in popularity at a moment of cultural change and social upheaval. This ambitious book tells the story of slow motion, tracing a broader fascination with the uneven speeds of modern life and our ability to comprehend them. Downtime explores the history and aesthetics of slow motion, from its origins in early film to its prominence today. Mark Goble argues that the effect’s sudden visibility after 1968 registers experience of modernity as a period of perpetual acceleration that somehow makes even the smallest intervals of time feel endless. Ranging across literature, art, and cinema—including novels by William Faulkner, Don DeLillo, and W. G. Sebald as well as Robert Smithson’s Spiral Jetty and Julie Dash’s Daughters of the Dust—he describes how writers and filmmakers depict the velocities and durations of contemporary life. Goble reveals the twentieth century and its aftermath as figured in slow motion: rushing past and deliriously delayed, everything going fast and slow at once. Downtime is about time and its technologies in an accelerated world that can advance only in slow motion. |
| 2001 a space odyssey stills: Hollywood and After Jerzy Toeplitz, 2024-01-15 First published in English in 1974, Hollywood and After presents contemporary cinema in all its complexity, describing and analyzing the various factors which, in the sixties and seventies, brought so many changes both inside Hollywood and throughout the film industry of the USA. The film industry has been restructured. No longer independent, it now forms only a part, sometimes only a small and secondary part, of large diversified corporations. Formerly rivals, today cinema and television not only coexist, but are forced to cooperate closely in a world of technical developments such as videocassettes, cable TV, and satellite transmissions. The main part of this book is dedicated to artistic and creative questions. A new generation of film makers is making films for a new generation of film goers who are looking for fresh values on the screen. More and more the cinema mirrors the reality of American life: complicated, uneasy, shaken by violent outbursts, charged with a multitude of controversies and conflicts. The rose-tinted American dream, which Hollywood peddled, is a thing of the past. Today the US cinema offers a variety of artistic, political, and social approaches and a wide range of highly individual styles. In the world of social media, OTT platforms, and AI, this book is an important historical reference for scholars and researchers of film studies, film history, and media studies. |
| 2001 a space odyssey stills: Stanley Kubrick Director Alexander Walker, Sybil Taylor, Ulrich Ruchti, 2000-10-03 Alexander Walker's Stanley Kubrick, Director is the only book ever written with Kubrick's cooperation. This new edition, revised and expanded to discuss all of Kubrick's films—including Eyes Wide Shut—again received the approval of the reclusive director, who before his death allowed the use of illustrations taken directly from his films' frames. The result is a frame-by-frame examination of the inimitable style that infuses every Kubrick movie, from the pitch-perfect hilarity of Lolita to the icy supremacy of 2001: A Space Odyssey to the baroque horror of The Shining. The book's beautiful design and dynamic arrangement of photographic stills offer a frame-by-frame understanding of how Kubrick constructed a film. What emerges is a deeply human study of one remarkable artist's nature and obsessions, and how these changed and shifted in his four decades as a filmmaker. |
| 2001 a space odyssey stills: Kind One Laird Hunt, 2012-09-13 There is always a surprise in the voice and in the heart of Laird Hunt's stories, with its echoes of habit caught in a timeless dialect, so we see the world he gives us as if new. 'You hear something like that and it walks out the door with you.'--Michael Ondaatje Laird Hunt's Kind One, about two slave girls who take their white mistress into captivity, is a profound meditation on the sexual and racial subconscious of America. . . . [A] gorgeous and terrifying novel.--Danzy Senna As a teenage girl, Ginny marries Linus Lancaster, her mother's second cousin, and moves to his Kentucky pig farm ninety miles from nowhere. In the shadows of the lush Kentucky landscape, Ginny discovers the empty promises of Linus' paradise--a place where the charms of her husband fall away to reveal a troubled man and cruel slave owner. Ginny befriends the young slaves Cleome and Zinnia who work at the farm--until Linus' attentions turn to them, and she finds herself torn between her husband and only companions. The events that follow Linus' death change all three women for life. Haunting, chilling, and suspenseful, Kind One is a powerful tale of redemption and human endurance in antebellum America. Laird Hunt is the author of several works of fiction and a finalist for the 2010 PEN Center USA Award in Fiction. Currently on the faculty of the University of Denver's creative writing program, he and his wife, the poet Eleni Sikelianos, live in Boulder, Colorado, with their daughter, Eva Grace. |
| 2001 a space odyssey stills: The Encyclopedia of Stanley Kubrick Gene D. Phillips, Rodney Hill, 2002 Surveys the director's life and career with information on his films, key people in his life, technical information, themes, locations, and film theory. |
| 2001 a space odyssey stills: Race for the Moon , 2016-01-20 Race for the Moon was originally published by Harvey in 1958, long before we landed on the moon. The stories contained inside are the product of the time period, our race against the Reds and the desire to reach the moon. This is sci-fi and told through the eyes of Jack Kirby, Joe Simon, Al Williamson, Bob Powell and others. This fun series lasted three issues and is reprinted in its entirety including the Harvey house ads. In color and fully restored. |
| 2001 a space odyssey stills: Heritage Vintage Movie Posters Signature Auction #601 Ivy Press, 2004-02 March 17, 2004, Dallas, Texas Signature Auction catalog for Heritage Vintage Movie Posters (Heritage Galleries & Auctioneers). Contains 468 lot descriptions and each lot is pictured. |
| 2001 a space odyssey stills: A History of Photography William Johnson, Mark Rice, Carla Williams, Therese Mulligan, David Wooters, 2012 This volume shows in chronological order the most impressive images and the most important developments in the art of light that is photography. It offers in its huge collection and themes a unique survey of the medium from its origins until now. |
| 2001 a space odyssey stills: Kubrick, New and Expanded Edition Thomas Allen Nelson, 2000 Stanley Kubrick ranks among the most important American film makers of his generation, but his work is often misunderstood because it is widely diverse in subject matter and seems to lack thematic and tonal consistency. Thomas Nelson's perceptive and comprehensive study of Kubrick rescues him from the hostility of auteurist critics and discovers the roots of a Kubrickian aesthetic, which Nelson defines as the aesthetics of contingency. After analyzing how this aesthetic develops and manifests itself in the early works, Nelson devotes individual chapters to Lolita, Dr. Stangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining. For this expanded edition, Nelson has added chapters on Full Metal Jacket and Eyes Wide Shut, and, in the wake of the director's death, reconsidered his body of work as a whole. By placing Kubrick in a historical and theoretical context, this study is a reliable guide into—and out of—Stanley Kubrick's cinematic maze. |
| 2001 a space odyssey stills: Moonwatcher's Memoir Dan Richter, 2002 A behind-the-scenes look at the filming of Stanley Kubrick's masterpiece 2001: A Space Odyssey describes the author's role as choreographer and star of the film's opening sequence and his filmmaking experiences under the leadership of the innovative Kubrick, in a volume complemented by numerous illustrations, inside anecdotes, and memorabilia. Original. |
| 2001 a space odyssey stills: The Great Movies Roger Ebert, 2003-11-11 America’s most trusted and best-known film critic Roger Ebert presents one hundred brilliant essays on some of the best movies ever made. Roger Ebert, the famed film writer and critic, wrote biweekly essays for a feature called The Great Movies, in which he offered a fresh and fervent appreciation of a great film. The Great Movies collects one hundred of these essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send readers back to that film with a fresh set of eyes and renewed enthusiasm–or perhaps to an avid first-time viewing. Ebert’s selections range widely across genres, periods, and nationalities, and from the highest achievements in film art to justly beloved and wildly successful popular entertainments. Roger Ebert manages in these essays to combine a truly populist appreciation for our most important form of popular art with a scholar’s erudition and depth of knowledge and a sure aesthetic sense. Wonderfully enhanced by stills selected by Mary Corliss, the film curator at the Museum of Modern Art, The Great Movies is a treasure trove for film lovers of all persuasions, an unrivaled guide for viewers, and a book to return to again and again. The Great Movies includes: All About Eve • Bonnie and Clyde • Casablanca • Citizen Kane • The Godfather • Jaws • La Dolce Vita • Metropolis • On the Waterfront • Psycho • The Seventh Seal • Sweet Smell of Success • Taxi Driver • The Third Man • The Wizard of Oz • and eighty-five more films. |
| 2001 a space odyssey stills: 101 Sci-Fi Movies You Must See Before You Die Steven Jay Schneider, 2009 Can you tell your Dagobah from your Delos and your Ming from your Morlock? Do you need help understanding 2001: A SPACE ODYSSEY? From the classic low-budget Flash Gordon tales to the slick CGI-realised world of THE MATRIX, science-fiction films have long pushed the boundaries of the visually and dramatically fantastic. 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE is your perfect one-stop guide to them all. Science fiction allows every other movie genre to leap - quite literally - into another dimension. Take a classic police chase and set it on Mars. Create a haunted house story, then add the robots. Take the classic boy-meets-girl story, then make them mutants. Great sci-fi movies turn the known world onto its head, play with the laws of physics and all the while hold the viewer spellbound with a gripping vision of future worlds. With insight from critics, film historians, and academics, 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE, applies knowledge and passion to a century of close encounters, distant planets, time travel, black holes, strange outfits, futuristic technology, inexplicable forces, fantastic spaceships, fluorescent drinks and subterranean societies. Strap yourself in: you′re set for a rocket ride to sci-fi heaven. |
| 2001 a space odyssey stills: The Sentinel Arthur Clarke, 2011-05-11 'Clarke is one of the greatest imaginative writers of hard science fiction' New Scientist 'Arthur Clarke is one of the true geniuses of our time' Ray Bradbury 'Arthur C. Clarke is the prophet of the space age' The Times 'A one-man literary Big Bang, Clarke has originated his own vast and teeming futurist universe' Sunday Times '3001 is not just a page-turner, plugged in to the great icons of HAL and the monoliths, but a book of wisdom too, pithy and provocative' New Scientist 'Arthur C. Clarke is blessed with one of the most astounding imaginations ever encountered in print' New York Times 'One of the truly prophetic figures of the space age! the colossus of science fiction' New Yorker --This text refers to an out of print or unavailable edition of this title. |
| 2001 a space odyssey stills: Motion Pictures: a Catalog of Books, Periodicals, Screenplays and Production Stills: Production stills University of California, Los Angeles. Library, 1973 |
| 2001 a space odyssey stills: 1999: A Space Odyssey John K Balor, 2018-08-03 Part of the premise of the online discussion transcribed in this book is how Gerry Anderson's television series 'Space: 1999' can be understood in relation to Stanley Kubrick's '2001: A Space Odyssey' by looking at both narratives through the perspective of systems theory. As a result of doing so, an engaged debate concerned with the political and philosophical subtext of both stories developed. This book gives a full account of the debate with summaries of ideas and insights. The book has been developed on an idealistic basis. It is sold at the lowest price the publisher was willing to accept. A free e-book version can be downloaded at www.lulu.com. |
| 2001 a space odyssey stills: Taste: Media and Interior Design Karin Tehve, 2023-06-26 This book traces and explores the evolution of taste from a design perspective: what it is, how it works, and what it does. Karin Tehve examines taste primarily through its recursive relationship to media. This ongoing process changes the relationship between designers and the public, and our understanding of the relationship of individuals to their social contexts. Through an analysis of taste, design is understood to be an active constituent of social life, not as autonomous from it. This book reclaims a term long dismissed from interior design and unveils taste’s role as a powerful social and political agent within systems of aesthetics, affecting both its producers and consumers. Each chapter discusses a taste concept or definition, analyzes its reciprocal relationship with media, and explores its implications for interior design. Illustrated with 70 images, taste’s relationship to media is viewed through a variety of different lenses, including books, photography, magazines, internet, social media and algorithms. Written primarily for students and scholars of interior design and related design fields, this book will be a helpful resource for all those interested in the question of taste, and is an invitation to produce and consume all media critically. |
| 2001 a space odyssey stills: Cosmigraphics Michael Benson, 2014-10-14 Visual history of the discovery of the universe, told through illustrations, maps, diagrams, speculative works of representation, and data visualizations. |
| 2001 a space odyssey stills: Hammer Complete Howard Maxford, 2019-11-08 Think you know everything there is to know about Hammer Films, the fabled Studio that Dripped Blood? The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution. |
| 2001 a space odyssey stills: The Stanley Kubrick Archives Alison Castle, Stanley Kubrick, Jan Harlan, Christiane Kubrick, 2008 This special anniversary-edition work explores Stanley Kubrick's archives. With selected articles and essays and extensive film notes, this work offers the most comprehensive study of the filmmaker to date. |
| 2001 a space odyssey stills: This Thing Between Us Gus Moreno, 2021-10-12 A surreal excursion into heartache and horror narrated by a man undone by grief . . . Along with allusions to Rod Serling and The Exorcist, there are shades of H. P. Lovecraft, Stephen King, zombie literature and, at least once, A Hitchhiker’s Guide to the Galaxy . . . You don't want to read this book right before bed. —Sarah Lyall, The New York Times Book Review “This intense cosmic horror with a touch of Mexican American folklore is incredibly creepy and moving.” —Margaret Kingsbury, BuzzFeed It was Vera’s idea to buy the Itza. The “world’s most advanced smart speaker!” didn’t interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room. It was funny and strange right up until Vera was killed, and Thiago’s world became unbearable. Pundits and politicians all looking to turn his wife’s death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room . . . The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world. A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent. |
| 2001 a space odyssey stills: Eerie Archives Volume 19 Various, 2015-06-09 Deceptive aliens, towering beauties, hideous monsters, and time-traveling gunslingers populate the pages of Eerie Archives Volume 19! The Rook returns for more adventures with his dangerous crew, along with scores of aliens, classic creatures, modern terrors, and tales of human folly. Creators include horror masters Bruce Jones, Richard Corben, Bill DuBay, Alex Nino, Budd Lewis, Jose Ortiz, and many others! Eerie Archives explores all things strange and horrific to deliver timeless, shocking, and experimental short stories to readers old and new! |
| 2001 a space odyssey stills: Rock Song Index Bruce Pollock, 2014-03-18 The Rock Song Index, Second Edition, is a new version of a well-received index to the classic songs of the rock canon, from the late '40s through the end of the 20th century. The study of the history of rock music has exploded over the last decade; all college music departments offer a basic rock-history course, covering the classic artists and their songs. |
| 2001 a space odyssey stills: The Moviegoing Experience, 1968-2001 Richard W. Haines, 2010-06-28 The experience of going to the movies, be it a single screen theater, twin, multiplex or drive-in, is affected by many different factors that have shifted over the years. Just as movies emerged from silent to talking, black and white to color, there has invariably been change in the way movies are made, copied, distributed and viewed. This change in the moviegoing experience, for better or for worse, is worth studying. This work examines the American moviegoing experience from 1968 to 2001--the way in which movies are made and regulated (including the demise of the Production Code and the emergence of the ratings system) as well as changes in lighting, cinematography and coloring techniques. The projection practices of the past and present, during and after the presence of the Projectionists Union, and the advent of the platter, which allowed for automated projection, are discussed. How home video and cable affected the content of films after the eighties and the history of computerized special effects leading to the development of digital cinema projection are included. The work also covers the changing types of venues over the last third of a century and other aspects that affect, positively or negatively, the entire moviegoing experience. |
| 2001 a space odyssey stills: James Turrell Craig Adcock, 2023-12-22 The Art of Light and Space is the first major overview of one of the most independent and accomplished artists of our time. For the benefit of art historians, artists, and the general reader, Craig Adcock examines, with the support of many illustrations, the full range of James Turrell's life and art. He gives special attention to the artist's fashioning of light and space to create works of great contemplative beauty, intellectual depth, and technical sophistication. Adcock explains how Turrell's work has developed to address the very nature of visual perception--its wonders and its limitations. Presented in the context of developments in contemporary art since the 1960s, Turrell's non-object pieces, his light projections and large-scale installations, and his monumental work-in-progress--the Roden Crater project--take on a significance and integrity that have not previously been fully revealed. Turrell's work has been collected and exhibited widely, and he has received a number of important grants including the prestigious MacArthur Foundation Prize. The Art of Light and Space is the first major overview of one of the most independent and accomplished artists of our time. For the benefit of art historians, artists, and the general reader, Craig Adcock examines, with the support of many illustrations, |
| 2001 a space odyssey stills: Fantastic Voyages Leroy W. Dubeck, Suzanne E. Moshier, Judith E. Boss, 2006-05-31 By revealing the facts behind the fiction of some of the finest films in the sci-fi genre, Fantastic Voyages offers a novel approach to teaching science: using scenes from science fiction films to illustrate fundamental concepts of physics, astronomy, and biology. |
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2001 A Space Odyssey Arthur C Clarke Full PDF
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2001 A Space Odyssey Black Monolith The Enigma of the Monolith: A Deep Dive into 2001's Cosmic Mystery Stanley Kubrick's 2001: A Space Odyssey, a cinematic masterpiece, is etched …
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Stanley Kubrick's 2001: A Space Odyssey isn't just a science fiction film; it's a profound exploration of humanity's place in the cosmos. Central to this exploration is the enigmatic black …
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