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| a piene mani: Dinorah Jules Barbier, 1859 |
| a piene mani: English and Italian fugitive verses and translations Sebastiano FENZI, 1860 |
| a piene mani: Serenata and Festa Teatrale in 18th Century Europe Iskrena Yordanova, Paologiovanni Maione, 2018-06-25 This volume is dedicated to Serenata and Festa Teatrale in 18th Century Europe, especially to the production of this music-dramatic genre at the courts on the Iberian Peninsula, in Italy, and the Holy Roman Empire where it was an integral part of court ceremonials and a privileged ritual of repraesentatio maiestatis. The 16 studies on patrons and artists, exceptional events and local traditions, reveal highly interesting material for the research on these up to now largely neglected genre. Any approach to these works full of metaphors, symbols and allusions has to take into account the context of the celebration and the resulting multiplicity of aspects: choice of themes, dramaturgical forms, textual and musical structures, vocal and instrumental ensembles, and the various options regarding the stage apparatus. Serenata and Festa Teatrale in 18th Century Europe, edited by Iskrena Yordanova (Lisbon) and Paologiovanni Maione (Naples), inaugurates the series Cadernos de Queluz, a subseries of Specula Spectacula by Don Juan Archiv Wien. |
| a piene mani: Art, Intellect and Politics Giusy Maria Ausilia Margagliotta, Andrea Aldo Robiglio, 2012-11-30 The volume explores the relationship of artists and intellectuals from ancient Greece to modern times. Special attention is paid to Plato, Augustan poets (including the reception), Soviet art (Mayakowsky) and Jewish intellectuals. Non European contexts (China, Turkey) are treated as well. |
| a piene mani: Letters from the north of Italy [signed W.S.R.]. William Stewart Rose, 1819 |
| a piene mani: Aspettando il giorno Gabriella Afa, 2014-07-09 Cercare il senso di una vita, di un'esistenza senza sapere come e dove andare. Frugare nei ricordi, nelle aspettative, trovare solo nostalgia e malinconia. Ecco cosa ci aspetta leggendo queste liriche, non ci si aspetta nulla, ci si lascia solo travolgere da quello che ne esce, da ciò che esse trasmettono. La pacatezza di quei silenzi che s'intravedono, quando l'autrice guarda ciò che la circonda, il senso dello sbigottimento e della grandezza.È come guardare il mondo da asceta, considerarlo e comprenderlo, senza potere fare nulla per mutare, ma assecondarlo in ogni suo aspetto. |
| a piene mani: Londra , 2012 |
| a piene mani: COMPRENDIMI M.Gabry Conti, |
| a piene mani: Sarebbe stato bello se.... Filiberto Antonelli, 2014-08-31 L'Autore ricostruisce la sua nascita e gli avvenimenti della sua infanzia in base alle testimonianze dei familiari inquadrando gli eventi in un contesto storico reale. Esamina le origini del Borgo dove è nato, le vicende dei suoi antenati che seguendo le aspirazioni di Francesco e dei suoi due figli, Amerigo e Santi, vi si trasferirono dando inizio alle due discendenze. Si interessa degli avvenimenti che riguardano suo nonno Santi e suo padre, occupandosi degli altri solo marginalmente, quando le vicende si intersecheranno. Ma il principale obbiettivo di queste memorie, alla luce degli avvenimenti narrati, è quello di rendere giustizia all'impegno profuso in ogni occasione della sua vita, alla correttezza del comportamento. Inoltre intende dimostrare come i desideri e la volontà di alcuni, ma soprattutto la falsità e l'egoismo di altri abbiano determinato condizioni sfavorevoli per se e per la sua famiglia pregiudicandone ogni risorsa futura. |
| a piene mani: A Reader of the Italian Language... Luigi Monti, 1855 |
| a piene mani: Cuba Brendan Sainsbury, 2012 |
| a piene mani: The Classic and Connoisseur in Italy and Sicily George William David Evans, 1835 |
| a piene mani: I segreti del campo elettromagnetico-mentale Carlo Mele, 2014-01-03 In questa sua nuova opera, dal tono eminentemente scientifico, l'autore si adopera per rivisitare la mente nei termini di un campo d'energia, un campo elettromagnetico perfettamente assimilabile ai molti che si osservano nel mondo fisico. Tutte le facoltà della mente superiore, comprese quelle comunemente note come poteri paranormali, vengono qui inquadrate in termini di uno specifico campo d'energia, peraltro sviluppabile attraverso una opportuna pratica mentale. La globale evoluzione della coscienza dell'uomo, nota anche come illuminazione, può essere raggiunta attraverso una costante pratica di Autosviluppo d'Energia, lavoro mentale che può degnamente sostituire oggi il più antico concetto di meditazione. La pratica dell'Autosviluppo è ciò che sortisce la piena emersione di talenti nuovi e di una nuova identità del Sé, favorendo la propria autorealizzazione, o pieno successo di vita. |
| a piene mani: In the Company of Many Good Poets. Collected Papers of Franco Montanari Franco Montanari, 2023-10-24 Volume I of Franco Montanari's Kleine Schriften comprises some 66 papers on ancient scholarship, a topic which he decisively helped establishing as an extremely important field of study; they include general surveys of Alexandrian and Pergamene philology, major contributions to ancient Homeric scholarship (with a particular emphasis on Aristarchus), ancient scholarship on Hesiod and Aeschylus, as well as an important number of editions and notes on papyrological scholarly texts. Volume II consists of 42 contributions to Homer's Iliad and Odyssey, Pindar, Aeschylus, Herodotus, Euripides, the Athenaion Politeia, Lucian, Nonnus, philosophical papyri, the reception of antiquity and portraits of contemporary scholars. |
| a piene mani: La Signora del Faro e altri racconti Marianna Burlando, 2010 |
| a piene mani: Orlando Innamorato Di Bojardo: Life of Bojardo; Orlando innamorato, cantos I-VIII of Book I Matteo Maria Boiardo, 1830 |
| a piene mani: Italian Women Writers, 1800–2000 Patrizia Sambuco, 2014-11-12 This book investigates narrative, autobiography, and poetry by Italian women writers from the nineteenth century to today and considers the topics of boundaries and borders in their writings. |
| a piene mani: Storia, identità e canoni letterari Ioana Both, Ayşe Saraçgil, Angela Tarantino, 2013 This volume collects the interventions of the post-doctoral fellows and PhD students of the University of Cluj Napoca, the University of Bucharest and the University of Florence (Mediterranean Cultures; Doctoral School of Comparative Languages, Literatures and Cultures, specialisation in Language, Literature, Philology: Intercultural Perspectives) presented in occasion of the seminar Storia, identità e canoni letterari (“History, identity and literary canons”, Florence, 22-23 November 2011). The contributions are centred on the idea of canon, as a cultural construct founding modern national identities. Another trace is the literary and cultural hybridisations between different geographies. For the Romanian context, the contributions pay particular attention to the movements of the avant-garde of the early 1900s. Some contributions account for the most problematic aspects of the contemporary world using interdisciplinary approaches. |
| a piene mani: Mariolatry Thomas Hartwell Horne, 1844 |
| a piene mani: Selection of Modern Italian Poetry in Translation Roberta L. Payne, 2004-07-15 Payne pays particular attention to poets of the fifties and sixties, futurists, and female poets. She notes that the futurists, who have rarely been translated, were particularly important as they were truly original, attempting to develop new notions of word, line, sound, and phrase. Such new notions make translating them particularly challenging. She also offers a large sampling from poets of the fifties and sixties, many of whom have won the Viareggio Prize. Poems by women in this volume reflect diverse schools and directions while maintaining a distinctly female voice. |
| a piene mani: Dino Buzzati and Anglo-American Culture Valentina Polcini, 2014-06-02 This book investigates the relationship between Dino Buzzati’s fiction and Anglo-American culture by focusing on his re-use of visual texts (Arthur Rackham’s illustrations), narrative sources (Joseph Conrad’s novels), and topoi belonging to such genres as the seafaring tale, the ghost story and the Christmas story. Tracing Buzzati’s recurring theme of the loss of imagination, Dino Buzzati and Anglo-American Culture shows that, far from being a mere imitator, he carries on an original and conscious reworking of pre-existing literary motifs. Especially through the adoption of intertextual strategies, Buzzati laments the lack of an imaginative urge in contemporary society and attempts a recovery of the fantastic imagery of his models. Alongside a reconsideration of Buzzati’s intertextuality, this book offers new insights into Buzzati’s fantastic fiction, by highlighting its playful and ironic component as opposed to the more overtly pervading sense of gloominess and nostalgia. Furthermore, while filling a gap in the critical study of Buzzati in the English-speaking world, the book contributes towards a general reassessment of an author who, although regarded as minor for many years, can rightly be ranked among the masters of twentieth-century fantastic literature. |
| a piene mani: I MIEI TRE UOMINI 2 Sergio Bossi, 2014-04-07 Quando iniziai a scrivere il libro I miei tre uomini lo feci con entusiasmo e spensieratezza, divertendomi, con l'intenzione di aggiornare un diario di bordo famigliare che un giorno avrei lasciato ai miei figli, mai e poi mai però avrei pensato di riuscire a scrivere un secondo libro... |
| a piene mani: Dichiara l'Amore : oggi e sempre Antonio Da Campo, |
| a piene mani: IL SUD E L'INGANNO DEL RISORGIMENTO(La Verità sul Risorgimento Italiano) GIACOMO CASOLE, 2011-09-16 La storia del Sud dopo il Risorgimento è una storia travagliata e mistificata. I vincitori piemontesi di quello sporco conflitto fratricida, hanno cercato di presentare in tutti i modi un Meridione sporco, brutto e cattivo che loro erano riusciti a conquistare. Ma la verità dei fatti è ben altra e diversa e questo libro ne svelerà i retroscena. |
| a piene mani: Orlando Innamorato Di Bojardo: Orlando Furioso Di Ariosto: with an Essay on the Romantic Narrative Poetry of the Italians; Memoirs, and Notes by Antonio Panizzi Matteo Maria Boiardo, L' Arioste, 1830 |
| a piene mani: Seconda Lettera Del Sig. Conte Di Montalembert Al Sig. Conte Di Cavour Charles Forbes comte de Montalembert, 1861 |
| a piene mani: , |
| a piene mani: The Tigress in the Snow Laura Benedetti, 2007-01-01 The Tigress in the Snow explores how literature reacted to, influenced, and shaped the evolving notion of motherhood in twentieth-century Italy. From the late-nineteenth century rhetorical celebration of the mother as Madonna, to the Fascist regime's demographic campaign and feminist revisions of the maternal role, Laura Benedetti shows how the mother's social status was a site of constant negotiation in Italy during the last century and how this negotiation came to be represented in literature. To illustrate her theme, she stresses both similarities and differences among four generations of women writers, as well as their complex interaction with their male counterparts, and their reactions to changes in Italian society. The Tigress in the Snow highlights literature's role in the formation of cultural discourses right up to the dawn of the twenty-first century. An intriguing look at the changing nature of motherhood in a country that has always valued the maternal institution, this volume goes further to show how literature investigates, shapes, and envisions social models for the present and future. |
| a piene mani: Romeo e Giulietta, tragedia ... voltata in prosa italiana da C. Rusconi. Sesta edizione col testo inglese di riscontro William Shakespeare, 1868 |
| a piene mani: 1000 Music Legends: 100th Sinatra. 80th Presley. 75th Lennon. Freddie Mercury e Michael Jackson Francesco Primerano, 2015-07-14 Di Artisti musicali ne abbiamo avuti tanti nell'arco della storia, ma non è mai successo che venissero raccontati tutti insieme in un unico manuale. Tutto il mondo gira intorno a miti e leggende che hanno fatto un'epoca di concerti, rassegne, dischi, festival, abbracciando tutti i generi possibili, dal Rock al Pop, dal Country al Blues, dal Soul al Rap, dallo Swing al punk, dal Jazz all'Hard Rock, dal Reggae al Grunge. Questa è l'occasione giusta per gustarli tutti, fino all'ultima nota. Nel 2015 si vogliono celebrare i 100 anni di Frank Sinatra, gli 80 di Elvis, i 70 di Bob Marley e i 75 di John Lennon. Quello stesso Lennon che, a 35 anni dal suo assassinio, vuol essere, in questa festa, uno dei pionieri della nostra Musica. Un anno speciale perchè vuol ricordare anche il 50thanniversario dei Pink Floyd e dei Doors e i 45 anni di carriera dei Queen. E' proprio con la loro nuova raccolta che si può notare il ritorno del duetto Mercury- Jackson. Dischi di Beatles e Rolling Stones, concerti di Vasco e Ligabue e talenti come Marley e Cobain, si ritrovano in questo testo, per festeggiare le essenze della musica, quella stessa musica che ci ha fatto gustare i nettàri della nostra vita. |
| a piene mani: Temples for Tomorrow Genevià ̈ve Fabre, Michel Feith, 2001-09-19 The Harlem Renaissance is rightly considered to be a moment of creative exuberance and unprecedented explosion. Today, there is a renewed interest in this movement, calling for a re-evaluation and a closer scrutiny of the era and of documents that have only recently become available. Temples for Tomorrow reconsiders the period -- between two world wars -- which confirmed the intuitions of W. E. B. DuBois on the color line and gave birth to the American dilemma, later evoked by Gunnar Myrdal. Issuing from a generation bearing new hopes and aspirations, a new vision takes form and develops around the concept of the New Negro, with a goal: to recreate an African American identity and claim its legitimate place in the heart of the nation. In reality, this movement organized into a remarkable institutional network, which was to remain the vision of an elite, but which gave birth to tensions and differences. This collection attempts to assess Harlem's role as a Black Mecca, as site of intimate performance of African American life, and as focal point in the creation of a diasporic identity in dialogue with the Caribbean and French-speaking areas. Essays treat the complex interweaving of Primitivism and Modernism, of folk culture and elitist aspirations in different artistic media, with a view to defining the interaction between music, visual arts, and literature. Also included are known Renaissance intellectuals and writers. Even though they had different conceptions of the role of the African American artist in a racially segregated society, most participants in the New Negro movement shared a desire to express a new assertiveness in terms of literary creation and indentity-building. |
| a piene mani: Orlando Innamorato Di Bojardo: Orlando Furioso Di Ariosto: With An Essay On The Romantic Narrative Poetry Of The Italians; Memoirs, And Notes By Antonio Panizzi conte di Scandiano Bojardo (Matteo-Maria), 1830 |
| a piene mani: Diplomacy and the Aristocracy as Patrons of Music and Theatre in the Europe of the Ancien Régime Iskrena Yordanova, Francesco Cotticelli, 2019-11-15 This volume explores the dense networks created by diplomatic relationships between European courts and aristocratic households in the early modern age, with the emphasis on celebratory events and the circulation of theatrical plots and practitioners promoted by political and diplomatic connections. The offices of plenipotentiary ministers were often outposts providing useful information about cultural life in foreign countries. Sometimes the artistic strategies defined through the exchanges of couriers were destined to leave a legacy in the history of arts, especially of music and theatre. Ministers favored or promoted careers, described or made pieces of repertoire available to new audiences, and even supported practitioners in their difficult travels by planning profitable tours. They stood behind extraordinary artists and protected many stage performers with their authority, while carefully observing and transmitting precious information about the cultural and musical life of the countries where they resided. |
| a piene mani: Tales from My Zia Faustina Michelle Damiani, Angelo Mazzoli, 2022-10-18 An Italian werewolf. A dancing devil. And a storyteller who chronicles it all. Italy has enchanted travelers for hundreds of years. Now, those who crave a deeper understanding of Europe’s favorite boot can find it through storytelling. Angelo Mazzoli, beloved teacher and ambassador of culture, recounts the stories he heard at the knee of his aunt Faustina—a communist, feminist seamstress who made everything from wedding gowns to bathing costumes for the residents of her Umbrian hill-town. The author shares sixteen of Zia Faustina’s stories, and thus opens the door to the folklore that dwells within the hearts of all Umbrians. Reading about Orlando’s massacre of female hearts in Spello reveals the spectacle of love passed from generation to generation in Italy. A story about a woman living alone in the mountain above Spello illustrates the vulnerability and strength that endure despite all obstacles. A bandit living in Saint Francis’s Assisi teaches us about Umbrian notions of good and evil. Beyond folklore, the author remembers the post-war years in Italy, when a nation struggled to find a direction and an identity. Anecdotes of a thriving main street—including the author’s father’s woodworking shop, his grandfather’s cobbler shop, and his aunt’s seamstress shop—create a vivid tapestry of the joy and community once easily found outside one’s front door. Adapted for English-speakers by Michelle Damiani (who authored the bestselling Il Bel Centro: A Year in the Beautiful Center, a memoir of her year in Spello), Tales from My Zia Faustina will capture hearts and imaginations. Lovers of Italy, especially those readying to embark on a trip to Umbria, will get more out of their travels by understanding the place names, customs, superstitions, and history of Umbria. Language students will take particular delight in translating for themselves the original Italian, as every one of Angelo Mazzoli's words is included in the second half of the book, or at the very least, hearing the Italian lilt in the English translation. If you’re ready to discover new layers of Italy, it’s time to listen to Zia Faustina. Scroll up and click BUY NOW to discover the secrets of unlocking Umbria today! These stories are fabulous, vivid, vibrant, and lyrical. MIchelle Damiani captures the beauty of Angelo’s story telling. Love it! This book is coming out at an ideal time when the world is so transient with little regard for the importance of having roots and a sense of belonging. I love how Angelo celebrates women through his stories! Faustina was certainly a woman ahead of the times with a fierce and fearless spirit...and a big heart. |
| a piene mani: Samson Ippolito D'Aste, 1873 |
| a piene mani: Of Saltimbanchi and Incendiari Anthony Julian Tamburri, 1990 This study examines Palazzeschi's early literary career (1905-15) and his major texts with specific focus on the relationship between his creative works and his three manifestos (Lacerba, 1914-15). |
| a piene mani: I primi gesuiti John W. O'Malley, 1999 |
| a piene mani: Humanistica Lovaniensia Gilbert Tournoy, 1980 Volume 29 |
| a piene mani: Transformations of Late Antiquity Philip Rousseau, Emmanuel Papoutsakis, 2009 'Transformation' is a notion apposite to essays in honour of Peter Brown. 'The transformation of the classical heritage' is a theme to which he has devoted, and continues to devote, much energy. All the essays here in some way explore this notion of transformation; the late antique ability to turn the past to new uses, and to set its wealth of principle and insight to work in new settings. |
| a piene mani: The Influence of Pre-Raphaelitism on Fin de Siècle Italy Giuliana Pieri, 2007 This volume is the first comprehensive study of the influence of English Pre-Raphaelitism on Italian art and culture in the late nineteenth century. Analysis of the cultural relations between Italy and Britain has focused traditionally on the special place that Italy had in the British imagination, but the cultural and artistic exchanges between the two countries have been much misunderstood. This book aims to correct this imbalance by placing Pre-Rapahelitism in its European context. It explores the nature of its influence on Italy, how it was transmitted, and how it was manifested, by focusing on the role of Italian Anglophiles, the English communities in Florence and Rome, the writings of Gabriele D'Annunzio, and a number of Italian artists active in Tuscany and Rome. The works of Cellini, Ricci, Gioja, De Carolis, and Sartorio in particular fully demonstrate the impact of Pre-Raphaelitism on the young Italian school of painting which found in the English movement an ideal link with its glorious past on which it could build a new artistic identity. These artists show that English Pre-Raphaelitism was one of the most powerful single influences on fin-de-siecle Italian culture. |
Otto Piene - Wikipedia
Otto Piene (PEE-nah, 18 April 1928 – 17 July 2014) was a German-American artist specializing in kinetic and …
ABOUT THE ARTIST - Otto Piene
A founder of the influential Zero Group in the late 1950s, Otto Piene forged an artistic career marked by constant …
Otto Piene - Artnet
Otto Piene was a German kinetic artist and co-founder of the ZERO avant-garde group. View Otto Piene’s 2,815 …
Otto Piene Estate - Sprüth Magers
Otto Piene (1928–2014), cofounder of the ZERO group and longtime director of MIT’s influential Center for …
General 1 — Elizabeth Goldring and Otto Piene Foundation
A founder of the influential Zero Group in the late 1950s, Otto Piene forged an artistic career marked by constant …
Otto Piene - Wikipedia
Otto Piene (PEE-nah, 18 April 1928 – 17 July 2014) was a German-American artist specializing in kinetic and technology-based art, often working collaboratively. He lived and worked in …
ABOUT THE ARTIST - Otto Piene
A founder of the influential Zero Group in the late 1950s, Otto Piene forged an artistic career marked by constant experimentation across diverse media, including kinetic light sculptures …
Otto Piene - Artnet
Otto Piene was a German kinetic artist and co-founder of the ZERO avant-garde group. View Otto Piene’s 2,815 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for …
Otto Piene Estate - Sprüth Magers
Otto Piene (1928–2014), cofounder of the ZERO group and longtime director of MIT’s influential Center for Advanced Visual Studies, combined art and technology in works that comprised …
General 1 — Elizabeth Goldring and Otto Piene Foundation
A founder of the influential Zero Group in the late 1950s, Otto Piene forged an artistic career marked by constant experimentation across diverse media, including kinetic light sculptures …
Otto Piene - Artists - Spellman Gallery
Otto Piene, a German painter and sculptor known for his experiments in kinetic art and for working at the junction of art, nature and technology, died on Thursday in Berlin, where he was …
Piene, Otto, 1928-2014 (CAVS Fellow 1968-1974, CAVS Director ...
Jul 17, 2014 · Otto Piene was a painter, printmaker, environmental artist, and co-founder of the ZERO group. In 1968 he became one of the first generation of Fellows at the MIT Center for …
Piene | De Zutter Art Gallery | Knokke-Heist
Otto Piene (pronounced PEE-nah, 18 April 1928 – 17 July 2014) was a German-American artist specializing in kinetic and technology-based art, often working collaboratively. He lived and …
Otto Piene Painter - Biography, Facts and Paintings
Otto Piene was one of the founding members of the Zero Group, one of Germany’s most influential movements in modern art. He founded the group alongside fellow artists Heinz …
About - Otto Piene
This is the official website of the Otto Piene Catalogue Raisonné, an ongoing project aiming to document the artist’s entire oeuvre. The catalogue raisonné is undertaken by the Otto Piene …
