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| a ciascuno il suo: Encyclopedia of Italian Literary Studies: A-J Gaetana Marrone, 2007 Publisher description |
| a ciascuno il suo: The Novel as Investigation JoAnn Cannon, 2006-01-01 Detective fiction is a universally popular genre; stories about the investigation of a crime by a detective are published all over the world and in hundreds of languages. Detective fiction provides more than entertainment, however; it often has a great deal to say about crime and punishment, justice and injustice, testimony and judgment. The Novel as Investigation examines a group of detective novels by three important Italian writers - Leonardo Sciascia, Dacia Maraini, and Antonio Tabucchi - whose conviction about the ethical responsibility of the writer manifests itself in their investigative fiction. Jo-Ann Cannon explores each writer's denunciation of societal ills in two complementary texts. These investigative novels shed light on pressing social ills, which are not particular to Italian society of the late twentieth century but are universal in scope: Sciascia focuses on abuses of power and the death penalty, Maraini on violence against women, Tabucchi on torture and police brutality. In addition, each of these texts self-reflexively explore the role of writing in society. Sciascia, Maraini, and Tabucchi all use their fiction to defend the power of the pen to address il male del mondo. The Novel as Investigation will be of interest to a broad audience of readers, including those interested in Italian and comparative literature, Italian social history, and cultural studies. |
| a ciascuno il suo: Twentieth-century Italian Literature in English Translation Robin Healey, 1998-01-01 This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence. |
| a ciascuno il suo: To Each His Own Leonardo Sciascia, 1992 This is a short, powerful novel dealing with the complicities and accomodations of power within Italian politics. |
| a ciascuno il suo: A Man's Blessing Leonardo Sciascia, 1968 A novel set in Scicily. The anonymous letter arrived in the afternoon mail. The message, spelled out in words that had been cut from a newspaper, read: This letter is your death sentence. To avenge what you have done, you will die. |
| a ciascuno il suo: Inquisition and Inquiry Anne Mullen, 2000 This study focuses on the narrative form which figured prominently in Sciascia's literary production in the 1970s and 1980s, that is, inchiesta, the non-fiction investigative essay, based principally on Manzoni's Storia della colonna infame [The Column of Infamy]. In his inchieste Sciascia investigates episodes in history, from the time of the Inquisition through to his own contemporary times, where intolerance and injustice outmatch human weakness and fear. This study considers Sciascia's commingling of detective and investigative writing, and his attempts at historiography. One striking feature of his narrative technique is his reliance on literature to interpret the past. |
| a ciascuno il suo: Politics and Society in Italian Crime Fiction Barbara Pezzotti, 2014-01-16 This book comprehensively covers the history of Italian crime fiction from its origins to the present. Using the concept of moral rebellion, the author examines the ways in which Italian crime fiction has articulated the country's social and political changes. The book concentrates on such writers as Augusto de Angelis (1888-1944), Giorgio Scerbanenco (1911-1969), Leonardo Sciascia (1921-1989), Andrea Camilleri (b. 1925), Loriano Macchiavelli (b. 1934), Massimo Carlotto (b. 1956), and Marcello Fois (b. 1960). Through the analysis of writers belonging to differing crucial periods of Italy's history, this work reveals the many ways in which authors exploit the genre to reflect social transformation and dysfunction. |
| a ciascuno il suo: Methods of Murder Elena Past, 2012-01-01 Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria's Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso's positivist Criminal Man |
| a ciascuno il suo: Elio Petri Roberto Curti, 2021-07-14 Elio Petri (1929-1982) was one of the most commercially successful and critically revered Italian directors ever. A cultured intellectual and a politically committed filmmaker, Petri made award-winning movies that touched controversial social, religious, and political themes, such as the Mafia in We Still Kill the Old Way (1967), police brutality in Investigation of a Citizen Above Suspicion (1970), and workers' struggles in Lulu the Tool (1971). His work also explored genre in a thought-provoking and refreshing manner with a taste for irony and the grotesque: among his best works are the science fiction satire The 10th Victim (1965), the ghost story A Quiet Place in the Country (1968), and the grotesque giallo Todo modo (1976). This book examines Elio Petri's life and career, and places his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of each of his films, plenty of never-before-seen bits of information recovered from the Italian ministerial archives, and an in-depth discussion of the director's unfilmed projects. |
| a ciascuno il suo: A Dictionary of English and Italian Equivalent Proverbs Teodor Flonta, 2011-10-29 This dictionary assembles 2,513 English proverbs and their Italian equivalents. Equivalent proverbs are those which express the same concept, be it literally, such as “Love is blind” = “L’amore è cieco,” or with completely different words, such as“Every cloud has a silver lining” = “Non tutto il male viene per nuocere.” The Dictionary is a very useful reference tool for scholars of the two languages, for researchers working in various associated fields such as linguistics, literature, folklore, anthropology, psychology, sociology, history, and for workers in newer areas such as advertising and contemporary media. The Dictionary is also of interest to diplomats and politicians who try to improve their communication by sharing ideas formulated in some common meaningful expressions; it will assist interpreters and translators, and teachers and students for whom it is important to understand not only what the target culture expresses in the same way as their own, but also what is formulated in a different way. The Dictionary is also of benefit to non-professionals who, for the sheer enjoyment of it, wish to savour the wisdom, wit, poetry and the colourful language of proverbs. |
| a ciascuno il suo: A Dictionary of English and Romance Languages Equivalent Proverbs Teodor Flonta, This dictionary assembles 3,246 English proverbs and thousands of equivalents in five national Romance languages: French, Italian, Spanish, Portuguese and Romanian. The Dictionary is a very useful reference tool for scholars of these languages, for researchers working in various associated fields such as linguistics, literature, folklore, anthropology, psychology, sociology, history, and for workers in newer areas such as advertising and contemporary media. The Dictionary is also of benefit to diplomats and politicians who try to improve their communication by sharing ideas formulated in some common meaningful expressions; it will assist interpreters and translators, and teachers and students for whom it is important to understand not only what the target culture expresses in the same way as their own, but also what is formulated in a different way. Finally, the Dictionary will be of great interest to non-professionals who, for the sheer enjoyment of it, wish to savour the wisdom, wit, poetry and the colourful language of proverbs. |
| a ciascuno il suo: Italian Literature since 1900 in English Translation 1929-2016 Robin Healey, 2019-03-07 Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature. |
| a ciascuno il suo: Postmodern Ethics Elizabeth Wren-Owens, 2009-05-05 Postmodern Ethics offers a new perspective on debates surrounding the role of the intellectual in Italian society, and provides an original reading of two important Italian contemporary writers, Leonardo Sciascia and Antonio Tabucchi. It examines the ways in which the two writers use literature to engage with their socio-political environment in a climate informed by the doubts and scepticism of postmodernism, after traditional forms of impegno had been abandoned. Postmodern Ethics explores ways in which Tabucchi and Sciascia further their engagement through embracing the very factors which problematized traditional committed writing, such as the absence of fixed truths, the inability of language to fully communicate ideas and intertextuality. Postmodern Ethics provides an innovative new reading of Tabucchi’s works. It challenges the standard view in critical literature that his writing may be divided into ‘engaged’ texts which dialogue with society and ‘postmodern’ texts which focus on literary interiority, suggesting instead that socio-political engagement underpins all of his works. It also offers a new lens on Sciascia’s writing, unpacking why Sciascia, unlike his contemporaries, is able to maintain a belief in literature as a means of dialoguing with society. Postmodern Ethics explores the ways in which Tabucchi and Sciascia approach issues of terrorism, justice, the anti-mafia movement, immigration and the value of reading in connected yet distinct ways, suggesting that a close genealogy may be drawn between these two key intellectual figures. |
| a ciascuno il suo: Investigating Identities Marieke Krajenbrink, Kate M. Quinn, 2009 Investigating Identities: Questions of Identity in Contemporary International Crime Fiction is one of the relatively few books to date which adopts a comparative approach to the study of the genre. This collection of twenty essays by international scholars, examining crime fiction production from over a dozen countries, confirms that a comparative approach can both shed light on processes of adaptation and appropriation of the genre within specific national, regional or local contexts, and also uncover similarities between the works of authors from very different areas. Contributors explore discourse concerning national and historical memory, language, race, ethnicity, culture and gender, and examine how identity is affirmed and challenged in the crime genre today. They reveal a growing tendency towards hybridization and postmodern experimentation, and increasing engagement with philosophical enquiry into the epistemological dimensions of investigation. Throughout, the notion of stable identities is subject to scrutiny. While each essay in itself is a valuable addition to existing criticism on the genre, all the chapters mutually inform and complement each other in fascinating and often unexpected ways. This volume makes an important contribution to the growing field of crime fiction studies and to ongoing debates on questions of identity. It will therefore be of special interest to students and scholars of the crime genre, identity studies and comparative literature. It will also appeal to all who enjoy reading contemporary crime fiction. |
| a ciascuno il suo: Encyclopedia of Italian Literary Studies Gaetana Marrone, Paolo Puppa, 2006-12-26 The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars. |
| a ciascuno il suo: The Complete Index to Literary Sources in Film Alan Goble, 2011-09-08 No detailed description available for The Complete Index to Literary Sources in Film. |
| a ciascuno il suo: DK Eyewitness Travel Guide Sicily DK, 2015-05-05 DK Eyewitness Travel Guide: Sicily is your indispensible guide to this beautiful part of the world. The fully updated guide includes unique cutaways, floor plans, and reconstructions of the must-see sites, plus street-by-street maps of all the fascinating cities and towns. The new-look guide is also packed with photographs and illustrations leading you straight to the best attractions on offer. The uniquely visual DK Eyewitness Travel Guide will help you to discover everything region-by-region; from local festivals and markets to day trips. Detailed listings will guide you to the best hotels, restaurants, bars, and shops for all budgets, while detailed practical information will help you to get around, whether by train, bus, or car. Plus, DK's excellent insider tips and essential local information will help you explore every corner of Sicily effortlessly. DK Eyewitness Travel Guide: Sicily--showing you what others only tell you. |
| a ciascuno il suo: London calling Barry Miles, 2012 “Eravamo anti-sistema in tutto e per tutto, nella musica e nell’arte. Volevamo distruggere qualsiasi cosa avesse regole prestabilite, tutto quel che c’era di asfissiante, tutte le certezze. Eravamo decisi a infrangere tutte le regole in tutti i modi possibili”. La Londra di Barry Miles è quella della cultura underground che nasce fra le macerie della Seconda guerra mondiale ed esplode nel corso degli anni Sessanta e Settanta, concentrandosi sul West End e su Soho, le zone in cui era confluita un’eterogenea popolazione di personaggi creativi e fuori dalle righe, intolleranti nei confronti delle costrizioni della cultura e del costume ufficiale: scrittori, poeti, registi, musicisti, artisti, pubblicitari, architetti, stilisti, e una miriade di più anonimi personaggi decisi a fare della propria vita un’arte. È la storia di una rivoluzione culturale determinata a ottenere una “totale confusione dei sensi”, che si sviluppa fra le vie di una metropoli artisticamente onnivora, fatta di locali, librerie, club, pub, teatri, piazze, vicoli, scantinati, case occupate o case borghesi. Una storia di sconvolgente energia vitale e al tempo stesso autodistruttiva, raccontata sul filo di quell’ironia che solo un testimone diretto può comunicare. Mettere in fila i nomi che si incontrano fra queste pagine fa tremare l’idea stessa di ‘controcultura’, poiché vi si ritrova molta della creatività che animerà per ibridazione la cultura ufficiale del Novecento: Dylan Thomas, Francis Bacon, i Situazionisti, il cool jazz, il rock ’n’ roll, Mary Quant, Kingsley Amis, J.G. Ballard, i Rolling Stones, i Beatles, William Burroughs, Jimi Hendrix, i Pink Floyd, Allen Ginsberg, Pete Townshend, Yoko Ono, Derek Jarman, David Hockney, i Clash, i Police, Gilbert & George, Vivienne Westwood, i Sex Pistols, Boy George, Charles Saatchi, Lucian Freud, Damien Hirst e moltissimi altri. Un libro-mondo brulicante di storie e di personaggi, il ritratto più preciso e divertente mai scritto sull’avventura gloriosa e infame di un’epoca oggi entrata nella leggenda. |
| a ciascuno il suo: The First Italian Book ... Paolo Pifferi, Dawson W. Turner (M.A.), 1853 |
| a ciascuno il suo: Perfect Your Italian 2E: Teach Yourself Sylvia Lymbery, 2010-05-28 Are you looking for an improver's course in Italian which will make you sound like a native? If you already know some Italian and want to take it further, Perfect your Italian will guarantee success! Taking you from a good GCSE level (level B2 of the Common European Framework), this course teaches you advanced structures and vocabulary so that by the end of the course you will be at GCE Advanced Level, CEF level C1: Can express him/herself fluently and spontaneously without much obvious searching for expressions. Can use language flexibly and effectively for social, academic and professional purposes. Full of authentic texts and dialogues about complex subjects, this course covers a wide range of topics of the sort you will want to talk about when in Italy and teaches you the kind of everyday language and features of speech that will enable you to communicate with confidence and feel comfortable taking part in conversation with native speakers of Italy. The choice of material aims to give you something of the flavour of Italy today and each unit is based around a single theme with lively interviews and conversations on the accompanying recording. There are activities based on the interviews and texts to help you remember what you've learnt and put your knowledge into practice. The units are divided into sessions - to help you organize your learning time and break up the material into manageable chunks - and there are reminders throughout to refresh your memory of points you have learnt. Now fully updated to make your language learning experience fun and interactive. You can still rely on the benefits of a top language teacher and our years of teaching experience, but now with added learning features within the course and online. Learn effortlessly with new, easy-to-read page design and interactive features:/p> NOT GOT MUCH TIME? One, five and ten-minute introductions to key principles to get you started. AUTHOR INSIGHTS Lots of instant help with common problems and quick tips for success, based on the author's many years of experience. GRAMMAR TIPS Easy-to-follow building blocks to give you a clear understanding. USEFUL VOCABULARY Easy to find and learn, to build a solid foundation for speaking. DIALOGUES Read and listen to everyday dialogues to help you speak and understand fast. TEST YOURSELF Tests in the book and online to keep track of your progress. EXTEND YOUR KNOWLEDGE Extra online articles at: www.teachyourself.com to give you a richer understanding of the culture and history of Italy. TRY THIS Innovative exercises illustrate what you've learnt and how to use it. |
| a ciascuno il suo: The Financial Value of Entrepreneurship Guido M. Mantovani, 2017-06-16 This Palgrave Pivot examines the essence of competence value in corporate and small business finance, offering empirical evidence to better understand financial practices within entrepreneurial settings. Mantovani suggests an innovative methodology to detect the financial value of entrepreneurial capabilities. He shows how the concept of competence value and T-ratio, its measurement tool, are necessary to arrange sound entrepreneurial finance deals. This book opens with an analysis of how entrepreneurial skills contribute to the economics of entrepreneurial business, and then provides a financial background to estimate the competence value even when the financial markets fail to do so. The book goes on to introduce the idea of an entrepreneurial life-cycle made of stages based on the transformation of human skills into competitive hallmarks. Applications across a large sample of companies and Mantovani's concluding suggestions about the financial practice make this bookessential to both academics and executives. |
| a ciascuno il suo: Parliamo italiano! Suzanne Branciforte, Elvira G. Di Fabio, 2016-11-30 This text is an unbound, three hole punched version. Access to WileyPLUS sold separately. Parliamo italiano!, Binder Ready Version, Edition 5 continues to offer a communicative, culture based approach for beginning students of Italian. Not only does Parliamo Italiano provide students learning Italian with a strong ground in the four ACTFL skills: reading, writing, speaking, and listening, but it also emphasizes cultural fluency. The text follows a more visual approach by integrating maps, photos, regalia, and cultural notes that offer a vibrant image of Italy. The chapters are organized around functions and activities. Cultural information has been updated to make the material more relevant. In addition, discussions on functional communications give readers early success in the language and encourage them to use it in practical situations. |
| a ciascuno il suo: Crime Scenes , 2021-11-01 The essays in this collection are based on papers given at a conference on detective fiction in European culture, held at the University of Exeter in September 1997. The range of topics covered is designed to show not only the presence and variety of narratives of detection across different European countries and their different media (although there is a predictable emphasis on the novel). It also illustrates the fertility of the genre, its openness to a spectrum of readings with different emphases, formal as well as thematic. Approaches to detective fiction have often tended to confine them-selves to ‘symptomatic’ interpretation, where details of the fictional world represented are used to diagnose a specific set of social preoccupations and priorities operative at the time of writing. Such approaches can yield valuable insights. Nonetheless there is a risk of limiting the value of the genre as a whole solely to its role as a mirror held up to society. In this perspective, issues of structure and style are sidelined, or, if addressed, are praised to the extent that they approach invisibility — concision, spareness, realism are the qualities singled out for praise. The genre also gives much scope for formal innovation — and indeed has often attracted already established ‘mainstream’ writers and filmmakers for just this reason. The eclectic diversity of the detective narratives considered in this volume reveal the malleability of the traditional constraints of the genre. The essays bear rich testimony to the value of considering the interplay of thematic and structural issues, even in the most apparently unselfconscious and popular (or populist) forms of narrative. The patterns of reassurance, the triumph of intellect and the ordered, rational world ‘of old’ are now challenged by the need to foreground the problems, ambiguities and uncertainties of the self and of society. The plurality of meanings and the antithetical imperatives explored in these detective narratives confirm that the most recent forms of the genre are not mere palimpsests of their ‘golden age’ precursors. The subversion of traditional expectations and the implementation of diverse stylistic devices take the genre beyond mere homage and pastiche. The role of the reader/spectator and critic in conferring meaning is a crucial one. |
| a ciascuno il suo: The Florentine Codex Jeanette Favrot Peterson, Kevin Terraciano, 2019-09-10 Honorable Mention, 2021 LASA Mexico Humanities Book Prize, Latin American Studies Association, Mexico Section In the sixteenth century, the Franciscan friar Bernardino de Sahagún and a team of indigenous grammarians, scribes, and painters completed decades of work on an extraordinary encyclopedic project titled General History of the Things of New Spain, known as the Florentine Codex (1575–1577). Now housed in the Biblioteca Medicea Laurenziana in Florence and bound in three lavishly illustrated volumes, the codex is a remarkable product of cultural exchange in the early Americas. In this edited volume, experts from multiple disciplines analyze the manuscript’s bilingual texts and more than 2,000 painted images and offer fascinating, new insights on its twelve books. The contributors examine the “three texts” of the codex—the original Nahuatl, its translation into Spanish, and its painted images. Together, these constitute complementary, as well as conflicting, voices of an extended dialogue that occurred in and around Mexico City. The volume chapters address a range of subjects, from Nahua sacred beliefs, moral discourse, and natural history to the Florentine artists’ models and the manuscript’s reception in Europe. The Florentine Codex ultimately yields new perspectives on the Nahua world several decades after the fall of the Aztec empire. |
| a ciascuno il suo: Religion and religious institutions in the European economy, 1000-1800 Istituto internazionale di storia economica F. Datini. Settimana di studio, 2012 |
| a ciascuno il suo: DK Eyewitness Travel Guide: Sicily , 2013-10-10 The DK Eyewitness Sicily Travel Guide is your indispensible guide to this beautiful part of the world. The fully updated guide includes unique cutaways, floorplans and reconstructions of the must-see sites, plus street-by-street maps of all the fascinating cities and towns. The new-look guide is also packed with photographs and illustrations leading you straight to the best attractions on offer. The uniquely visual DK Eyewitness Travel guide will help you to discover everything region-by-region; from local festivals and markets to day trips. Detailed listings will guide you to the best hotels, restaurants, bars and shops for all budgets, whilst detailed practical information will help you to get around, whether by train, bus or car. Plus, DK's excellent insider tips and essential local information will help you explore every corner of Sicily effortlessly. DK Eyewitness Sicily Travel Guide - showing you what others only tell you. Now available in PDF format. |
| a ciascuno il suo: DK Eyewitness Sicily DK Eyewitness, 2017-05-16 Visit and explore Sicily, the largest island in the Mediterranean Sea, and stop by Valle dei Templi, hike Mount Etna, and eat authentic caponata. Discover DK Eyewitness Travel Guide: Sicily. + Detailed itineraries and don't-miss destination highlights at a glance. + Illustrated cutaway 3-D drawings of important sights. + Floor plans and guided visitor information for major museums. + Guided walking tours, local drink and dining specialties to try, things to do, and places to eat, drink, and shop by area. + Area maps marked with sights. + Detailed city maps include street finder indexes for easy navigation. + Insights into history and culture to help you understand the stories behind the sights. + Hotel and restaurant listings highlight DK Choice special recommendations. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Sicily truly shows you the country as no one else can. Recommended: For a pocket guidebook to Sicily, check out DK Eyewitness Travel Guide: Top 10 Sicily, which is packed with dozens of top 10 lists, ensuring you make the most of your time and experience the best of everything. |
| a ciascuno il suo: An Essay on the Genius and Writings of Pope Joseph Warton, 1782 |
| a ciascuno il suo: DK Eyewitness Travel Guide Sicily DK Travel, 2017-05-16 Visit and explore Sicily, the largest island in the Mediterranean Sea, and stop by Valle dei Templi, hike Mount Etna, and eat authentic caponata. Discover DK Eyewitness Travel Guide: Sicily. + Detailed itineraries and don't-miss destination highlights at a glance. + Illustrated cutaway 3-D drawings of important sights. + Floor plans and guided visitor information for major museums. + Guided walking tours, local drink and dining specialties to try, things to do, and places to eat, drink, and shop by area. + Area maps marked with sights. + Detailed city maps include street finder indexes for easy navigation. + Insights into history and culture to help you understand the stories behind the sights. + Hotel and restaurant listings highlight DK Choice special recommendations. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Sicily truly shows you the country as no one else can. Recommended: For a pocket guidebook to Sicily, check out DK Eyewitness Travel Guide: Top 10 Sicily, which is packed with dozens of top 10 lists, ensuring you make the most of your time and experience the best of everything. |
| a ciascuno il suo: An Italian Grammar Girolamo Volpe, 1863 |
| a ciascuno il suo: An essay on the genius and writings of Pope. By J. Warton Joseph Warton, 1806 |
| a ciascuno il suo: An essay on the genious and writings of Pope Joseph Warton, 1806 |
| a ciascuno il suo: Contesting the Monument: The Anti-illusionist Italian Historical Novel: No. 10 Ruth Glynn, 2017-12-02 In the second half of the twentieth century, the Italian historical novel provided an unrivalled number of best sellers and publishing 'phenomena'. The success of the genre is closely related to a more general interest in revisiting the past in the light of a changed understanding of the nature, or philosophy, of history. This study aims to explore the particularly marked increase in the production and popularity of the historical novel in the period between the mid-1960s and the early 1990s, with reference to current debates on the nature of history. It presents a theoretical framework which establishes the centrality of philosophy of history to the development of the genre. The employment of this framework opens out the discussion of literary change to the consideration of historiographical developments and wider critical debate. The theoretical insights gained inform the close textual analysis provided in the chapters dealing with novels written by five of Italy's foremost contemporary writers: Leonardo Sciascia, Vincenzo Consolo, Sebastiano Vassalli, Umberto Eco, and Luigi Malerba. |
| a ciascuno il suo: The Oriental Outpost of the Republic of Letters Hülya Çelik, Paola Molino, Chiara Petrolini, Claudia Römer, Thomas Wallnig, 2025-05-29 This book explores the life of Sebastian Tengnagel, the imperial librarian who established Vienna's first major collection of Arabic, Turkish, Persian, and Hebrew manuscripts. By examining his correspondence and interactions with European scholars and Ottoman subjects, it sheds light on his pursuit of knowledge. Highlighting the significance of his manuscript collection and his political and religious positions, this book provides fresh insights into seventeenth-century Vienna as a center for the acquisition and dissemination of Oriental scholarship. |
| a ciascuno il suo: Acta Ecclesiae Mediolanensis a S. Carolo Card , 1846 |
| a ciascuno il suo: TIMOA 10 racconti Bruno Pompilio, 2014-01-13 Timoa, dal titolo del racconto più lungo. Un racconto sullo scoppio della prima bomba atomica su Hiroshima. Negli altri nove, persone con le loro storie di vita. |
| a ciascuno il suo: The Doomed Detective Stefano Tani, 1984 Tani's dissertation is the most stunningly original and intelligent I have encountered in 25years of teaching, wrote the late novelist John Gardner. Tani's argument says that the mystery story as written by Hammett and others and touted by the French existentialists led to a new kind of novel and the old-style mystery, as written by, for example, Agatha Christie, seemed a literary dead end--a conservative if not reactionary game. In recent years, Tani shows, the seeming dead end has led to the most important literary movement now visible: the ironic intellectual fiction of people ranging from Borges and Barth to Calvino, and he proves that the spearhead of this movement is Italian fiction as influenced by American mystery fiction. At first glance, the argument seems outrageous. The brilliance of Tani's thesis--besides the original outrageous idea--is that he solidly and systematically makes his case. |
| a ciascuno il suo: Proibito! Roberto Curti, 2023-09-15 From its birth in 1913 to its abolition in 2021, film censorship marked the history of Italian cinema, and its evolution mirrored the social, political, and cultural travail of the country. During the Fascist regime and in the postwar period, censorship was a powerful political tool in the hands of the ruling party; many films were banned or severely cut. By the end of the 1960s, censors had to cope with the changing morals and the widespread diffusion of sexuality in popular culture, which led to the boom of hardcore pornography. With the crisis of the national industry and the growing influence of television, censorship gradually changed its focus and targets. The book analyzes Italian film censorship from its early days to the present, discussing the most controversial cases and protagonists. These include such notorious works as Last Tango in Paris and Salo, or the 120 Days of Sodom, and groundbreaking filmmakers such as Luchino Visconti, Federico Fellini and Pier Paolo Pasolini, who pushed the limits of what was acceptable on screen, causing scandal and public debate. |
| a ciascuno il suo: The Arts in the West Since 1945 Arthur Marwick, 2002 The 'Arts' hold a revered and respected place within modern Western society - but what exactly defines 'culture'; what gives it this enigmatic status; what influences its composition and propagation; what controls and limitations is it subject to; and what can it achieve within our world? Arthur Marwick tackles these issues head on, with a both detailed and eclectic account of the 'Arts' in the West since the Second World War. He looks at the full range of possible candidates for the category of 'Art', from both elite and popular cultures: from high literature to pulp fiction, fromart-house cinema to soap-opera, Art Music to Rock and Pop. This book looks at the fascinating diversity of twentieth-century art in the context of the social, technological, and political events, movements, and developments that have shaped our history - such as the holocaust, the television, feminism. Marwick examines how these factors have affected thecultural output of Western society since 1945, and in turn how art has fed back its own agenda and priorities into this society. |
| a ciascuno il suo: Philosophy and Psychology Pamphlets , 1825 |
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2 The Italian phrase "a ciascuno il suo significato" – "to each, their own meaning" – speaks to a fundamental human need: the quest for personal significance.
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A Ciascuno il Suo Significato: Finding Meaning in a Meaning-Seeking World The Italian phrase "a ciascuno il suo significato" – "to each, their own meaning" – speaks to a fundamental …
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su A ciascuno il suo e Leonardo Sciascia Pietro Stacchio,1992 LANG 3013 University of South Australia. School of International Studies,2006 The Day of the Owl Leonardo Sciascia,2003-09 …
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พฤศจิิกายน 1965 อิตาโล คััลวีโนเขีียน จิดหมายถึึง เลโอนาร์์โด ชัั่ ยวชัชัับนวาเกิยายเกน ่ อง ร์A ciascuno il suoว่า “ผม่านงานอ ขีองคัุณ์้ว เป็นนวแล ิยายน
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cinecensura.com
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