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| 30 line poems: 30 Poems to Memorize (Before It's Too Late) David Kern, 2020-05-15 An anthology of poems with accompanying essays to help poetry lovers memorize some of the greatest verse ever written. |
| 30 line poems: Poems That Make Grown Men Cry Anthony Holden, Ben Holden, 2014-04-01 A life-enhancing tour through classic and contemporary poems that have made men cry: “The Holdens remind us that you don’t have to be an academic or a postgraduate in creative writing to be moved by verse….It’s plain fun” (The Wall Street Journal). Grown men aren’t supposed to cry…Yet in this fascinating anthology, one hundred men—distinguished in literature and film, science and architecture, theater and human rights—confess to being moved to tears by poems that continue to haunt them. Although the majority are public figures not prone to crying, here they admit to breaking down, often in words as powerful as the poems themselves. Their selections include classics by visionaries, such as Walt Whitman, W.H. Auden, and Philip Larkin, as well as modern works by masters, including Billy Collins, Seamus Heaney, Derek Walcott, and poets who span the globe from Pablo Neruda to Rabindranath Tagore. The poems chosen range from the sixteenth century to the twenty-first, with more than a dozen by women, including Mary Oliver, Elizabeth Bishop, and Gwendolyn Brooks. Their themes range from love in its many guises, through mortality and loss, to the beauty and variety of nature. All are moved to tears by the exquisite way a poet captures, in Alexander Pope’s famous phrase, “what oft was thought, but ne’er so well express’d.” From J.J. Abrams to John le Carré, Salman Rushdie to Jonathan Franzen, Daniel Radcliffe to Nick Cave to Stephen Fry, Stanley Tucci to Colin Firth to the late Christopher Hitchens, this collection delivers private insight into the souls of men whose writing, acting, and thinking are admired around the world. “Everyone who reads this collection will be roused: disturbed by the pain, exalted in the zest for joy given by poets” (Nadine Gordimer, winner of the Nobel Prize for literature). |
| 30 line poems: The Hatred of Poetry Ben Lerner, 2016-06-07 No art has been denounced as often as poetry. It's even bemoaned by poets: I, too, dislike it, wrote Marianne Moore. Many more people agree they hate poetry, Ben Lerner writes, than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore. In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible. |
| 30 line poems: There Are More Beautiful Things Than Beyonce Morgan Parker, 2017-02-14 A TIME Magazine Best Paperback of 2017 One of Oprah Magazine's Ten Best Books of 2017 This singular poetry collection is a dynamic meditation on the experience of, and societal narratives surrounding, contemporary black womanhood. . . . These exquisite poems defy categorization. —The New Yorker The only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly-laughing in the therapist’s office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, ruthless, and sequined, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and deja vu, and a time of wars over bodies and power. These poems celebrate and mourn. They are a chorus chanting: You’re gonna give us the love we need. |
| 30 line poems: Every Thing on it Shel Silverstein, 2012 Have you ever read a book with everything on it? Here it is - an amazing collection of never-before-published poems and drawings from the mind of Shel Silverstein. You will say Hi-ho for the toilet troll, get tongue-tied with Stick-a-Tongue-Out-Sid, play a highly unusual horn, and experience the joys of growing down. What's that? You have a case of the Lovetobutcants? Impossible! Just come in and let the magic of Shel Silverstein open your heart. |
| 30 line poems: Math with Bad Drawings Ben Orlin, 2018-09-18 A hilarious reeducation in mathematics-full of joy, jokes, and stick figures-that sheds light on the countless practical and wonderful ways that math structures and shapes our world. In Math With Bad Drawings, Ben Orlin reveals to us what math actually is; its myriad uses, its strange symbols, and the wild leaps of logic and faith that define the usually impenetrable work of the mathematician. Truth and knowledge come in multiple forms: colorful drawings, encouraging jokes, and the stories and insights of an empathetic teacher who believes that math should belong to everyone. Orlin shows us how to think like a mathematician by teaching us a brand-new game of tic-tac-toe, how to understand an economic crises by rolling a pair of dice, and the mathematical headache that ensues when attempting to build a spherical Death Star. Every discussion in the book is illustrated with Orlin's trademark bad drawings, which convey his message and insights with perfect pitch and clarity. With 24 chapters covering topics from the electoral college to human genetics to the reasons not to trust statistics, Math with Bad Drawings is a life-changing book for the math-estranged and math-enamored alike. |
| 30 line poems: The Manuscript Poems of A. E. Housman Tom Burns Haber, 1955-01-01 The Manuscript Poems of A.E. Housman was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Poetry lovers everywhere, and devotees of A. E. Housman in particular, will recognize a major literary event in the publication of this volume, for it makes available for the first time some 800 lines of hitherto unpublished poetry by the well-loved author of A Shropshire Lad. This is a significant addition to the Housman treasury because the English poet published a total of only 2216 lines of poetry during his lifetime. Dr. Haber has drawn the material for this volume from the four Housman notebooks in the Library of Congress, where they were deposited in 1940, four years after the poet's death. In an introductory section the editor describes the notebooks themselves and tells in detail the fascinating story of how the manuscripts—erased, canceled and glued fast to mounting sheets — were preserved and deciphered. The notebooks, dated from 1890 to 1925, contain the most valuable manuscript remains of Housman's poetic writings. In the material that is published here for the first time there are included complete poems, fragments of poems, and abandoned lines and stanzas from well-known lyrics. In addition the editor has provided a list of variants which the poet inserted into his printers' copies of A Shropshire Lad and Last Poems. Among the newly published complete poems are some that Dr. Haber believes should be ranked with Housman's outstanding work. In the material that shows the poet's revisions of his own writings, the reader is afforded an intimate glimpse into the creative processes of a poetic genius, a privilege that will be especially appreciated by students and critics. Many explanatory notes are appended to show how Housman's poetry matured from first draft, through final copy, to the printed page. |
| 30 line poems: Writer's Market 2020 Robert Lee Brewer, 2019-11-05 The Most Trusted Guide to Getting Published! Want to get published and paid for your writing? Let Writer's Market 2020 guide you through the process with thousands of publishing opportunities for writers, including listings for book publishers, consumer and trade magazines, contests and awards, and literary agents—as well as new playwriting and screenwriting sections. These listings feature contact and submission information to help writers get their work published. Beyond the listings, you'll find articles devoted to the business and promotion of writing. Discover 20 literary agents actively seeking writers and their writing, how to develop an author brand, and overlooked funds for writers. This edition also includes the ever-popular pay-rate chart and book publisher subject index! You also gain access to: • Lists of professional writing organizations • Sample query letters • How to land a six-figure book deal |
| 30 line poems: An Anthology of Arabic Poetry ʻAbd al-Wahhāb Anṣārī, 2009 |
| 30 line poems: Reading Robert Burns Carol McGuirk, 2015-10-06 Robert Burns is Scotland’s greatest cultural icon. Yet, despite his continued popularity, critical work has been compromised by the myths that have built up around him. McGuirk focuses on Burns’s poems and songs, analysing his use of both vernacular Scots and literary English to provide a unique reading of his work. |
| 30 line poems: Tottel's Miscellany Amanda Holton, 2011-10-27 Songs and Sonnets (1557), the first printed anthology of English poetry, was immensely influential in Tudor England, and inspired major Elizabethan writers including Shakespeare. Collected by pioneering publisher Richard Tottel, it brought poems of the aristocracy - verses of friendship, war, politics, death and above all of love - into wide common readership for the first time. The major poets of Henry VIII's court, Sir Thomas Wyatt and Henry Howard, Earl of Surrey, were first printed in the volume. Wyatt's intimate poem about lost love which begins 'They flee from me, that sometime did me seke', and Surrey's passionate sonnet 'Complaint of a lover rebuked' are joined in the miscellany by a large collection of diverse, intriguingly anonymous poems both moral and erotic, intimate and universal. |
| 30 line poems: Poetry 180 Billy Collins, 2003 A dazzling new anthology of 180 contemporary poems, selected and introduced by America’s Poet Laureate, Billy Collins. Inspired by Billy Collins’s poem-a-day program with the Library of Congress, Poetry 180 is the perfect anthology for readers who appreciate engaging, thoughtful poems that are an immediate pleasure. A 180-degree turn implies a turning back—in this case, to poetry. A collection of 180 poems by the most exciting poets at work today, Poetry 180 represents the richness and diversity of the form, and is designed to beckon readers with a selection of poems that are impossible not to love at first glance. Open the anthology to any page and discover a new poem to cherish, or savor all the poems, one at a time, to feel the full measure of contemporary poetry’s vibrance and abundance. With poems by Catherine Bowman, Lucille Clifton, Billy Collins, Dana Gioia, Edward Hirsch, Galway Kinnell, Kenneth Koch, Philip Levine, Thomas Lux, William Matthews, Frances Mayes, Paul Muldoon, Naomi Shihab Nye, Sharon Olds, Katha Pollitt, Mary Jo Salter, Charles Simic, David Wojahn, Paul Zimmer, and many more. |
| 30 line poems: Formal Matters in Contemporary Latino Poetry F. Aldama, 2016-01-26 Today's Latino poetry scene is incredibly vibrant. With original interviews, this is the first meditation on the thematic features of such poetry. Looking at how Julia Alvarez, Rhina Espaillat, Rafael Campo, and C. Dale Young use structures such as meter, rhyme, and line break, this study identifies a poetics of formalist Latino poetry. |
| 30 line poems: The Poems of Shelley: Volume One Geoffrey Matthews, Kelvin Everest, 2014-06-11 Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the first volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes supply the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. The present volume includes the 'Esdaile' poems, which only entered the public domain in the 1950s, printed in chronological order and integrated with the rest of Shelley's early output, and Queen Mab, the first of Shelley’s major poems, together with its extensive prose notes. The seminal Alastor volume is placed in the detailed context of Shelley’s overall poetic development. The ‘Scrope Davies’ notebook, only discovered in 1976, furnishes two otherwise unknown sonnets as well as alternative versions of ‘Hymn to Intellectual Beauty’ and ‘Mont Blanc’, which significantly influence our understanding of these important poems. This first volume contains new datings, and makes numerous corrections to long-established errors and misunderstandings in the transmission of Shelley's work. Its annotations and headnotes provide new perspectives on Shelley's literary, philosophical and political development The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars. |
| 30 line poems: The Fire that Breaks Daniel Westover, Thomas Alan Holmes, 2020-02-27 The Fire that Breaks brings together an international team of scholars to explore for the first time Hopkins’s extended influence on the poets and novelists who have defined modern and contemporary Anglo-American literature since the advent of the twentieth century. |
| 30 line poems: 2012 Poet's Market Robert Lee Brewer, 2011-08-20 The Most Trusted Guide for Getting Poetry Published The 2012 Poet’s Market includes hundreds of publishing opportunities specifically for poets, including poetry publications, book/chapbook publishers, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and—when offered—payment information. Plus, the editorial content in the front of the book has been revamped to include more articles on the Business of Poetry, Promotion of Poetry, Craft of Poetry, and Interviews with Poets. Learn how to navigate the social media landscape, write various poetic forms, offer writing workshops, and more. You also gain access to: • Lists of conferences, workshops, organizations, and grants • One-year access to the poetry-related information and listings on WritersMarket.com • A free digital download of Writer’s Yearbook featuring the 100 Best Markets: WritersDigest.com/upload/images/WritersDigest-Yearbook-11.pdf Includes an exclusive 60-minute FREE WEBINAR with editor and poet Robert Lee Brewer that will teach you how to build an audience for your poetry. Ridiculously relevant! I’ve been using Poet’s Market since I was in college more than 20 years ago. Since then, I’ve published hundreds of poems and two books. —Aaron Belz, author of Lovely, Raspberry I returned to writing in 2006 and Poet’s Market was the first book I purchased. It guides everyone—from newbie to seasoned writer—on the path to publishing their poems. —Jessie Carty, author of Paper House |
| 30 line poems: Unparalleled Poetry Emmylou J. Grosser, 2023-07-25 For more than 250 years, biblical Hebrew poetry scholarship has been dominated by metrical assumptions and the idea of parallelism. While a consensus is emerging that biblical poetry is not metrical, no consensus has arisen regarding what parallelism is, or what makes biblical poetry verse or poetry in the absence of meter, graphical lineation, and end-marking of lines. Unparalleled Poetry claims that a new paradigm for biblical poetry is needed, a paradigm that is disentangled from parallelism as well as meter. Drawing from the Cognitive Poetics work of Reuven Tsur, Emmylou Grosser reorients the discussion of biblical poetic structure to how poetic structure can be heard and perceived. She argues that the line-units of biblical poetry emerge in the cognitive experience of the listener/reader and provides an account of the free-rhythm versification system of biblical poetry. Grosser's cognitive approach to biblical poetry accounts for the wide diversity of lines and poems in the Bible and illuminates both the structures of biblical poetry and the artistry of potential effects. Unparalleled Poetry presents a rewarding new paradigm for readers of the Bible, while modeling new possibilities for the study of nonmetrical poetries and phenomena called parallelism throughout the world. |
| 30 line poems: The Poems of Laurence Minot, 1333-1352 Richard H Osberg, 1996-05-01 This fresh classroom edition of the Middle English poems of Laurence Minot, with its introduction, gloss, notes, and glossary, enables students of all levels to encounter Minot's poetry. A difficult figure to identify, Laurence Minot wrote a set of eleven poems celebrating English victories against the French between 1333 and 1352, soon after the conclusion of said victories. This volume offers students valuable insights into fourteenth-century English poetry and an inimitable English poet's perspective on the Hundred Years' War. |
| 30 line poems: The Complete English Poems George Herbert, 2004-10-07 George Herbert combined the intellectual and the spiritual, the humble and the divine, to create some of the most moving devotional poetry in the English language. His deceptively simple verse uses the ingenious arguments typical of seventeenth-century 'metaphysical' poets, and unusual imagery drawn from musical structures, the natural world and domestic activity to explore a mosaic of Biblical themes. From the wit and wordplay of 'The Pulley' and the formal experimentation of 'Easter Wings' and 'Paradise', to the intense, highly personal relationship between man and God portrayed in 'The Collar' and 'Redemption', the works collected here show the transcendental power of divine love. |
| 30 line poems: The Variorum Edition of the Poetry of John Donne, Volume 4.2 John Donne, 2021-11-02 This volume, the ninth in the series of The Variorum Edition of the Poetry of John Donne, presents newly edited critical texts of 25 love lyrics. Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, Volume 4.2 details the genealogical history of each poem, accompanied by a thorough prose discussion, as well as a General Textual Introduction of the Songs and Sonets collectively. The volume also presents a comprehensive digest of the commentary on these Songs and Sonets from Donne's time through 1999. Arranged chronologically within sections, the material for each poem is organized under various headings that complement the volume's companions, Volume 4.1 and Volume 4.3. |
| 30 line poems: Unlocking the Poem Ottone M. Riccio, Ellen Beth Siegel, 2009 Compiled from the workshop assignments of Ottone M. Riccio, a master teacher, Unlocking the Poem is a teaching tool, a stimulus to individual creative expression, and a compendium of outstanding contemporary poetry written from these very assignments--all in all, a book that deserves a place on every poet's shelf, according to the esteemed poet X.J. Kennedy. Unlike many how to write poetry texts, Unlocking the Poem teaches by doing. Its assignments offer writers, new and experienced, the chance to try new things, to practice their craft--and to produce their own original, polished poems in the process. Unlocking the Poem offers 450 proven assignments--more than any other work available--based on poetic form, subject matter, the use of specific words or lines, time for writing, and so forth. The collection contains assignments to elicit autobiographical experience, moods, and the realms of fact and fantasy. These assignments provide stimuli to get the creative process underway, with subjects ranging from the everyday to the surreal, from people to the natural world, from the works of man to history to investigating language. Unlocking the Poem is organized so that related material comes together, readily findable. Turn to a given section villanelles, for example, or surreal experience or browse until something strikes your interest. Assignments are adaptable to beginners and to advanced writers; there's plenty in here for every poet. Unlocking the Poem belongs in the library of every writing student who wants to be a poet, and every poet who wants to write more and better poems. |
| 30 line poems: 2011 Poet's Market Robert Lee Brewer, 2010-07-19 The Must-Have Resource for Every Poet Poets of all skill levels have turned to Poet's Market for more than two decades for all the information they need on publishing poetry. This new edition includes: • Features on the realties of poetry publishing, mistakes to avoid, identifying scams, giving great readings, and promoting your work. Articles on translating poetry, social networking, self-publishing, alternative outlets for poetry collections, and more. • Information on workshops, organizations and online resources that help poets perfect their skills and network with fellow poets and editors. • Thorough indexes to make choosing the best potential markets easier. • And access to all Poet's Market listings in a searchable online database! |
| 30 line poems: The Selected Poetry of Guido Cavalcanti Guido Cavalcanti, 2009 Cavalcanti is a key figure in the development of Italian poetry, and a fascinating character in the shadow of his contemporary and friend Dante Alighieri. Cavalcanti also has an interesting place in the cannon of English poetry, where he was an important influence on two of his famous translators Dante Gabriel Rossetti and Ezra Pound. |
| 30 line poems: Poetry For Dummies The Poetry Center, John Timpane, 2011-03-16 Demystify and appreciate the pleasures of poetry Sometimes it seems like there are as many definitions of poetry as there are poems. Coleridge defined poetry as “the best words in the best order.” St. Augustine called it “the Devil’s wine.” For Shelley, poetry was “the record of the best and happiest moments of the happiest and best minds.” But no matter how you define it, poetry has exercised a hold upon the hearts and minds of people for more than five millennia. That’s because for the attentive reader, poetry has the power to send chills shooting down the spine and lightning bolts flashing in the brain — to throw open the doors of perception and hone our sensibilities to a scalpel’s edge. Poetry For Dummies is a great guide to reading and writing poems, not only for beginners, but for anyone interested in verse. From Homer to Basho, Chaucer to Rumi, Shelley to Ginsberg, it introduces you to poetry’s greatest practitioners. It arms you with the tools you need to understand and appreciate poetry in all its forms, and to explore your own talent as a poet. Discover how to: Understand poetic language and forms Interpret poems Get a handle on poetry through the ages Find poetry readings near you Write your own poems Shop your work around to publishers Don’t know the difference between an iamb and a trochee? Worry not, this friendly guide demystifies the jargon, and it covers a lot more ground besides, including: Understanding subject, tone, narrative; and poetic language Mastering the three steps to interpretation Facing the challenges of older poetry Exploring 5,000 years of verse, from Mesopotamia to the global village Writing open-form poetry Working with traditional forms of verse Writing exercises for aspiring poets Getting published From Sappho to Clark Coolidge, and just about everyone in between, Poetry For Dummies puts you in touch with the greats of modern and ancient poetry. Need guidance on composing a ghazal, a tanka, a sestina, or a psalm? This is the book for you. |
| 30 line poems: The Variorum Edition of the Poetry of John Donne, Volume 7, Part 2 John Donne, 2021-01-05 Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012. |
| 30 line poems: 2009 Poet's Market Editors Of Writers Digest Books, 2008-07-01 2009 Poet's Market will give you all the information necessary to research markets and submit your poetry for publication. In addition to market listings, you'll find guidance for preparing and submitting manuscripts, identifying markets, relating to editors, and more. Plus, the book includes additional listings for conferences, workshops, organizations for poets, print and online resources, and the latest trends in poetry writing and publishing. |
| 30 line poems: Selected Poems Antonio Machado, 1982 Regarded by many as the finest poet of 20th-century Spain, Antonio Machado y Ruiz (1875-1939) is not well known outside the Spanish-speaking world. Some 250 poems in Spanish, drawn from Machado's entire oeuvre, are accompanied on facing pages by sensitive and beautifully fluent translations. |
| 30 line poems: John Gower, Trilingual Poet Elisabeth M. Dutton, John Hines, Robert F. Yeager, 2010 These essays demonstrate John Gower's mastery of the three languages of medieval England - Latin, French and English. They examine the cultural re-definitions which his translations of literary traditions and languages achieved. |
| 30 line poems: Writing Poetry Chad Davidson, Gregory Fraser, 2008-11-26 Writing Poetry combines an accessible introduction to the essential elements of the craft, with a critical awareness of its underpinnings. The authors argue that separating the making of poems from critical thinking about them is a false divide and encourage students to become accomplished critics and active readers of poetic texts. |
| 30 line poems: The Structure of Old Norse Dróttkvætt Poetry Kari Ellen Gade, 1995 At the same time, she suggests a solution to the mystery of the origins of the drottkvaett and its eventual demise in the fourteenth century. |
| 30 line poems: Creative Dynamics Christina Ljungberg, 2012 How do readers make sense of a picture, a photograph, or a map in literary narratives in which visual signs play a critical role? How do authors accomplish their various objectives in constructing such complex texts? What strategies and techniques do they use to project fictional worlds and to provide their readers with the means for orienting themselves there? This book investigates the dynamics of the imaginary diagrams created by cartographers, photographers, and writers of narratives, giving ample evidence of how mapping practices have inspired the imagination of a vast number of authors from Thomas More up to contemporary writers. A special focus is on the effects created by the projection of photographs into the narrative space, and how our seemingly effortless interpretation of photographs and even maps masks complex cognitive processes. The theoretical horizon of this study encompasses the fields of cartography, mental maps, iconicity research, and the spatial turn in cultural studies. |
| 30 line poems: The Footprints of the Buddha Alexander Vovin, 2021-04-19 “The echo of the stone/ where I carved the [Buddha’s] honorable footprints/ reaches the Heaven, [...]”. This book presents the transcription, translation, and analysis of Chinese (753 AD) and Japanese inscriptions (end of the 8th century AD) found on two stones now in the possession of the Yakushiji temple in Nara. All these inscriptions praise the footprints of Buddha, and more exactly their carvings in the stone. The language of the Japanese inscription, which consists of twenty-one poems, reflects the contemporary dialect of Nara. Its writing system shows a quite unique trait, being practically monophonic. The book is richly illustrated by photos of the temple and of the inscriptions. |
| 30 line poems: Six Scottish Courtly and Chivalric Poems, Including Lyndsay's Squyer Meldrum Rhiannon Purdie, Emily Wingfield, 2018-09-30 These six poems explore some of the courtly and chivalric themes that preoccupied late medieval Scottish society. The volume includes Sir David Lyndsay's Historie and Testament of Squyer Meldrum, as well as his Answer to the Kingis Flyting; and three anonymous fifteenth-century poems: Balletis of the Nine Nobles, Complaint for the Death of Margaret, Princess of Scotland, and Talis of the Fyve Bestes. |
| 30 line poems: The Šabdan Baat?r Codex Dan Prior, 2012-11-23 In The Šabdan Baat?r Codex Daniel Prior presents the first complete edition, translation, and interpretation of a unique manuscript of early twentieth-century Kirghiz epic-like narrative and genealogical poems, analyzing their patronage and their context of oral and written historiography. |
| 30 line poems: European Literature and the Latin Middle Ages Ernst Robert Curtius, 1990 In this magnificent book (T. S. Eliot), Ernst Robert Curtius (1886-1956), one of the foremost literary scholars of this century, examines the continuity of European literature from Homer to Goethe, with particular emphasis on the Latin Middle Ages. In an extensive new epilogue, drawing on hitherto unpublished material, Peter Godman analyzes the intellectual and political context and character of Curtius's ideas. |
| 30 line poems: The Ugly Renaissance Alexander Lee, 2015-10-27 The Ugly Renaissance is a delightfully debauched tour of the sordid, gritty reality behind some of the most celebrated artworks and cultural innovations of all time. Tourists today flock to Italy by the millions to admire the stunning achievements of the Renaissance—paintings, statues, and buildings that are the legacy of one of the greatest periods of cultural rebirth and artistic beauty the world has ever seen. But beneath the elegant surface lurked a seamy, vicious world of power politics, perversity, and corruption. In this meticulously researched and lively portrait, Renaissance scholar Alexander Lee illuminates the dark and titillating contradictions that existed alongside the enlightened spirit of the time: the scheming bankers, greedy politicians, bloody rivalries, murderous artists, religious conflicts, rampant disease, and indulgent excess without which many of the most beautiful monuments of the Renaissance would never have come into being. |
| 30 line poems: The Princeton Handbook of World Poetries Roland Greene, Stephen Cushman, 2016-11-15 An authoritative and comprehensive guide to poetry throughout the world The Princeton Handbook of World Poetries—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides a comprehensive and authoritative survey of the history and practice of poetry in more than 100 major regional, national, and diasporic literatures and language traditions around the globe. With more than 165 entries, the book combines broad overviews and focused accounts to give extensive coverage of poetic traditions throughout the world. For students, teachers, researchers, poets, and other readers, it supplies a one-of-a-kind resource, offering in-depth treatment of Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, and others); ancient Middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian); subcontinental Indian poetries (Bengali, Hindi, Marathi, Punjabi, Sanskrit, Tamil, Urdu, and more); Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, Nepalese, Thai, and Tibetan); Spanish American poetries (those of Mexico, Peru, Argentina, Chile, and many other Latin American countries); indigenous American poetries (Guaraní, Inuit, and Navajo); and African poetries (those of Ethiopia, Somalia, South Africa, and other countries, and including African languages, English, French, and Portuguese). Complete with an introduction by the editors, this is an essential volume for anyone interested in understanding poetry in an international context. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides more than 165 authoritative entries on poetry in more than 100 regional, national, and diasporic literatures and language traditions throughout the world Features extensive coverage of non-Western poetic traditions Includes an introduction, bibliographies, cross-references, and a general index |
| 30 line poems: 2009 Poet's Market - Listings Editors Of Writers Digest Books, 2008-07-01 2009 Poet's Market will give you all the information necessary to research markets and submit your poetry for publication. In addition to market listings, you'll find guidance for preparing and submitting manuscripts, identifying markets, relating to editors, and more. Plus, the book includes additional listings for conferences, workshops, organizations for poets, print and online resources, and the latest trends in poetry writing and publishing. |
| 30 line poems: Epistolary Poetry in Byzantium and Beyond Krystina Kubina, Alexander Riehle, 2021-05-04 Letters were an important medium of everyday communication in the ancient Mediterranean. Soon after its emergence, the epistolary form was adopted by educated elites and transformed into a literary genre, which developed distinctive markers and was used, for instance, to give political advice, to convey philosophical ideas, or to establish and foster ties with peers. A particular type of this genre is the letter cast in verse, or epistolary poem, which merges the form and function of the letter with stylistic elements of poetry. In Greek literature, epistolary poetry is first safely attested in the fourth century AD and would enjoy a lasting presence throughout the Byzantine and early modern periods. The present volume introduces the reader to this hitherto unexplored chapter of post-classical Greek literature through an anthology of exemplary epistolary poems in the original Greek with facing English translation. This collection, which covers a broad chronological range from late antique epigrams of the Greek Anthology to the poetry of western humanists, is accompanied by exegetical commentaries on the anthologized texts and by critical essays discussing questions of genre, literary composition, and historical and social contexts of selected epistolary poems. Chapters 3 and 4 of this book are freely available as a downloadable Open Access PDF under a Creative Commons Attribution (CC BY) 4.0 license available at https://www.taylorfrancis.com/books/10.4324/9780429288296 |
| 30 line poems: Reading Sixteenth-Century Poetry Patrick Cheney, 2011-05-06 Reading Sixteenth-Century Poetry combines close readings of individual poems with a critical consideration of the historical context in which they were written. Informative and original, this book has been carefully designed to enable readers to understand, enjoy, and be inspired by sixteenth-century poetry. Close reading of a wide variety of sixteenth-century poems, canonical and non-canonical, by men and by women, from print and manuscript culture, across the major literary modes and genres Poems read within their historical context, with reference to five major cultural revolutions: Renaissance humanism, the Reformation, the modern nation-state, companionate marriage, and the scientific revolution Offers in-depth discussion of Skelton, Wyatt, Surrey, Isabella Whitney, Gascoigne, Philip Sidney, Spenser, Marlowe, Mary Sidney Herbert, Donne, and Shakespeare Presents a separate study of all five of Shakespeare’s major poems - Venus and Adonis, The Rape of Lucrece, 'The Phoenix and Turtle,' the Sonnets, and A Lover's Complaint- in the context of his dramatic career Discusses major works of literary criticism by Plato, Aristotle, Horace, Longinus, Philip Sidney, George Puttenham, Percy Bysshe Shelley, Seamus Heaney, Adrienne Rich, and Helen Vendler |
圆圈序号像这样能复制的㉛㉜㉝㉞㉟㊱㊲㊳㊴㊵ ㊶㊷，50以上的打 …
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
房贷如何提前还款，一次还清？第几年还最好？ - 知乎
举个例子：假如你贷款50万，贷款30年，已经还了3年，准备提前还款15万，如果你选择期限不变，月供减少的话，利息只能省一些。 但如果你年限减少，月供不变，利息能省不少钱。
中文文章中两个数字之间的连接符号，到底是"~"、"～"、"-"还 …
Aug 4, 2015 · 比如年份，1990年 “到” 2015年，或者 1% “到” 5%。这个 “到” 用符号表示，哪个符号才是标准用法？
成年男子每天的热量消耗是多少千卡？ - 知乎
在健身圈里，有一个公式，提供参考. 成年人每天应摄入的热量和你现阶段的生活状态相关，在此补充楼上洪嘉君的答案
房贷利息是如何计算的? - 知乎
我先假设贷款是100万，年化3.9%，30年。 第一步，我们先算出每个月要还的本金是多少。 100万除以30年，再除以12个月，每个月的本金就是2777.8元。 第二步，是算出利息。100万乘以 …
卡路里、千焦、大卡傻傻分不清楚？关于热量看这一篇就够了
图片来自网络，侵权删除. 日常摄入热量的单位一般用“卡路里”来计算，简称卡，1千卡=1000卡（也称为1大卡）。
快手签到365天 领iPhone 16 Pro?有没有人知道的是不是真的，家 …
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
《三角洲行动》跑刀选普坝还是机密大坝还是普通长弓？ - 知乎
选大坝，这个没什么好说的，穿勇气套装，正常情况一把30万左右，运气好60万左右，快的话10分钟，慢的话15分钟左右。 长弓图太大，普通不建议跑，收入没多少，全浪费在路上了。
什么是复合增长率，怎么解释能让人明白？ - 知乎
复合增长率的英文缩写为：CAGR（Compound Annual Growth Rate）。 CAGR并不等于现实生活中GR（Growth Rate）的数值。
论文AIGC检测这个结果算高吗？ - 知乎
通常情况下无论是期刊论文还是毕业论文aigc率不得高于30%，否则不允许发表或答辩。 为了保险起见，AIGC率最好低于20%！ 题主这个都没有超过5%，大可以放心！
圆圈序号像这样能复制的㉛㉜㉝㉞㉟㊱㊲㊳㊴㊵ ㊶㊷，50以上的 …
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
房贷如何提前还款，一次还清？第几年还最好？ - 知乎
举个例子：假如你贷款50万，贷款30年，已经还了3年，准备提前还款15万，如果你选择期限不变，月供减少的话，利息只能省一些。 但如果你年限减少，月供不变，利息能省不少钱。
中文文章中两个数字之间的连接符号，到底是"~"、"～"、"-"还 …
Aug 4, 2015 · 比如年份，1990年 “到” 2015年，或者 1% “到” 5%。这个 “到” 用符号表示，哪个符号才是标准用法？
成年男子每天的热量消耗是多少千卡？ - 知乎
在健身圈里，有一个公式，提供参考. 成年人每天应摄入的热量和你现阶段的生活状态相关，在此补充楼上洪嘉君的答案
房贷利息是如何计算的? - 知乎
我先假设贷款是100万，年化3.9%，30年。 第一步，我们先算出每个月要还的本金是多少。 100万除以30年，再除以12个月，每个月的本金就是2777.8元。 第二步，是算出利息。100万乘以年 …
卡路里、千焦、大卡傻傻分不清楚？关于热量看这一篇就够了
图片来自网络，侵权删除. 日常摄入热量的单位一般用“卡路里”来计算，简称卡，1千卡=1000卡（也称为1大卡）。
快手签到365天 领iPhone 16 Pro?有没有人知道的是不是真的，家 …
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
《三角洲行动》跑刀选普坝还是机密大坝还是普通长弓？ - 知乎
选大坝，这个没什么好说的，穿勇气套装，正常情况一把30万左右，运气好60万左右，快的话10分钟，慢的话15分钟左右。 长弓图太大，普通不建议跑，收入没多少，全浪费在路上了。
什么是复合增长率，怎么解释能让人明白？ - 知乎
复合增长率的英文缩写为：CAGR（Compound Annual Growth Rate）。 CAGR并不等于现实生活中GR（Growth Rate）的数值。
论文AIGC检测这个结果算高吗？ - 知乎
通常情况下无论是期刊论文还是毕业论文aigc率不得高于30%，否则不允许发表或答辩。 为了保险起见，AIGC率最好低于20%！ 题主这个都没有超过5%，大可以放心！
