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| a history of indian literature: A History of Indian Literature Moriz Winternitz, 1996 The present English translation is based on the original German work written by Professor Winternitz and has been revised in the light of further researches on the subject by different scholars in India and elsewhere. Vol. I relates to Veda (the four Samhitas), Brahmanas, Aranyakas, Upanisads, Vedangas and the Literature of the ritual. The Ramayana and the Mahabharata. Puranic literature and Tantra. Vol. II deals with the Buddhist Literature of India and the Jaina Literature. Vol. III covers Classical Sanskrit Literature comprising ornate Poetry, Drama, Narrative Literature, Grammar, Lexiocography, Philosophy, Dharma-Sastra, Artha-Sastra, Architecture, Music, Kama-Sutra, Ayurveda, Astronomy, Astrology and Mathematics. |
| a history of indian literature: History of Indian Literature Moriz Winternitz, 1963 |
| a history of indian literature: HIST OF INDIAN LITERATURE Albrecht 1825-1901 Weber, John Mann, Theodor 1851-1934 Zachariae, 2016-08-26 |
| a history of indian literature: A history of Indian literature Teun Goudriaan, Sanjukta Gupta, 1981 |
| a history of indian literature: A History of Indian Literature Jan Gonda, |
| a history of indian literature: A History of Indian Literature from Vedic Times to the Present Day Herbert Henry Gowen, 1931 |
| a history of indian literature: A History of Indian Literature in English Arvind Krishna Mehrotra, 2003 |
| a history of indian literature: The Idea of Indian Literature Preetha Mani, 2022-08-15 Winner of the 2023 Aldo and Jeanne Scaglione Prize for South Asian Studies Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature, written in as well as against English. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. In The Idea of Indian Literature, she explores the paradox that a single canon can be written in multiple languages, each with their own evolving relationships to one another and to English. Hindi, representing national aspirations, and Tamil, epitomizing the secessionist propensities of the region, are conventionally viewed as poles of the multilingual continuum within Indian literature. Mani shows, however, that during the twentieth century, these literatures were coconstitutive of one another and of the idea of Indian literature itself. The writers discussed here—from short-story forefathers Premchand and Pudumaippittan to women trailblazers Mannu Bhandari and R. Chudamani—imagined a pan-Indian literature based on literary, rather than linguistic, norms, even as their aims were profoundly shaped by discussions of belonging unique to regional identity. Tracing representations of gender and the uses of genre in the shifting thematic and aesthetic practices of short vernacular prose writing, the book offers a view of the Indian literary landscape as itself a field for comparative literature. |
| a history of indian literature: A History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy Sisir Kumar Das, 2005 Presents the Indian literatures, not in isolation in one another, but as related components in a larger complex, conspicuous by the existence of age-old multilingualism and a variety of literary traditions. -- |
| a history of indian literature: A Concise History of Indian Literature in English Arvind Krishna Mehrotra, 2008 For anyone interested in the story of English in India, or in the finest English storytellers of India, this is the essential companion. This book is a history of two hundred years of Indian literature in English. It starts by looking at the introduction of English into India s complex language scenario around 1800. It then takes up the canonical poets, novelists, and dramatists, as well as a few unjustly forgotten figures, who have made significant contributions to the evolution of Indian literature in English. The book comprises twenty-four chapters, written by some of India s foremost scholars and critics. Each chapter is devoted either to a single author (Kipling, Tagore, Sri Aurobindo, R.K. Narayan), or to a group of authors (the Dutt family of nineteenth-century Calcutta; the Indian diasporic writers of the twentieth century), or to a genre (beginnings of the Indian novel; poetry since Independence). |
| a history of indian literature: A History of Indian Literature in English , 2003 |
| a history of indian literature: A History of Indian Literature Sisir Kumar Das, 1991 |
| a history of indian literature: Towards a Literary History of India Sujit Mukherjee, 1975 |
| a history of indian literature: A History of the Indian Novel in English Ulka Anjaria, 2015-07-08 A History of the Indian Novel in English traces the development of the Indian novel from its beginnings in the late nineteenth century up until the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that shed light on the legacy of English in Indian writing. Organized thematically, these essays examine how English was made Indian by writers who used the language to address specifically Indian concerns. Such concerns revolved around the question of what it means to be modern as well as how the novel could be used for anti-colonial activism. By the 1980s, the Indian novel in English was a global phenomenon, and India is now the third largest publisher of English-language books. Written by a host of leading scholars, this History invites readers to question conventional accounts of India's literary history. |
| a history of indian literature: A History of Indian Literature Moriz Winternitz, 1950 |
| a history of indian literature: A History of Indian Literature Sisir Kumar Das, 2005 This Volume, The First To Appear In The Ten Volume Series Published By The Sahitya Akademi, Deals With A Fascinating Period, Conspicuous By The Growing Complexities Of Multilingualism, Changes In The Modes Of Literary Transmission And In The Readership And Also By The Dominance Of The English Language As An Instrument Of Power In Indian Society. |
| a history of indian literature: Native American Perspectives on Literature and History Alan R. Velie, 1995 James Ruppert explores the bicultural nature of Indian writers and discusses strategies they employ in addressing several audiences at once: their tribe, other Indians, and other Americans. Helen Jaskoski analyzes the genre of autoethnography, or Indian historical writing, in an Ottawa writer's account of a smallpox epidemic. Kimberly Blaeser, a Chippewa, writes about how Indian writers reappropriate their history and stories of their land and people. Robert Allen Warrior, an Osage, examines the ideas of the leading Indian philosopher in America, Vine Deloria, Jr., who calls for a return to traditional tribal religions. Robert Berner exposes the incomplete myths and false legends pervading Indian views of American history. Alan Velie discusses the issue of historical objectivity in two Indian historical novels, James Welch's Fools Crow and Gerald Vizenor's The Heirs of Columbus. Kurt M. Peters relates how Laguna Indians retained their culture and identity while living in the boxcars of the Santa Fe Railroad Indian Village at Richmond, California. Juana Maria Rodriguez examines power relations in Gerald Vizenor's narrative of a Dakota Indian accused of murder in 1967, Thomas White Hawk. Finally, Gerald Vizenor, a Chippewa, discusses Indian conceptions of identity in contemporary America, including simulations he calls postindian identity.. |
| a history of indian literature: A History of Indian Literature M. Winternitz, Srinivasa Sarma, 1981 |
| a history of indian literature: A History of Indian Literature Jan Gonda, 1973 |
| a history of indian literature: The Vintage Book of Modern Indian Literature Amit Chaudhuri, 2004-11-01 Chaudhuri's extravagant and discerning collection unfurls the full diversity of Indian writing from the 1850s to the present in English, and in elegant new translations from Bengali, Hindi, and Urdu. Among the 38 authors represented are contemporary superstars such as Salman Rushdie, Vikram Seth, and Pankaj Mishra. |
| a history of indian literature: A History of Classical Poetry Siegfried Lienhard, 1984 |
| a history of indian literature: Indian Literature and the World Rossella Ciocca, Neelam Srivastava, 2017-05-09 This book is about the most vibrant yet under-studied aspects of Indian writing today. It examines multilingualism, current debates on postcolonial versus world literature, the impact of translation on an “Indian” literary canon, and Indian authors’ engagement with the public sphere. The essays cover political activism and the North-East Tribal novel; the role of work in the contemporary Indian fictional imaginary; history as felt and reconceived by the acclaimed Hindi author Krishna Sobti; Bombay fictions; the Dalit autobiography in translation and its problematic international success; development, ecocriticism and activist literature; casteism and access to literacy in the South; and gender and diaspora as dominant themes in writing from and about the subcontinent. Troubling Eurocentric genre distinctions and the split between citizen and subject, the collection approaches Indian literature from the perspective of its constant interactions between private and public narratives, thereby proposing a method of reading Indian texts that goes beyond their habitual postcolonial identifications as “national allegories”. |
| a history of indian literature: A History of Indian Literature Moriz Winternitz, 1981 |
| a history of indian literature: A History of Indian Literature Moritz Winternitz, V. Srinivasa Sarma, 1983 |
| a history of indian literature: History of Indian Literature Moriz Winternitz, 1962 |
| a history of indian literature: Hindi Literature in the Twentieth Century Peter Gaeffke, 1978 |
| a history of indian literature: Indian Literature: An Introduction University of Delhi, 2005-09 |
| a history of indian literature: A History of Sanskrit Literature Arthur Berriedale Keith, 1993 Taken in conjunction with my sanskrit Drama, published in 1924, this work covers the field of Classical Sanskrit Literature, as opposed to the Vedic Literature, the epics, and the Puranas. To bring the subject-matter within the limits of a single volume has rendered it necessary to treat the scientific literature briefly, and to avoid discussions of its subject-matter which appertain rather to the historian of grammer, philosophy, law, medicine, astronomy, or mathematics, than to the literary historian. This mode of treatment has rendered it possible, for the first time in any treatise in English on Sanskrit Literature, to pay due attention to the literary qualities of the Kavya. Though it was to Englishmen, such as Sir William Jones and H. T. Colebrooke, that our earliest knowledge of Sanskrit poetry was due, no English poet shared Goethe`s marvellous appereciation of the merits of works known to him only through the distorting medium of translations, and attention in England has usually been limited to the Vedic literature, as a source for comparative philology, the history of religion, or Indo-European antiquities; to the mysticism and monism of Sanskrit philosophy; and to the fables and fairy-tales in their relations to western parallels. The neglect of Sanskrit Kavya is doubtless natural. The great poets of India wrote for audiences of experts; they were masters of the learning of their day, long trained in the use of language, and they aim to please by subtlety, not simplicity of effect. They had at their disposal a singularly beautiful speech, and they commanded elaborate and most effective metres. Under these circumstances it was inevitable that their works should be difficult, but of those who on that score pass them by it may fairly be said ardua dum metuunt amittunt vera viai. It is in the great writers of Kavya along, headed by Kalidasa, that we find depth of feeling for life and nature matched with perfection of expression and rhythm. The Kavya literature includes some of the great poetry of the world, but it can never expect to attain wide popularity in the West, for it is essentially untranslatable German poets like Ruckert can, indeed, base excellent work on Sanskrit originals, but the effects produced are achieved by wholly different means, while English efforts at verse translations fall invariably below a tolerable mediocrity, their diffuse tepidity contrasting painfully with the brilliant condensation of style, the elegance of metre, and the close adaptation of sound to sense of the originals. I have, therefore, as in my Sanskrit Drama, illustrated the merits of the poets by Sanskrit extracts, adding merely a literal English version, in which no note is taken of variations of text or renderings. To save space I have in the main dealt only with works earlier than A.D. 1200, though especially in the case of the scientific literature important books of later date are briefly noticed. This book was sent in completed for the press, in January 1926 but pressure of work at the University Press precluded printing until the summer of 1927, when it wa deemed best, in order not to delay progress, to assign to this preface the notice of such new discoveries and theories of 1926 and 1927 as might have permanent interest. |
| a history of indian literature: A History of Ancient Sanskrit Literature So Far as it Illustrates the Primitive Religion of the Brahmans Friedrich Max Müller, 1859 |
| a history of indian literature: A Fine Balance Rohinton Mistry, 2010-10-29 A Fine Balance, Rohinton Mistry’s stunning internationally acclaimed bestseller, is set in mid-1970s India. It tells the story of four unlikely people whose lives come together during a time of political turmoil soon after the government declares a “State of Internal Emergency.” Through days of bleakness and hope, their circumstances – and their fates – become inextricably linked in ways no one could have foreseen. Mistry’s prose is alive with enduring images and a cast of unforgettable characters. Written with compassion, humour, and insight, A Fine Balance is a vivid, richly textured, and powerful novel written by one of the most gifted writers of our time. |
| a history of indian literature: A History of Indian Literature Maurice Winternitz, V. Srinivasa Sarma, 1983 |
| a history of indian literature: A History of Indian Literature Herbert Gowen, 1973-01-01 |
| a history of indian literature: An Illustrated History of Indian Literature in English Arvind Krishna Mehrotra, 2003 Covers two hundred years from 1800 to 2000 of Indian literature writing; with biographical information. |
| a history of indian literature: The Past Before Us Romila Thapar, 2013-11-04 The claim that India uniquely lacks historical writing distracts us from a more pertinent question: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. Romila Thapar, distinguished scholar of ancient India, provides a panoramic survey of historical traditions in North India. |
| a history of indian literature: A History of Indian Literature Herbert H. Gowen, 2013-10 This is a new release of the original 1931 edition. |
| a history of indian literature: A History of Indian Poetry in English Rosinka Chaudhuri, 2016-03-29 A History of Indian Poetry in English explores the genealogy of Anglophone verse in India from its nineteenth-century origins to the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that illuminate the legacy of English in Indian poetry. Organized thematically, these essays survey the multilayered verse of such diverse poets as Henry Louis Vivian Derozio, Rabindranath Tagore, Nissim Ezekiel, Dom Moraes, Kamala Das, and Melanie Silgardo. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of imperialism and diaspora in Indian poetry. This book is of pivotal importance to the development of Indian poetry in English and will serve as an invaluable reference for specialists and students alike. |
| a history of indian literature: Spectrum History of Indian Literature in English Ram Sewak Singh, Charu Sheel Singh, 1997 Spectrum History Of Indian Literature In English Accomplishes The Task Of Historical Continuity By Linking With The Past The Most Recent Present Of The Writing In English By Indians. The Book Is A Highly Useful Supplement To The Earlier Two Volumes By K.R. Srinivas Iyengar And M.K. Naik. Articles By Jasbir Jain And Sunanda Mongia Are A Spectrum Presen¬Tation Of The Latest Developments In The Field Of Indian Fiction In English In All Its Technical & Thematological Innovations. Satish Aikant'S Article Provides A Serious Backdrop To The Volume By Deliberating Upon The Historicity Of English Studies In India, Their Need, Relevance And Epistemological Repercussions. R.K. Singh'S Article Does Well To Deconstruct The Myth That Good Poetry Is Published Only By The Established Publishers. His Account Of Little Or Less Known Indian Poets In English Is Both Critical And Historically Illuminating. Charu Sheel Singh, Shyam Asnani And Attiya Singh Discuss Indian English Poetry, Criticism, Drama And Fiction Respectively. Meena Sodhi'S Article Is A Good Compilation Of Indian Autobiographies, Mostly In English, Which She Discusses With Good Critical Sense And Perceptive Imagination. A.N. Dwivedi'S Article On Indian English Short Stories Is A Comprehensive And Balanced Piece Which Is Also Rich In Illustrations. The Two Appendices Add To The Value Of The Book By Cherishing Critical Attention On What May Be Called Tradition And Experiment In Indian English Poetry And Fiction. Whereas Satish K. Gupta'S Brief Piece Highlights Homogeneity In The Sensibility Of Aurobindo And Charu Sheel, It Takes Pains And Care To Chalk Out Differences In Mode, Manner And The Whole Presentation Idiom In The Latter'S Poetry From That Of Aurobindo. Krishan Mohan Pandey'S Account Of The Post-Modemist Reaction Against Gandhi In Indian Fiction In English Is Timely. It Reaffirms Faith In An Indian Critic'S Belief In What Tagore Once Said : I Cannot Love A God Who Does Not Give Me Freedom To Deny Him. |
| a history of indian literature: Same-Sex Love in India R. Vanita, S. Kidwai, 2016-08-02 Same-Sex Love in India presents a stunning array of writings on same-sex love from over 2000 years of Indian literature. Translated from more than a dozen languages and drawn from Hindu, Buddhist, Muslim, and modern fictional traditions, these writings testify to the presence of same-sex love in various forms since ancient times, without overt persecution. This collection defies both stereotypes of Indian culture and Foucault's definition of homosexuality as a nineteenth-century invention, uncovering instead complex discourses of Indian homosexuality, rich metaphorical traditions to represent it, and the use of names and terms as early as medieval times to distinguish same-sex from cross-sex love. An eminent group of scholars have translated these writings for the first time or have re-translated well-known texts to correctly make evident previously underplayed homoerotic content. Selections range from religious books, legal and erotic treatises, story cycles, medieval histories and biographies, modern novels, short stories, letters, memoirs, plays and poems. From the Rigveda to Vikram Seth, this anthology will become a staple in courses on gender and queer studies, Asian studies, and world literature. |
| a history of indian literature: A history of Indian literature , |
| a history of indian literature: A History of Indian Literature Jan Gonda, 1979 |
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