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| a death in the desert willa cather analysis: A Death in the Desert Willa Cather, 2013-01-12 The High Line Flyer, as this train was derisively called among railroad men, was jerking along through the hot afternoon over the monotonous country between Holdridge and Cheyenne. Besides the blond man and himself the only occupants of the car were two dusty, bedraggled-looking girls who had been to the Exposition at Chicago, and who were earnestly discussing the cost of their first trip out of Colorado. The four uncomfortable passengers were covered with a sediment of fine, yellow dust which clung to their hair and eyebrows like gold powder. It blew up in clouds from the bleak, lifeless country through which they passed, until they were one color with the sagebrush and sandhills. |
| a death in the desert willa cather analysis: Death Comes for the Archbishop (大主教之死) Willa Cather, 2011-10-15 |
| a death in the desert willa cather analysis: The Troll Garden Willa Cather, 2000-06-01 A collection of short stories by Willa Cather that discuss the conflict between East and West and the artistic temperament in America. |
| a death in the desert willa cather analysis: 7 Best Short Stories by Willa Cather Willa Cather, August Nemo, 2020-05-15 Winner of the Pulitzer Prize in 1923, Willa Cather is one of the most famous voices of American Literary Regionalism. His favorite scenario is Maine and his characters are the pioneers whose work helped shape the identity of America. The critic August Nemo selected seven short stories from this essential author of American literature: A Burglar's Christmas A Wagner Matinee On the Gull's Road Paul's Case The Enchanted Bluff The Namesake The Garden Lodge |
| a death in the desert willa cather analysis: The Professor's House Willa Cather, 2023-11-20 When Professor Godfrey St. Peter and wife move to a new house, he becomes uncomfortable with the route his life is taking. He keeps on his dusty study in the old house in an attempt to hang on to his old life. The marriages of his two daughters have removed them from the home and added two new sons-in-law, precipitating a mid-life crisis that leaves the Professor feeling as though he has lost the will to live because he has nothing to look forward to. Adding to that, the death of his favourite student Tom Outland in the Great War is a blow that is too heavy to deal with at his age. Will Professor Godfrey survive his mid-life crisis or will it lead to a disastrous result? |
| a death in the desert willa cather analysis: Cather Studies, Volume 13 Cather Studies, 2021-07 Willa Cather wrote about the places she knew, including Nebraska, New Mexico, New York, and Virginia. Often forgotten among these essential locations has been Pittsburgh. During the ten years Pittsburgh was her home (1896-1906), Cather worked as an editor, journalist, teacher, and freelance writer. She mixed with all sorts of people and formed friendships both ephemeral and lasting. She published extensively--and not just profiles and reviews but also a collection of poetry, April Twilights, and more than thirty short stories, including several collected in The Troll Garden that are now considered masterpieces: A Death in the Desert, The Sculptor's Funeral, A Wagner Matinee, and Paul's Case. During extended working vacations through 1916, she finished four novels in Pittsburgh. Cather Studies, Volume 13 explores the myriad ways that these crucial years in Pittsburgh shaped Cather's writing career and the artistic, professional, and personal connections she made there. With contributions from fourteen well-known Cather scholars, this collection of essays recognizes the importance Pittsburgh played in Cather's life and work and deepens our appreciation of how her art examines and elucidates the human experience. |
| a death in the desert willa cather analysis: The Song of the Lark Willa Cather, 1915 A novelist and short-story writer, Willa Cather is today widely regarded as one of the foremost American authors of the twentieth century. Particularly renowned for the memorable women she created for such works as My Antonia and O Pioneers!, she pens the portrait of another formidable character in The Song of the Lark. This, her third novel, traces the struggle of the woman as artist in an era when a woman's role was far more rigidly defined than it is today. The prototype for the main character as a child and adolescent was Cather herself, while a leading Wagnerian soprano at the Metropolitan Opera (Olive Fremstad) became the model for Thea Kronborg, the singer who defies the limitations placed on women of her time and social station to become an international opera star. A coming-of-age-novel, important for the issues of gender and class that it explores, The Song of the Lark is one of Cather's most popular and lyrical works. Book jacket. |
| a death in the desert willa cather analysis: Paul's Case Willa Cather, 2022-06-03 In Willa Cather's poignant novella Paul's Case, published in 1905, the narrative delves into the life of a young boy, Paul, who feels alienated from the mundane world of his strict Pittsburgh upbringing. Cather employs a sparse yet lyrical prose style, employing rich imagery to contrast the drabness of Paul's reality with the vibrance of his artistic aspirations. Set against the backdrop of early twentieth-century America, the story explores themes of individuality, class struggle, and the quest for beauty, illustrating Paul's desperate yearning for a life beyond the confines of his environment. Willa Cather, an influential American author known for her incisive depictions of pioneer life and individualism, infuses her own experiences into this work. Cather's formative years in Nebraska and her keen understanding of the tensions between artistic ambition and societal expectations inform Paul's character, making his struggle resonate with themes of identity and belonging. Cather herself grappled with the roles expected of women in her time, which parallels Paul's defiance of societal conventions. Paul's Case warrants a place on the shelves of both literary enthusiasts and casual readers alike. Its exploration of the nature of art, longing, and the yearning for authenticity provides profound insights into the human condition. Readers who appreciate richly developed characters and nuanced social commentary will find themselves captivated by this timeless story. |
| a death in the desert willa cather analysis: O Pioneers! Willa Cather, 2024-07-15 When the young Swedish-descended Alexandra Bergson inherits her father's farm in Nebraska, she must transform the land from a wind-swept prairie landscape into a thriving enterprise. She dedicates herself completely to the land—at the cost of great sacrifices. O Pioneers! [1913] is Willa Cather's great masterpiece about American pioneers, where the land is as important a character as the people who cultivate it. WILLA CATHER [1873-1947] was an American author. After studying at the University of Nebraska, she worked as a teacher and journalist. Cather's novels often focus on settlers in the USA with a particular emphasis on female pioneers. In 1923, she was awarded the Pulitzer Prize for the novel One of Ours, and in 1943, she was elected to the American Academy of Arts and Sciences. |
| a death in the desert willa cather analysis: My Antonia Willa Cather, 2021-01-08 My Antonia is a novel by an American writer Willa Cather. It is the final book of the prairie trilogy of novels, preceded by O Pioneers! and The Song of the Lark. The novel tells the stories of an orphaned boy from Virginia, Jim Burden, and Antonia Shimerda, the daughter of Bohemian immigrants. They are both became pioneers and settled in Nebraska in the end of the 19th century. The first year in the very new place leaves strong impressions in both children, affecting them lifelong. The narrator and the main character of the novel My Antonia, Jim grows up in Black Hawk, Nebraska from age 10 Eventually, he becomes a successful lawyer and moves to New York City. |
| a death in the desert willa cather analysis: Willa Cather Hermione Lee, 1997 A biography of Willa Cather (1873-1947), who spent years working as a journalist, teacher and editor of a New York magazine whose deepest feelings were directed towards women. Her friendships from Sarah Orne Jewett and Dorothy Canfield to Stephen Tennant and Yehudi Menuhin were important to her yet as she became more famous she withdrew increasingly from the modern world she disliked. Willa Cather's fiction charts new, female versions of epic pioneering heroism and the extraordinary cultural encounters of the New World history. This major reinterpretation of Cather's work explores that American context and those traditions but finds a strange and disconcerting Cather a writer of split identities, sexual conflict, dramatic energies and stoic fatalism. The author has written books on Elizabeth Bowen, Virginia Woolf and Philip Roth and The Short Stories of Willa Cather . |
| a death in the desert willa cather analysis: Ghost Rider Neil Peart, 2002-06 In less than a year, Neil Peart lost both his 19-year-old daughter, Selena, and his wife, Jackie. Faced with overwhelming sadness and isolated from the world in his home on the lake, Peart was left without direction. That lack of direction lead him on a 5 |
| a death in the desert willa cather analysis: A Gold Slipper Willa Cather, 2013-08-14 Marshall McKann followed his wife and her friend Mrs. Post down the aisle and up the steps to the stage of the Carnegie Music Hall with an ill-concealed feeling of grievance. Heaven knew he never went to concerts, and to be mounted upon the stage in this fashion, as if he were a highbrow from Sewickley, or some unfortunate with a musical wife, was ludicrous. A man went to concerts when he was courting, while he was a junior partner. When he became a person of substance he stopped that sort of nonsense. His wife, too, was a sensible person, the daughter of an old Pittsburgh family as solid and well-rooted as the McKanns. She would never have bothered him about this concert had not the meddlesome Mrs. Post arrived to pay her a visit. Mrs. Post was an old school friend of Mrs. McKann, and because she lived in Cincinnati she was always keeping up with the world and talking about things in which no one else was interested, music among them. She was an aggressive lady, with weighty opinions, and a deep voice like a jovial bassoon. She had arrived only last night, and at dinner she brought it out that she could on no account miss Kitty Ayrshire's recital; it was, she said, the sort of thing no one could afford to miss.When McKann went into town in the morning he found that every seat in the music-hall was sold. He telephoned his wife to that effect, and, thinking he had settled the matter, made his reservation on the 11.25 train for New York. He was unable to get a drawing-room because this same Kitty Ayrshire had taken the last one. He had not intended going to New York until the following week, but he preferred to be absent during Mrs. Post's incumbency.In the middle of the morning, when he was deep in his correspondence, his wife called him up to say the enterprising Mrs. Post had telephoned some musical friends in Sewickley and had found that two hundred folding-chairs were to be placed on the stage of the concert-hall, behind the piano, and that they would be on sale at noon. Would he please get seats in the front row? McKann asked if they would not excuse him, since he was going over to New York on the late train, would be tired, and would not have time to dress, etc. No, not at all. It would be foolish for two women to trail up to the stage unattended. Mrs. Post's husband always accompanied her to concerts, and she expected that much attention from her host. He needn't dress, and he could take a taxi from the concert-hall to the East Liberty station.The outcome of it all was that, though his bag was at the station, here was McKann, in the worst possible humour, facing the large audience to which he was well known, and sitting among a lot of music students and excitable old maids. Only the desperately zealous or the morbidly curious would endure two hours in those wooden chairs, and he sat in the front row of this hectic body, somehow made a party to a transaction for which he had the utmost contempt.When McKann had been in Paris, Kitty Ayrshire was singing at the Comique, and he wouldn't go to hear her—even there, where one found so little that was better to do. She was too much talked about, too much advertised; always being thrust in an American's face as if she were something to be proud of. Perfumes and petticoats and cutlets were named for her. Some one had pointed Kitty out to him one afternoon when she was driving in the Bois with a French composer—old enough, he judged, to be her father—who was said to be infatuated, carried away by her. McKann was told that this was one of the historic passions of old age. He had looked at her on that occasion, but she was so befrilled and befeathered that he caught nothing but a graceful outline and a small, dark head above a white ostrich boa. He had noted with disgust, however, the stooped shoulders and white imperial of the silk-hatted man beside her, and the senescent line of his back. |
| a death in the desert willa cather analysis: Music in Willa Cather's Fiction Richard Giannone, 2001-01-01 Music is everywhere in Willa Cather's fiction: as a subject, in the background, slyly commenting on the action, connecting characters to a distant world, or revealing their interior worlds. Not merely incidental or ornamental, though, music is intrinsic to Cather's work, a distinctive quality of her creation and expression, and it is in this light that Richard Giannone considers Cather's art. Music in Willa Cather's Fiction is the definitive study of its subject. The first work to examine the complex thematic and structural forms that music acquires in Cather's narratives, Giannone's book uses this musical approach as a way of seeing into the author's artistic sensibility, the evolution of her art, and her total achievement. ø Progressing chronologically, Giannone shows how Cather's view and use of music changed over time. From what her early journalistic pieces on music and musicians reveal about her attitude and anticipate in her later work, Giannone moves to Cather's early stories to identify the trend of some of her artistic choices, the direction of her stylistic development, and the complication of her moral interest as these are manifested in musical references. In her novels and later stories, he emphasizes the contribution of music to the individual work, as well as the allusions and connections that sound throughout her oeuvre. |
| a death in the desert willa cather analysis: Paint the Wind (Scholastic Gold) Pam Muñoz Ryan, 2012-11-01 A sheltered girl. A wild horse. An unforgettable journey. This riveting story from Newbery honoree and New York Times bestseller Pam Munoz Ryan is perfect for fans of Marguerite Henry, Sara Pennypacker, and Rosanne Parry. Maya lives like a captive. At Grandmother's house in California, everything is forbidden: friends, fun, even memories. And her life is built on lies-lies Grandmother tells about her dead mother, and lies Maya tells to impress or manipulate. But then she moves to the vast Wyoming wilderness where her mother's family awaits -- kind, rugged people who have no tolerance for lies. They challenge Maya to confront the truth about who she is. And a mysterious mustang called Artemisia waits, too. She holds the key to Maya's freedom. But to find it, Maya will have to risk everything. . . including her life. |
| a death in the desert willa cather analysis: The Life of Mary Baker G. Eddy and the History of Christian Science Willa Cather, 1993-01-01 This controversial biography of the founder of the Christian Science church was serialized in McClure's Magazine in 1907-8 and published as a book the next year. It disappeared almost overnight and has been difficult to find ever since. Although a Canadian mewspaperwoman named Georgine Milmine collected the material and was credited as the author, The Life Of Mary Baker G. Eddy was actually written by Willa Cather, an editor at McClure's at that time. In his introduction to this Bison Book edition, David Stouck reveals new evidence of Cather's authorship of The Life of Mary Baker G. Eddy. He discusses her fidelity to facts and her concern with psychology and philosophy that would take creative form later on. Indeed, this biography contains some of the finest portrait sketches and reflections on human nature that Willa Cather would ever write. |
| a death in the desert willa cather analysis: Last Evenings on Earth Roberto Bolaño, 2007 Stories of the failed generation set in the Chilean exile diaspora of Latin America and Europe. |
| a death in the desert willa cather analysis: Willa Cather and the Politics of Criticism Joan Ross Acocella, 2000-01-01 Defending Willa Cather against historical and critical distortions, the author argues that Cather's central vision was a tragic vision of the human condition rather than a firm political agenda. |
| a death in the desert willa cather analysis: Modern Sentimentalism Lisa Mendelman, 2019 Modern Sentimentalism discusses how the iconic modern woman as presented in interwar American literature. It reveals how this literary figure carries the weight of sentiment and how the question of feminine feeling is central to modernism's preoccupations and styles. |
| a death in the desert willa cather analysis: Anthology of Classic Short Stories. Vol. 3 (Epiphanies). Illustrated James Joyce, Sherwood Anderson, Willa Cather, Edith Wharton, Kate Chopin, George Moore, Henry James, Anton Chekhov, 2022-02-03 Stories about epiphany feeling, an experience of sudden and striking insight. Contents: Araby by James Joyce The Dead by James Joyce The Strength of God by Sherwood Anderson The Egg by Sherwood Anderson A Death in the Desert by Willa Cather Roman Fever by Edith Wharton The Story of an Hour by Kate Chopin Home Sickness by George Moore The Madonna of the Future by Henry James The Kiss by Anton Chekhov |
| a death in the desert willa cather analysis: Lessons from the Dying Ronald Hudkins, 2025-03-02 What does dying teach us about living? This book is a collection of powerful stories drawn from literature, philosophy, and ancient traditions, each offering a profound lesson on life, death, and the moments in between. From tales of acceptance and regret to those of hope and sacrifice, these stories remind us that death is not the enemy—wasted time is. But death is understood differently across cultures. Beyond Western literary traditions, this book also explores Buddhist, Hindu, Japanese, Indigenous, and Latin American perspectives, where death is often viewed as a transition, a transformation, or a homecoming rather than an end. The Tibetan Book of the Dead teaches us that death is an opportunity for awakening, the Bhagavad Gita reminds us that the soul is eternal, and Indigenous oral traditions show how ancestors remain part of our lives long after they have passed. At its heart, Lessons from the Dying is not just a book about endings but about what we leave behind—love, forgiveness, and the stories that ensure we are never truly gone. |
| a death in the desert willa cather analysis: Carried Away Alice Munro, 2006-09-26 A dazzling selection of seventeen stories from Nobel Prize–winning author Alice Munro—featuring an Introduction by Margaret Atwood “Munro stands as one of the living colossi of the modern short story, and her Chekhovian realism, her keen psychological insight, her instinctive feel for the emotional arithmetic of domestic life have indelibly stamped contemporary writing.”—The New York Times The stories brought together in Carried Away span a quarter century, drawn from Alice Munro’s earlier works. Here are such favorites as “Royal Beatings” in which a young girl, her father, and stepmother release the tension of their circumstances in a ritual of punishment and reconciliation; “Friend of My Youth” in which a woman comes to understand that her difficult mother is not so very different from herself; and “The Albanian Virgin,” a romantic tale of capture and escape in Central Europe that may or may not be true but that nevertheless comforts the hearer, who is on a desperate adventure of her own. Munro’s incomparable empathy for her characters, the depth of her understanding of human nature, and the grace and surprise of her narrative add up to a richly layered and capacious fiction. Like the World War I soldier in the title story, whose letters from the front to a small-town librarian he doesn’t know change her life forever, Munro’s unassuming characters insinuate themselves in our hearts and take permanent hold. |
| a death in the desert willa cather analysis: Willa Cather and Modern Cultures Melissa J. Homestead, Guy J. Reynolds, 2011-10-01 Linking Willa Cather to ?the modern? or ?modernism? still seems an eccentric proposition to some people. Born in 1873, Cather felt tied to the past when she witnessed the emergence of twentieth-century modern culture, and the clean, classical sentences in her fiction contrast starkly with the radically experimental prose of prominent modernists. Nevertheless, her representations of place in the modern world reveal Cather as a writer able to imagine a startling range of different cultures. Divided into two sections, the essays in Cather Studies, Volume 9 examine Willa Cather as an author with an innovative receptivity to modern cultures and a powerful affinity with the visual and musical arts. From the interplay between modern and antimodern in her representations of native culture to the music and visual arts that animated her imagination, the essays are unified by an understanding of Cather as a writer of transition whose fiction meditates on the cultural movement from Victorianism into the twentieth century.ø |
| a death in the desert willa cather analysis: My Mortal Enemy Willa Cather, 1982 |
| a death in the desert willa cather analysis: The Short Stories of Willa Cather Willa Cather, 2007-04-26 This rich selection of Willa Cather's short fiction is drawn from every period of her writing life, and mixes the little known with the much anthologised. Here we have a range of stories from short, vivid sketches to novellas. They tell of the bitter lives of Nebraskan immigrants, and of the pull between provincial America and the cosmopolitan world of art; some of the most poignant deal with the challenges and dilemmas for the American artist. Her marvellous late stories are charged with beautifully controlled feeling, and eloquently describe the tensions and complications of family life. Cather also let herself go in these stories in ways she did not in the longer fiction, with harsh satires of New York, chilling glimpses of the supernatural, and strong expressions of sexual feeling. These are stories that add immeasurably to our perception of Cather's range and complexity. |
| a death in the desert willa cather analysis: Felicitous Space Judith Fryer, 1986 Felicitous Space: The Imaginative Structures of Edith Wharton and Willa Cather |
| a death in the desert willa cather analysis: Valley of Shining Stone Lesley Poling-Kempes, 1997-08 North by northwest from old Santa Fe is the winding road to Abiquiu (ah-be-cue'), Ghost Ranch, and el Valle de la Piedra Lumbre, the Valley of Shining Stone: mythical names in a near-mythical place, captured for the ages in the famous paintings of Georgia O'Keeffe. O'Keeffe saw the magic of sandstone cliffs and turquoise skies, but her life and death here are only part of the story. Reading almost like a novel, this book spills over with other legends buried deep in time, just as some of North America's oldest dinosaur bones lie hidden beneath the valley floor. Here are the stories of Pueblo Indians who have claimed this land for generations. Here, too, are Utes, Navajos, Jicarilla Apaches, Hispanos, and Anglos—many lives tangled together, yet also separate and distinct. Underlying these stories is the saga of Ghost Ranch itself, a last living vestige of the Old West ideal of horses, cowboys, and wide-open spaces. Readers will meet a virtual Who's Who of visitors from dude ranch days, ranging from such luminaries as Willa Cather, Ansel Adams, and Charles Lindbergh to World War II scientist J. Robert Oppenheimer and his colleagues, who were working on the top-secret atomic bomb in nearby Los Alamos. Moving on through the twentieth century, the book describes struggles to preserve the valley's wild beauty in the face of land development and increased tourism. Just as the Piedra Lumbre landscape has captivated countless wayfarers over hundreds of years, so its stories cast their own spell. Indispensable for travelers, pure pleasure for history buffs and general readers, these pages are a magic carpet to a magic land: Abiquiu, Ghost Ranch, the Valley of Shining Stone. |
| a death in the desert willa cather analysis: American Ghost Hannah Nordhaus, 2016-03-08 “A haunting story about the long reach of the past.”—Maureen Corrigan, NPR’S Fresh Air “In this intriguing book, [Nordhaus] shares her journey to discover who her immigrant ancestor really was—and what strange alchemy made the idea of her linger long after she was gone.” —People La Posada—“place of rest”—was once a grand Santa Fe mansion. It belonged to Abraham and Julia Staab, who emigrated from Germany in the mid-nineteenth century. After they died, the house became a hotel. And in the 1970s, the hotel acquired a resident ghost—a sad, dark-eyed woman in a long gown. Strange things began to happen there: vases moved, glasses flew, blankets were ripped from beds. Julia Staab died in 1896—but her ghost, they say, lives on. In American Ghost, Julia’s great-great-granddaughter, Hannah Nordhaus, traces her ancestor’s transfiguration from nineteenth-century Jewish bride to modern phantom. Family diaries, photographs, and newspaper clippings take her on a riveting journey through three hundred years of German history and the American immigrant experience. With the help of historians, genealogists, family members, and ghost hunters, she weaves a masterful, moving story of fin-de-siècle Europe and pioneer life, villains and visionaries, medicine and spiritualism, imagination and truth, exploring how lives become legends, and what those legends tell us about who we are. |
| a death in the desert willa cather analysis: Willa Cather Loretta Wasserman, 1991 Begins with Cather's (1873-1947) own statements on the narrative unity of her 60 short stories, to trace the progression of her aesthetic and metaphysical preoccupations, and her contribution to the early American modernist movement. Annotation copyrighted by Book News, Inc., Portland, OR |
| a death in the desert willa cather analysis: Lamy of Santa Fe Paul Horgan, 2015-07-08 Winner of the Pulitzer Prize for History (1976). The extraordinary biography of a pioneer hero of the frontier Southwest from the author of Great River. Originally published in 1975, this Pulitzer Prize for History–winning biography chronicles the life of Archbishop Jean Baptiste Lamy (1814–1888), New Mexico’s first resident bishop and the most influential, reform-minded Catholic official in the region during the late 1800s. Lamy’s accomplishments, including the endowing of hospitals, orphanages, and English-language schools and colleges, formed the foundation of modern-day Santa Fe and often brought him into conflict with corrupt local priests. His life story, also the subject of Willa Cather’s Death Comes for the Archbishop, describes a pivotal period in the American Southwest, as Spanish and Mexican rule gave way to much greater influence from the United States and Europe. Historian and consummate stylist Paul Horgan has given us a chronicle filled with hardy, often extraordinary adventure, and sustained by Lamy’s magnificent strength of character. “Lamy of Santa Fe stands as a beacon in American biography.” —James M. Day, author of Paul Horgan “Lamy of Santa Fe is a classic work. Not only is the research exemplary but so is the narrative artistry, the work of history as art.” —Robert Gish, author of Nueva Granada: Paul Horgan and the Modern Southwest “Historians, and general readers as well, seeking vivid portrayal of the Southwest’s political, social and cultural traditions will find [this book] rewarding . . . the historical and literary heritage of Americans in general will be the richer for Mr. Horgan’s painstaking effort.” —Southwestern Historical Quarterly |
| a death in the desert willa cather analysis: The Spectator Bird Wallace Stegner, 1990-11-01 From the “dean of Western writers” (The New York Times) and the Pulitzer Prize winning–author of Angle of Repose and Crossing to Safety, his National Book Award–winning novel A Penguin Classic Joe Allston is a retired literary agent who is, in his own words, just killing time until time gets around to killing me. His parents and his only son are long dead, leaving him with neither ancestors nor descendants, tradition nor ties. His job, trafficking the talent of others, had not been his choice. He passes through life as a spectator. A postcard from a friend causes Allston to return to the journals of a trip he had taken years before, a journey to his mother's birthplace where he'd sought a link with the past. The memories of that trip, both grotesque and poignant, move through layers of time and meaning, and reveal that Joe Allston isn't quite spectator enough. |
| a death in the desert willa cather analysis: Mennonite in a Little Black Dress Rhoda Janzen, 2010-04-01 “Hilarious . . . musings on Janzen’s childhood, marriage, and eccentric family. . . . mines Mennonite culture for comic effect, but . . . does so with love.” —Entertainment Weekly Not long after Rhoda Janzen turned forty, her world turned upside down. Her brilliant husband of fifteen years left her for Bob, a guy he met on Gay.com, and the same week a car accident left her with serious injuries. What was a gal to do? Rhoda packed her bags and went home. This wasn’t just any home, though. This was a Mennonite home. While Rhoda had long ventured out on her own spiritual path, the conservative community welcomed her back with open arms and offbeat advice. (Rhoda’s good-natured mother suggested she date her first cousin—he owned a tractor, see.) It is in this safe place that Rhoda can come to terms with her failed marriage; her desire, as a young woman, to leave her sheltered world behind; and the choices that both freed and entrapped her. Tackling faith, love, family, and aging, Mennonite in a Little Black Dress is an immensely moving memoir of healing. “Funny, breezy yet profound, and poetic . . . [Janzen’s] tone reminds me of Garrison Keillor’s.” —Kate Christensen, New York Times Book Review “Hilarious and touching.” —People “Women will immediately warm to [Jantzen’s] self-deprecating honesty.” —Publishers Weekly, starred review “[A] spirited, fascinating memoir.” —Hannah Sampson, Miami Herald “In the tradition of David Sedaris. . . . family . . . is the source of the book’s biggest laughs, and its heart.” —Marisa Meltzer, The Daily Beast “The most delightful memoir I’ve read in ages.” —Elizabeth Gilbert, New York Times–bestselling author of Eat, Pray, Love |
| a death in the desert willa cather analysis: The Analysis of Performance Art Anthony Howell, A. Howell, 2013-11-05 This finely illustrated book offers a simple yet comprehensive 'grammar' of a new discipline. Performance Art first became popular in the fifties when artists began creating 'happenings'. Since then the artist as a performer has challenged many of the accepted rules of the theatre and radically altered our notion of what constitutes visual art. This is the first publication to outline the essential characteristics of the field and to put forward a method for teaching the subject as a discipline distinct from dance, drama, painting or sculpture. Taking the theory of primary and secondary colours as his model, Anthony Howell posits three primaries of action and shows how these may be mixed to obtain a secondary range of actions. Based on a taught course, the system is designed for practical use in the studio and is also entertaining to explore. Examples are cited from leading performance groups and practitioners such as Bobbie Baker, Orlan, Stelarc, Annie Sprinkle, Robert Wilson, Goat Island, and Station House Opera. This volume, however, is not just an illustrated grammar of action - it also shows how the syntax of that grammar has psychoanalytic repercussions. This enables the performer to relate the system to lived experience, ensuring a realisation that meaning is being dealt with through these actions and that the stystem set forth is more than a dry structuring of the characteristics of movement. Freud's notion of 'transference' and Lacan's understanding of 'repetition' are compared to a performer's usage of the same terms. Thus the book provides a psychoanalytic critique of performance at the same time as it outlines an efficient method for creating live work on both fine art and theatre courses. |
| a death in the desert willa cather analysis: Alejandro's Gift Richard E. Albert, 2013-09-17 Lonely in his house beside a road in the desert, Alejandro builds an oasis to attract the many animals around him. |
| a death in the desert willa cather analysis: A Story Like the Wind Laurens Van Der Post, 2011-10-31 This is a story of an almost vanished Africa; a world of myth and magic in which the indigenous peoples of the continent lived for uncountable centuries before the Europeans came to shatter it. The main character is a boy who has a relationship with this Africa not unlike Kipling's Kim with the antique world of India. François Joubert, whose Huguenot ancestors settled in Africa three hundred years ago, lives as a solitary child on his father's farm. 'Hunter's Drift'. Here, in the far interior of Africa, he experiences the wonder and mystery of an ageless, natural primitive life, his perception of it heightened by the influence of three people in particular - his Bushman nurse, the head herdsman of the local Matabele clan (his father's chosen partners in the pioneering of Hunter's Drift), and a hunter of legendary fame, now the chief ranger of a vast game reserve nearby. François' meeting with an untamed Bushman, Xhabbo, whose intuitive teaching nourishes his spirit; his strange pilgrimage to the distant krall of a powerful witch-doctor; his dramatic encounter and relationship with the daughter of a retired colonial governor; all are examples of African point and European counterpoint, in a highly original theme, moving to a strangely presaged and omened climax. |
| a death in the desert willa cather analysis: Bodies That Matter Judith Butler, 2014-09-03 In Bodies That Matter, Judith Butler further develops her distinctive theory of gender by examining the workings of power at the most material dimensions of sex and sexuality. Deepening the inquiries she began in Gender Trouble, Butler offers an original reformulation of the materiality of bodies, examining how the power of heterosexual hegemony forms the matter of bodies, sex, and gender. Butler argues that power operates to constrain sex from the start, delimiting what counts as a viable sex. She offers a clarification of the notion of performativity introduced in Gender Trouble and explores the meaning of a citational politics. The text includes readings of Plato, Irigaray, Lacan, and Freud on the formation of materiality and bodily boundaries; Paris is Burning, Nella Larsen's Passing, and short stories by Willa Cather; along with a reconsideration of performativity and politics in feminist, queer, and radical democratic theory. |
| a death in the desert willa cather analysis: Willa Cather James Leslie Woodress, 1987 Examines the life of Willa Cather from her Virginia childhood to her death in 1947. |
| a death in the desert willa cather analysis: Gateway to the Moon Mary Morris, 2019-03-12 In 1492, two history-altering events occurred: the Jews and Muslims of Spain were expelled, and Columbus set sail for the New World. Many Spanish Jews chose not to flee and instead became Christian in name only, maintaining their religious traditions in secret. Among them was Luis de Torres, who accompanied Columbus as an interpreter. Over the centuries, de Torres’ descendants traveled across North America, finally settling in the hills of New Mexico. Now, some five hundred years later, it is in these same hills that Miguel Torres, a young amateur astronomer, finds himself trying to understand the mystery that surrounds him and the town he grew up in: Entrada de la Luna, or Gateway to the Moon. Poor health and poverty are the norm in Entrada, and luck is rare. So when Miguel sees an ad for a babysitting job in Santa Fe, he jumps at the opportunity. The family for whom he works, the Rothsteins, are Jewish, and Miguel is surprised to find many of their customs similar to those his own family kept but never understood. Braided throughout the present-day narrative are the powerful stories of the ancestors of Entrada’s residents, portraying both the horrors of the Inquisition and the resilience of families. Moving and unforgettable, Gateway to the Moon beautifully weaves the journeys of the converso Jews into the larger American story. |
| a death in the desert willa cather analysis: The Desert is No Lady Vera Norwood, Janice J. Monk, 1997 Over the past century, women artists and writers have expressed diverse creative responses to the landscape of the Southwest. The Desert Is No Lady provides a cross-cultureal perspective on women by examining Anglo, Hispanic, and Native American women's artistic expressions and the effect of their art in defining the southwestern landscape. The Desert Is No Lady has been made into a motion picture of the same title by Women Make movies, New York, NY A beautifully crafted book. . . . Although it varies in intensity, the response of women to the environment is virtually always different from the male frontiersman's view of the land as inanimate, boundless, conquerable and controllable. ÑPolly Wells Kaufman in Women's Review of Books A powerful masterpiece. ÑEve Gruntfest in The Professional Geographer |
| a death in the desert willa cather analysis: Willa Cather Pioneer Memorial and Educational Foundation Newsletter and Review , 2003 |
Is Death Guard finally good? : r/deathguard40k - Reddit
Sep 13, 2023 · Also, death guard was not "nerfed into the dirt". The army has never been in a position to be nerfed. There was a period at the start of 9th where we had a codex before …
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Celebrity Death Pictures, Crime Scene Photos, & Famous Events. This section is dedicated to an extensive collection of celebrity death photos, encompassing a wide range of high-profile …
Will Death Stranding 2 come out on PC within a year?
This is a subreddit for fans of Hideo Kojima's action video game Death Stranding and its sequel Death Stranding 2: On The Beach. The first title was released by Sony Interactive …
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Threads about miscellaneous competitions, other than a battle to the death between 2 characters, are banned. For discussions on other competitions like "who would win in an eating …
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Real Death Pictures Taken From Around the World. This area includes death pictures relating to true crime events taken from around the world. Images in this section are graphic, so viewer …
Death: Let's Talk About It. - Reddit
Occasionally, I'll be going about my day normally, and if I start to think about death (not the act of dying, but death itself) I start to worry that there's literally nothing after death, and that the …
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Is Death Guard finally good? : r/deathguard40k - Reddit
Sep 13, 2023 · Also, death guard was not "nerfed into the dirt". The army has never been in a position to be nerfed. There was a period at the start of 9th where we had a codex before …
DEATH BATTLE! - Reddit
Do not share out-of-context screenshots of DEATH BATTLE! staff members (researchers, writers, etc.). No one likes having their words taken out of their mouths; to ensure that all DB staff …
Real Death Videos | Warning Graphic Videos - Documenting Reality
Real Death Videos Taken From Around the World. This area includes death videos relating to true crime that have been taken from across the world. The videos in this section are graphic, so …
Celebrity Death Pictures & Famous Events - Documenting Reality
Celebrity Death Pictures, Crime Scene Photos, & Famous Events. This section is dedicated to an extensive collection of celebrity death photos, encompassing a wide range of high-profile …
Will Death Stranding 2 come out on PC within a year?
This is a subreddit for fans of Hideo Kojima's action video game Death Stranding and its sequel Death Stranding 2: On The Beach. The first title was released by Sony Interactive …
DeathBattleMatchups - Reddit
Threads about miscellaneous competitions, other than a battle to the death between 2 characters, are banned. For discussions on other competitions like "who would win in an eating …
True Crime Pictures & Videos Documented From The Real World.
True Crime, Cold Cases, & Death Investigations (1 Viewing) This area is for true crime cases that will have more detailed information then you would typically see in a news story, these should …
Real Death Pictures | Warning Graphic Images - Documenting Reality
Real Death Pictures Taken From Around the World. This area includes death pictures relating to true crime events taken from around the world. Images in this section are graphic, so viewer …
Death: Let's Talk About It. - Reddit
Occasionally, I'll be going about my day normally, and if I start to think about death (not the act of dying, but death itself) I start to worry that there's literally nothing after death, and that the …
Death Pictures & Death Videos - Documenting Reality
Real Death Pictures | Warning Graphic Images This area is for all crime related death pictures that do not fit into other areas. Please note, the photos in this forum are gory, so be warned.
