A History Of Indian English Literature

  a history of indian english literature: The Making of Indian English Literature Subhendu Mund, 2021-07-08 The Making of Indian English Literature brings together seventeen well-researched essays of Subhendu Mund with a long introduction by the author historicising the development of the Indian writing in English while exploring its identity among the many appellations tagged to it. The volume demonstrates, contrary to popular perceptions, that before the official introduction of English education in India, Indians had already tried their hands in nearly all forms of literature: poetry, fiction, drama, essay, biography, autobiography, book review, literary criticism and travel writing. Besides translation activities, Indians had also started editing and publishing periodicals in English before 1835. Through archival research the author brings to discussion a number of unknown and less discussed texts which contributed to the development of the genre. The work includes exclusive essays on such early poets and writers as Kylas Chunder Dutt, Shoshee Chunder Dutt, Toru Dutt, Mirza Moorad Alee Beg, Krupabai Satthianadhan, Swami Vivekananda, H. Dutt, and Sita Chatterjee; and historiographical studies on the various aspects of the genre. The author also examines the strategies used by the early writers to indianise the western language and the form of the novel. The present volume also demonstrates how from the very beginning Indian writing in English had a subtle nationalist agenda and created a space for protest literature. The Making of Indian English Literature will prove an invaluable addition to the studies in Indian writing in English as a source of reference and motivation for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
  a history of indian english literature: The Indian English Novel Priyamvada Gopal, 2009 The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. It is often claimed that unlike the British novel or the novel in indigenous Indian languages, Anglophone fiction in India has no genealogy of its own. Interrogating this received idea, Priyamvada Gopal shows how the English-language or Anglophone Indian novel is a heterogeneous body of fiction in which certain dominant trends and recurrent themes are, nevertheless, discernible. It is a genre that has been distinguished from its inception by a preoccupation with both history and nation as these come together to shape what scholars have termed 'the idea of India'. Structured around themes such as 'Gandhi and Fiction', 'The Bombay Novel', and 'The Novel of Partition', this study traces lines of influence across significant literary works and situates individual writers and texts in their historical context. Its emergence out of the colonial encounter and nation-formation has impelled the Anglophone novel to return repeatedly to the question: 'What is India?' In the most significant works of Anglophone fiction, 'India' emerges not just as a theme but as a point of debate, reflection, and contestation. Writers whose works are considered in their context include Rabindranath Tagore, Mulk Raj Anand, RK Narayan, Salman Rushdie, Nayantara Sahgal, Amitav Ghosh, Arundhati Roy, and Vikram Seth.
  a history of indian english literature: A History of Indian Literature in English Arvind Krishna Mehrotra, 2003
  a history of indian english literature: A Concise History of Indian Literature in English Arvind Krishna Mehrotra, 2008 For anyone interested in the story of English in India, or in the finest English storytellers of India, this is the essential companion. This book is a history of two hundred years of Indian literature in English. It starts by looking at the introduction of English into India s complex language scenario around 1800. It then takes up the canonical poets, novelists, and dramatists, as well as a few unjustly forgotten figures, who have made significant contributions to the evolution of Indian literature in English. The book comprises twenty-four chapters, written by some of India s foremost scholars and critics. Each chapter is devoted either to a single author (Kipling, Tagore, Sri Aurobindo, R.K. Narayan), or to a group of authors (the Dutt family of nineteenth-century Calcutta; the Indian diasporic writers of the twentieth century), or to a genre (beginnings of the Indian novel; poetry since Independence).
  a history of indian english literature: A History of the Indian Novel in English Ulka Anjaria, 2015-07-08 A History of the Indian Novel in English traces the development of the Indian novel from its beginnings in the late nineteenth century up until the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that shed light on the legacy of English in Indian writing. Organized thematically, these essays examine how English was made Indian by writers who used the language to address specifically Indian concerns. Such concerns revolved around the question of what it means to be modern as well as how the novel could be used for anti-colonial activism. By the 1980s, the Indian novel in English was a global phenomenon, and India is now the third largest publisher of English-language books. Written by a host of leading scholars, this History invites readers to question conventional accounts of India's literary history.
  a history of indian english literature: The Indian English Novel of the New Millennium Prabhat K. Singh, 2013-08-19 The Indian English Novel of the New Millennium is a book of sixteen pieces of scholarly critique on recent Indian novels written in the English language; some on specific literary trends in fictional writing and others on individual texts published in the twenty-first century by contemporary Indian novelists such as Amitav Ghosh, Kiran Desai, Aravind Adiga, K. N. Daruwalla, Upamanyu Chatterjee, David Davidar, Esterine Kire Iralu, Siddharth Chowdhury and Chetan Bhagat. The volume focuses closely on the defining features of the different emerging forms of the Indian English novel, such as narratives of female subjectivity, crime fiction, terror novels, science fiction, campus novels, animal novels, graphic novels, disability texts, LGBT voices, dalit writing, slumdog narratives, eco-narratives, narratives of myth and fantasy, philosophical novels, historical novels, postcolonial and multicultural narratives, and Diaspora novels. A select bibliography of recent Indian English novels from 2001–2013 has been given especially for the convenience of the researchers. The book will be of great interest and benefit to college and university students and teachers of Indian English literature.
  a history of indian english literature: Terrorism, Insurgency and Indian-English Literature, 1830-1947 Alex Tickell, 2013-06-17 This book is an interdisciplinary study of representations of terrorism and political violence in the fiction and journalism of colonial India. Focusing on key historical episodes such as the Calcutta Black Hole, the anti-thuggee campaigns of the 1830s, the 1857 rebellion, and anti-colonial terrorism in Edwardian London, it argues that exceptional violence was integral to colonial sovereignty and that the threat of violence mutually defined discursive relations between colonizer and colonized. Moving beyond previous studies of colonial discourse, and drawing on contemporary analyses of terrorism, Tickell examines texts by both colonial and Indian authors, tracing their contending engagements with terrorizing violence in selected newspapers, journals, novels and short stories. The study includes readings of several significant early Indian-English works for the first time, from dissident periodicals like Hurrish Chunder Mookerjis Hindoo Patriot (1856-66) and Shyamji Krishnavarmas Indian Sociologist (1905-9) to neglected fictions such as Kylas Dutts parable of anti-colonial rebellion Forty-Eight Hours of the Year 1945 (1845) and Sarath Kumar Ghoshs The Prince of Destiny (1909). These are examined alongside works by better-known Anglo-Indian authors such as Philip Meadows Taylor's Confessions of a Thug (1838), Flora Annie Steel's On the Face of the Waters (1897), Rudyard Kiplings short fictions and novels by Edmund Candler and E.M. Forster. The study concludes with an analysis of Indian-English fiction of the 1930s, notably Mulk Raj Anands Untouchable (1935), and goes on to read Gandhis philosophy of ahimsa (non-violence) as a strategic response to a colonial and nationalist terror-politics.
  a history of indian english literature: An illustrated history of Indian literature in English Arvind Krishna Mehrotra, 2006
  a history of indian english literature: Indian Writing in English K. R. Srinivasa Iyengar, 1984
  a history of indian english literature: A History of Indian Literature in English Arvind Krishna Mehrotra, 2003
  a history of indian english literature: HIST OF INDIAN LITERATURE Albrecht 1825-1901 Weber, John Mann, Theodor 1851-1934 Zachariae, 2016-08-26
  a history of indian english literature: A History Of Indian English Literature M. K. Naik, 2006-01-01 The Term ýIndian English Literatureý Emphasizes Two Significant Ideas: First That This Literature Constitutes One Of The Many Streams That Join The Great Ocean Called Indian Literature, Which, Though Written In Different Languages, Has An Unmistakable Unity; And Secondly, That It Is An Inevitable Product Of The Nativization Of The English Language To Express The Indian Sensibility.
  a history of indian english literature: Indian English Literature 1980-2000 M. K. Naik, Shyamala A. Narayan, 2007 This Volume Surveys The Astonishing Flowering Of Indian Writing In English During The Last Two Decades. After A Brief But Trenchant Analysis Of The Milieu, It Examines The Literary Productions In The Genres Of Fiction, Poetry, Drama And Non-Fictional Prose. The Range Of This Study Is Comprehensive, Almost Encyclopaedic, The Style Lively And Jargon-Free, And The Critical Enquiry Perceptive And Succinct, Followed By An Exhaustive Bibliography Of Secondary Sources. A Sequel To A History Of Indian English Literature (1982) By M.K. Naik, This Study Is Jointly Authored By Him And Shyamala A. Narayan. It Should Hopefully Prove As Indispensable To Both Scholars And Common Readers Of Indian Writing In English As Did Its Widely Acclaimed Predecessor.
  a history of indian english literature: The Story of English in India N. Krishnaswamy, Lalitha Krishnaswamy, 2006 With globalization, English has become an economic necessity and Indians have realized that they have the 'English advantage' over many other countries like China and Japan. India has shed its colonial complexes towards English and has come to terms with the language; Indians have separated the English language from the English. The Story of English in India presents historical facts in a socio-cultural framework. The book is a must for all teachers and students of English; it will be useful for all those interested in the politics of language and education in India. Key issues discussed: - Are we indebted to the British for introducing English in India? - What was the role of English during India's struggle for freedom? - Has English united India? - Has English divided India into two - the English knowing classes who govern and the non-English knowing masses who are governed? - Will English ever become an Indian tongue spoken in the great Indian language bazaar? - What will be the future of major Indian languages in the wake of the English onslaught? Will it end in linguistic imperialism and cultural colonialism?
  a history of indian english literature: History of Indian Literature Moriz Winternitz, 1963
  a history of indian english literature: The Great Indian Novel Shashi Tharoor, 2011-09-01 In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence.
  a history of indian english literature: The Postcolonial Indian Novel in English Geetha Ganapathy-Doré, 2011-01-18 Indian writers of English such as G. V. Desani, Salman Rushdie, Amit Chaudhuri, Amitav Ghosh, Vikram Seth, Allan Sealy, Shashi Tharoor, Arundhati Roy, Vikram Chandra and Jhumpa Lahiri have taken the potentialities of the novel form to new heights. Against the background of the genre’s macro-history, this study attempts to explain the stunning vitality, colourful diversity, and the outstanding but sometimes controversial success of postcolonial Indian novels in the light of ongoing debates in postcolonial studies. It analyses the warp and woof of the novelistic text through a cross-sectional scrutiny of the issues of democracy, the poetics of space, the times of empire, nation and globalization, self-writing in the auto/meta/docu-fictional modes, the musical, pictorial, cinematic and culinary intertextualities that run through this hyperpalimpsestic practice and the politics of gender, caste and language that gives it an inimitable stamp. This concise and readable survey gives us intimations of a truly world literature as imagined by Francophone writers because the postcolonial Indian novel is a concrete illustration of how “language liberated from its exclusive pact with the nation can enter into a dialogue with a vast polyphonic ensemble.”
  a history of indian english literature: Postmodern Indian English Literature Bijay Kumar Das, 2003 Postmodernism In Indian English Literature Refers To The Works Of Literature After 1980. If Raja Rao S Kanthapura (1938) Marks Modernism, Salman Rushdie S Midnight S Children (1981) And Nissim Ezekiel S Latter-Day Psalms (1982) Mark Postmodernism In Indian English Literature. In This Book, Dr. Bijay Kumar Das Has Analysed Postmodern Indian English Literature Genre-Wise Poetry, Novel, Short Story, Drama And Autobiography. This Is A Critical History Of Indian English Literature In The Postmodern Period, Meant For Students, Researchers As Well As Teachers Who Seek An Introduction To It.
  a history of indian english literature: Indian English Literature Ed. Basavaraj Naikar, 2007 In Recent Years, The Indian English Literature Has Made Conspicuous Progress In All Its Forms, Mainly In Fiction And Poetry. The Present Anthology Aims At Presenting An In-Depth Study Of Twenty-One Authors Who Are Both Established As Well As Upcoming Writers: Nissim Ezekiel, Nirad C. Chaudhuri, Girish Karnad, R.K. Narayan, Raja Rao, Manohar Malgonkar, Bhabani Bhattacharya, Taslima Nasrin, Salman Rushdie, Anita Desai, Shashi Deshpande, Amitav Ghosh, Vikram Seth, Githa Hariharan, Kavita Daswani, Manju Kapoor, M.N. Roy, Sri. Aurobindo, Mahatma Gandhi, Lohia And Ambedkar. The Articles On Poets Contained In This Anthology Acquaint The Readers With The Fluctuating Scene Of Thematic Concerns And Technical Experimentations In Indian English Poetry. All Other Articles Are Also Unique Of Its Kind, Reflecting The Above-Mentioned Authors Treatment Of Their Chosen Literary Genre.Since Most Of The Authors Included In The Present Volume For Discussion Are Prescribed In The English Syllabus In The Various Indian Universities, It Is Hoped That Both The Teachers And Students Will Find Them Extremely Useful. Even The General Readers Who Are Interested In Literature In English Will Find Them Intellectually Stimulating.
  a history of indian english literature: Rajmohan's Wife and Sultana's Dream Bankim Chandra Chatterjee, Rokeya Sakhawa Hossain, 2021-04-21 Rajmohan’s Wife and Sultana’s Dream (1864/1908) features the debut novel of Indian writer Bankim Chandra Chatterjee and a story by Bengali writer, feminist, and educator Rokeya Sakhawat Hossain. Rajmohan’s Wife, Chattopadhyay’s only work in English, launched his career as a leading Bengali intellectual and political figure. Written in English, Sultana’s Dream originated as a way of passing time for its young author while her husband was away on work. Initially published in The Indian Ladies Magazine, Sultana’s Dream helped establish Rokeya’s reputation as a leading figure in Bengali arts and culture. Rajmohan’s Wife is the story of Matangini, a beautiful woman married to a violent, jealous man. Unable to marry the man she loves—who happens to be her own sister’s husband—she settles for the villainous Rajmohan, an abusive man who rules his middle-class Bengali household with an iron fist. With the help of her friend Kanak, Matangini does her best to avoid her husband’s wrath, illuminating the importance of solidarity among women faced with oppression. Vindictive and cruel, Rajmohan secretly enacts a plan to rob Madhav, his brother-in-law, in order to obtain and invalidate a will. Sultana’s Dream is set in Ladyland is a feminist utopia ruled by women, a perfect civilization with no need for men, who remain secluded and without power. Free to develop their own society, women have invented flying cars, perfected farming to the point where no one must work, and harnessed the energy of the sun. With men under control, there is no longer fear, crime, or violence. Ultimately, Ladyland is a world made to mirror our own, a satirical exploration of the absolute power wielded by men over women, and a political critique of Bengali society at large. Sultana’s Dream is more than a science fiction story; it is an act of resistance made by a woman who would shape the lives of her people through advocacy, education, and activism for generations to come. With a beautifully designed cover and professionally typeset manuscript, this edition of Bankim Chandra Chatterjee and Rokeya Sakhawat Hossain’s Rajmohan’s Wife and Sultana’s Dream is a classic of Bengali literature and utopian science fiction reimagined for modern readers.
  a history of indian english literature: The White Tiger Aravind Adiga, 2008-04-22 NOW A MAJOR MOTION PICTURE The stunning Booker Prize–winning novel from the author of Amnesty and Selection Day that critics have likened to Richard Wright’s Native Son, The White Tiger follows a darkly comic Bangalore driver through the poverty and corruption of modern India’s caste society. “This is the authentic voice of the Third World, like you've never heard it before” (John Burdett, Bangkok 8). The white tiger of this novel is Balram Halwai, a poor Indian villager whose great ambition leads him to the zenith of Indian business culture, the world of the Bangalore entrepreneur. On the occasion of the president of China’s impending trip to Bangalore, Balram writes a letter to him describing his transformation and his experience as driver and servant to a wealthy Indian family, which he thinks exemplifies the contradictions and complications of Indian society. Recalling The Death of Vishnu and Bangkok 8 in ambition, scope, The White Tiger is narrative genius with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation—and a startling, provocative debut.
  a history of indian english literature: The Idea of Indian Literature Preetha Mani, 2022-08-15 Winner of the 2023 Aldo and Jeanne Scaglione Prize for South Asian Studies Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature, written in as well as against English. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. In The Idea of Indian Literature, she explores the paradox that a single canon can be written in multiple languages, each with their own evolving relationships to one another and to English. Hindi, representing national aspirations, and Tamil, epitomizing the secessionist propensities of the region, are conventionally viewed as poles of the multilingual continuum within Indian literature. Mani shows, however, that during the twentieth century, these literatures were coconstitutive of one another and of the idea of Indian literature itself. The writers discussed here—from short-story forefathers Premchand and Pudumaippittan to women trailblazers Mannu Bhandari and R. Chudamani—imagined a pan-Indian literature based on literary, rather than linguistic, norms, even as their aims were profoundly shaped by discussions of belonging unique to regional identity. Tracing representations of gender and the uses of genre in the shifting thematic and aesthetic practices of short vernacular prose writing, the book offers a view of the Indian literary landscape as itself a field for comparative literature.
  a history of indian english literature: The Travels of Dean Mahomet Dean Mahomet, 2023-11-15 This unusual study combines two books in one: the 1794 autobiographical travel narrative of an Indian, Dean Mahomet, recalling his years as camp-follower, servant, and subaltern officer in the East India Company's army (1769 to 1784); and Michael H. Fisher's portrayal of Mahomet's sojourn as an insider/outsider in India, Ireland, and England. Emigrating to Britain and living there for over half a century, Mahomet started what was probably the first Indian restaurant in England and then enjoyed a distinguished career as a practitioner of oriental medicine, i.e., therapeutic massage and herbal steam bath, in London and the seaside resort of Brighton. This is a fascinating account of life in late eighteenth-century India—the first book written in English by an Indian—framed by a mini-biography of a remarkably versatile entrepreneur. Travels presents an Indian's view of the British conquest of India and conveys the vital role taken by Indians in the colonial process, especially as they negotiated relations with Britons both in the colonial periphery and the imperial metropole. Connoisseurs of unusual travel narratives, historians of England, Ireland, and British India, as well as literary scholars of autobiography and colonial discourse will find much in this book. But it also offers an engaging biography of a resourceful, multidimensional individual. This unusual study combines two books in one: the 1794 autobiographical travel narrative of an Indian, Dean Mahomet, recalling his years as camp-follower, servant, and subaltern officer in the East India Company's army (1769 to 1784); and Michael H. Fishe
  a history of indian english literature: Spectrum History of Indian Literature in English Ram Sewak Singh, Charu Sheel Singh, 1997 Spectrum History Of Indian Literature In English Accomplishes The Task Of Historical Continuity By Linking With The Past The Most Recent Present Of The Writing In English By Indians. The Book Is A Highly Useful Supplement To The Earlier Two Volumes By K.R. Srinivas Iyengar And M.K. Naik. Articles By Jasbir Jain And Sunanda Mongia Are A Spectrum Presen¬Tation Of The Latest Developments In The Field Of Indian Fiction In English In All Its Technical & Thematological Innovations. Satish Aikant'S Article Provides A Serious Backdrop To The Volume By Deliberating Upon The Historicity Of English Studies In India, Their Need, Relevance And Epistemological Repercussions. R.K. Singh'S Article Does Well To Deconstruct The Myth That Good Poetry Is Published Only By The Established Publishers. His Account Of Little Or Less Known Indian Poets In English Is Both Critical And Historically Illuminating. Charu Sheel Singh, Shyam Asnani And Attiya Singh Discuss Indian English Poetry, Criticism, Drama And Fiction Respectively. Meena Sodhi'S Article Is A Good Compilation Of Indian Autobiographies, Mostly In English, Which She Discusses With Good Critical Sense And Perceptive Imagination. A.N. Dwivedi'S Article On Indian English Short Stories Is A Comprehensive And Balanced Piece Which Is Also Rich In Illustrations. The Two Appendices Add To The Value Of The Book By Cherishing Critical Attention On What May Be Called Tradition And Experiment In Indian English Poetry And Fiction. Whereas Satish K. Gupta'S Brief Piece Highlights Homogeneity In The Sensibility Of Aurobindo And Charu Sheel, It Takes Pains And Care To Chalk Out Differences In Mode, Manner And The Whole Presentation Idiom In The Latter'S Poetry From That Of Aurobindo. Krishan Mohan Pandey'S Account Of The Post-Modemist Reaction Against Gandhi In Indian Fiction In English Is Timely. It Reaffirms Faith In An Indian Critic'S Belief In What Tagore Once Said : I Cannot Love A God Who Does Not Give Me Freedom To Deny Him.
  a history of indian english literature: Constructing a New Canon of Post-1980s Indian English Fiction Sahdev Luhar, Madhurita Choudhary, 2017-08-21 The literary canon implies the evaluation or estimation of certain literary texts as the most important during a particular time. The canon is not merely a set of texts; it is a set of standards, evaluative procedures and values. Belonging to a canon confers a guarantee of literary greatness. A canon is formed, by a particular group, to channelize cultural hegemony over others, or, can be constructed, by a governed group, to bring about cultural symmetry. The rise of diverse literatures in English in different parts of the world after the colonial rule of England was the consequence of an urge to articulate a cultural equilibrium or an urge to strike back. The process of canon formation is also a focused and bigoted act, and is always carried out to accomplish certain self-centred objectives. It is commonly accepted that canon formation is executed to accomplish or naturalize certain ideological functions. In the sphere of Indian English literature, Indian English fiction after the end of the 1980s has emerged as a new “canon”. This book looks into the process of literary canon formation in Indian universities, and examines such fiction as an alternative literary canon and as an anti-imperialistic response to the British literary canon. The book ascertains the anti-imperialistic design involved in forming the canon of post-1980 Indian English fiction, examines the gradual emerging trends in such fiction, and discerns the role of language, culture, and native ethos in the formation of a canon. It also differentiates post-1980s Indian English fiction from British fiction, bhasa fiction, and even from pre-1980s Indian English fiction.
  a history of indian english literature: A History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy Sisir Kumar Das, 2005 Presents the Indian literatures, not in isolation in one another, but as related components in a larger complex, conspicuous by the existence of age-old multilingualism and a variety of literary traditions. --
  a history of indian english literature: Autobiography of an Unknown Indian Nirad C. Chaudhuri, 2023-04-28 The Autobiography of an Unknown Indian by Nirad C. Chaudhuri is a profound and introspective account of a man's journey through early 20th-century India. The narrative weaves the personal with the historical, using the author’s life as a lens to explore the broader struggles of Indian civilization confronting British imperialism and modernity. Chaudhuri’s intention is to present not merely a memoir but a historical testimony, highlighting the intersection of individual experience with societal evolution. His unique perspective, shaped by an exceptional and unconventional path, offers a vantage point akin to an aerial view—detached yet deeply connected to the land below. Written with unflinching honesty, the book delves into themes of identity, colonialism, and the trajectory of Indian society, emphasizing the tension between the dominant national currents and the often-overlooked exceptions that resist them. Addressing an English-speaking audience, Chaudhuri aims to provide insight into the forces that shaped India’s trajectory under British rule and beyond. While his experiences are atypical, he argues that their value lies in their ability to illuminate the broader environment through a distinct, independent lens. Chaudhuri candidly critiques both the dominant narratives of his time and the leaders who guide nations into either growth or decline. Through his reflections, he not only grapples with the complexities of India’s societal fabric but also examines the role of exceptional individuals who challenge or reinforce prevailing trends. This book stands as a bold declaration of faith in understanding history, culture, and personal identity amidst the relentless tide of change. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
  a history of indian english literature: Wings of Fire Avul Pakir Jainulabdeen Abdul Kalam, Arun Tiwari, 1999 Avul Pakir Jainulabdeen Abdul Kalam, The Son Of A Little-Educated Boat-Owner In Rameswaram, Tamil Nadu, Had An Unparalled Career As A Defence Scientist, Culminating In The Highest Civilian Award Of India, The Bharat Ratna. As Chief Of The Country`S Defence Research And Development Programme, Kalam Demonstrated The Great Potential For Dynamism And Innovation That Existed In Seemingly Moribund Research Establishments. This Is The Story Of Kalam`S Rise From Obscurity And His Personal And Professional Struggles, As Well As The Story Of Agni, Prithvi, Akash, Trishul And Nag--Missiles That Have Become Household Names In India And That Have Raised The Nation To The Level Of A Missile Power Of International Reckoning.
  a history of indian english literature: A History of Indian Poetry in English Rosinka Chaudhuri, 2016-03-29 A History of Indian Poetry in English explores the genealogy of Anglophone verse in India from its nineteenth-century origins to the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that illuminate the legacy of English in Indian poetry. Organized thematically, these essays survey the multilayered verse of such diverse poets as Henry Louis Vivian Derozio, Rabindranath Tagore, Nissim Ezekiel, Dom Moraes, Kamala Das, and Melanie Silgardo. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of imperialism and diaspora in Indian poetry. This book is of pivotal importance to the development of Indian poetry in English and will serve as an invaluable reference for specialists and students alike.
  a history of indian english literature: Indian English Literature Gajendra Kumar, 2001
  a history of indian english literature: The Short Oxford History of English Literature Andrew Sanders, 2000-01 A guide to the literature of the British Isles from the Anglo-Saxon period to the present day. The volume includes information on Old and Middle English, the Renaissance, Shakespeare, the 17th and 18th centuries, the Romantics, Victorian and Edwardian literature, Modernism, and post-war writing.
  a history of indian english literature: The Indian Contribution To English Literature K R Srinivasa Iyengar, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  a history of indian english literature: Contemporary Literary And Cultural Theory: From Structuralism To Ecocriticism Nayar, 2010-09
  a history of indian english literature: A History Of English Literature Buchan John, 1990
  a history of indian english literature: An Outline History of English Literature William Henry Hudson, 1999 The book has a wide coverage and studies all the famous writers of English literature in the field of poetry, fiction, essay etc. The writers covered, among others, include Geoffrey Chaucer, William Shakespeare, Samuel John Milton, John Dryden, Alexander Pope, Samuel Johnson, William Wordsworth and Alfred Tennyson. A special feature of the book is that studies writers and their contributions not in isolation but in the context of surroundings and various elements of civilisation of the age of the writer. Thus it suggests a vital relationship between English literature and English life. The book is written in a simple and lucid style. It will be found of great interest by the students of English Literature, researchers and the general readers.
  a history of indian english literature: Perspectives on Indian English Literature Vinod Kumar Maheshwari, 2002 Perspectives On Indian English Literature Are Too Vast And Varied To Be Completely Evaluated Between The Covers Of A Single Book. The Present Volume Is A Modest Contribution To Explore This Area Through A Vast Cross-Section Of Scholars And Academicians From Different Universities Of The Country. Apart From Its Critical And Academic Importance, The Present Volume Would Also Help The Students, Teachers, Researchers And Scholars To Know India Through The Broadened Perspectives Profferred Through English Language.
  a history of indian english literature: Indian English Literature Umar Farooque, Indian English Literature refers to the body of work by writers in India who write in the English language and whose native or co-native language could be one of the numerous languages of India. Its early history began with the works of various Indian writers who consolidated Indian literature. It is also associated with the works of members of the Indian Diaspora such as V. S. Naipaul, Kiran Desai, Jhumpa Lahiri, Agha Shahid Ali, Rohinton Mistry and Salman Rushdie, who are of Indian descent. It is frequently referred to as Indo-Anglian literature. As a category, this production comes in the broader realm of post-colonial literature- the production from previously colonized countries like India. Indian Literature refers to the literature produced on Indian sub-continent until 1947 and in the Republic of India thereafter. At the same time we must recognize the individual talents of the present age who, for reasons other than literary merits, are relegated to the periphery. It is full of revelations as we discovered poets and novelists of the 19th century from this region of India that is generally considered barren in Indian literature in English.
  a history of indian english literature: Contemporary Indian English Poetry and Drama Sajalkumar Bhattacharya, Himadri Lahiri, Arnab Kumar Sinha, 2019-07-29 This anthology of essays maps the divergent issues that have become relevant in contemporary Indian English poetry and drama. By providing a clear idea about the new themes, techniques and methods used by the Indian English poets and playwrights to address the issues emerging in the changing socio-cultural scenario, particularly during the post-globalization period, the essays offer insightful observations on canon formation and its reception. It is high time to consider afresh whether the canons of Indian English poetry and drama have widened their scope to include innovative forms of writing or whether they have evolved significantly to generate novel perspectives. These questions, which are linked with the issue of canon formation and its reception are intricately woven into the fabric of these essays. This anthology will respond to the scholarly interests of inquisitive students, research scholars and academics in the field of Indian English literature.
  a history of indian english literature: A History of Indian Literature Jan Gonda,
  a history of indian english literature: Terrorism, Insurgency and Indian-English Literature, 1830-1947 Alex Tickell, 2013-06-17 In this ground-breaking interdisciplinary study of terrorism, insurgency and the literature of colonial India, Alex Tickell re-envisages the political aesthetics of empire. Organized around key crisis moments in the history of British colonial rule such as the ‘Black Hole’ of Calcutta, the anti-thug campaigns of the 1830s, the 1857 Rebellion, anti-colonial terrorism in Edwardian London and the Amritsar massacre in 1919, this timely book reveals how the terrorizing threat of violence mutually defined discursive relations between colonizer and colonized. Based on original research and drawing on theoretical work on sovereignty and the exception, this book examines Indian-English literary traditions in transaction and covers fiction and journalism by both colonial and Indian authors. It includes critical readings of several significant early Indian works for the first time: from neglected fictions such as Kylas Chunder Dutt’s story of anticolonial rebellion A Journal of Forty-Eight Hours of the Year 1945 (1835) and Sarath Kumar Ghosh’s nationalist epic The Prince of Destiny (1909) to dissident periodicals like Hurrish Chunder Mookerji’s Hindoo Patriot (1856–66) and Shyamaji Krishnavarma’s Indian Sociologist (1905–14). These are read alongside canonical works by metropolitan and ‘Anglo-Indian’ authors such as Philip Meadows Taylor’s Confessions of a Thug (1839), Rudyard Kipling’s short fictions, and novels by Edmund Candler and E. M. Forster. Reflecting on the wider cross-cultural politics of terror during the Indian independence struggle, Tickell also reappraises sacrificial violence in Indian revolutionary nationalism and locates Gandhi’s philosophy of ahimsa or non-violence as an inspired tactical response to the terror-effects of colonial rule.
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