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| a history of the harpsichord: A History of the Harpsichord Edward L. Kottick, 2003 A History of the Harpsichord brings together for the first time more than 200 photographs, illustrations, and drawings of harpsichords in public museums and private collections throughout Europe the United States. Edward L. Kottick draws on his extensive technical knowledge and experience as a harpsichord builder to detail the changing design, structure, and acoustics of the instrument over seven centuries.Based on painstaking research, the book considers the place of the instrument in society and vividly describes the market forces that brought about changes in its form, decoration, and cultural importance. An accompanying CDincludes performances on several of the historical instruments described and illustrated in the volume, including a 1580 spinett virginal by Martin van der Biest and instruments built by Ruckers and Pleyel. The volume devotes attention to American harpsichord design as well as to present and future uses of the instrument.Also of interestThe History of the PianoforteA Documentary in SoundEva Badura-Skoda0-253-33582-5 HB £37.95 |
| a history of the harpsichord: The Cambridge Companion to the Harpsichord Mark Kroll, 2019-01-03 Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building. |
| a history of the harpsichord: Playing the Harpsichord Howard Schott, 2002-01-01 This concise volume offers both a practical manual for performers and an authoritative history of the instrument. Includes advice on mastering basic touch, fingering, articulation and phrasing, rhythm and tempo, ornaments, more. |
| a history of the harpsichord: Historical Harpsichord Technique Yonit Lea Kosovske, 2011-07-11 Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals. |
| a history of the harpsichord: The Historical Harpsichord Howard Schott, 1984 The contents of the first volume of the series include a posthumous publication of Frank Hubbard's detailed study of the surviving instruments from the famous Blanchet workshop in 18th-century Paris by his life-long friend and sometime partner, William Dowd (Cambridge, MA), and a pioneering investigation by Christopher Page (New College, Oxford), into the medieval origins of the harpsichord. |
| a history of the harpsichord: The Harpsichord Diaries Elaine Funaro, 2019-05 Elena discovers a magical book in her grandmother's attic, The Harpsichord Diaries. Transported through five centuries, she meets eccentric talking harpsichords that bring music and history to life. Internationally acclaimed harpsichordist Elaine Funaro teamed up with her twins, professional theater director Eric Love and award-winning animator Andrea Love to create this unique musical journey. |
| a history of the harpsichord: The Historical Harpsichord Howard Schott, 1984 The contents of the first volume of the series include a posthumous publication of Frank Hubbard's, a detailed study of the surviving instruments from the famous Blanchet workshop in 18th-century Paris by his life-long friend and sometime partner, William Dowd (Cambridge, MA), and a pioneering investigation by Christopher Page (New College, Oxford), into the medieval origins of the harpsichord. |
| a history of the harpsichord: Treatise on Harpsichord Tuning Jean Denis, 1987-04-09 A translation of Jean Denis's Treatise on Harpsichord Tuning (1643/50), with notes and an introduction. |
| a history of the harpsichord: Ruckers Grant O'Brien, 1990-08-23 The name of Ruckers is as important to early keyboard instruments as Stradivarius is to strings. This book describes in close detail the art and technique of the Ruckers family, who produced harpsichords and virginals throughout a period of over 100 years. Dr O'Brien provides detailed information about the construction and decoration of Ruckers harpsichords and virginals, as well as the numbering, pitch, stringing, and the determination of the original state of their instruments. Like Stradivarius violins, Ruckers instruments were later altered, and the nature and musical significance of these alterations are discussed, as is the influence of the Ruckers style on later building practice. The instruments in their original and altered states are considered in relation to the music of the time and to contemporary performance practice. The text is richly illustrated with diagrams and pictures of original instruments, and with plan-view photographs reproduced at a scale of 1:10. The book also contains a partially illustrated catalogue of authentic and fake instruments, followed by extensive appendices. |
| a history of the harpsichord: Technique and Interpretation on the Harpsichord and Clavichord Richard Troeger, 1987 |
| a history of the harpsichord: The Harpsichord Owner's Guide Edward L. Kottick, 2013-01-01 Kottick presents technical information in an accessible, but entertaining, way: the forms and styles of harpsichords, advice on purchasing decisions, maintenance techniques (such as voicing, regulating, and changing strings, tongues, plectra, springs, and dampers), aids in troubleshooting common problems, and detailed instructions on tuning and temperament. As builder of some thirty keyboard instruments, Kottick is well qualified to speak on the subject. |
| a history of the harpsichord: A Guide to the Harpsichord Ann Bond, 2003-03 This practical guide treats the mechanics and evolution of the instrument, and offers a survey of its literature. The author provides valuable advice on touch and technique, including articulation and fingering, with a lucid exposition of the issues involved in historical performance practice and a clear explanation of ornamentation. The repertoire of each of the great national schools is presented and discussed, with four representative pieces singled out for detailed analysis. More advanced players will welcome the author's suggestions on continuo playing and the helpful discussion of tuning and temperaments. From advice on acquiring a harpsichord, to wise counsel on how to play it and what music to choose, to suggestions on maintenance and tuning, A Guide to the Harpsichord is an indispensable companion for both beginning and advanced harpsichordists. |
| a history of the harpsichord: The Fitzwilliam virginal book John Alexander Fuller-Maitland, William Barclay Squire, 1899 |
| a history of the harpsichord: A History of Stringed Keyboard Instruments Stewart Pollens, 2022-04-21 The first comprehensive technical and historical study of stringed keyboard instruments from their fourteenth-century origins to modern times. |
| a history of the harpsichord: A History of Pianoforte-playing and Pianoforte-literature Karl Friedrich Weitzmann, Otto Lessmann, 1893 |
| a history of the harpsichord: A History of the Concerto Michael Thomas Roeder, 1994 A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text. |
| a history of the harpsichord: Harpsichord and Clavichord Igor Kipnis, 2007 The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments. |
| a history of the harpsichord: L'art de Toucher Le Clavecin François Couperin, 1974 |
| a history of the harpsichord: Five Centuries of Keyboard Music John Gillespie, 2013-04-09 Gillespie discusses 350 composers and their works for harpsichord and piano, including Bach, Handel, Mozart, Beethoven, and Debussy. Includes 116 musical examples, illustrations, and a glossary of musical terms. |
| a history of the harpsichord: Making Music with Computers Bill Manaris, Andrew R. Brown, 2014-05-19 Teach Your Students How to Use Computing to Explore Powerful and Creative IdeasIn the twenty-first century, computers have become indispensable in music making, distribution, performance, and consumption. Making Music with Computers: Creative Programming in Python introduces important concepts and skills necessary to generate music with computers. |
| a history of the harpsichord: A History of Baroque Music George J. Buelow, 2004-11-23 A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term Baroque. The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period.--Jacket. |
| a history of the harpsichord: The Music of Life Elizabeth Rusch, 2017-04-18 Presents the life of the inventor of the piano, explaining why, how, and when he created the musical instrument. |
| a history of the harpsichord: Keyboard Instruments in Eighteenth-century Vienna C. R. F. Maunder, 1998 Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. Consequently myths and guesses abound, while accurate and reliable information is hard to come by. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers. There are detailed descriptions of many surviving Viennese instruments, several of which have only recently come to light; contemporary newspaper advertisements for over 1200 keyboard instruments are reproduced, in the original German as well as in English translation; and an alphabetical list of eighteenth-century Viennese makers includes much newly-discovered biographical information as well as some previously unknown names. |
| a history of the harpsichord: The History of Music in Fifty Instruments Philip Wilkinson, 2022-09-30 Although the title makes it sound like a reference book, it is so much more than that. The style of writing is engaging and informative. The layout is attractive, with beautiful illustrations, photos, period paintings, quotes, and interesting inserts on every page. Wilkinson's history unfolds like a symphonic work with instrument makers, composers and virtuosic performers picking up these incredible creations and exposing their beauty and capability. To open it up is to be instantly hooked. -- Publishers Weekly The 400-year story of music told by the instruments that make an orchestra. The History of Music in Fifty Instruments outlines musical history in well-written nuggets of information. Profiling one instrument at a time, it describes the history of music since the 1700s, when orchestras first took the formal shape familiar to us. The concise text explains the role of each instrument in the orchestra and its importance in the development of music in general. The book lists the 50 instruments chronologically in the woodwind, brass, percussion and string sections of an orchestra. The classic instruments are included -- violin, cello, flute, oboe, clarinet, harp and more. Some instruments reflect the musical period or context in which they were most popular, such as the harpsichord in the Baroque period, and the snare drum in military parades. Among the unusual instruments is the otherworldly theremin. A wide range of modern and archival photographs and paintings show the instruments. Entries outline their historical and country origins and the era in which they were played (e.g. Classical, Modern). Annotated illustrations explain the instrument's construction, how it is played and tuned, and its musical range. Composers, musical compositions and musicians that highlight the particular instrument are examined. For example, Baroque composer Antonio Vivalidi's contribution to the violin; inventor Adolphe Sax's tenacious promotion of his saxophone in the 1840s; and 20th century pianist Glenn Gould's controversial recordings of Bach's Goldberg Variations. For musicians, teachers and students, and all who enjoy music, this book is a beautiful and informative tour of the orchestra and beyond. |
| a history of the harpsichord: The Harpsichord and Clavichord Igor Kipnis, 2013-04-15 The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments. |
| a history of the harpsichord: Leadership in Science and Technology: A Reference Handbook William Sims Bainbridge, 2011-10-20 This 2-volume set within the SAGE Reference Series on Leadership tackles issues relevant to leadership in the realm of science and technology. To encompass the key topics in this arena, this handbook features 100 topics arranged under eight headings. Volume 1 concentrates on general principles of science and technology leadership and includes sections on social-scientific perspectives on S&T leadership; key scientific concepts about leading and innovating in S&T; characteristics of S&T leaders and their environments; and strategies, tactics, and tools of S&T leadership. Volume 2 provides case studies of leadership in S&T, with sections considering leadership in informal communities of scientists and engineers; leadership in government projects and research initiatives; leadership in industry research, development, and innovation; and finally, leadership in education and university-based research. By focusing on key topics within 100 brief chapters, this unprecedented reference resource offers students more detailed information and depth of discussion than typically found in an encyclopedia entry but not as much jargon, detail or density as in a journal article or a research handbook chapter. Entries are written in language and style that is broadly accessible, and each is followed by cross-references and a brief bibliography and further readings. A detailed index and an online version of the work enhances accessibility for today′s student audience. |
| a history of the harpsichord: Men, Women and Pianos Arthur Loesser, 2012-04-27 A renowned concert pianist traces the instrument's design, manufacture, and music in a delightful piano's eye-view of the social history of Western Europe and the United States from the 16th to the 20th centuries. |
| a history of the harpsichord: Bach Performance Practice, 1945-1975 Dorottya Fabian, 2017-07-05 Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions. |
| a history of the harpsichord: Bartolomeo Cristofori and the Invention of the Piano Stewart Pollens, 2017-08-03 The first comprehensive study of Bartolomeo Cristofori's working life, featuring detailed technical documentation about his instruments. |
| a history of the harpsichord: The Historical Harpsichord Sheridan Germann, Richard Rephann, 2002 Volume IV of The Historical Harpsichord contains two monographs of major importance, Harpsichord Decoration: A Conspectus by Sheridan Germann, and A Fable Deconstructed: The 1770 Taskin at Yale by Richard Rephann. Sheridan Germann, an acclaimed scholar and practitioner in the field of harpsichord decoration, offers the first comprehensive illustrated conspectus of thesubject. In Part I Ms. Germann tells us that the styles of the decoration of harpsichords (and spinets, virginals and clavichords) tended to follow contemporary furniture fashions, but usually lagged conservatively behind the prevailing fashions. Because, unlike most furniture, the instruments are often dated, they provide rare documentation of how long these styles remained in common use. This survey follows chronologically the five major regional traditions of keyboard instrument decoration-Italian, Flemish, French, German and English-but with emphasis on the international changes in taste on which each region produced its own variations.In Part II, Richard Rephann of the Yale Musical Instrument Collection describes his research into the uniquely experimental construction of the 1770 Pascal Taskin harpsichord. This essay forms a pendant to William Dowd's in Vol. I that treats the surviving instruments of the Blanchet-Taskin workshop up to 1770. The romantic provenance of the 1770 Taskin, concocted by the antique trade to enhance the instrument's market value, is revealed as a fable. |
| a history of the harpsichord: The History of Musical Instruments Curt Sachs, 2012-09-19 Written by a distinguished musicologist, this comprehensive history of musical instruments traces their evolution from prehistoric times in a fusion of music, anthropology, and fine arts. Includes 24 plates and 167 illustrations. |
| a history of the harpsichord: Handbook of Materials for String Musical Instruments Voichita Bucur, 2016-08-29 This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra |
| a history of the harpsichord: The Keyboard Music of J.S. Bach David Schulenberg, 2013-05-13 The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world. Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue. |
| a history of the harpsichord: Harpsichord’s Insides Pasquale De Marco, 2025-04-27 Journey into the enchanting world of the harpsichord, a musical instrument that has captivated audiences for centuries with its distinctive sound and rich history. In this comprehensive guide, you will embark on an exploration of the harpsichord's construction, technique, repertoire, and cultural impact. Discover the origins of the harpsichord, tracing its evolution from its early beginnings in the 14th century to its widespread popularity in the Baroque era. Learn about the renowned composers who wrote for the harpsichord, from Johann Sebastian Bach to George Frideric Handel, and delve into the vast repertoire of music created for this instrument. With detailed descriptions and insightful analysis, this book provides a thorough understanding of the harpsichord's unique sound. Explore the intricate details of its construction, including the soundboard, strings, action, case, and decoration. Gain insights into the techniques used to play the harpsichord, from touch and fingering to ornamentation and pedaling. Moreover, this book delves into the cultural significance of the harpsichord. Learn about its role in shaping musical genres, its influence on other instruments, and its enduring legacy in the world of music. Discover the harpsichord's place in museums, private collections, and concert halls, and explore the vibrant community of harpsichord enthusiasts who keep this instrument alive. Whether you are a seasoned harpsichordist, a music enthusiast, or simply curious about the history of musical instruments, this book offers a wealth of knowledge and appreciation for the harpsichord. Immerse yourself in the world of this captivating instrument and experience the beauty and artistry of its music. If you like this book, write a review on google books! |
| a history of the harpsichord: Makers of the Harpsichord and Clavichord, 1440-1840 Donald Howard Boalch, 1974 This is a standard work of reference, first published in 1956, second edition in 1974. It includes biographical information on more than 1000 makers and details of their surviving instruments, as well as detailed descriptions and remarks on more than 1,000 instruments. The main text is complemented by four tables, a geographical and chronological conspectus of makers, and a four-language glossary of technical terms. |
| a history of the harpsichord: The Early Music Revival Harry Haskell, 1996-01-01 First comprehensive historical study, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. Well informed -- Christopher Hogwood. |
| a history of the harpsichord: The Lute in Britain Matthew Spring, 2001 Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland.--Jacket. |
| a history of the harpsichord: A History of Pianoforte Pedalling David Rowland, 2004-08-19 David Rowland traces the history of piano pedaling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedaling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin and follows the transition from harpsichord and clavichord to piano. The book also includes an appendix of translated extracts from three well-known piano-pedaling tutors. |
| a history of the harpsichord: A History of Music for Harpsichord Or Piano and Orchestra John M. Harris, 1997 Organized to follow the development of the Baroque harpsichord concerto, the volume is divided into four parts: the Baroque era (J.S. Bach to Mozart), the Classical era (Mozart to Beethoven), the Romantic era (post-Beethoven to Brahms), and the 20th century (post-Brahms to the present). Each part begins with an examination of the works composed in Germany, followed by Italy, then European countries east of the north-south line through Germany and Italy, and finally countries west of that line. Includes a discography, bibliography, 46 tables of additional composers listed by country, and a composer index. Annotation copyrighted by Book News, Inc., Portland, OR |
| a history of the harpsichord: A History of the Sonata Idea William S. Newman, 2018-01-01 This definitive volume, the second, largest, and most central in Newman's History of the Sonata Idea, covers the period from the first sample Italian sonatas using the new techniques of the Alberti bass about 1735 to the succession of masterpieces by Haydn, Mozart, and Beethoven which extended until about 1820. It is one of the few books to deal exclusively with the classical era in music. Originally published in 1963. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. |
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